Архив метки: Zelenogradsk architecture

Architectural Surprises on the Zelenogradsk Coast

Surprising but true

Published: 22 April 2021 ~ Architectural Surprises on the Zelenogradsk Coast

The following photographs were taken whilst walking the Zelenogradsk coastal route, starting from the promenade end and heading away from the town. To the left lies the land; to the right, on the other side of the hedge, the Baltic Sea.

See: An Introduction to the Zelenogradsk Coastal Route

The route is divided into two sections, as indicated by different shades of block paving. One of these is the pedestrian walkway; the other accommodates all manner of locomotion. Which one is which is given away slightly by the presence of broken lane markings that run along the centre of the narrower strip.

Whilst this ‘road’ is closed to conventional vehicular traffic, among the roller bladers, skateboarders, bicycle and electric-powered scooter riders, small open-sided ‘buses’ can be seen trundling past at regular intervals crammed with tourists and those just unwilling to walk the not insubstantial distance that lies between the end of the prom and the white sandy beaches beyond. From one end of this route to the other is quite a trek, so if you are not much of a walker, all you need to do is hop onto one of these charabancs and away you go.

Architectural surprises on the Zelenogradsk coast

The first building to be photographed was this modern hotel peeping through the silver birch trees from behind a rather impressive wall of brick and granite construction, which has a wrought-iron railing top backed by translucent polycarbonate privacy panels.  Such screens are ubiquitous in this part of the world, as is block paving. Whoever it was who introduced them it was not me, but, from a commercial viewpoint, I sincerely wished it had been.

Architecture Coastal Route Zelenogradsk
Photograph 1: First hotel on the Zelenogradsk coastal route

I suppose as modern buildings go, from the angle of this first photograph it all looks fairly prosaic, the functional attraction lying in those long, sweeping, curved balconies, which, I should imagine, guarantees discerning hotel guests a magnificent sea view.

Moving along a little, it soon becomes apparent that what we have been looking at a moment ago is merely a wing extending from the main body of the building (photo 2).

Hotel on Zelenogradsk coast
Photograph 2: A wing of a very capacious hotel

Photograph 2 is a shot looking back at the wing, detailing both the curved balconies mentioned earlier and, above them, in the roof, recessed balconies of the sort that feature extensively in the design of the Hotel Russ, Svletogorsk’s premier hotel, which, sadly, if my informants do not deceive me, has recently closed.

Grand Entrance Hotel Zelenogradsk
Photograph 3: Hotel entrance

Photograph 3 reveals the front of the hotel, a solid-looking establishment with large arched windows, a tier of ‘porthole’ windows above and a grand entrance extension, the curved top an enclosed balcony in glass and below a recessed entrance hall fronted by a colonnade which supports the upper balcony.

The fourth photograph shows the cloistered effect achieved by the colonnades and gives some indication of the not inconsiderable space occupied by this building.

Architectural feature of Zelinogradsk hotel
Photograph 4: Side view showing the cloistered extension of the entrance

Photograph 5 is taken looking away from the corner of the last building depicted. The brick pier wall continues and behind a solid gate, accessible via intercom system only (they like that sort of thing here, as well), sits another hotel, set back from the road, its central tower and turret paying appreciable homage to the architectural Gothic legacy from which it is descended, a striking feature reflected in and harmonised by the pitched window gables surmounting the rooftop balconies.

Modern Gothic on Zelenogradsk coastal route
Photograph 5: In the Gothic style ~ Architectural Surprises on the Zelenogradsk Coast

As in the first hotel, the second design also favours roundel windows, and these are apparent yet again, but on a much larger scale, in the massy and incomplete edifice looming out of the background.

Vast Arcade of Windows Zelenogradsk Hotel
Photograph 6: Windows aplenty through which to see the sea

Photograph 6 depicts the curvilinear glass and steel structure of the furthermost point of the first hotel, whilst 7 gives you a fuller perspective of the Gothicised structure as seen above the entrance gate.

Modern Gothic Zelenogradsk
Photograph 7: Closer look at Gothic styling

The hulking monolith captured in photograph 8 reminds me of the J-hangar still resident on the site of Polebrook Aerodrome in the UK,  a former US air base left over from World War II.

