30 November 2024 ~ Croissant Café Kaliningrad it tastes as good as it looks
Never let it be said, and it seldom is not, that an exorbitant number of my posts have a disproportionate beer focus. I like a drink, and I am partial to the odd atmospheric pub/bar, but I am just as at home ~ well, nearly just as at home ~ in a good restaurant or café, and whilst I feel no need to prove the point, I will let you into the secret of one of my favourite Kaliningrad cafés: Croissant.
Croissant Café Kaliningrad
Croissant Café resides on Alexandra Nevskogo Street, which, in my opinion is an excellent street. Among its many other delights and facilities, there is the Tourist Hotel, a well-stocked Spa supermarket, the legendary Cultura Bottle Shop, a shop selling all kinds of inexpensive household products, including socks, pants, slippers and woolly hats, a special bread kiosk, an arty farty barbers, in fact, everything needed for daily sustenance.
Croissant Café is, of course, an all-year-round establishment, but I am particularly drawn to it in the winter months. I like the way on a cold, damp, frosty or a snow-settled day, the light ~ soft, warm and inviting ~ frames its windows in a cosy glow and then, stealing out into the street, tugs at your lapels. If you feel like a moth drawn to a flame, don’t worry. For a café serving quality food, the prices are quite reasonable. You can open your wallet, and you won’t get burnt.
Croissant Café likens itself in atmosphere and fare to the best in French tradition. It proudly emulates the pastry shops and bakeries from which French gastronomy gets its good name. Certainly, its bread selection, which comes in all shapes and sizes, has enough French sticks and crispy baguettes bristling from its wicker baskets to conjure up boulangerie.
Its website speaks in mouthwatering terms of all-day breakfasts and exclusive desserts, and its confidence in its ‘confectionary showcase’ allows it to mention by name its celebrated pastry chef Alexander Dianov.
In an illuminated glass display unit below the bread-laden shelves, a sumptuous banquet of choice awaits for those who have a sweet tooth. There are cakes, tarts, tempting delicacies covered in rich dark chocolate, an enticing array of exciting desserts and countless peerless pastries.
Excuse me, why do they call it Croissant Café?
Even though Croissant Café places great store on its sweet’s selection, and not without good reason, its range of savoury dishes are no less gastronomically adventurous or relegated by aesthetic indifference.
Every picture tells a story, and the café’s glossy booklet-style menus capture every dish using full-colour high-res photographs accompanied by descriptive profiles. The only flaw in the café’s menu, which in fairness is an oversight endemic in Kaliningrad, is that it fails in its savoury dishes to cater sufficiently for vegetarians, a funny lot, I know, among whose number I am one, but a consumer group all the same growing exponentially whose converts await entrepreneurs who can convert their conversion into roubles.
I am frankly quite surprised that no one in Russia’s hospitality industry has identified the vast potential lurking in this untapped resource, brought it on, encouraged it and mined it for all it is worth.
Croissant Café (Kruassan-Kafe) Kaliningrad There are a number of Croissant Cafés centred in and around Kaliningrad each proudly purveying a tempting range of high quality pastry and confectionary products and unique recipe freshly baked breads. Aromatic coffees and a wide selection of teas, plus hot beverages of an avant garde nature complement the café’s cuisine, or, should you wish to pamper the palate further, you could always go for one of the wines from the café’s European selection.
Other cafés in the Croissant Café family in and around Kaliningrad пл. Победы, 4 ул. Багратиона, 87 Ленинский пр. 67 пр. Мира, 84 пр. Мира, 23 Zelenogradsk, Lenin St, 3 Светлогорск, ул. Ленина 33
On a menu so extensive that it could have been the work of Tolstoy, I could only find three meat-free meals, and when I went to place an order, two of these I discovered though pictorially on the menu were not really on the menu at all.
Croissant Café Kaliningrad
The advantage of being a simple-food person is that disappointments like these have no earth-shattering consequences, and I was not so very much perturbed by the only option left to me, which was avocado salad. This relatively humble offering, like every other Croissant Café meal, could not be better presented, and with an appetising salad dressing and an assortment of tasty breads, each one freshly baked, I was not unhappy with my lot.
As with its savoury dishes and sweets, the café does not stint on its coffee and tea varieties, which are almost more diverse than the migrant-invaded West. It also caters for those whose approach to beverages is more intrepid, who are open to trying something new, something enticingly different, something overtly exotic.
Excuse me, why do they call it Croissant Café?
Contrary to Western media, Russia is rather sweet (see that picture below). I, on the other hand, am not a sweet man (Sorry, what was that you said? You’ve worked it out already.). However, providing the quality and price is right, I have been known to make exceptions, and nowhere am I more inclined to make exceptions of this kind than when dining at Croissant Café.
Cafés can be many things, for example cafés exist in England that bear more than a passing resemblance to the down-at-heel soup kitchens in Chicago’s prohibition era (I kinda like these too!). Croissant, on the other hand, is the very Ritz of cafés. The food is consistently good and presented with such an artistic flair that it would not look exceptionally out of place displayed at the London Tate.
The service, on my most recent visit and on previous occasions, was and has been commendable, scoring top marks for efficiency and ~ now read this café owners and read it in slow motion, since loyal patronage depends on it~ a gold medallion for friendliness. I am not, as some would appear to be, in the habit of frequenting cafés to lord it over the waiters and waitresses. Empathy is good for digestion, and Croissant Café’s friendly staff are a credit to the café’s appeal and to its overall experience.
Now look here and for the last time! Why do they call it Croissant Café?
Because the croissants at Croissant Café are the real, the absolute deal. They are freshly prepared, baked and produced in a seductive variety of flavours and fillings.
People come from near and far to sample and savour the pastries from which Croissant Café takes its name.
Would you care for a tip? Whilst the chocolate croissants should not be passed over, the marzipan ones are marvellous!
17 April 2024~ Craft Garage Kaliningrad a Pit Stop for Good Beer
On the same evening that we happened upon the Beer Bar on Prospect Mira and Bar Sovetov, we stumbled upon and into Craft Garage. You’ve guessed it! Whereas it could be argued that my MOT was long overdue, that I was urgently in need of a rebore and my big ends had gone, Craft Garage is not that sort of place.
In spite of the name, the service that Craft Garage provides is strictly beer related. Why else would I beer there? (Ho! Ho!) The clue lies in the ‘Craft’ part of the name. Craft standing for ‘Craft Beer Bar’ ~ crafty, ay!
Craft Garage Kaliningrad
The trend for this type of bar, as opposed to a fully fledged traditional pub, gained popularity in the UK in response to the micro-brewery boom and the inherent advantages of low start-up and maintenance costs together with ~ as the bars are usually small ~ a means of avoiding or at least diminishing the outrageously iniquitous business rates ~ a robber baron tax, which, not unlike death duties, is totally unjustified and is the current primary cause (bar one🙊) of the decay of Britain’s high streets.
The trend for such bars in Kaliningrad, whilst not motivated by the same factors, has gathered pace in recent years, as the taste and therefore the market for beer in general shows an exponential increase, decreasing the sales gap of old between Russia’s flagship vodka.
With my fan belt slipping and my radiator running dry, I was pleased to learn that not only was stumbling into Craft Garage an excellent idea, but that the bar dispensary was in stumbling distance itself, ie just inside the door.
Behind the bar, a youngish chap presided over a chalkboard containing beers of sufficient quantity and with enough interesting names to verily make one’s moustache curl. I’d left mine at home, but the barman’s made up for it. He had one of those Salvador Dali jobs, and the beer was certainly working.
As Salvador Dali was not listed among the range of beers on offer, and I didn’t know how to say in Russian ‘Which beer should I drink to grow a moustache like yours?’, I decided to play it safe, plumping for a beer recently tried and tested at bar Forma, which goes by the name of Kristoffel. It’s a nice name and a nice beer.
Craft Garage is not full of old engine parts, grease monkeys and the smell of spilt fuel and tyres; it is a well-oiled hip joint, suitably decorated and furnished around the novel theme that it has adopted. Its name and image lend themselves admirably to the continued restaurant and bar interest in the nuts and bolts ‘industrial look’, of which there are two categories. Both are shabby chic, but one is more shabby than chic, and Craft Garage occupies the top-drawer end of the chic curve. Excuse me, I am going to use the word ‘plush’.
