Diary of a Self-isolator: Day 65 [23 May 2020] ~ Trenches & Trees
Published: 23 May 2020
Unlike in the UK at present, there is no sudden uplift in the weather, nothing to tempt and entice one to cast caution to the wind and go wassailing off to the coast, but we were blessed with a gradual hike in temperature, somewhere around 15 degrees, and this blessing, together with a light breeze in association with Mr Blue Sky and a sun that had its hat on at last, were altogether alluring enough to winkle me out of self-isolation for the novel pleasure of stretching my legs.
Previous articles:
Article 1: Diary of a Self-isolator: Day 1 [20 March 2020]
Article 2: Diary of a Self-isolator: Day 6 [25 March 2020]
Article 3: Diary of a Self-isolator: Day 7 [26 March 2020]
Article 4: Diary of a Self-isolator: Day 9 [28 March 2020]
Article 5: Diary of a Self-isolator: Day 10 [29 March 2020]
Article 6: Diary of a Self-isolator: Day 16 [4 April 2020]
Article 7: Diary of a Self-isolator: Day 19 [7 April 2020]
Article 8: Diary of a Self-isolator: Day 35 [23 April 2020]
Article 9: Diary of a Self-isolator: Day 52 [10 May 2020]
Article 10: Diary of a Self-isolator: Day 54 [12 May 2020]
As part of our exit strategy, we first had to run the gauntlet of passing without mishap from our garden to the road beyond. For the past three to four weeks, our house, and those in the immediate vicinity, have been subject to what I have christened in my diary ‘trench warfare’.
Cable-laying has been going on, and a narrow but deep trench, deep enough to dislocate or break should a wrong step occur, dissects the pavement at the front of our abode and at right angles to it, extending along the neighbours’ boundary to the gate at the end of the cul-de-sac, behind which sits a very large dog.
From the vantage point of my bedroom window I have been able to observe (intermittently, you understand, as self-isolation has not left me wanting in occupations of an interesting kind) this work in progress and to chalk up the differences between how a job of this nature is handled in Kaliningrad compared with its UK equivalent.
From the outset, and for most of the work period, the construction crew consisted of three lads and a young woman, armed with a couple of spades, shovels and a wheelbarrow. The young blokes did most of the digging whilst the young woman, with her workman’s gloves tucked professionally in her back pocket, appeared to have an overseeing role, an inference corroborated later when a clipboard appeared in her hand, but praise where praise is due: at one stage in the game, she too rolled up her sleeves and took a turn on the shovel.
Considering that there were at maximum four workers armed with nothing more mechanical than their arms, they did pretty well. Weather conditions ~ lots of rain ~ were unsympathetic, but after a week’s hiatus the original band was joined by a veritable armada of labourers, who were not only trenchers but also there to lay the cables which, as with the aggregate, had been dropped off on the central island ~ a grassed oval section of land in the middle of the thoroughfare overlaying a German bunker built in World War II.
The temptation to go off at a tangent at this juncture and elaborate on the many surviving monuments to WWII that exist in Kaliningrad and the surrounding region is difficult to resist, but as global tourism has yet some way to go before it can get off of the back foot of coronavirus, I will focus for now on my outing.
We had crossed the trench and this accomplished were now walking along the original cobbled streets of Königsberg. Victor Ryabinin, the artist and historian, had assured us that ‘green’ Königsberg was a myth. Königsberg, at least the oldest parts of the city, was never green. The streets were narrow, the buildings high and brickwork and cobbles had been the order of the day. The outlying districts, the suburbs laid down in the early 20th century and developed in the 1920s through to the mid-30s, had been designed with green in mind. The houses and the plots on which they stand have their equivalent in England’s 1920s’ suburbs, where homes were sold on the back of the catchy and appealing advertising slogan, ‘A country home in the city’, or words to that effect. Every home in these outlying districts had a small front garden with a larger plot at the back, and on the streets where these airy new houses stood trees lined either side augmented, where space allowed, with a neat grass verge between the pavement and the road.
Nevertheless, as photographs and postcards testify, though most of the streets in Königsberg’s expansion districts were avenued with trees, they were, of course, saplings, newly planted. In their day, they would have formed graceful vistas but with nothing like the leaf foliage that adorn those selfsame trees now that they are mature.
You see, this is what happens when you self-isolate: everything, every simple detail, every once commonplace and taken-for-granted minutiae undergoes an amplification process, so acutely rendered to senses locked indoors that before you can safely say facemask you cannot see the wood from the trees ~ or, in my particular case, the trees from Kaliningrad’s leaves.
No matter; we had now crossed the road, just in front of that peculiar waterside café, that abandoned monstrosity which, with its fake lighthouse, Captain Ahab perched on the roof doing something over the side and a lot of marine-like crustaceans daubed upon the walls, resembles something sneaked into Russia from an amusement park in Skegness.