Hotel Svetlogorsk Coast like an aircraft hangar
Photograph 8: Big and yet unfinished ~ Architectural Surprises on the Zelenogradsk Coast

In this picture, the building takes on the appearance of two half segments of a giant arch but as a later photo reveals (photo 11), taken from the opposite end of the building, the effect is an illusory one, as the unfinished project is missing its central vertical section which, had it been in place, would have completed the visual aspect of single-span uniformity.

From the distance, it appears as if the hulk is wearing my Uncle Son’s string vest, but at closer quarters it looks the same. The green string undergarment, which must have once been used, I presume, to screen the unfinished structure, is somewhat tattered and torn and now simply hangs there, adding to the forlorn neglect with which the building is heavily imbued. There is little doubt from the round tower, half risen at the front of the building (photo 9), that at its conception ‘big’ had gone hand in hand with grand, but unless something dramatic happens and happens fairly quickly, call me presumptuous if you will, I feel that there is little chance of booking a room in this hotel at any time in the near future.

  • Unfinished Hotel in Zelenogradsk
    Photograph 9: A would-be grand entrance
  • Incomplete Hotel in Zelenogradsk
    Photograph 10: Not quite complete

After this cavalcade of large and impressive, it is odd and oddly reassuring to discover that the landscape suddenly changes, revealing two normal-sized single residences, both senior in years to the previous buildings, sitting favourably in decent-sized plots behind a lush, green privet hedge.  (photo 10)

German Houses on Zelenogradsk Coast
Photograph 10: Houses of some age along the Zelenogradsk coastal route

The first house has had a recent makeover. Its original terracotta pantiled roof, which may have been replaced after the war with asbestos, as is the case on the house adjacent, having been fitted with a metal roof of tiled terracotta profile. Note the use of pretty carved edging boards, picking out the gradient of the Dorma windows and the nuanced roof levels, a theme accentuated by the blue and white fascia boards that run along the recessed gabled ends and emerge again in the blue window shutters, all of which make for an attractive cottage effect.

Large Hotel Small Cottage on Zelenogradsk Coast
Photograph 11: Different scales, different times: cottage & hotel

Photograph 11 also gives you an accurate idea of the scale differential between the J-hangar and the house I have just described.

The next house along (photo12) is obviously nowhere near as quaint and fetching as its neighbour, and may in fact be flats, but the roof format is novel and so far the building has survived land grab for development.

Photograph 12: A residential property overlooking the sea in Zelenogradsk, Russia

We now come to that part of the coastal route where a conglomeration of different buildings vie for visual attention, the scene dominated by one incredibly large but incomplete hotel, which out-scales everything else around it (photograph 13).

Massive Unfinished Hotel Zelenogradsk
Photograph 13: One of those ‘you can’t miss it’ hotels ~ Architectural Surprises on the Zelenogradsk Coast

Disequilibrium of scale is nowhere more easily demonstrated than in the stark juxtaposition of the towering grey colossus with its single domicile rectangular neighbour (photograph 14).

Modernist house on Zelenogradsk coastal route
Photograph 14: Built in the Modernist style

Built in the contemporary Modernist style, David is to Goliath what light is to dark, and whilst I am only guessing mind, since the owners have not asked me round to consider the finer points of their property, from ergonomics to materials used, in fact everything about this house, speaks to me of ‘smart home’. Take the precedence, for example, of the cut around in the fence to make way for the pampered bough of that tree (photos 15 & 16). How many trees either have their more assertive branches lopped off or have to wait a100 years or more before they can force their will upon a constraining fence? Not many trees can boast the patronage of such an ecologically enlightened owner as the one who designed, planned, built or simply resides and enjoys this light, airy, modern abode.

  • Photograph 15: Tree with a view
  • On Zelenogradsk Coastal route
    Photograph 16: A tree-friendly fence

Three paragraphs back I used the phrase ‘conglomeration of different’ buildings, and you can see what I am getting at in photographs 17 and 18. Photograph 17 reveals a building defined by steel, glass and cladding, which mixes its angles with its curves in such a way that it would not be out of place situated among the first of London’s Dockland’s building’s that popped up futuristically above the lines of Victorian terraces during Maggie Thatcher’s reign.

Architecture Zelenogradsk coast
Photograph 17: Not London Dockland’s but a building on Zelenogradsk’s coastline

The commercial building in photograph 18 follows the lines of the former, but the brick fascia softens and traditionalises the general impression, and the pale colour scheme, quite by chance I am sure, falls satisfactorily into the company by which it is overshadowed.

