Архив метки: Schaaken Castle Kaliningrad Oblast

Mick Hart Waldau Castle Kaliningrad region

It Happened at Waldau Castle Kaliningrad

A night to remember

Published: 13 July 2021 ~ It Happened at Waldau Castle Kaliningrad

Take a 750-year-old castle, a friendly curator-family from central Russia, an impressive and well-stocked museum, two classic Volgas and a vintage Hanomag car, a guided tour by a youthful tour guide better informed than Tacitus, home-baked bread the delights of which I have never tasted before made by a child baker, a female troupe in full traditional German dress demonstrating Prussian folk dancing, first-class quality beer and cognac, a rousing speech by our friend Grozmani about the book that took him 29 years to research and write, an opera concert performed in the open air by professional opera singers, a grand finale supper with large iced cakes, and what you have is one of the most unusual and interesting birthday parties that I have ever had the good fortune to have been invited to.

The curious location of this event, to which we were driven in style in our friend’s, Arthur’s, classic Volga, was Waldau Castle, thirty minutes or so by car from Kaliningrad.

We had called at the castle at the end of the Kaliningrad Retro Car Club’s rally a couple of weeks before, on which occasion I had been attracted to the castle on many levels but immediately by the feel of what it was and what you would not expect it to be.

It Happened at Waldau Castle Kaliningrad

No sooner had we passed through the gate into the castle grounds than I was smitten with an enveloping sense of calm, a convalescent repose, which had it been a churchyard or a monastery would have excited no further response but, given the purpose for which it had been constructed and by which it had lived out most of its life, fortification, seemed oddly at variance with its military biography.

My first impression had been no aberration, for the same singularity stepped out to greet me when we passed through the castle gate this evening. There was no challenge, no rattle of sabres or priming of firearms, in fact nothing to authenticate its militaristic legacy, only an inviting, calling, sense of calm, the kind that those who seek and who are fortunate to find might speak of in terms of sanctuary.

We had pulled up in our Volga not at the front of the house but a short distance from it and parked at the side of the drive. Although the castle’s surviving principal building was visible from where we were, it was yet indistinct, only a glimpse of its tall, grey walls asserted itself through the wooded area that lay between us, the tree trunks and branches obscuring whilst the leafy canopy overhead cast a thoughtful but not unpleasing shade over the tranquil prospect and introduced a welcome coolness in which refuge could be taken, for although it was early evening the heat of the day had not yet abated.

Set in the middle of this entreating copse stands a solid monument of large, rectangular proportions surmounted by an apex top. It is dedicated to those who fell in the First World War. This is a German monument which has on both of its narrower ends an incised representation of the imperial military cross and along the top edge of the monument’s greater width words of commemoration.

German WWI Memorial Russia

There is something so touchingly melancholic about this monument immersed within the shade of Castle Waldau’s trees. I detect in it an attitude of self-consciousness, as if it plainly understands that whilst symbolism is timeless, the land on which it is stationed, and for which the men it pays tribute to gave their lives, is now but a point of historical record and has lost all claim to anything else.

Be this as it may, I could find nothing in the calm that I have already described to suggest the slightest trace of rancour, just a gentle, quiet, contentment. So, if there are ghosts in the grounds of Waldau Castle, you are less likely to hear them rattling chains than to catch them occasionally sighing.

It Happened at Waldau Castle Kaliningrad

The path that leads away from the German memorial led us in a straight line to the front door of the castle. We stood on the opposite side of the sweeping driveway taking in the Teutonic might with which all German buildings of a certain age and stature in this part of the world are redoubtably invested. Bold, solid and, apart from the section of the building devoted to the doorway and its encasement, austere, the structure embodies typical if mythical German virtues and has an impregnability about it that perceptibly transcends bricks and mortar, effortlessly overshadowing the knowledge and laws of mere physics.

Waldau Castle facade

The only concession that the architect of this building has made to the decorative lies in the perpendicular that projects, surrounds and extends vertically from the main entrance, a feature which supports two sets of simple Gothic windows, three in parallel, both sets incorporating tracery and both arranged within a rectangular oriel supported by a stepped, pyramidical corbel. Enrichment takes the form of a small number of various blind, recessed arches, with the oriel culminating in a crenelated cornice and the perpendicular typically concluded as a broad stepped gable, the last horizontal platform of which makes the perfect base for Mrs Stork and her nest.