For example, there is nothing shabby about the brick-effect walls, the cutaway oil drum chairs, the framed exploded vehicle-engine diagrams, the polished tables and bar area. In fact, polished is another good word, as everything in Craft Garage is as clean and sparkling as the pampered plugs of your favourite Rolls Royce’ engine. And whilst the floor is designer distressed, it is completely free of skidmarks.
The vintage accoutrements are, of course, less believable than a black Dr Who, but the willing suspension of disbelief works better for me in this case than my analogous reference. Moreover, Craft Garage has the advantage of allowing you to travel back in time with the company of your choosing, and whilst you can and must fault woke, you cannot fault Craft Garage.
A complete oil change (which you will need if you have spent half a lifetime drinking Watney’s) starts from 300 roubles.
There’s regular and premium, thus every engine is catered for, even the high-performance kind, and as every beer comes complete with a not-to-be-sneezed-at octane rating, when you finally reach the finishing line you can be sure of feeling well tuned up.
Craft Garage, the place to go when you want a night on the pistons!
Bar Sovetov Kaliningrad Retro with a Heart of Gold
It’s a venue which immortalises the House of Soviets, serves good beer, hosts music evenings and likes you, the customer.
13 April 2024 ~ Bar Sovetov Kaliningrad Retro in the House of Soviets
Do you believe in coincidences? In my most recent post I wrote about the gradual disappearance of Kaliningrad’s most infamous and controversial landmark, the House of Soviets. Less than a week later, I find myself in a subterranean bar dedicated to that very building.
Bar Sovetov is located in what once was, during the late 19th and early 20th centuries, the residential quarter of choice for Königsberg’s affluent citizens.
On foot, it is something of a trek from the city centre to this still sought-after district, but it is one I made on numerous occasions in the days when a bar, long since gone, the enigmatically named Twelve Chairs, exercised a consistent influence and justified the effort.
Bar Sovetov Kaliningrad
Whilst in the character of its rooms, Bar Sovetov does not possess the intricacy or the old-world charm that gave Twelve Chairs its je ne sais quoi, it is no less thought-provoking in the nature of its decoration and appurtenances of thematic quirk.
The two-roomed bar, with its truncated corridor leading to the lavs, is very much a pop art haven. Victor Ryabinin, former artist and local historian, would have adored it! Symbolism abounds: ‘Look Out!’ the slogan reads. ‘Big Brother is Watching you!’ You see it above the full-sized wall mirror in which you are watching yourself.
A white face mask framed between two suspended lamps exudes from the wall. Wearing a baseball cap in such a way that it partly conceals its features, it holds to its lips an admonitory finger attached to a long white arm. As with the face above it, the arm emerges from solid brickwork as it would through the fold of a curtain. Both face and arm are whimsical, especially in the matter of their relative dislocation, but irony and surrealism are the uniting forces that bring them together.
These are just two of many examples of Bar Sovetov’s camp milieu. Wherever you look, be it high or low, another element of the quaint and fanciful leaps out to greet and surprise you.
With the obvious exception of Aleks Smirnov’s Badger Club, lovers of the out-of-the-ordinary will be hard pushed to find even among Kaliningrad’s most unconventional watering holes anything that surpasses Bar Sovetov’s quaint burlesque. But for all that it camps it up, the nostalgia has a genuine ring; it springs from a source of real affection. And the humour the props elicit, be it aimed at you and me or tailored to the refined perception of the discerning intellectual, leaves plenty of form intact for the inquisitive mind of the history buff.
The genesis, erection, completion and the long-standing but idle years of the House of Soviets’ occupation are captured step by step in a series of timelined photographs. The images of the building in its promising phase of construction, with cranes on either side, are particularly poignant memories, given that in its obliteration almost identical cranes in almost identical places stand either side of the shrinking structure.
On the opposite side of actuality, a wall in the bar’s first room is a bold painted visual replica, close up and in your face, of the House of Soviet’s exterior. The effect is profoundly Gotham City, gaudy, haunting, claustrophobic but seminally cartoon, a perfect piece of ‘dark deco’ kitsch. Further urbanisation occurs not in the question itself, which is off the wall whilst on the wall, but in the way it is daubed across the wall, which reflects the mind of graffiti man stretched to its utmost limit: “Who,” it asks, “killed the House of Soviets?” If we didn’t laugh, we’d cry.
More real photos of the fated hulk that over its 53-year existence dominated Kaliningrad’s skyline, exciting in its awesome prospect, ambivalent and contentious in what it actually stood for and why it stood for so long, can be found in the bar’s back room.
It is here that the structure’s rightful place in the socio-political era into which it was given a sort of life or maybe a life of sorts is given historical context. Framed copies of Soviet art, amusing, powerful and all iconic, visually break up the hard brick-wall to which they are attached, whilst in one corner of the room a little shrine pays tribute to the final days of Sovietism.
There, upon a shelf, rubbing shoulders with the printed word and a quaint assortment of nick-nacks, sits a large portrait photograph of if not the architect of perestroika then the man who is widely considered to be its chief executive officer, former General Secretary Gorbachev, twinned in the opposite corner with a replica set of traffic lights, which, for some exotic reason or perhaps no reason at all beyond their anomalous presence and illuminative oddity, cast a lurid reddish glow across the whitewashed brickwork.
The seats in this comic-strip memory, when not authentic 70s’ vintage, are made from wooden pallets, painted to look distressed, put together as benches and kindly equipped with padded seats. However, recalling the slatted wood benches with which Kaliningrad’s trains were furnished twenty-three years ago, such convenient cushioned luxury may be but the useful product of indulgent historical revisionism. Whilst the past is unrelenting in its prescribed but often unforgiving and impractical perpetuity, concessions ought to be made, don’t you think, to our poor post-Soviet posteriors. Historical accuracy has its virtues, but is it worth corns and blisters?
Bar Sovetov Kaliningrad
The bar itself, that is the thing on which when you buy your beer it temporarily rests on top and the area to the rear of it, is a content-managed zone, where normal things normally sold behind bars share more than their fair share of shelving space with the weird, the wild and the whimsically whacky. Note the hollow concrete blocks shown in the photo below that have been used to comprise the wall of the bar. Is that or is it not a passing nod to the House of Soviets?
A conforming principle of all such bars, that is to say craft-beer bars, is that the beer selection is written in chalk on good old-fashioned blackboards. What is it, I ask myself, and I suppose you ask yourself too, about this rudimentary practice that makes it so applicable, so pleasingly, conventionally and fundamentally right and so well received in its prime objective, which is to call to our eager attention the dispensation of quality brews? When you’ve found the answer to that one, you might go on to answer the question ‘Who killed the House of Soviets?’ I have a hunch that in both cases we will discover the hand of Old Father Time.
From the six or so beers on offer, I ordered myself a ‘Milk of …?’ Er, a ‘Milk of …?’ What was the name of that beer? Ah yes, now I remember, I bought myself a ‘Milk of Amnesia’. How could you not drink a beer like that, with a name so unforgettable?
In summing up the Bar Sovetov experience, the beer is good. The atmosphere is atmospheric. The people who run the bar are real; in other words, they are genuinely friendly and they are also good at what they do. They effortlessly embody and earnestly convey the qualities prerequisite for fulfilling the role they have given themselves, that of convivial mine host, in an age when many are either not up to it or simply not fit for purpose.
Those who earn their living in the hospitality trade at customer-facing level, would do well to bookmark this truth, that the bar or pub in which they perform is as much a stage as any other and their customers are their audience. Once the curtain goes up, if you cannot manage authenticity, you must put yourself out there, put on a smile and remember that it’s show time! If the act is one the punters like or at least is one that they can believe in, and the beer is good and well kept, they’ll keep on coming back. Loyalty is everything, and that applies to the service industry as it does to everything else, and I cannot think of a better bar more deserving of it than Sovetov.