Surprising architecture Zelenogradsk coastal route
Photograph 18: A gallery of windows from which to see the sea

Putting things into perspective, photograph 19 provides a view of the commercial building framed against the back of its ‘Dockland’s’ neighbour, whilst the long shot in photograph 20 freezes two people in time on their bicycles and pins down the scale differential of the adjacent buildings.

Architecture Zelenogradsk coastline
Photograph 19: New-builds in relation to one another
Architectural Surprises on the Zelenogradsk Coast
Photograph 20: Putting it into perspective

Next on the list, photographs 21 and 22 spell tasteful. This house, houses, apartments ~ what do you think? ~ synthesise modern lines with a diamond-shaped brick-infilled frieze, the type of which is evident on a number of Königsberg buildings extant in Kaliningrad.

  • Architectural surprises on Zelenogradsk coastal route
    Photograph 21: Architectural surprises on Zelenogradsk coastal route
  • Architectural surprise on Zelenogradsk coastal route
    Photograph 22: A residence of class

The overall impression is an amalgamation of the past and the present; bold but not brash; and you have to like the look and feel of those three-section big arched windows.

Whilst there is no shortage of different, alternating, archaic, modern, breathtaking, surprising, lavish, opulent, historic and ‘you name it, it’s here’ type of architecture in and around Kaliningrad, what is surprising, given the rest of the prolificity and sweeping variation in design and style, is the indisputable fact that the region as a whole finds itself extremely fence-challenged ~ more about that in a later article.

I would like to think that the old, tin, corrugated fence that encloses the properties in photograph 23 is not a woeful misjudgment made both by restrictions of budget and limited DIY skills but is merely a temporary fixture, knocked up to conceal ongoing building or garden work. This may well be the case, although whilst construction site hoarding in this part of the world is commonly metal and corrugated, it is usually identified by rather garish alternating blue and white panels, whereas home-owners’ fences can be anything in the same material from glistening silver to chocolate brown. In this instance, along this exclusive stretch of beautiful coastline, let us pray for respect and sanity and keep our fingers crossed!

Surprising architecture in Zelenogradsk
Photograph 23: Lovely houses ~ shame about that fence!

The first house that rises in tone as well as substance above the offending fence is not the heretic that you might think it is. It could be a remodelled German house or a new-build that has been given the half-timbered look, either by adding the requisite woodwork or painting it on to achieve the desired effect (photo 23). Along this coastal strip it is, by virtue of its standalone difference, yet another example of the energised eclecticism that devolves to the individual if left to his own devices, free, that is, from the overwhelming behests and underwhelming mediocrity imposed by stolid planning restrictions.

Whilst this may be the only example of a love affair with medievality on this particular route, it is not alone. A number of revamped and new-build properties in and around the Kaliningrad region are in receipt of half-timbered dressing, and even high-rise tower blocks have not been deemed exempt.

The house depicted here wears it well, and heralds at this point on our route a return to in-scale housing, as illustrated in photographs 24 and 25.

  • Attractive Architecture on Zelenogradsk Coastal Route
    Photograph 24: Attractive house on Zelenogradsk coast
  • Surpising arcitecture on Zelenogradsk Coastal route
    Photograph 25: An individual approach

Admittedly, the intervening presence of a compact castle, built of or faced with red brick, intrudes somewhat (photograph 26), but for me and all like me who went Gothic when Goth subculture and steampunk were just a twinkle in a fad-fashion eye, the question what is not to like about a building overlooking the sea which has a tower to the front and flanking turrets on all four corners is one that need not be asked. One presumes, however, that the roofline has yet to be finished, and one would hope that such completion will entail the suitable erection of conical rooves on top of the central tower and the four adjoining emplacements. Photograph 27 shows the ‘castle’ from the return direction of the coastal route with the half-timbered residence to its left.

  • Reprised architectural grandeur Zelenogradsk coastal route
    Photograph 26: A Russian man’s home is his castle!
  • Surprising architecture on Zelenograsdk coastal route
    Photograph 27: A castle & a half-timbered house

To end this tour, I include for your delectation three more photographs exemplifying the widely contrasting nature of architectural genres with which this magnificent stretch of the coast has been populated.