Waldau Castle entrance
Waldau Castle Gothic features
Two photographs (see above) depicting Waldau Castle entrance and the Gothic nature of the embellishing features

To the right of the building, orienting from the position of observer standing at the front of the castle, is a second three-storey building connected to the principal by a high wall. This second building houses the castle museum.

The museum at Castle Waldau, Kaliningrad region, Russia

Both the castle and its grounds have passed through innumerable transitions in its 750-year history and no better appreciation of this can be found than by visiting the on-site museum, which occupies the cellar, ground and second floors of the surviving wing of the castle.

It is impressive in its collection of artefacts, impressive in its layout, impressive in its inventive displays and impressive in the past that clings to it in every tread of its ancient steps and every nook and cranny. It is so impressive that it needs to be covered in its own article, so we will put it on hold for the time being and revisit it at a later date. Ghosts and God willing!

It Happened at Waldau Castle Kaliningrad

In the wall that connects the two remaining parts of Waldau Castle, there is a small, low archway, the kind in historic buildings that must be walked through in order that the apparition that you will eventually become can follow in the footsteps of those that once like you were physical forms. It is truly a time-honoured ritual, in every sense of the word, but do not forget to lower your head!

On the other side of this portal, we found ourselves on a piece of wild ground, on a slight eminence looking over more ground of an even wilder nature: lush, green, overgrown and silent. This is the last step on the road to complete tranquility that you would want to take of your own volition. We ambled along, Olga, our friend Inara and I, stopping now and again to move fragments of brick with our shoes or to pick up a piece of pottery, deep in the thought of moments past.

The back of the castle is not in the best of health. There is no denying its solid state, but the wall rendering has given way in places and the castle’s eyes, the many windows spread out across its awesome width and height, are covered in a mess of makeshift cataracts. I cannot remember when, if ever, I last beheld such an incongruous and anomalous sight, in which doors of all shapes, sizes, makes and periods have been requisitioned for use as wooden blinds to eye-patch empty window sockets. But work proceeds, and as Waldau Castle knows, possibly better than anyone, nothing remains the same for long or forever.

Boarded windows Waldau Castle

Returning to the front of the castle was a lot like having swapped Leonard Cohen for VE Day. The vintage cars had been lined up on the opposite side of the drive to the castle entrance and the party guests were busy assembling in the middle of the driveway.

Hanomag Kaliningrad

A troupe of ladies all dressed in period Prussian costume were about to demonstrate the art of traditional Prussian dancing. The music and footwork in clogs set the party spirit in motion, but before getting down to the serious business of sampling the beer and cognac, we were about to be given a guided tour of Waldau Castle’s ground floor rooms.

Waldau Castle, Russia. Typical Prussian folk dancing

On the other side of Waldau Castle’s entrance sits a great hall, which owes its present restored condition to the hard work and volunteer commitment of one family, the Sorokins, whose tender loving care can be seen and felt everywhere. Observing and appreciating is one thing, but it is quite another to have to clean and repair acres of wooden floorboards, bricks by the thousands and dusty, peeling plasterwork and have to construct hefty, wooden, external doors and massy window frames when by trade you are not a carpenter but are the sort of valuable person who can turn your hand to anything.

When my wife mentioned this feat to the head of the Sorokin family, he modestly confirmed, “No, I am not a carpenter by trade, but I believe that everyone has an innate knowledge that they rarely ever use, and if necessitated can turn their hand to anything.” I would like to have concurred, and I did note the professionalism of his castle doors and windows, but I also recalled in secret embarrassment how, back in the 1970s, my one foray into DIY had resulted in the humiliating experience of witnessing the wall-mounted can opener that I had screwed to the wall lasting for less than a day before it fell off ~ and so I had my doubts. As the saying goes, “Horses for courses.”

In the process of describing Waldau Castle it is next to impossible not to resort to words like strong, solid, robust, but it is only when you get inside that you are able to fully appreciate the exactitude with which these attributions apply. The windows, sitting as they do at the front of broad, deep brick arches, reveal the thickness of the walls to be at least three feet, and the quality of the brickwork, in all its restored glory, leaves you in little doubt that endurance and longevity have always been the castle’s watchwords.