13 March 2024 ~ Craft Beers on Form at Forma Bar Kaliningrad
Those of us in the UK who are firm believers in the importance of preserving traditions and the history of our country, and who do their bit in this regard by paying homage to, and overpaying for the beer in, one of the oldest legacies of our country’s heritage, I am talking about the British pub, will be well acquainted with such familiar pub names as the King’s Arms, Nag’s Head, Fox and Hounds etc, and had you been around in the 1980s and 90s the fad of renaming pubs with silly names, such as the Slug and Lettuce and Goose and Firkin, but in all your days of pub frequenting you may never have come across any drinking establishment, be it a pub or a bar, that goes by the name of Form.
Craft Beers on Form at Forma Bar Kaliningrad
Form is a malleable word with manifold definitions, as any search through online dictionaries testify. One of the simpler meanings is that of a hard, plain bench, the more complicated reserved for the exotic world of aesthetics. Then there’s ‘he’s got form’, which is, in police parlance, another way of saying he’s done time, which is another way of saying he’s been in the nick, which is another way of saying that he has been in prison. But whether ‘form’ has to do with a hard-arsed bench or is recognition of a criminal record, one thing we know for certain is that Form is the name of a Kaliningrad bar that sits next door to the Yeltsin.
In short, the Yeltsin and Form are geographical neighbours, located either in the same building or one that is joined and adjacent. I have not quite made up my mind which of the two it is, as usually when I visit them I have downed a pint or two, which seems to a certain extent to demagnetise my compass. Suffice it to say, for arguments sake, that the space between the two establishments is less than a stone’s throw away.
This convenience of vicinity does not automatically mean that once you have found the Yeltsin, you have also found Form. The Yeltsin has a belter of a sign and sits prominently on the cusp of a junction which, at certain times of the day, is fairly heaving with traffic. So, if you are looking out for bars, the Yeltsin is hard to miss, and those that say it isn’t should hurry along to SpecSavers.
Conversely, its bedfellow, Form, has no such startling signage, at least not one that is visible from the busy vehicular street, and as the entrance is off the pavement, down some steps and tucked at the back of a forecourt, getting to know that the bar is there either involves a pedestrian element or relies upon word of mouth.
Take us, for example, me and my fellow pub crawlers. It was the bar staff at the Yeltsin who apprised us of Form’s whereabouts in answer to our question where is the next nearest bar?
Craft Beers on Form at Forma Bar Kaliningrad
Vicinity, and close proximity, are not the only things that the two bars have in common. Both bars cater predominantly for a young clientele. Both, in fact, are student hangouts. Both bars have an appealing basic look. Both have a vintage approach to décor, and some of their customers, not all, but some, have a bit of vintage about them. Both bars cater to the craft beer penchant for the names of beers and their respective strengths to be written in chalk on boards. And, last but by no means least, both bars have a reputation for keeping and serving premium beers on a selective, rotating basis.
Where the two differ is that the Yeltsin is more alpha male and Form more feminine. Now, don’t get excited and don’t go all western liberal gender woke on me, I do not mean it like that. My definition divides the two bars into one which seems geared to young male drinkers who equate craft beers with male camaraderie, and the other that seems to attract a more mixed crowd. Or, to put it another way, go to the Yeltsin for good beer, to listen to tracks on a classic juke box and a game of table football ~ you can also admire the urbanised bogs, with their lashings of bold graffiti ~ but go to Form if you want to sit in a group around tables you’ve pushed together to discuss the grades you got for your essays.
Neither of the two bars are better than the other, not in the strict comparative sense, but nuances in composition lend to each a slightly different feel.
From an architectural standpoint, Form has less form than Yeltsin. Yes, yes, I know: he was a larger-than-life man, with a lived-in and craggy face … Form, on the other hand, is little more than a room ~ little more than a large room, granted ~ hived off down one end by the inclusion of a shelving unit filled with intriguing vintage stuff, which acts as a screen for a makeshift cloakroom.
Form is not exactly spartan, but neither is it cluttered. It contains a number of antithetical but, even so, well-planned pieces that might not or ought not work together, but in Form they actually do. And Form is very comfortable. The floor may be plain old concrete, but it is patched with vintage mats — real, proper, woven mats, agog with interesting patterns. The retro furniture is hotch-potch, but all the more engaging for it. The wall mirrors look in shape as if they once belonged to, and are now on loan from, a 1970s’ lava lamp, and up there on the ceiling some strange artistic drawing is going on: lots of dark black swirling lines, some being tightly compressed, others apart and free flowing, which would not look less at home superimposed on a TV weather chart.
As for the lighting ~ how could I possibly not mention the lighting! ~ the ambient light is dimmed exactly to the right level, and the wall lights are of that special kind that direct illumination in an accommodating intensity only to where it needs to be and just as much as there needs to be, thus creating the sort of mellow cloistered moon-filled shadows in which a canoodling couple could easily fall in love or a single man could fall in love with his beer.
The bar within the bar, ie the actual bar itself, is straight out of DIY Ville. Wooden, too high for comfort, so that when you try to lean upon it, you look as if you’re begging, which, when the bar is full, I imagine you very well might be, all behind it is on display ~ buckets, pipes, barrels, glasses ~ whatever they use behind the bar you see it. It’s a wonderfully basic bar and that’s basic with a capital ‘Б’.
As the seating is notably mismatch, finding a chair to suit you should not be a crucial issue, but in the unlikely event it becomes one, there is plenty of scope for musical chairs.
Craft Beers on Form at Forma Bar Kaliningrad
My most recent visit to Form was a strictly Jack Jones affair: I was going it alone. Having purchased for myself a half-litre of Kristoffel Blond, six percent in strength and 400 roubles a pop, I took up temporary residence in a low-slung, wooden-framed fully cushioned chair, which, in my professional opinion as an always-on-duty vintage dealer, had travelled into the 21st century from way back in the 1970s. The chair and I were perfectly matched. Within a few minutes of sitting there, a couple, on whom I had never laid eyes before, opted for the seats opposite and joined me at my table.
In broken Russian and beery English Me, and in beery Russian and broken English Them, we conversed quite satisfactorily. What the gentleman of the two did not know about craft beers you could write on a half-torn beer mat. Thus, we spent in our comfortable vintage chairs a pleasant 60 minutes talking the kind of talk that only beer drinkers are able to talk whilst they are drinking beer.
Definitively and succinctly put, Kaliningrad’s Form is a comfortable, laid-back place. It has a lighting system to sing about, a convincing vintage feel and beers you can fall in love with. It caters inexclusively, but let us hint predominantly, for those who are young and intelligent enough to know what it means to drink sensibly, but nevertheless probably don’t, and strange old English fellows who certainly do but don’t, never have and in all likelihood never will be able to, but who are skilled in waxing lyrical about beers of outstanding quality — which is something that Form has — and also about good bars — which is something that Form is.
If it was up to me, I would say that Form is always on form, but I’ll leave it up to you to form your own opinion.
24 February 2024 ~ Patisson Markt Restaurant Kaliningrad Good Value
It’s one of two buildings that flank the entrance to what was once Königsberg Zoo, now the Kaliningrad Zoopark. Once upon a time, it was an old eatery with a distinctly Soviet feel. In 2004, I nicknamed it the Restaurant of Many Menus, for just that reason. In one would go and out would come the menus, several at least, weighty tomes, impressively, if not dauntingly, cram-packed with a plethora of traditional Russian dishes, all for one and one for all unashamedly non-vegetarian.
Not so today. Gone are the leatherette bound-in-brown gastronomical bibles, replaced by simple card menus that are pretty and neat by design and eclectic in their choice of nosh. Attractive in themselves, they are by no means incipiently necessary, since Patisson Markt operates on the self-service principal. All you have to do is skim your pre-selected tray along the polished metallic surface of the long zig-zagging shelf and construct a meal of your choosing from the many and varied selections of food displayed in the glass-fronted cabinets.
Above: The long serving counter cuts a dash of its own; a glass and metal complement to the unadorned concrete ceiling, all agog with pipes and wires, as if plaster board and trunking have yet to be invented.
The long zig-zag cafeteria counter offers a mouth-watering selection of savoury dishes, with more than enough vegetarian options to placate the non-meat palate. As a lover of simple food, it is not often that I can say that I was impressed with what was on offer, but here I most assuredly was.