The first (photograph 28), is what I think of as the route’s halfway house. It is a hotel/restaurant/bar, whose architectural style is a flamboyant composite, a self-contained contrast that reflects the divergent compositions of which it is a part. For example, the balconies on the first floor could have mirrored those above them, not only in style but also in materials, but why not have Art Deco curves made from masonry on one level below a platform base supporting angled wrought-iron fencing on the next? More angularity is achieved in the vertical triangulated stairwell window, which is escorted on either side above eaves level by a pair of Gothic parapet piers surmounted with sloping tiles, whilst the roof itself manages a low pitch profile thanks to the two hulking chimney stacks that rise up from the back like mighty sentinels.

Architectural Surprises on the Zelenogradsk Coast
Photograph 28: Working out the angle ~ Zelenogradsk’s coastal route’s halfway house

The penultimate photograph (29) shows what happens when true juxtaposition is given free reign. The neoclassical addition in the background, which rubs shoulders with the angular pastiche in photograph 28, is yet another surprise on the architectural catwalk along which we have walked together. It is referred to in a previous post: An Introduction to the Zelenogradsk Coastal Route.

Architectural Surprises on the Zelenogradsk Coast
Photograph 29: Architectural Surprises on the Zelenogradsk Coast

And the last photograph in this post (30) is reserved for what used to be and thankfully still is — a survivor of the ever-changing present. It even has a proper wooden fence!

Architectural Surprises on the Zelenogradsk Coast
Photograph 30: Architectural Surprises on the Zelenogradsk Coast ~ my kind of place ….

Copyright © 2018-2021 Mick Hart. All rights reserved.

An Introduction to the Zelenogradsk Coastal Route

An Introduction to the Zelenogradsk Coastal Route

Seeing the sites in sight of the sea in Zelenogradsk

Published: 19 April 2021

Preface

This post is based on an extract from an entry in my 2020 diary, written last August, which I would like to use as a prelude to a pictorial piece on the architecture lining the coastal route in the seaside resort of Zelenogradsk on the Baltic Coast in the Kaliningrad region of Russia.

Last May, and subsequent to it, articles began to appear both in Russian and international media, some favourable, some not, which reported that as coronavirus strengthened its grip a boom in domestic tourism had been sparked in Russia to take advantage of and to compensate for closed borders and international travel restrictions {Russia Wants to Spark a Domestic Tourism Boom. Will It Work? ~ The Moscow Times}

Did it work? It would seem so ..

August 2020

Related: An Englishman Chilling in Zelinogradsk with a Bear & a Beer

Zelenogradsk has a wonderful, long, broad sandy beach, more than enough space to accommodate this year’s influx of tourists. And all you need if you require a more secluded spot is to take the coastal path away from the centre and head off in the direction of the Curonian Spit.

We all know that walking is supposed to be good for you, but should you prefer to travel on wheels, you can always take one of the little six-to-eight-seater charabancs  that buzz up and down the vehicular lane along the coastal route. Alternatively, you could rent yourself a bicycle for the day, or a small pedal go-kart, which accommodates a ‘driver’ and a passenger, or invest in one of those zippy little electric scooters that are fast becoming the most fashionable way of adding yourself to motorisation.

Whatever your choice of locomotion, It is worth taking the coastal route just to witness the diverse array of non-pedestrian options whizzing up and down, from the relatively mundane to the unreal, weird and whacky.

An Introduction to the Zelenogradsk Coastal Route

I am never quite sure what to call this stretch of, er? — this route. ‘Track’ creates the impression of something mud-like winding through the dunes and undergrowth; ‘path’ limits it to a contagion of plodding feet; and ‘road’ makes it sound like the M25. In essence, it is a combination of all three ideas, except that it has a block-paved hard surface, is essentially straight, is too wide to call a path and being closed to regular traffic cannot be called a road.

Although motor vehicles of the regular variety are prohibited, as I mentioned earlier, things with engines attached other than human legs do traverse it as, at the same time, so do feet.

Basically, the route is divided into two parts: one side, the broader of the two, is reserved for pedestrian access; the other, about three times the width of a standard bicycle lane, is allocated for vehicles and is divided yet again into two directional lanes.