But restoration in terms of visitor attraction is not confined to structural work. Also to be considered is, for want of a better word, the inclusion of suitable ‘props’, the seeking out, acquiring and emplacing of interior décor and household items best able to create a medieval atmosphere. Central to this objective, and situated in the main hall of the castle, are two suits of armour ~ a matching pair (I did not stop to check if it was ‘his’ and ‘hers’),  conjoined with wall-mounted hunting trophies, intricate tapestries and a ceiling pendant made from a heavy wooden wheel entirely surrounded by antler horns. I’ll have the full Hermann Göring baronial hunting-lodge works, please!

The tapestries, which are as colourful and imaginative as they are intricate, are made to order for the Sorokin family from specific patterns that they provide to a specialist company. Now that my wife had seen these, I wondered how long I would have to wait. It was not long: “I really want to buy one of these!” Olga exhaled.

Our tour guide was the oldest son of the Sorokin family, who not only had an incredible knowledge of the history of the castle, but was fluent, articulate and completely unphased when it came to holding court to so many adult strangers. My Russian gets better every day (I boast ye not), but my present knowledge was no match for the speed and confidence with which this young man discharged his verbal duty.

Our guide led us from the main hall into an adjoining room. There are no corridors, at least between rooms, in this part of Waldau Castle, thus access to the three great rooms at ground level is obtained on a door-to-room basis.

The second room, though large, was of smaller dimensions than the first, but as with the former had undergone extensive renovation and as with the former was work in progress.

From here we were taken into the kitchens, where, at the far end of the room, two hefty brick-built ovens encased in rusting white metal testified to the gargantuan task of cooking meals on a banquet scale. The ovens were quiet today and the castle interior cool, but one can imagine how unbearably hot and sweaty this environment would once have been when full of cooks and servants and the ovens in full swing.

In this room there was another oven. Tall, slim, far more elegant than the ones I have described, made of ebonised cast iron, with a succession of white porcelain knobs protruding from rows and layers of doors, this oven was of German manufacture. It had a German precision-build quality about it that was undeniably superior, and I should not imagine for one moment that anyone among our company was in the least surprised to learn that this fine example of industrial German craftsmanship, which is almost 170 years old, is as functional today as it was on the day it was made.

Antique German Stove
Not a grandfather clock!

Two other features in this kitchen that caught my eye were the heavy wooden serving hatch in the wall to the back of me and a nineteenth century iron ceiling column, with an intricately wrought Corinthian capital.

Whilst our young tour guide was fulfilling his duty, a man entered the room who was immediately recognisable to us. It was our friend Ivan. At first, I thought what a coincidence, and in a way I was right. I knew that Ivan was renovating an old German building of his own, but I had not realised that it was just up the road from Waldau Castle. And a second coincidence, it was his birthday, too.

We were greeting each other just as the tour guide was explaining about the intrinsic dangers of old building restoration. Apparently, in the process of their labours the Sorokin family had uncovered Schweinfurt paint, or Emerald Green as it was generically known.

Emerald Green was an extremely popular colour in the early nineteenth century. It was used in paint, wallpapers and a number of other pigmented and dyed products, and it was used extensively. But whilst most of us know about the dangers of friable asbestos, less people are acquainted with the fact that many old green paints and green-coloured wallpapers, those made from a compound in which arsenic was one of the main ingredients, could, did and can kill. Highly toxic when it was produced, the dust from this arsenic derivative continues to pose a serious threat to health and retains its lethal potential.

Right on cue, no sooner had our tour guide apprised our fellow tourers of this warning from the past, than a playful poltergeist or two, decided to shake the ceiling. A small amount of dust descended, enough to make our company beat a hasty retreat.

In the first room, where we had now re-assembled, I had noticed earlier that opposite the main entrance there was a carved, Gothic screen in wood, which, on closer investigation, I discovered was employed to separate the area in which we were standing from a corridor that ran the entire length of the back of the building. This was an unusual arrangement, at least it was not one that I was familiar with in the large historic houses and castles that I had visited in England. In the wall of the corridor, a few feet back from the screen, I also observed a great wooden staircase that could be closed off, if need be, by two incredibly large and heavy doors.