That’s me saying that …
As might be supposed, meat and fish are everywhere, but Kaliningrad has at last come of age, and there are easily more than enough food variants not containing animal parts to placate and delight the fragile sensibilities of the staunchest vegetarian. As far as I am aware, this is as true of the sweets as it is of the savoury dishes. To my knowledge, none of the ice creams, tartlets, cakes, pastries and anything delicatessen are made with pork or beef, so if sweet-toothed things turn you on, Patisson Markt should flick your switch.
The carousel below provides a tantalising exposition of the delicious variety of food on offer at Kaliningrad’s Patisson Markt.
Patisson Markt Restaurant
This welcoming restaurant next to the zoo has come a long way since it was something entirely different. Various tweaks over the years, followed by a redefining makeover, have transformed a restaurant which was perfect for its time, including its bulky menus and traditional Russian grub, into bright and breezy, hip and buffet, thanks mainly to a design initiative that cunningly unites the naturalistic world around an alfresco dining experience.
I spy whilst eating apple pie (yum), an unusual-looking roof roundel. Whatever it is and whatever it may have been, it visually consolidates the foliate theme, that of nature’s outside in.
The naturalistic elements feeding this idea are simple but effective. Take open-ended, cubicle-type, high-standing shelving units, some made of wood others from ebonised steel, fill the compartments with logs cut to order, add convincing imitation ferns, plants and jars of pickles and arrange them in such a way so that each distils its own space from the generic space it occupies.
In any other interior context, the long and angular servery would focalise the content of the room, but hived off behind a light-blue-painted screen with pockets of shelving modules and open louvre window shades, it melts into the background, letting the props and various artifices manage mood and atmosphere.
Above: Louvre screen and windows … I’ve seen this done in the Kavkaz Restaurant: the knowing that you are inside but the feeling you could be outside. The blinds and trellised glass windows add an imaginative touch.
The open plan but cleverly screened nature of the long room together with its floor to ceiling windows, pleasantly partner to give a sense of bright and airy that is just seclusive enough to create the illusion of private dining without the feeling of being hemmed in. I don’t have to tell you how well it works, as I have told you that already.
The immediate room from the entrance lobby is the one where the former restaurant plied its trade. However, its ‘old-fashioned dine in secret whilst feeling uneasily bourgeoise’ has since been consigned to history, and I am perhaps the only one who remembers its enclosure and secretly mourns the loss of its War and Peace style menus, which have faded into obscurity long ago with my youth.
Nevertheless, of the two dining areas it is still the least ethereal. The luxury of light and bright resides in the long extension or knocked-through room on the other side of the building, which, through the conceits that I have described, bring the outdoors indoors, making the restaurant summer in summer and keeping it summer in winter.
Patisson Markt Restaurant
Patisson Markt is light on your senses and also light on your pocket. It is a ‘something for everyone’ place, even for a plain-and-simple-food man like myself, and for those with more discerning tastebuds there is plenty more besides, all with taste and quality but not at the price of a trip to the moon.
Opening times Friday & Saturday 9am to 12am Sunday to Thursday 9am to 11pm
And you should try these whilst you’re at it?
Mama Mia Restaurant There are pre-set lunches at a very good price. I had Greek salad, soup and pizza accompanied by cranberry juice. Café Seagull by the Lake Café Seagull is an excellent place for simply relaxing. The terrace and the restaurant windows look out over Kaliningrad’s ‘pond’. The cuisine, both in terms of presentation and taste, received top marks and the service could not be faulted. Balt Restaurant (Zelenogradsk) Recommend the Balt? I’d buy it if I could! Soul Garden (café garden complex) If you don’t go there, you’ll never know what you’ve missed! It’s unusual, and the view is well worth viewing.
Updated: 13 January 2024 | First published: 15 September 2022 ~ Upper Pond, Kaliningrad, new Garden Cafés
A few moments ago, you said in your bestist Russian, ‘Short pashalta’ (bill please), hopefully paid when you got it and have just legitimately left the Seagull by the Lake café, which was the subject of one of my earlier reviews. Turning right, you are now strolling along the side of the Upper Pond opposite a cobbled Königsberg street in the direction of Youth Park.
If you keep walking, you will arrive at a point where the presence of a fenced garden reduces the pavement to a narrow strip. Pedestrian activity is fairly busy here, and as the walled and railing boundary to your left, hedged in with dense confers, prohibits leeway, in order to make headway you will have to play kerb-hop, which is like kerb-crawling but without the fringe benefits.
When the walled and confer garden slips away, at the point where the pavement widens, you would, had you been walking here in the spring of 2022, have found yourself confronted by a disused café/restaurant, a rectangular slab of a building, covered all over in wave-like crustations, one corner surmounted by a metallic lighthouse, another by Captain Ahab, as I saw fit to anoint him, looking proudly over the rails of his elevated quarter deck with a massive globe, the world, at his feet.
Captain Ahab aloft the old Prichal Restaurant // Demolition in progress 2022
Before demolition commenced // Roofless in September 2022
Forever curious and not a cat, I wondered in my previous post on Ahab, whatever would become of him and the gardens that he presided over. Both the marine-themed café/restaurant and its gardens had been sinking steadily, year on year, into dismal destitution. Decay had moved in where trade had left off, and decay, dreariness and impending doom were the avatar of its fate.
The oriental garden went West first (every pun intended). The reed-thatched roofs turned green and mouldy, fell in upon themselves and then collapsed. The shrubs and bushes, once the beneficiaries of a culture of assiduity, exploited the dearth of supervision and in its absence had reverted, like children bestowed with too many rights and a woeful lack of moral guidance, to the clarion call of the wild.
And yet, even at its height, when all in the garden was rosy and the restaurant to which it belonged, although a most peculiar spectacle, was not quite the eyesore it eventually became, to contemplate the whole with anything else but regret was a feat so tremendously difficult that it challenged you to do so in contradiction of every tenet you had ever considered complied with good taste.
Indeed, if an oriental garden overlooking a man-made pond, which once belonged to the German city of Königsberg in what used to be East Prussia but now is Russian Kaliningrad, set against the side of a curious but somewhat tawdry building, which would look decidedly more at home in an amusement park on the north coast of England, failed to provoke the question WTF is going on? ~ then you might as well give up entirely, welcome the immigrant boats at Dover and, Heaven forbid that you could be so reckless, put your faith in the Labour party. On the other hand, with a little charitable latitude of thought, there is room for the hypothesis that having sailed the seven seas, Captain Ahab, believing by appearances that he must be off the coast of China, decided to drop anchor.
It looks like Chinagrad?
Not that it matters a fig. The garden, with its reed-thatched gazebos, which went the way of neglect ahead of Ahab’s building, possessed a certain twee appeal, and there was unity of composition in the design of the man-made structures, the choice of materials used, the natural blending of bushes and shrubs and the seemingly inorganic, but actually carefully planned arrangement, by which each and all of its components had been scrupulously laid down.
Then ~ I believe it may have been early in 2021 ~ a large tree came crashing down in the wind, smashing its way through the wall and railings. And the garden once so cultivated, so trimmed, so neat and expressly inviting was reduced from what many believed to be an object of mastered near perfection to the most inexpressible mess.
In the twelve months before Ahab and his Mablethorpe arcade hit the demolition skids, the beautiful gardens that were, but which, alas and wistfully, entered the realm of no more and never will be again, began to be ruthlessly cleared, and as the sounds of chain saws died away, replaced by the rhythm of hammers and the high-speed whines of angle grinders, it was clear to the not-so-innocent bystander, me, who was gawping there and quite on purpose, that alterations were underway.
Roadside view of garden, September 2022The garden as it appeared in September 2022Pond in the garden next to Upper Pond, Kaliningrad, September 2022Small terrace, work still in progress, Upper Pond, Kaliningrad, September 2022
Even as a passer-by, I saw shrubs being pruned, new vegetation planted, pavements taking shape, and two large and rather bland slope-roofed garden sheds rising above the perimeter, and, at the centre of all this make-good mayhem, Patrick McGoohan’s (The Prisoner’s) dome, or so I was pleased to fancy, only to be brought down to Earth with the phlegmatic explanation that the dome was an igloo geodesic constructed around a stainless-steel frame comprising triangular sections which supported a membrane of stretched PVC. Just as I said, The Prisoner’s dome, the home of the New Number Two (Didn’t see Rover, however?).