On the landward side of this route, it is competition time for who can build the biggest and most impressionable hotel. They come in all shapes and in very large sizes, but most share an architectural predilection for the curvilinear forms utilised so memorably, and thus so effectively, in earlier Art Deco building formats.

Brought up to date in the early twenty-first century with the accent on glass and plenty of it, the semi-circular portico and centralised tower stairwell are particularly popular features in these ‘look, I can see the sea!’ hotels.

The odd one out in this nuanced continuity, which diverges in no uncertain terms from the prevalence of the others, is that which in its fundamental shape, external facings and decorative embellishments is a dead ringer for the sort of neoclassical hall that you would expect to find, and do, in the heart of the English countryside.

Neoclassical design Zelinogradsk
Neoclassical design on Zelinogradsk’s coastal route

Grandeur of scale, geometrical lines, functional columns, dentil moulding, cornices and balustrades, this building has the lot, and perhaps even a little more besides, for I have noticed that when modern Russian architectural design emulates the ideas of an earlier aesthetic period, imitation is not nearly enough when opportunity allows to surpass.

An Introduction to the Zelenogradsk Coastal Route

A sight that may not be exclusive to this part of the world or to Russia generally, but is ubiquitous enough to place it in a national context, is the unfinished, ‘grey scale’ construction. I have not counted them, but there are perhaps as many unfinished hotels along this route as there are complete ones, although, given the success story of Russia’s incentivised holiday-at-home programme and, news just in, that most of the region’s hotels are already fully booked for the 2021 summer season, it may possibly not be long before these redundant-before-completion hulks are finally brought to life.

Unfinished hotel in Zelinogradsk
The view from here will be spectacular once they finish building it …

In addition to hotels, also on this route you will see the last remaining but inevitably fleeting glimpse of homes that hark back to the days when Zelinogradsk was Germany’s Cranz. Although these buildings, once reasonably grand but modest by today’s standards and made doubly so by their bold new companions, display all kinds of interesting and sometimes quite astonishing DIY distortions enacted during the Soviet era, their quaint construction and kinder presence on the environmental scale can still be felt and appreciated, and it is a great pity that given the premium placed on the land that these houses occupy that it is only a matter of time, I suspect, before they are rubbed out and in the name of progress replaced by more of the same by which they are surrounded.

German building Zelenogrask coastal route
A Cranz home being restored along the Zelenogradsk coastal route

This stretch of road, causeway, path ~ call it what you will ~ does not go on forever. In fact, it runs out rather abruptly, interrupted by a tall and fairly non-descript hotel and thereafter a series of ground and one-storey flats with, at the rear, integral garages, tiny yards cloaked with high walls and that decidedly late Russian phenomenon, the massy wrought iron gate translucently obscured by polycarbonate sheeting.

An Introduction to the Zelenogradsk Coastal Route

At any point along this route, it is possible that you may wish to descend to the beach below, which is something that you can do thanks to thoughtful sequences of broad steps provided at regular intervals. There is one last chance to do the same at the front of the tall hotel, after which, if you want to proceed further, needs must that you hang a hard left. This takes you into a paved area fronted by what once must have been flats par excellence, but which have lately been dwarfed and left behind by one of the most amazing seaside residential developments ~ amazing both in scale and style extravaganza~ that has ever taken me by surprise whilst I was going around the bend.

But, in the last analysis, if, for some peculiar and indefinable reason, you are not taking this route to look at the buildings, then on the other side of the road, over the hedge, you will see the sea. In late summer, on this stretch of land, I have had the good fortune to witness some of the most sublime sunsets that I have ever encountered, which is another feather in the hotel cap along this particular road, track, path, walkway, esplanade or route. Call it what you will, if you are holidaying in this region don’t forget to travel it or, better still, book yourself an exclusive view from one of the splendid finished hotels. Either way, you won’t be disappointed.

Sunset: An Introduction to the Zelenogradsk Coastal Route

Copyright © 2018-2021 Mick Hart. All rights reserved.

Skeleton Museum Zelenogradsk

Amazed at the Museum of Skulls & Skeletons Zelenogradsk

Skeletons in closets and more …

Published: 15 January 2021 ~ Amazed at the Museum of Skulls & Skeletons

To see it, especially from a distance, you would think that it was just another modern apartment block. Besides, your eyes would be led away by the nearby proximity of a far more interesting building ~ the Zelinogradsk (formerly, Krantz) water tower. Only when you draw closer do you get to see the hotel sign, as large as it is. This is the intriguingly named Boutique-Hotel Paradox; the first paradox being that entombed within this building lies the Museum of Skulls & Skeletons; the second, that it is not really a museum at all but more like an art centre, or exhibition centre, of skulls and skeletons. But you won’t know this until you get inside.

