Cancel Culture West Wages Woke War on Russia
Published: 18 March 2022 ~ Why does the West want to Cancel Russian Culture?
A recent article from RT headlined ‘Western cancel culture has gone nuclear in targeting an entire country’, no doubt led many Russians to ask, “what exactly does ‘cancel culture’ mean?” I’ll get to that in a minute. First, let it be known that cancelling Russian culture is not a new thing for the West. Indeed, the UK establishment has been at it for years, long before the term was coined, in fact at a time when neoliberalism and its all-consuming globalist dream was nothing more than a distant twinkle in the eyes of rapacious imperialism.
Why does the West want to Cancel Russian Culture?
Unlike Russia, whose socio-cultural model is based on tradition, traditional heterosexual family values, respect for Russian history and pride in and preservation of sovereignty ~ all of which makes it a perfect target for the cancel-culture West ~ British culture has been eroded over time and replaced by something sub-standard and counterfeit. For 30 years, at least, the UK has been the victim of a systematic cancel-culture campaign, cynically inflicted upon its legacy citizens by self-interested globalist aspirants masquerading as humanitarians.
The result of these policies is that today’s UK is a pale shadow of its former self. Once proud and united, British society today is riven with cancel culturalists, who repeatedly turn to woke to further their neo-fascist agenda.
As with ‘cancel culture’ any attempt to define woke using Google will inevitably return a left-leaning prejudice. Woke began life as a liberal buzz word, incestuously applauding a supposed awareness of racial or social discrimination. But with its increasing application as a virtue-signalling means of cancelling culture, principally by preventing alternative views and expression, it rapidly acquired pejorative connotations as a psychological/emotional weapon wielded by subversives against the UK’s indigenous culture. Found out, it rapidly turned pejorative, censuring the sanctimony for which it was designed and the subversives by which it was wielded.
Cancel culture and woke are closely related, in that both instruments depend for their projected legitimacy on claiming the moral high-ground; both are designed to shut down free speech and subvert target cultures; and both belong exclusively to the doctrines of liberal fascism, which singles out ancestral cultures, infects and erodes them by stealth and then when sufficiently weakened rapes them of all decency.
In the UK, woke, which is the bastard child of political correctness, and cancel culture, which is too nice a term for cultural genocide, were brought to fruition by two coalescing engineering programmes: first, social engineering and then gender engineering. Historically, the two overlap, but I have separated them out here, since the degree to which UK media in both its corporate and social forms obsesses on them displays a slight shift of late in favour of gender, although race and racial woke remain the cancel-culture bedrock.
The first of these programmes, and the one that is still paramount, is concerned with state-aided and abetted third-world immigration, with its predisposition to dilute host culture and disrupt and fracture cohesiveness. The second, gender engineering, challenges and inverts biological, cultural and morally acceptable norms that are of innate and long-standing importance to the host-country’s culture. Taken together, both experiments have produced a bizarre and troubled social construct, comprising CMUPs (Culturally Mixed Up People) and GMUPs (Gender Mixed Up People), both of whom we are led to believe can comfortably co-exist with traditional values-oriented, non-deviant ‘normal’ people. Only, of course, they don’t.
The socially engineered migration programme, not be confused with natural migration, ie that which occurs for various reasons over any number of years, has been purposefully devised in a relatively short timeframe in accordance with the diversity tenets of the Kalergi Plan, an early 20th century cancel-culture blueprint routinely, if not conveniently, dismissed by western liberals as a conspiracy theory of the far right. (PolitiFact, which is a liberal ‘fact checker’ tells you it is a conspiracy theory, so make of that what you will!)
Both programmes serve a mutual purpose, which is to radically weaken, alter and diminish the traditional values of the host culture until it devolves to such impoverishment that it can be parasitically usurped and ultimately replaced by a macabre and distorted otherness,
It must be understood that cancel culture in the UK is at an advanced stage, brought about not by external forces but perpetrated from within by the very people that we have elected to safeguard our culture and heritage.
The extent to which cancel culture has been promulgated in the UK, and how insidious it has become, can be evaluated from the fact that the UK’s education system is nothing more than a factory of woke. Whatever goes in at one end by the time it comes out at the other, like a limp stick of Brighton rock, it has ‘liberal-lefty’ stamped all the way through it.
Naturally, or unnaturally, depending upon your point of view, the contribution of the UK’s media to this woeful state of affairs is incomputable. Suffice it to say, however, that it is not only corporate news and social media that is stoking woke and cultivating cancel culture, documentaries and popular dramas also play a part.
The BBC, the main offender, is little more than a revisionist joke. It routinely distorts British history by writing black, gay and other PC preoccupations into historical contexts where they never existed and, given the norms of the periods in which the dramas are set, would never have been allowed to exist. Watching these hysterical-historical dramas it is easy to believe that a gender-studies female Dr Who (a tick in the box for gender woke) flounced back in time in her fictional TARTIS and altered something in the past to justify the woke that is the unreal real reality of 21st century UK. If not this, then what other explanation is there for the degradation of common sense and the unfolding cultural catastrophe?