Hello, Hello, Hello and what do we have here?
The Phoenix that has arisen from the ashes is quite unlike anything that I have ever beheld. To say that there ‘aint no rhyme or reason in it’ is not necessarily pejorative. You see you’ve got these two big wooden sheds, one selling snacks and coffee and the other with a floor to ceiling plate-glass window through which youngsters sit a-gawping; a large geodesic igloo thingy; a piazza with tables and chairs; two small elevated terraces snug-fit to the lake side; and a long lake-facing and canopy-covered seating area, providing space for several groups sitting on low divans, each around their own personal coffee table.
The latter seating area is a peach; the haunt of the delectable; mainly affluent trophy girls who ostentatiously flaunt themselves by sharing the pipes of their hookahs.
Hookahs: everyone should try one!
These single or multi-stemmed smoking instruments, which cool and vaporise tobacco smoke prior to inhalation by passing it through a water reservoir, were better known to the pioneers of 20th century hipster fashion by the nickname hubbly bubbly pipes.
During the swinging sixties, hubbly bubblies were chiefly associated with the facilitation of opium consumption (naughty!); today, they are the limelighters for a new generation of fadists, some young, some not-so-young, but agelessly would-be trendy (Some believe just by smoking the hookah they qualify for this perfumed club.). They puff away conspicuously on these rather flamboyant instruments, using highly scented shisha tobacco (different flavoured molasses). Now, throw arty-farty lighting into the mix and the smoke exhaled appears to change colour. Wow, even more people will see you! And don’t you look extra cool!
Health experts disagree. Forever seeming to forget that life is bad for your health and is never almost but always fatal, they share no interest at all in egocentric fashion, routinely condemning the hookah as just another sure-fired way of inviting lethal respiratory problems to call time prematurely on an existence already imperilled and grievously overtaxed by vice. What a hookahless bunch of killjoys!
The Mercure from the terrace
On my first visit to this wonderous place, where one can eat, drink, relax, gaze out over the pond and attach one’s self to a hookah or two, it seemed as if whoever had thought of it had forgotten to give it a name. I therefore decided to christen it the Discombobulated Gardens? But since that ambiguous day in 2022, I have learnt that it goes by the name Soul Garden.
On my first and subsequent visits to Soul Garden, I gave the hookers a miss, content to sit back on the terrace, staring out and into the pond at the bold, mirrored and distant reflection of the irradiated Mercure Hotel, whose trademark zig-zag luminosity levitates in a limbo state high upon the Kaliningrad skyline, also hanging motionlessly within the depths and darkness of the pond’s expanse, achieving what we have yet to accomplish, where we like to say we never can be ~ in two places at once.
From the vantage point that the gardens offer, this view across the pond, particularly on a warm summer’s evening, is positively captivating, but with the summer of 2022 (and now 2023) as gone as Captain Ahab, you’ll have to take my word on this.
View from completed garden terrace across the Upper Pond; Mercure Hotel in the distance
During my premiere visit to Soul Garden, the view from the pond side had been so mesmerising that I almost failed to notice that in the time it took to order a beer and have it brought to my table, my hands had grown considerably larger. This Soul Garden phenomenon was explained to me by the waitress. Don’t worry, she reassured me, the reason why your appendages suddenly look much more impressive than they actually are in real life is that the glass in which your beer is served is less than the usual half litre.
Now, I am not suggesting that smaller glasses are indicative of sharp practice; I was just a little surprised, that’s all, what with my hands growing larger and my glass getting shorter, but there really is no need for alarm. Verily, all of Kaliningrad’s bars and restaurants clearly state the volumes in which their beer is served, it is clearly marked in the drinks’ menu. But should the need ever arise, don’t be afraid to ask: “Please could you show me your glass!” I am sure the staff will be most obliging.
In summing up, what I used to like to think of as a place called Something Gardens, but which I now know is Soul Garden, the word intriguing must be applied.
Like me, you’ll be intrigued by the layout and facilities as well as by the name, and you’ll also be intrigued by what they have planned for Ahab’s building. Like the gardens before they had soul, the carcass of the former construction is borderline identity crisis. Since the first stages of partial demolition, in which its tower, globe and ship, and come the day Captain Ahab, were mysteriously wafted away, throughout 2023 the shell of the building has sat on the banks of the pond teasing us one and all with its day-by-day month-on-month suspended animation.
Perhaps this is the reason the captain slung his hook: whilst he had no objection to Moby Dick, he foresaw in Jonah’s whale a completely different kettle of fish. But until the day dawns when all is revealed, it’s premonition to the starboard bow! Barrelman to the crow’s nest, and steady as she goes!
Just a very nice place to eat, drink and relax in 30 November 2024 ~ Croissant Café Kaliningrad it tastes as good as it looks Never let it be said, and it seldom is not, that an exorbitant number of my posts have a disproportionate beer focus. I like a drink, and I am partial… Читать далее: Croissant Café Kaliningrad it tastes as good as it looks
Arty Crafty it is and all the better for it! 17 April 2024~ Craft Garage Kaliningrad a Pit Stop for Good Beer On the same evening that we happened upon the Beer Bar on Prospect Mira and Bar Sovetov, we stumbled upon and into Craft Garage. You’ve guessed it! Whereas it could be argued that… Читать далее: Craft Garage Kaliningrad a Pit Stop for Good Beer
Bar Sovetov Kaliningrad Retro with a Heart of Gold It’s a venue which immortalises the House of Soviets, serves good beer, hosts music evenings and likes you, the customer. 13 April 2024 ~ Bar Sovetov Kaliningrad Retro in the House of Soviets Do you believe in coincidences? In my most recent post I wrote about… Читать далее: Bar Sovetov Kaliningrad Retro in the House of Soviets
Good beer in a vintage-inspired bar 13 March 2024 ~ Craft Beers on Form at Forma Bar Kaliningrad Those of us in the UK who are firm believers in the importance of preserving traditions and the history of our country, and who do their bit in this regard by paying homage to, and overpaying for… Читать далее: Craft Beers on Form at Forma Bar Kaliningrad
Light, bright and affordable ~ Pattison Markt 24 February 2024 ~ Patisson Markt Restaurant Kaliningrad Good Value It’s one of two buildings that flank the entrance to what was once Königsberg Zoo, now the Kaliningrad Zoopark. Once upon a time, it was an old eatery with a distinctly Soviet feel. In 2004, I nicknamed it… Читать далее: Patisson Markt Restaurant Kaliningrad Good Value
Upper Pond, Kaliningrad, garden cafés replace Prichal Restaurant Updated: 13 January 2024 | First published: 15 September 2022 ~ Upper Pond, Kaliningrad, new Garden Cafés A few moments ago, you said in your bestist Russian, ‘Short pashalta’ (bill please), hopefully paid when you got it and have just legitimately left the Seagull by the Lake… Читать далее: Upper Pond, Kaliningrad, new Garden Cafés
Basically one of the best beer bars in Kaliningrad 28 December 2023 ~ Yeltsin Bar: The Best Craft Beers in Kaliningrad There’s an awful lot written about Kaliningrad’s number one specialist craft ale bar, Yeltsin, named after Russia’s first post-Cold War president. Most of it is good; and much of it correct. The essential ingredients… Читать далее: Yeltsin Bar: The Best Craft Beers in Kaliningrad
Basically one of the best beer bars in Kaliningrad
28 December 2023 ~ Yeltsin Bar: The Best Craft Beers in Kaliningrad
There’s an awful lot written about Kaliningrad’s number one specialist craft ale bar, Yeltsin, named after Russia’s first post-Cold War president. Most of it is good; and much of it correct.
The essential ingredients of Yeltsin’s success are a wide range of tap and craft bottled beers from around the world, no frills food and a basic, industrialised look and atmosphere. With its juke box, table football and predominantly young clientele, it is the closest thing in Kaliningrad to a UK student bar that you would not expect to find in any Russian city ~ except, perhaps, Kaliningrad.
Yeltsin Bar
The Yeltsin sits at the end of a big solid block of a building on a fairly busy road junction about five minutes walk from Victory Square, Kaliningrad’s city centre.