Once on the forecourt shared by the Boutique-Hotel and water tower, you will be unable to miss the directional sign for the museum. It is a large ~ larger than life ~ skeleton made of metal, steampunk style.

My wife, Olga, and I visited the museum on the 21 December 2020.

Here is an extract from my diary:

As we climbed the steps to the entrance of this building, the thought materialised that it was an odd building in which to have a museum. For a start, it was plainly modern, and for a second and last it was more or less nondescript, looking like a large block of flats with one of the lower walls in glass, through which it appeared was a bar or restaurant.

The entrance led us into a foyer, which, in keeping with the building’s general appearance, was office-like. Olga paid the girl sitting at the desk in one corner the skelet museum’s entrance money, and off we went, through some large glass doors and up a staircase, which was, well, office-like. And when we emerged into an identical landing on the second floor, where there was a long counter/reception desk, it felt as if we had come for a job interview.

To our right, there were two large, double, glass doors, and it was in here where the skeletons were lurking.

I am not exactly sure what it was that I had been expecting. Olga had spoken of the museum a year or so ago when she visited it whilst I was in England, and we had posed for a photograph next to the metalwork sculpture of a skeleton outside the front door on the concourse one night last year [2019]. This particular skelet had a bronzed, distressed finish, classifying it in my mind as steampunk, so I imagined that this was how the rest of the museum would be. I did not expect it to be a museum in the traditional sense, full of dusty, old, real bones, which was good, as it was not like this at all. No, Zelenogradsk’s skelet museum is, in fact, a brightly illuminated showroom containing a vast number and range of skelet art pieces of all shapes and sizes made from lots of different materials.

Amazed at the Museum of Skulls & Skeletons, Zelenogradsk

The desk to the left of the entrance, the shelves behind and other surfaces and the display units to the front and side were bristling with every conceivable skelet artefact in miniature or medium. On, within the glass-frontage and around the desk, the smaller items were souvenirs, waiting to be bought as mementoes of your visit. In front of you, and in the centre of the room, there was a large motorbike, possibly a Harley ~ they like Harleys in this part of the world ~ complete with flag, possibly one with a skeleton imprint ~ on which one could sit and have one’s photo taken. In fact, Olga suggested that I do just that, but I declined on the basis that I was not a motorbike sort of person.

I was, however, the sort of person who would be quite ready and willing to stand next to a ‘vintage’ wardrobe containing various skeleton pieces and which spoke to you in English when you opened the door. Olga snapped off three or four pictures of me in front of this, including a most arty-farty one, in which my face appears in the inside door mirror looking quizzically at a white bust of Putin.

President Putin in the wardrobe
Hello, fancy meeting you here
Amazed at the Museum of Skulls & Skeletons Zelenogradsk
Amazed at the Museum of Skulls & Skeletons Zelenogradsk

The next experience was an unlikely one for us and one, moreover, which Olga placed great symbolic store on later. At the side of us, next to the wall, there was a doorway with multicoloured plastic streamers hanging vertically from the ceiling. A couple of yards away to the right there was an identical door furbished in the same manner. Above each door, on brightly coloured card, I was able to read, in Russian, the words ‘entrance’ and ‘exit’. I asked what this was, and Olga said it was a maze.

The maze at the Museum of Skeletons in Zelenogradsk
Amazed at the Museum of Skulls & Skeletons Zelenogradsk

“A maze!” I snorted.

I just had to step inside and in so doing was immediately and utterly overwhelmed, smothered by the sheer volume of the multi-coloured hanging plastic strips. I pushed my way through them until I reached the back of the cabinet. It must have been almost two yards deep. The density of plastic trailers made it impossible to see what exactly lay at the back of this cabinet, but I could feel a textile wall ~ and that was it. I felt my way back to the entrance, saying, as I almost emerged, “But there’s no way through; it is solid.”

“No,” Olga contradicted, “It’s a maze. It says so on the sign.”