It has already been noted that cancel culture in the UK is at such an advanced stage that the prognosis for the patient is not at all good, but, like every disease, it had to start somewhere. Fortunately for Russia and its citizens, the outbreak of cancel culture that it is contending with today is little more than a rash (and proving rash for those who conceived it). It is the work of hostile foreign powers and as such has limited consequences outside of Russia itself. Cancel culture only becomes existentially dangerous on a creeping subversive level when it takes hold within a country, and this it can only do with the full connivance, collusion and treachery of a facilitating government.
In Britain cancel culture began with what you could and couldn’t say, and that rule still applies. Opening your mouth without first having your thoughts rubber-stamped liberal is liable to expose you to a frenzied barrage of insults, or, at the very least, to instigate typical ‘stop’ words, such as ‘racist’, for example, or the currently trending ‘misogynist’ or any number of logic-turned words with ‘phobia’ strung on the end. Fortunately, over time, these words have become overworked, overused and resultingly less effective and always have been less than successful at stopping you thinking what you think and what you truly believe.
However, as we know to our cost, from tiny microbes nasty diseases grow, especially when they are cultivated. For example: Flying the nation’s flag is racist; wearing poppies, the traditional emblem signifying respect for British service men who gave their lives in two world wars and also in later wars, is racist; celebrating Christian Christmas is an offence to other religions, it is inciting religious hatred, thus Brits should rename it Christmas Lights or something like Winter Holiday; flying the flag of St George, now that is really racist; whilst the use of terms like ‘ladies and gentlemen’, ‘boys and girls’, even ‘mums and dads’ is incredibly offensive to gender neutrals. I am sure you get the picture.
It would be nice to say that these idiocies only exist in the phantasmagorical world created by UK media, but no. For liberal lefties this is reality, and they zealously want to change your reality to make it fit unconditionally into their narrow mixed-up rainbow spectrum.
Obviously, as time goes by the effects of cancel culture and woke grow worse ~ much worse. Perhaps one of the best of the worst examples of cancel culture of late is the obsequious, cringe-making response of government and corporate media to the Black Lives Matter riots. These riots caused millions of pounds worth of damage in the UK (billions of dollars in America) and resulted in many injured and dead but were described almost without exception by creepy liberal media outlets as ‘a largely peaceful protest’.
No sooner had the BLM rioters begun to destroy people and property than Facebook’s mindless minions were busy changing their avatars to ‘I support BLM’, whilst everyone from football clubs to the metropolitan police force were subserviently ‘taking a knee’. For what? In support of an anarchistic, subversive mob inspired and backed by Antifa brownshirts. You might as well have taken a knee to the balls of western culture, which is precisely what they did.
Linked posts:
Sanctioned by Facebook Fickle Friends is a Good Thing
Sanctions Backfire as Brits do Bollocks on Social Media
Why does the West want to Cancel Russian Culture?
So, having established that western globalists want to cancel the founding cultures of their own countries, why would they want to cancel Russian culture?
The simple answer to that in relation to the ongoing special operation in Ukraine is that they want Russia’s cultural elite to feel very cross with their government for taking the action it has taken. On a deeper level, however, they are attempting to shame Russian citizens into feeling bad about who they are and the culture to which they belong. Alarm bells!! This is the thin end of the cancel-culture wedge. This is how it starts and started for us in the UK.
First, we were made to feel bad about our colonial past; then we were made to feel bad for feeling patriotic; then we were made to feel bad because we spoke out about the immigration invasion; then we were made to feel bad about not feeling bad enough, and before we knew it we are where we are today, going down on one knee, begging forgiveness for being ‘white-privileged’ and for wanting to live our lives in the culture that is our own country. Well, what a silly, stupid, nation, I can hear you saying. And yes, you are perfectly right. But remember what I have told you. Cancel culture has to start somewhere; like poison ivy it has to take root.
The nature of Russian culture, with its reverence for tradition and with the Orthodox church at its centre, does not fit comfortably into the neoliberal cultural jigsaw, and it doesn’t help any ~ help belligerent states that is ~ that Russia is the world’s largest country with abundant resources that the West does not have, not the least of which is oil and gas. Therefore, both for economic and cultural reasons the demagogues of the West want to take you, Russia, off the board, trim you to fit their agenda and then replace you in their image.
Why this cancel culture programme has grown so vehement and aggressive towards Russia now is that events both within western countries and globally have forced the globalists to play their hand. It is not just Ukraine that has spurred them on. Cancel culture as it pertains to Russia, and to anyone else in the world, is a manifestation of a deeper malaise. Things are, to put it mildly, not at all well on the western front. The past three years have seen Brexit, the EU splintering, cynical manipulation of the so-called coronavirus pandemic and a sneaking slide into totalitarianism, which came to a head with Justin Trudeau’s cruel oppression of his own people, who unlike BLM, were genuinely peaceful protestors. Perhaps they were just the wrong colour? (Why they call him Justin Turdeau, I guess I’ll never know?)