You’ll wonder what it is when you first see it, as the name Yeltsin is all there is, cut solidly into a bronzed metal sheet attached to the outer wall. It is an effective sign prompting further investigation and one which pre-empts the Yeltsin design and ethos.
To get to the Yeltsin, one must leave the pavement and descend by a flight of concrete steps. A small beer garden, or more accurately beer courtyard, with a gravelled surface and some rudimentary seating precedes the entrance, and preceding communism, and to a limited extent surviving it, is a fine example of the Russian tradition of wall carpeting, albeit on Yeltsin’s outside wall as opposed to the usual practice, which is to hang the carpet on an interior wall for insulation and decoration.
This wall feature, as quirky as it is, pans into virtual insignificance in comparison to the voluminous blackboard, which, stretching from head height to the point where wall meets ceiling, contains an inventory of beers that ranks as truly awesome.
Beer rotation is ongoing, and with each outgoing and incoming beer, the board requires amendment. Up and down the step ladder demands good co-ordination and an admirable head for heights. One can only suppose that the bar staff either refrain from imbibing or have undergone rigorous training in the art of balanced consumption or balance whilst consuming.
Board-Chalker wanted; must have a good head for heights and proven expertise in the techniques, mechanics and dynamics of staying on a stepladder.
The Yeltsin Bar in Kaliningrad
As I wrote in a former post, the Yeltsin is an honest to goodness no frills bar. It is not ‘back to basic’, it is basic. No carpets (apart from the one outside) and no deluxe or chintzy wallpaper. It’s got hard seats, high stools, plain tables, industrial-style hanging ceiling lamps, a 1970’s style football game, a good old-fashioned juke box and an awful lot of atmosphere. It is not a soft-seat comfort place. It’s a place to hang out and drink beer. In fact, it is simply just a great place, with an easy-drinking atmosphere. What more could one possibly want?
Well, now, the proprietors of the Yeltsin obviously anticipated your answer to that question, and the answer they came up with was the more you want is street cred. And how they have achieved that is to turn the antechamber leading to the toilets and the toilets themselves into municipal halls of graffiti. The result to more conservative-leanings may be a trifle downtown urban for positive acclamation, but for me personally it seals the envelope on the Yeltsin statement of beer and basic.
The thing about the Yeltsin is that it’s a good thing, where less than more really works and where all the additional quirky bits feed into the central premise, which is that young and laid-back beer drinkers only need a glass for their beer, a table on which to place their glasses and stools on which to park their arses, anything else is superfluous.
In the Yeltsin’s case this superfluous anything just might be the huge wall-sized TV screen, which on my most recent visit to the bar was showing a fixed, that is stationery, video-camera image of a busy traffic underpass somewhere in Bangkok (How thrillingly arty fart is that!).
I cast a glance across it and then returned to the beer.
Updated 10 December 2023 | First published 2020 ~ Kavkaz Restaurant Kaliningrad
Housed as it is on the ground floor of a rather large building across the road from Victory Square and directly in front of the colossal shopping centre built in Königsberg style, it would be inaccurate to say that the Kavkaz Restaurant is ‘tucked away’ or that it is ‘off the beaten track’, but by not facing the main street and not advertised in any demonstrable fashion, you could say that it is reclusive, although no sooner had we entered the place than an editorial decision was taken, as I changed the word ‘reclusive’ to ‘exclusive’.
Immediately on stepping inside through the great glass double doors, words such as classy, quality, posh and ultimately very expensive chinged into my mind one after the other like metal tabs in an old-fashioned cash register, the last more forcibly than the rest, although in fairness I was about to discover that looks expensive does not mean is expensive.
For a few moments I was lost in the vastness. There
are big restaurants and bigger restaurants, but this was one of the biggest.
The metal tabs were singing again: huge, massive, cavernous, grand, and I must
not forget impressive!
It is being this impressed that makes it happen to you rather than you making it happen. A gaggle of pretty young waitresses, dressed in regulation black skirts and white blouses, hover near the entrance of the restaurant ready to escort you to your preselected, pre-booked table. Coats, hats and any other encumbrances are checked in with the cloakroom attendant, and before you know it you have been whisked away majestically to your seat.
No frills ceiling at the Kavkaz Restaurant Kaliningrad
Kavkaz Restaurant Kaliningrad
The Kavkaz Restaurant is a Georgian restaurant and its theme the Georgian Caucasus. As a Romanticist celebration of all that is vast, time-honoured and traditional about Georgia, the restaurant cannot be faulted. Its atmosphere, in great part, relies upon its shabby-chic credentials. The tall square brick pillars have a white-wash exterior, but one that is worn and ostensibly weathered; the ceiling is exposed, but the concrete is torn and ragged; the wallpaper, richly embossed with abstract designs, is scuffed; and the plasterwork screed on some of the walls has seen better days that never existed.
In the cozy secluded area where we were seated, the tribute to Georgia’s beauty continues in framed pictures of mountain men on horseback set against a sublime backdrop of snowcapped, sunlit and half-shadowed mountains. To the back of my seat, at the far end of the room, stand twin staircases equidistant apart. The sides are shabby-chic plasterwork; the tops crested with dark wooden rails. The stairs lead to a small upper storey that is confined to this area only. Brick pillars at frequent intervals, fitted with tall, pierced wooden shutters, the interior moulding of foliate design, create an illusion of sitting outside a building, of sitting below a veranda. In our sequestered corner, the illusion was so convincing that my wife and I were almost compelled to play Romeo and Juliette. But the romantic moment quickly passing, she stood upon the veranda, and I took a photo of her instead.
Olga Hart looking down at me from the balcony in Kavkaz Restaurant Kaliningrad
The Georgian Caucus theme is wonderfully pervasive and permeates everywhere effortlessly. The distressed brickwork, weathered stucco and plaster wall-motifs, the exposed ceiling and idealised pictures of tribesmen riding the mountain range conspire with perfect lighting to make you feel at once relaxed and, if you are not careful, rather more bohemian and definitely a lot more gallant than you could possibly ever pretend to be. It was as well, therefore, that any further straying into the realms of fantasy was brought rapidly to a decisive conclusion by the sceptical face of Pushkin himself staring down from a portrait on high, as if Romanticism was his sole province and yours to sit in Kaliningrad drinking vodka and beer.
Romanticist images at the Kavkaz Restaurant Kaliningrad
Looking somewhere else, I was pleased to observe the arrival of the first volley of vodkas. There were four in all, four tall glasses slotted into a wooden platter with snippets of cheese on one side. Ahh, and here was the beer as well.
Vodka served in style at Kavkaz Restaurant , Kaliningrad, Russia
Several dishes were served up, but as this was a celebration of a friend’s birthday, my apologies ~ I could not keep track of who was eating what and who was enjoying what they were eating. However, between drinking different flavoured vodka’s, we did manage to take some photos of the restaurant’s menu, which you will find in this review.
Kavkaz Restaurant , Kaliningrad, menu Kavkaz Restaurant , Kaliningrad, soups menu
From where we were situated going to the gents was something of a trek. Fortunately, my trip across the Caucasus was amply facilitated by vodkas and beers. From where Pushkin could no longer see me, I observed, whilst trying to walk straight (these mountains are prone to vertigo) that the other side of the restaurant was just as intriguing as the one we were dining in, and another visit would be needed to try it out for size.
One of many toasts at Kavkaz Restaurant Kaliningrad ; Mick & Olga Hart
On returning to my table, my vodkas, beers and wife, she listened intently (as intently as her twiddling habit on her mobile phone allowed) about my trip to the other side.
“Where have you been?” she asked. “I thought you went to the toilet.”
“I’ve been to the other side,” I replied.
She looked at me for a full three seconds, with an expression that seemed to say, isn’t that that where you’ve always been, and then went back to twiddling.
Pushkin was glaring again, so I ordered a second beer and looked him in the eye. He wasn’t a bad old stick, and neither was the Kavkaz Restaurant.
Updated 23 October 2023 | published 6 April 2023 ~ Sir Francis Drake an English Pub in Kaliningrad
“Would you like to go to an English pub?” Asked in England, this would be a completely pointless question should it be directed at me; but asked in Russia’s Kaliningrad 22 years ago, when the city was little more than a one-bar town, I was waiting for the punchline.