We were not privy to this section of the castle today or to its upper storeys, but I hope we may be allowed to explore at a later date.

There are many things that can inculcate a thirst, and history is one of them. A table in the main hall had been laid out with food, bottles of beer and cognac and, on the word ‘go’, it was every man for himself (I have no idea what the women were doing?). To accompany my cognac, I chose a large, flat, round bread roll, and was glad that I did. I cannot recall tasting bread half as delicious as this. The second surprise was that the baker of this delicacy turned out to be a young boy, the youngest son of the Sorokin family. When Olga praised him for the bread, he threw his arms around her and thanked her for her kind words, saying that it was the nicest thing that anyone had said to him. I endorsed her praise, adding Königsbacker beware!

Our friend Yury and I were in full flow about the quality of the beers when, in true Russian party fashion, it was announced that we all had to congregate outside on the drive to do something? When I discovered what that something was, an attempt by the hosts to dragoon us into a dance routine, I swiftly excused myself. Our friend Ivan followed my lead, but Yury stepped up to the challenge, and I was only too happy to play the part of photographer as he was twizzled around the tarmacadam.

Yury Grozmani demonstrating the art of Prussian folk dancing; and above, the talented boy who bakes the bread

We had not long been back inside, and not too far from the table, when a second announcement was made. It was now time to witness an operatic performance, which would take place on the granite stone courtyard at the front of the Sorokin house.

It would be dishonest of me to claim that I have any love or affection for opera, but, by the same token, it would be no less dishonest if I did not admit that I enjoyed this performance immensely. The Sorokin family’s house made a superb backdrop, the large open window with wrought-iron lattice work emitted the piano accompaniment perfectly and, from where we were sitting, gave us a first-rate view of the pianist at work.

I marvelled at the fact that the performers required no artificial amplification systems to project their voices, which were either remarkably well toned, aided by the acoustics of the building that lay behind them, or both.

Before the performance commenced, our friend, Yury Grozmani, delivered a speech as requested by the host, about the book he had researched and written on the vintage cars of Königsberg. Yury is what you would call a natural speech maker and, as he admitted himself, once fired up it was difficult for him to come back down.

Yury delivers a speech about the book that he worked on for 29 years

When both performances reached their respective conclusions, the tables were rearranged and laid out for supper. I refrained from indulging in the big iced cakes but was quite pleased that we had enough time and enough cognac left for one or two for the road before being chauffeured home in style by Arthur in his Volga.

Essential details (not of the party, but of Waldau Castle):

Waldau Castle
Kaliningradskaya Ulitsa, 20
Nizov’e,
Kaliningrad Oblast, 238313, Russia

Tel: 007 (963) 299-85-43

Opening hours
7 days a week ~ 10am~5pm

How to get there
By car, taxi, bus. The approximate journey time is 30 minutes

Copyright © 2018-2022 Mick Hart. All rights reserved.

An Englishman at Schaaken Castle Russia

An Englishman at Schaaken Castle Russia

Castle, Cheese and Church in the Kaliningrad Region

Published: 28 October 2020

{See Feature image attribution at the end of this article}

Schaaken Castle is located in Nekrasovo, Kaliningrad Oblast. The castle, which was built for the Teutonic Knights in c.1270, was built on the site of an ancient fort and consisted of an octagonal walled-enclosure with two outer baileys. In the first half of the 14th century the original building, which was of wood construction, was replaced with stone. It was atypical of most of the castles constructed by the Teutonic Knights in that its perimeter wall was curved, almost round in formation, a feature that remains to this day.

(Photo credit: Caspar Henneberger, Public domain, via Wikimedia Commons:
https://commons.wikimedia.org/wiki/File:Schaaken_Henneberger.jpg)
(Photo credit: Mmdocent, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons; https://commons.wikimedia.org/wiki/File:%D0%A8%D0%B0%D0%B0%D0%BA%D0%B5%D0%BD_2.JPG)

In 1270, the castle defended the coast of the Curonian Lagoon against attacks from a Baltic tribe known as the Skalvians, who, by 1277, had been defeated and subjugated by the Teutonic Knights. Towards the end of the 13th century, Schaaken Castle’s defensive role took on greater significance in protecting the border and coast from repeated raids by Lithuanian pagans. It became one of a number of castles strategically positioned to prevent the Lithuanians from storming through the Curonian Lagoon. Towards the end of the 14th century its military function was controlled from Königsberg. The castle was destroyed by fire in the early years of the 17th century and only partly rebuilt. One of its greatest claims to fame is that Peter the Great and Catherine stayed there on three separate occasions between 1711 and 1717. 