As I noted at the beginning of this post, casting Russia in the role of enemy number one has been long-time in the making. You would be hard pressed to find a positive report, article or feature written about Russia in the UK media in the past 10 years. That media, on instruction from the British establishment, has been slowly but methodically poisoning the UK’s collective mind, such as it is, in readiness for an event such as the one which the West created and is exploiting and perpetuating on Russia’s southwest border.
One way of understanding the relationship between the British public and its media is to think of Brits as little clockwork toys, their springs wound up to bursting point from two years of psychological warfare waged on them by corporate and social media in the name of Covid restrictions and cyclical mass vaccination.
Come Russia’s special operation in Ukraine to ‘demilitarise and de-Nazify’, all that the UK media needed to do was to shake their toys out of the box and then sit back and watch as they jumped up and down in mad delight frothing, foaming and chattering inanely but still with the presence of mind to change their Facebook avatars.
I am not being unduly hard on my fellow countrymen. It is a sad but true fact that we Brits are all too generous when it comes to resisting disbelief at what we read in our media. Sadly, the British are so terribly vulnerable to the machinations of the so-called free press. They have yet to recognise how effectively corporate media and social media has manipulated them through Brexit, the BLM riots, Covid restrictions, mass vaccination and how each of these events have been exploited to chip away at their values and cancel their cultural heritage.
The only people who appear to be blessed by this ignorance, are compulsive Facebook avatar changers, who ran to change their Facebook icons to ‘I support Ukraine’ on the crack of the media ringmaster’s whip, never mind that less than a week before hardly anyone in the UK had heard of the Ukraine, and even those who possessed the vaguest knowledge of it had no idea of what has been happening to the people of Donbas there, or the intransigent NATO threats and still have no idea. ‘Mind the gap!’ they cry when you travel the London Underground; mind the gap, indeed. But if the society in which you live has no cohesive identity, and especially after two long years of Covid division and terror, you will grasp at a chance of solidarity however unlikely the cause and by whomsoever offers the straw.
Whether or not you define a joke in this pathos, cancel culture is no laughing matter. One of the more invidious repercussions of cancel culture, which we have seen in the media recently (not in corporate media), is that it impels mindless people to commit mindless violence. This phenomenon is evident in the disturbing rise in hate speech, harassment and violent attacks against Russian interests and Russian nationals across western Europe.
Facebook, which has got far too big for its Big Techy boots, emboldened by the success of its recent unchallenged censorship in which UK users have been accused and arrested for inciting racial hatred, blocked for supporting Brexit and re-routed to biased fact-checker sites for posting ‘wrong’ views about Covid, decided that it was Russia’s turn to be victimised by its double standards.
Like the illusion that exists between racial discrimination and positive racial discrimination, Facebook invented the split-hair concept of hate speech and positive hate speech. Say boo to a liberal or black on Facebook, look out here comes plod. But drench the whole Russian nation with hatred, thus inciting acts of violence against the people of that nation, that’s all Facebook well and good.
Although Schicklgruber, whatever his name is, achieved what he set out to achieve, Facebook was forced to rescind this unbelievable Nazi-like policy due to a public backlash, after which, thank heavens, Russia proceeded to ban Facebook along with its SS Instagram chum.
Why does the West want to Cancel Russian Culture?
In answering the above question, it is important to realise that the events unfolding today are fundamentally existential. On the larger board, in the larger picture, a struggle is taking place between the sanctity of tradition, history and sovereignty and a world of dehumanising digitalisation in which economic supremacy outweighs moral and human values, a new world order in the making in which CMUPs and GMUPs grub about divisively in the darkness of misinformation, controlled and morally diminished by aloof financial elites.
It seems to me that yet again the world has reached a pivotal point in its history. The Great Reset is on its way, but it may not necessarily be the one outlined and wished for in Klaus Schwab’s book. We will not know what shape or what form it will take, until it has happened to us.
I do know that in looking back at the degradation of British culture, I look back with a sense of sadness, realising, possibly more than I have ever done before, how rare the commodity is and that should we squander or sell it out we do so at our moral peril, even at the expense of our very existence.
There are many things in life that are negotiable, culture is not one of them. Once it has gone, it has gone forever.
Copyright © 2018-2022 Mick Hart. All rights reserved.
Image attributions
Cancel Culture: https://publicdomainvectors.org/en/free-clipart/Stop-cancel-culture-now/87593.html
Trojan Horse: http://clipart-library.com/clipart/trojan-horse-clipart_18.htm
Bum: https://images.freeimg.net/rsynced_images/anatomy-160491_1280.png
Book: Author: lajuanathompson / pixabay.com; books clipart clipart books closed books clipart to color public domain image – FreeIMG
Sheep face: https://pixabay.com/photos/sheep-animals-cute-nature-3727049/
Union Jack: Author: Karen Arnold / publicdomainpictures.net; https://www.freeimg.net/photo/1361181/union-jack-flag-union-jack-flag-colors