In 2001, going out for a drink in Kaliningrad meant either calling in at the subterranean snooker bar at the front of the Kaliningrad Hotel (big hotel; the only one) or taking a table in one of two restaurants that were lingering on from Soviet times. So, it was hardly surprising when Olga asked me, would I like to go to an English pub, I thought the question a trick one.
It was the name of this English pub that put me to rights: in the UK we have King’s Arms (we don’t know which king); Richard III (found under a carpark in Asian Leicester); the Lord Nelson (not yet suffered the ignominy of having his statue tossed into the drink by loony leftist agitators); we even had Jack the Ripper once, until, at the behest of the feminist mafia, the original name Ten Bells was obsequiously reinstated. And yet, whilst a whole host of famous-named pubs spring readily to mind, such as the Black Rod in Basingstoke and the Big Black Cochrane in Shepherd’s Bush, sometimes referred to as the BBC, I cannot recall ever frequenting a Sir Francis Drake in England.
Sir Francis Drake in Kaliningrad
In the small, secluded outpost of Russia, the Sir Francis Drake established itself as the first of Kaliningrad’s English-themed pubs. It occupied, and still does occupy, a fairly non-descript building in a built-up area some distance removed both from the old town centre, the district once dominated by the Kaliningrad Hotel, and its more typical town-centre successor: the area in, around and containing Victory Square.
The Sir Francis Drake locale is an unlikely place for an English pub or any pub for that matter. It brings back memories of streets in London excluded from exploratory pub-crawls as possible places of ill repute ~ assumed publess, therefore pointless.
Mick and Olga Hart in the Sir Francis Drake English-theme pub, Kaliningrad 2001
Thus, if on my maiden journey to the Sir Francis, I had expected to find something approximating to a typical English hostelry, which I didn’t, I would have been disappointed. Nevertheless, the owners of the Sir Francis Drake had shown good sense in singling out their establishment and attesting to its themed credentials by erecting by its courtyard gate a proper, hanging English pub sign complete with full-length portrait of the famous man himself, the eponymous Sir Francis in all his 16th century glory. That sign, and what a tremendous sign it was, has long since gone, replaced by a less traditional but self-explanatory clipart-type image, depicting a foaming tankard of beer.
Mixed fortunes
The Sir Francis Drake, as might be expected, has passed through various hands since the days when my English brogues first pitter-pattered across its threshold, and its changing fortunes tend to reflect the grasp successive owners have had of what it is that makes an English pub successful and how best to replicate that success.
For example, shortly after my first visit to the Sir Francis Drake, the bar’s courtyard, a small, paved drinking area or hard-surfaced patio adjacent to the entrance, acquired chairs and tables at which, on days when the weather was clement, people would sit and drink. Fast forward two or three years, and all had gone to seed: half a dozen rusting metal chairs around a wonky table completely spattered with bird shit huddled under a ragged canopy, which was dirty and leaked profusely in more than several places but was good at dragging mosquitoes in during the height of summer, did little to boost the passing trade, which simply kept on passing.
Within the bar, the fairly formal atmosphere that once had dwelt there with noble intent, but which in itself was as like to anything lurking in an English pub as nothing is to something, had packed its bags and gone, fled, vamoosed, hurried away, leaving in its wake a tired and tawdry desolate feeling, a non-existent menu and a middle-aged lady behind the bar unarguably more accustomed to propping herself on her elbow and dragging on a fag than she was to serving customers. She pulled me a pint of beer (Good Heavens, it was Charlie Wells!) and rustled me up a bowl of soup: I drank my beer; ate the soup; and left.
It was to coin a phrase one of those “I am going outside and may be gone for some time,” moments, and thus it came to pass; until many years later fate decided to bring me back from Kaliningrad’s blizzard of bars.
The rediscovery of the Sir Francis Drake coincided with house hunting. We were looking for a property to buy and whilst engaged in this quest had set up camp in a rented flat nearby.
The nearest watering hole to our place of rest was a small craft-beer bar, a new concept to Kaliningrad that had just begun to be trialled. It was a superbly spartan venue but had more beers than a bootleggers’ lock-up. Serving food would have spoilt its image, but to entice my wife to remain in a bar until they kicked me out, I had to ensure that my usual pub diet, which was normally limited to crisps and peanuts, could cunningly be augmented by something approaching a proper meal. Women can be the strangest of creatures.
The closest bar to the foodless establishment was the Sir Francis Drake, and although our last encounter was enough to make us shy away, that the outside area was again presentable and since through its large arched windows a thriving clientele could be seen eating as well as drinking, we decided to bury the hatchet. (That’s an age-old expression, in case you’re wondering, not an ancient Königsberg ritual.)
The bar’s interior had not, and has not, hardly changed a jot since I first clapped eyes on it in May 2001, which is all to the good, since in the UK so many pubs, particularly village pubs, have suffered to have their original appearance, and with it original atmosphere, systematically destroyed by the boardroom boys in suits; those little-minded £-men, whose vandalism ironically demonstrates the feeble knowledge they have of how to sustain a pub and make it pay, an ignorance only equalled by their utter lack of consideration for conservation and history. One day it might just dawn on them that the two go hand in hand. The Philistinism by which they run, and by which they ruin their pubs, is only matched in idiocy by the quick-change con men masquerading as interior designers, whose cack-handed, ill-conceived and badly applied cosmetic surgery scars and robs each pub they touch of the richness of its unique character, charm and personality. The result for the pub is certain death, albeit sometimes a lingering one.
Kaliningrad’s Sir Francis Drake is not steeped in antiquity and thus has less to fear than those that are, but its continuity of almost three decades is something of a novelty, something to be proud of, especially in an age that boasts that the attention span of your average phone junkie is Dwarf from the North in stature and Liz Truss in longevity.
Limited by its size (referring now to the Sir Francis Drake, not the Midget Beyond the Midlands) as much if not more by the props at its disposable, nevertheless, with its heavy portcullis-type doors, panelled walls and dark wood beams, the bar continues to cultivate a pleasing and passable, if not strictly genuine, impression of a traditional English tavern or something that could or should be, and we’d like it no less if it was.
Now, if the Sir Francis Drake had been a genuine English pub, that is to say located in England, it would no doubt have got off to a reasonable start, but inexplicably over time, with no respect for theme or atmosphere, it would be out with the conforming styles and in with the girly-wirly lilacs, other pithy boutique pastels, a mish-mash of pale wood furniture raised on big block legs, inconvenient high-backed seats and, just for good ludicrous measure, a bar looking more out of place than anything that your imagination, even without an addiction to Gold Label and pickled eggs, could conceivably contrive.
I have personally witnessed, back in my days as a beer magazine and pub-guide editor, bars constructed of oak dating to the nineteenth century and period pieces from the 1950s manufactured in plywood kitsch, torn away and replaced with nasty pallid harlequin bricks or MDF veneer, materials which, even devoid of taste, you would not wish on an outside bog in Wigan, let alone install in a pub in Wigan or anywhere else for that matter.
So ten out of ten for the Sir Francis Drake for retaining its integrity and for showing the Brits that it can be done.
Less ten out ten, however, for not repelling the TV invasion. If the UK’s Sir Francis could see off the Spanish fleet whilst playing a game of bowls, thus consigning Spain to a fate of idle siesta-prone work-shies, surely Kaliningrad’s Sir Francis could have thwarted the millennial plot to inundate every last drinking establishment with an armada of flat-screen TVs. (We are talking tellies, not transvestites (which to your way of thinking is the lesser of these two modern evils?)
In all fairness, bars, wherever they may be, need to do whatever they can to bring the punters in. Nowhere is that more crucial than in the beleaguered pubs of England, which sadly in more recent decades have fallen foul of a political class that puts ethnics first and tradition last (But what of the Conservatives? What are they conserving? The answer is themselves.)
The Sir Francis Drake hasn’t much space, not enough in fact to swing a Spaniard in, but it has done what it can to cram as many people as possible into the space it’s got. In 2018 and 2019, at a time when we frequented it most, getting a seat on the off chance was a risky business indeed. Whether that is the case today, I cannot really affirm, since, at the time of writing the Sir Francis Drake is under new management, making its present popularity difficult to assess, whereas its erstwhile popularity was never in any doubt: want a table? Book in advance. So, book we always did, and just to play it safe we booked in April of this year.