During the 19th century it was remodelled in the Romanticist-Gothic style, and it was during this time as part of that refit that the distinctive corner towers, which can still be seen today, were added.

(Photo credit: Сергей С. Петров – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=73135063)

At the end of the Second World War, the castle, which in 1945 was a family farmhouse, came under Soviet state control. The land was requisitioned and used until the 1960s as a collective farm, the castle’s rooms hived off as domestic units. For a short period of time, the castle acted as a children’s home.

By the mid-1970s, the castle had begun to fall into ruins, but one family salvaged the rooms that were inhabitable and continued to live there.

In the early 21st century under a joint Russian-German venture some renovation took place, and the castle was opened as a small museum exhibiting medieval artefacts. In 2012 the museum was damaged by fire.

And on 10 October 2020, it was visited by an Englishman in Kaliningrad, Mick Hart (I don’t suppose they would welcome a wall plaque?).

An Englishman at Schaaken Castle, Russia

Today, Schaaken Castle sits red-brick, gaunt and broken on a small eminence on the curve of a sharp bend overlooking the village of Nekrasovo within the Kaliningrad region, Russia.

To be perfectly frank, the first glimpse of what was left of the castle was one of unalloyed pathos, and getting out of the car into the damp-cold air, on the poor little bit of waste-ground that served as a make-shift carpark, and the sight of the wooden hut, the pay gate, knocked up of old odds and ends of ill-fitting boards, and the dog next to it, rather less than a thoroughbred, hanging off a piece of rope at the front of a homemade dog kennel, perpetuated this first impression. It had not taken me long to work out that this establishment did not enjoy the privileges and  patronage of either the state or a private consortium, in other words that it was not part of the National Trust or any other such august body, which is a crying shame as Schaaken Castle has a rich and noble history, both in its East Prussian and Russian context.

Today, there was a man at the castle gate. He came out of the rather sad little hut in his jeans and baseball cap and, after some money had exchanged hands, we were allowed inside.

We passed through the entrance into the enclosure. To the right and close by to us was what remained of the castle’s living quarters. The functional building is little more than a narrow strip of red brick, not battle scarred but weathered and distressed from years of neglect and, from what I have been told, actions amounting to cultural vandalism.

For the sake of our hosts, and Victor, I tried to look and sound interested, not an easy thing to do as I was busy wondering if, apart from the narrow remains and crumbling exterior, there was anything here to see.

Had I been on my own, however, what there was would have been enough. It only takes an old brick or two to get my nostalgic flails turning, but, amazingly enough, we were not alone. There were four or five small groups milling around in the courtyard and, I would soon discover, about 20 more visitors at subterranean level.

This was where we went first. I had perplexed myself enough wondering what the proper name was for the small Gothic ‘towers’ erected at either end of the castle building, high upon the roof level, and going down underground seemed like a good idea.

No sooner had I begun descending, down the steps under the low curved brick ceiling, than out came my wife’s, Olga’s, mobile phone, and I was instructed to pose for a photograph. Needless to say, this would be one of many photos, but I restrained my natural inclination to criticise her illicit love for the camera, reasoning that should I write a piece for my blog on our visit to the castle, photographs would be needed and besides, no matter how much I complained, if 10 years of Arsebook-incentivised photo-snapping had taught me anything it was that such remonstrations are just about as futile as asking a liberal to examine his conscience.

So, I posed for the photograph graciously, grimaced just a bit and eventually life resumed.

Mick Hart going underground at Schaaken Castle, Kaliningrad, Russia
Mick Hart going underground at Schaaken Castle

Down below, we found ourselves in one of two vaulted chambers. Space was relatively limited and the floor uneven. This was no dungeon by any stretch of the imagination, but the curators of the castle had seen fit to imply that it had been by using what space there was to mount an exhibition of medieval torture. You cannot blame them. Castles and dungeons go together like beer and hangovers; the two are inseparable, and there is nothing like an excursion into the dark side of human nature to draw in the punters and make them feel normal.