I have seen postcard photographs of the building that stood here originally. Admittedly, it, as with the lake and everything around it, was monochrome ~ they obviously did not experience bright sunny days in the early 20th century ~ but even though the world then was black and white (as things used to be black and white before coronavirus) the Konigsberg building had all the ennobling features bestowed by Gothicity and was, in its setting, a sight for sore eyes rather than a sore sight for tearful eyes, which is as good as it gets today.
Kaliningrad a Green City
Passing quickly by this ‘thing’, we wended our way, more happily now that it was behind us, along the block-paved path that runs around the lake perimeter. Old photographs show that the lakeside (apologies purists, I mean, of course, pond sides) had banks well stocked with natural vegetation, and trees abounded plentiful. In a black and white world some details are lost ~ atmosphere reigns supreme, but some details are lost ~ but in the photographs that I have seen of this area, it appears as if a small winding pathway, most probably gravel surfaced, curled through the trees at the edge of the lake in the early 1900s. This track has subsequently been lost, replaced through a gentrification process by block paving typical both in colour and character of 21st century urban design. Much of the original foliage, by that I mean the wild and natural, has been dug out and substituted with mown greens and municipal flowerbeds, but although block paving in all its imaginative shapes, patterns and sizes, along with children’s’ play parks, public lavs, and even an exercise quadrangle has colonised what used to be, the Königsberg trees that line the side of the road and the odd gnarled or venerable specimen dotted amongst the newer plantations, some Soviet others millennial, contribute in this neck of Königsberg’s woods to Kaliningrad’s attribution of being a very green city.
As much as I was enjoying and being distracted by that which I am phenomenally good at ~ mental rambling ~ we were on a mission, and this meant putting my tree-hugging propensity on hold and focusing for a moment on finding a wall with graffiti on. Not that this endeavour would be difficult in Kaliningrad. Sadly, graffiti is another of those unwanted imports that has made its way from the West.
The graffiti we were looking for, however, was not one of your run of the mill deface, vandalise, degrade and then aggrandize as ‘urban art’ jobs, it was truly an original piece, a real work of art, featuring none other than Anthony Hopkins in his role as Hannibal Lecter ~ but more of that on another occasion. We found what we were looking for, and my wife made good with the camera.
“For old times’ sake,” that’s what my wife called it. I wondered what she was asking me?
She wanted us to walk closer to the lake, taking in Flame restaurant as we did so. The ‘old times sake’ was a reference to recent history, which, in the New Normal, is as lost to the world as dinosaurs. Aahh those glorious days ~ so happy and carefree ~ when we would walk to Flame on an afternoon or evening for a meal and a pint of brew. What had become of them and will they ever return?
Like every other pub/bar victim of coronavirus, there stood Flame, dark and extinguished. However, a nice touch, and a reassuring one, was that in keeping with its tradition Flame, although closed to the public, continued to play music through an external speaker system situated on its alfresco area. It was more like an overture of hope than the band playing on as the Titanic hit the watery skids.
Now that the shops ~ some of the shops ~ had officially opened their doors again, we had a small errand to do. As we crossed the road from the lake, emerging at the side of Flame, it was evident that whilst we had been hibernating Kaliningrad’s construction workers had not: the new shopping centre at the end of the city market had gone from being a shell of incomplete concrete pieces and knotted wire to a three or four-storey series of profiled platforms. Ordinarily, back in the days of the old normal, something like this seen on a day-to-day basis would have excited little more than a passing glance, but incarceration, whether self-imposed or not, has a sharpening effect on the mind, so much so that in looking on this building, at its Phoenix-like transformation, I felt a kindred spirit in Rip Van Winkle at the moment of his awakening.
Errand done, we set off on our homeward journey not by retracing our steps ~ I think having to pass Flame again would be more than the drinker in me could stand ~ but with a view towards returning on the opposite side of the lake. This route took us to the busy crossing in front of yet another landmark bar, the one housed in the historic Rossgarten Gate ~ CLOSED!
Luckily, by way of distraction, on the opposite side of the road, on one of Kaliningrad’s large, open WWII monument squares, I saw a man with his hose in his hand. He was leaning nonchalantly from his truck window, playing his hose over some of the prettiest city flower beds that you could possibly imagine. “Hmm,” I thought, “It’s not only the bars that are dry.”
Kaliningrad a Green City
Our walk back around the lake was a pleasant detour. There is only so much of novelty in strolling back and forth day and weeks upon end from your kitchen to the living room, and, let’s face it, though unarguably indispensable, the twin water features of bath and bog hardly compete or come close to the natural scenerific beauty imparted by rippling lake under a clear blue sky. And you can be sure that, as on the other side of the lake, there were trees in abundance here and in such variety and of different ages that I amused my obsession for the past for a while in attempting to determine which of the trees had been planted in Soviet times and which belonged to Königsberg.
The wise old trees of Königsberg-Kaliningrad
Trees, lakes, shopping centres rising from out of the ground like mysterious midnight mushrooms, men with their hoses dangling quaintly out of truck windows, a light breeze, a blue sky and off to the shop to buy some tomatoes. Very nearly back home, just now the trenches to cross.
Copyright © 2018-2020 Mick Hart. All rights reserved.