The best tables in the joint, hence those that are snapped up first, occupy two elevated platforms on either side of the entrance. They cater simultaneously to two innate desires: the need to be seen and whence to see from ~ an exhibitionists’ and voyeurs’ dream hermaphrodite in fulfilment.
The 2018/2019 management, who probably threw in the beer towel during the mask-wearing coronavirus years, were without question, Sir Francis Drake’s most loyal and its most trusted friends.
Throughout their tenure they maintained and retained the integrity of the historic premise, even down to preserving the framed and glazed biographical timeline of the life of Sir Francis Drake, an absorbing document in many ways and one that inevitably showcases the achievement for which he is best remembered, the annihilation of the Spanish fleet, a military-geo-political triumph that paved the way for Britain becoming the greatest naval power on Earth and in the fullness of time the greatest empire.
No less spectacularly, the same management also introduced a revolving selection of imported beers and lagers, authentic tasty pub-grub served by tasty female bar staff and young blokes behind the bar who looked as if they knew their stuff probably because they did. It’s amazing how many don’t.
Whilst all the other important fixtures and attractions remain intact, sadly Sir Francis Drake’s superb bar staff and their faithful if rather cliquey friends, who were the mainstay of the clientele, have, like the remnants of the Spanish navy, long since drifted away. People come and people go, but legends live on regardless.
The last time that I raised my glass in the legendary Sir Francis Drake, September 2023 was drawing to a close. At that time, the menus, both food and drink menus, left over from the previous management were looking somewhat jaded. The beers advertised did not match the available brands, and the foodies who were with me voiced similar reservations with regard to the dishes advertised and the quality of the meals. The service was good, however, and the folks behind the bar efficient, warm and friendly. Thus, the latest report for Sir Francis Drake, which reads nothing like anything that has ever been written about its eponymous hero, is: ‘Has the ability … could do better … look forward to improvements …” Or have I simply taken these words from a long succession of my old school reports?
Let’s not search for the answer. In the Mick Hart Guide to Kaliningrad’s Bars, the Sir Francis Drake still rates highly ~ seven out of ten at least!
Epilogue
There is no question that the honour of laying the last word of this post should have gone to Sir Francis Drake himself, but, unfortunately, he is unavailable for comment.
Suspecting treachery among the UK’s ruling classes (yet again), I urged him to make all haste to Dover and there play bowls as he did before in Plymouth. If anyone can stem the French Armada and save us from the migrant hoards, Sir Francis is that man. But he must not tarry in his God-given task.
For even as we speak, the UK’s woke-finder generals are busy rewriting slave-trade history, liking and wanting nothing more than to besmirch and depose our national hero as an excuse for the great unwashed to tear his statue from its plinth and toss it into PC Pond. Then they will take each of the pubs that they say his name dishonours and rebrand them in the language of Woke. On t’other side of Hadrian’s Wall, it will be Humza Yousaf King of Kilts, and way down south in London town, Sound-as-a-Pound Sadiq Khan, that Diamond Asian Cockney Geezer. Cuh, would you Adam and Eve it! Is it any wonder that Sir Francis Drake cried “Bowls!” and hurried off to Russia?
True Bar makes its debut on the Kaliningrad music scene
16 October 2023 ~ True Bar Kaliningrad the City’s Latest Music Venue
Invited to the opening of a new music venue by singer-songwriter Andrey Berenev, the 14th of October 2023 saw us, my wife and I, rendezvousing with our friend and drinking collaborator, Inara, at a café close to the venue.
I wondered what type of music the bar would be playing; would it be underground? The music venue is. It is located on Krasnaya street. You can’t miss it, not because you can’t miss it, but because it has three notable landmarks: a café on either side of it, one of which we assembled in, and opposite an arts and crafts shop selling imaginative artwares inspired by the city’s alter ego Königsberg.
True Bar Kaliningrad the City’s Latest Music Venue
The entrance to the bar lies in the forecourt that it shares with this shop and one of the two coffee shops. As it is below decks, you won’t see a building, just an elevated entrance, with the club’s name and logo attached to the wall. The place you are looking for is True Bar.
For the past two weeks, after a warm and sunny autumn debut, the wind has been howling, the rain has been pelting and the temperature has taken a turn for the worse. We were spared the rain on the evening of our visit to the new club, but the wind had not relented, and each gust was bitterly cold.
As we had arrived early, we hid in the arts and crafts shop for a while, and when we emerged discovered three or four young people waiting at the entrance to the bar. My wife, Olga, and our friend, Inara, were chuckling at the possibility that tonight’s venue would be exclusively for them ~ ‘youngsters’ ~ and that we would be the oldest patrons there. I made a mental note of this, whilst the track from Fred Wedlock played in the background: Would there be concessions at the bar for OAPs, sometimes know as OFs (Old Farts)? I was glad that I was wearing reasonably young person’s clothes. Do you think there’s a chance he missed them?
The bar was a bit behind schedule in opening, which meant that our small group of prospective clientele was growing by the minute. It was reassuring to note that among our fellow shiverers, one or two people of a more mature age had joined the throng, including singer-songwriter Andrey Berenev, who had invited us this evening. This was the first time I had met him in person. You may recall in my former post, The Badger Club, Olga had gone to the venue alone, and I had written about the club having been inspired to do so by her account of that evening and from the photographs she had taken. In a manner of speaking, however, Andrey had met me; he remembered me from Victor Ryabinin’s funeral.
When at last access to the bar was no longer denied to us, we shot downstairs like ferrets down a drainpipe.
True Bar Kaliningrad
The main staircase, which is a bit dim, so don’t go there in your carpet slippers, descends to what for me was a most welcoming sight indeed, the bar itself.
I suppose that does mean we are pleased to see you?
A second staircase takes one down to the club floor. There is no stage, as such. The performers perform with their backs to the upper deck, the small bar area, which is big enough to serve as a viewing gantry. Every inch of the club area is utilised. Including the lower staircase.
Perhaps not the usual vegetarian response to pigs ears on the menu
The club seating is a simple ‘homemade’ series of backrest slat benches arranged in pairs either side of a solid table. It’s what it is; and it works. People come here for the music and the atmosphere, and, of course, to drink; everything else is secondary.
I have used the word intimate already, and it gets more so when you want to go to the toilet. I’m not suggesting that you have to share the loo, but to get there you have to single-file between two lines of people: those spread out against the bar and those leaning over the balcony. As I said, one of the leading features of the club is its unconditional intimacy.
It’s amazing the fun you can have with cheese straws and vodka
I wondered what the sound quality would be in the club and was pleasantly surprised. The ceiling slopes down high at the ‘stage’ end and low at the other, which is not peculiar as the club sits below a vehicle ramp. My mind kept playing tricks with words ~ it often does. Here, was the word ‘garage’, and there the word ‘music’. I got the impression that the bands were none too pleased with the Vox amplifying system, but the general acoustics seemed fine to me.
Olga Hart: an esoteric experience
As I mentioned earlier, I had not met Andrey Berenev before and neither had I met Aleksandr Smirnov. The latter made what can only be called ‘an entrance’, when he suddenly appeared dressed in his all- leather, self-made, signature ‘chimney sweep’ outfit.
From that moment onwards, all female tats, short skirts and shimmering stockings, as questionable and nice to view in that order, were instantly upstaged by Mr Smirnov’s imaginative rig, which, I am appalled to admit, made my red cravat and waistcoat look inexcusably tame. The only other gentleman in the room whose appearance attracted attention was he who was wearing a fawn-toned trench coat, carefully amalgamated with a sharp side-parting hairstyle, sixties tie and tie-clip. It’s not every day you meet JFK’s double.
True Bar scores high on the atmosphere chart but would benefit from a dimmer switch to bring the sheen from the lighting down to a level more in keeping with its underground ethos. In every other respect, as they were fond of saying in the roaring 20s’, ‘the joint was jumping’.
From the appearance of the first band to Andrey Berenev’s song, which he had written with Aleksandr Smirnov in mind and to which the flamboyant and charismatic chimney sweep took to the floor with relish, the atmosphere was beyond electric. If you like it lively, you got it!
True Bar is a true bar. Maladits! I say in my very best Russian.