There were two chambers in this vaulted basement. We were in the first and in the second, the group of about twenty people I mentioned earlier, who were gathered together listening to the commentary of their guide, who was a young, stocky, bearded fellow. On hearing us talking in English, the guide called out to me in English. He addressed me as if I were an English gentleman (which, of course, I am) and I replied in kind, causing some of his audience to chuckle. On the way out, I was able to get my own back by addressing him in Russian, at least enough to state that “Excuse me, I have to go now as I want to drink vodka.”

Although the diabolical apparatus exhibited in the underground vaults are knocked-up scaled-down examples accompanied by photographs and text, if this sort of thing appeals to you there is enough to see, and from what I could make out the guide was doing a very good job of engaging his congregation.

Later, this same guide, on finishing his tour and we finishing ours, presented me with two small gifts outside the castle gate; one being part of a red brick from the castle itself, with the name of the manufacturer impressed into the surface, and the other a long, crooked smithy-made nail.

An Englishman at Schaaken Castle Russia
Mick Hart with Schaaken Castle guide and historic iron nail

On reflection, I do feel more than a little guilty for accepting these gifts. There is not much left of Castle Schaaken, and it is evident to me that it needs giving to and doing to rather than taking from. “Conscience. What a thing. If you believe you got a conscience it’ll pester you to death,” Humphrey Bogart’s Fred C. Dobbs once said. And am I not very proud to have these artefacts displayed on the shelf in my attic? “Ahh, hypocrisy, who needs it?” ~ I said that.

Inside the walls, the living quarters, constituting three rooms and an entrance hall, are enclosed and complete, but the taller structure to which they are appended is a narrow, crumbling shell, the wing extending to the rear in a state of open collapse. The surmounting crenellation of the main structure has survived, and the Gothic interest it stimulates is further assisted by the balancing presence of two turrets raised at either end to form the highest points of the building.

End towers to the extended section of Schaaken Castle.
(Photo credit: Сергей С. Петров, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons; https://commons.wikimedia.org/wiki/File)

Inside the three rooms, the curators have done their best to mock-up exhibits pertaining to the days when knights fought each other in armour and chain mail. There are a number of historical wall charts that map the history of the castle and of Königsberg, and a small diorama depicting a Soviet living room comprised of real artefacts and furnishings.

Outside, in the oval courtyard, other exhibits can be found demonstrating the skills of medieval artisans, and you can try your hand at archery. The centre of the courtyard contains what appears to be a combat ring, an area of ground set aside for re-enactors to demonstrate their skills of medieval martial arts. At one side, and close to the wall,  a viewing stage complete with canopy has been erected, and in front of this, on a lower platform, a chair has been affixed where, no doubt, during tournaments the adjudicator presides and who, at the close of the contests, hands prizes out to the victors.

In one corner of the compound, stands a large, brick building, which has undergone extensive renovation. It contains the castle’s cafeteria, but, as enticing as it was on a chilly day like today, we reluctantly avoided it in keeping with the official guidelines to limit association in the wake of coronavirus. My wife, who lives by her Facebook images, made sure that a couple of photographs were taken of us standing next to the window shutter, on which the skin of a wild pig had been nailed (not a good advert for a vegetarian! ~ not too good for the pig either).

Mick & Olga Hart at Schaaken Castle, Kaliningrad region, October 2020
Mick & Olga Hart at Schaaken Castle, Kaliningrad region, October 2020

There are more buildings that run along the end of the defensive wall, but these are hollowed out ruins. Beneath them, however, lies another chamber containing the castles well, and this is well worth a visit (ah hem).

To speak honestly and plainly, it does not take you long to see what there is and what there isn’t left of Schaaken castle. And yet, if you are a Time junky like me, this is irrelevant, as it is enough to visit and to rub shoulders with so much history. Having said that, however, even on an inclement day like today there were 30 or so visitors in the short time that we were there. Imagine how many more there would be if funds were allocated, first for a comprehensive programme of renovation and then for the installation of a fully fledged East Prussian museum!

Cheese-making centre

The second leg of our trip today involved using our legs to walk the short and pleasant distance from the castle to the local cheese-making centre. The friendly guide, who had presented me with gifts earlier, advised us to follow the castle wall into the meadow and cut across it to the cheese-making plant from there.

This route allowed us to take in just how massy the granite-boulder perimeter wall was, how high and thick and curved. It also allowed our friend Sergei to introduce me to some concrete silos in which at one time hay would have been stored for farm animals. I had always wondered what these concrete cylinders were and was slightly disappointed to find that they were not some kind of rocket launcher.

From these disappointments, it is only a short walk from the castle to the cheese-making plant, which is housed in a long, large, old brick building. From the looks of it, I conjectured that in a previous life it had most likely been a cattle barn. Inside, the presence of iron rings in the original wooden uprights and walls seemed to lend my supposition credence. The supports and cross timbers were a mixture, some extant to the original structure others added in sympathetic style, replacing, no doubt, earlier ones that had gone too far down the road to decay to bring them back to life.

Nekrasovo cheese-making factory, Kaliningrad Region, Russia
In here they make and sell lots of delicious cheeses!

In the centre of this capacious barn stands a rectangular counter where one can purchase all manner of cheeses, whilst on the left a central display unit and shelving extending around the L-shaped perimeter overflows with what they used to call up North in England ‘suckers’, but which we more civilised on our way down South colloquially referred to as sweets.

At the opposite end of the room, and to the right of the entrance, the brick wall ends at waist height, the remainder finished in glass, allowing visitors to look inside at the cheese-making process at work.

During my appreciation of the finer elements of the building and its history, my wife, Olga, had been procuring an adventurous selection of sweets and cheeses, which she passed to me for carriage as we emerged from the front door. On the shop forecourt stood a large decorative … “What do you call it in English?”

“Millstone,” I replied. “I’ve got one of my own; it’s called a wife!”

Our Russian friends enjoyed this sleight, as they had my previous remark, when, concerned that I might find the castle wanting in things to see, they asked me, “Is it [the castle] interesting enough?” To which I replied, “It’s fine. I love anything old … that’s why I love my wife!”

Fortunately, after 20 years together my wife makes allowances for me, and as long as I was carrying the chocolate and cheeses and doing an excellent job of alerting our party to the pavement presence of sheep droppings (Smartree Gavnor!!), which is where my knowledge of Russian language really excels, she was happy to let me babble inanely.

I shut up for a few moments whilst we were walking back through the village of Nekrasovo. It may only have one street, but now I had the opportunity to see at closer quarters, and therefore in more detail, the humble rusticity of the low-build German cottages and, of course, later domiciles that reared out and above the natural and cultivated vegetation, a little too obtrusively for scale and historical comfort.

The circuitous route we had taken also permitted us to see the castle from the opposite side of the enclosure, looking now at the perspective from the road to the T-shaped structure with its crumbling external walls and collapsed interior. It was obvious from this angle that to safeguard against further and irreparable dilapidation precise and extensive remedial work was urgently required.

Schaaken Church

From the castle, we drove the short distance to Schaaken Church, another ruined edifice of historical importance. Had it been built as a Gothic folly it would have been a wonderful evocation, but although its degenerated condition inspired reveries of a Romanticist nature, as the ruin it actually is, and as with all ruined churches, it was wreathed in a sense of loss that transcended the fault lines in bricks and mortar. What happens to all those prayers, all that hope for salvation once a church is abandoned and dies?

Through nature’s reclaiming influence ~ spindly trees, climbing plants and bushy overgrowth ~ the rectangular tower and outer walls, though partially screened from the road, are visible still. As with all ruins, the sight triggers an irresistible yearning to explore and, as with most ruins, when you get there you realise that so much human traffic has been there before you over the years ~ spot the early graffiti ~ and so much time has elapsed that it is an enduring mystery how the accumulative and many moments invested in the building are still able to exert such a powerful stimulus upon the imagination.

From a distance, this particular building looks less desecrated than it actually is. Close up comes the discovery that the roof is missing, the gaping holes in the walls are not all vestiges of former windows and much of the brickwork spalled on the outside are, on the inside, hollowed out in parts exposing the rubble core.

Adding greatly to the Romanticist ideal of the atmospheric ruin is the thick carpet of undergrowth that reigns supreme where once stone slabbed floors and pews would have been. The photograph that we had taken of us in the nave from inside the tower serves to illustrate the extent of the church and the extent to which nature is capable of re-asserting its claim over man-made structures, whatever they set themselves up to be.

Mick & Olga Hart inside Schaaken's ruined church, October 2020
Mick & Olga Hart inside Schaaken’s ruined church, October 2020
Mick Hart Englishman in Russia at Schaaken Church
Mick Hart going up in the world at Schaaken Church, Russia, October 2020

It was just as well, then, that from the church we were taken to enjoy the view from an outcrop of land looking out over the bay. Our journey took us through an interesting and altogether uneven tract, which we would not have been able to traverse had we been travelling in anything else but a 4×4.

I cannot claim that we were off the beaten track, because the track was very beaten, but the joy was that it took us through one of those wild, densely vegetated areas that you stumble across now and then in this fascinating region, which bristles with all kinds of dwellings from different times of origin in all conceivable states of disrepair or stark modernity and whose spanned periods reflect the ethos of each epoch, with a heavy accent on Soviet make-do and esoteric improvisation.

I particularly liked the small series of boat houses, stamped with the individualism of their creators and imaginatively constructed from tin, asbestos, wood and concrete and/or made from the requisitioned back of trucks. These monuments to the Mother of Invention in association with build from what you’ve borrowed, which once would have looked so bold and brash, had, courtesy of the softening effect of time, settled in very nicely, achieving a singularly peculiar and yet quaint harmony in the leafy back-stream settings in which they had come to rest.

When we reached the end of our road (as we all must), the water-front opened out from the narrow stream against which the proud boat houses sat into a wide stretch of water, beyond which a distant Curonian Spit could be seen.

A slight breeze lifted a chill from the surface of the water, a coincidence of no deterrent to the two or three fisherman congregated at the waters’ edge, who, nevertheless, were complaining bitterly about the size of their catch, nor did it seem to worry the boating fraternity, several of whom were coming to shore in a small flotilla of motorised dinghies.

Inland, close to where we were at, a monument had been erected, typically demarcated by a heavy metal chain in black, testifying to the fact that back in the 1940s’ Russian lives had been lost along this stretch of water in running battles with the incumbent Third Reich. During WWII, Kaliningrad (formerly Königsberg) and its region was the scene of many a fierce battle and is therefore of special interest for anyone having a keen regard for military history.

All this history today had made, and was making, me thirsty. Anticipating that this would be the case, I had taken the wise precaution of bringing along a couple of bottles of Lidskae, whose contents I was destined to enjoy later this afternoon when we returned with our friends to their home.

An Englishman at Schaaken Castle, Russia

Schaaken Castle reminds me of a larger and ‘more grand on scale’ replica of a friend’s flat ~ it is being tarted up but needs a lot more doing to it. Having said that, I enjoyed my visit to the castle today. It really is hats off to those people, such as our guide, who put in so much time and effort in maintaining, running and raising funds in order to bring such unique heritage treasures as Schaaken Castle to the notice and appreciation of the public at large. It has not escaped me that with the right sort of planning and investment this modest attraction could be transformed into something monumental, something of a feather in the cap of the region’s cultural history. It already has the makings of a success story; all that it needs now is Vision, Support and Commitment ~ and there is your happy ending.

Essential Details

Schaaken Castle Heritage Museum
Ulitsa Tsentral’naya, 42, Nekrasovo, Kaliningrad Oblast, 236008
Tel: 8 (906) 211-73-00

Opening times:
Monday:        Closed
Tuesday:        10am–6pm
Wednesday: 10am–6pm
Thursday:      10am–6pm
Friday:           10am–6pm
Saturday:      10am–6pm
Sunday       10am–6pm

  
(Feature Image Attribution: Dordoy, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons; https://commons.wikimedia.org/wiki/File:Castle_schaaken2.jpg)

Copyright © 2018-2020 Mick Hart. All rights reserved.*
*Note: all attributed images are ‘In the Public Domain’