I was just about to question the veracity of this statement when I realised that the vertical strut I was holding was not in fact adjoined to the outside wall.

“There,” said Olga at the same time as I discovered it, “is an entrance.”

Indeed, there was. It was narrow, about one slim person wide, tall, obscured by the crowding nature of the hanging tapes and the dark interior beyond but most of all by the assumption that no doorway would lie at right angles to the entrance.

By now I was curious and made to move inside. Olga was nervous and attempted to hold me back.

“Come on!” I laughed. And off we went.

No sooner had we stepped inside than we were overcome both by the darkness, which was now black as pitch, and by the obstructive density of the dangling ribbons. We had not gone three feet, I imagine, before our voices lowered and our pulses began to race. I edged forward, feeling the wall as I went, until my hand dropped into space. Another right-angled turn. I urged Olga to follow me.

As I entered into a wider void, I heard Olga’s voice in the darkness call out, “Hold my hand! Hold my hand!” I did, pulling her gently behind me. I was feeling for where I suspected the next opening in the maze would be, but it was not. The ribbons seemed to be growing in profusion, but I found another gap and proceeded through it, a frightened Olga clinging to my hand and calling in an alarmed voice, “I don’t like it”.

Into the next compartment we went, with Olga calling, “Let’s go back.”

It seemed to me that this part of the labyrinth was larger than the previous, and when my hands hit solid wall, and with Olga crying to get out behind me, I must confess to experiencing a paroxysm of panic, quite foolish and illogical I know, but panic all the same. I was on the cusp of saying, ‘you’re right; let’s retrace our steps’, when a science officer Spock-like rationale kicked in. “Don’t be so silly,” said a still, calm voice, “you’re only inside a cupboard.”

[I have omitted the next paragraph as it contains the secret to identifying where the ‘doorways’ are, and I would rather you go to the museum and get lost in the maze yourselves!]

Applying this simple science, we did a quick sharp turn and there, lo and behold! through the ribbons that hung like fog, the lights of the larger room penetrated.

As we emerged, I had to laugh, both at our fears and our appearance. My hat was all skew-wiff, making me look like Captain Mainwaring in one of those scenes when the entire Dad’s Army troop cram into the verger’s office, and Olga was as red and dishevelled as a beetroot fired from a cannon.

The difference was that whereas I had enjoyed the experience, she had not; and whereas I recovered instantly, she did not. She was still talking about how much it had disturbed her on the way home and, in fact, throughout the following day.

Made of sterner stuff, however, including a built-in denial system that allowed me to bury quickly any further thought of the spasm of fear experienced and certainly not to discuss it, I moved on to the exhibits, which were many and varied and laid out in large shelving units glazed front and back. My favourite was the excavation scene: a skeleton lying on its side in a shallow hole, its legs bent at the knee and one of its bony hands clutching an empty bottle of vodka. The red earth around the skeleton was caked, cracked and littered with the detritus of our modern age, suitably weathered and tarnished as though it had been there for some considerable time. There was a battered coke tin, a scrunched-up plastic bottle, a squashed memory stick, part of an old music cassette, a CD, a shattered ballpoint pen, a condom (still in its packet, I am glad to say!), coins, a battered mobile phone and other bits and pieces testifying literally to life in the throwaway age.

Remains of a skeleton amongst remians of modern life

This exhibit was not, of course, a shelf one. It was contained in and presented through a large flatbed cabinet, tilted at an angle and raised on supports. It stood in front of a window, the closed strip blinds of which had one edge stencilled with the image of part of a skeleton, connected visually to the rest of its skeletal body, which was solid state, pinned above the blind fitting. Two similar designs were repeated in the second half of the room: one, with the skull and two hands of a skeleton mounted above the blind rail and the complete body of the skeleton stencilled beneath it; the other, one side of a skeleton in solid state with the skull, rib cage and one arm stencilled onto the fabric.

  • Skeleton window blind Zelenogradsk
  • Skeleton windoe blind Zelenogradsk

In the centre of the room where I had been studying the excavation scene, there was a table-mounted stretcher, on whose surface lay a skeletal leg and, standing next to it, a skeleton doctor, dressed in a white coat with a stethoscope around its neck. Hmm, not only was he not wearing his muzzle (mask), but he had also forgotten to put on his trousers.

Mick Hart with skeleton doctor

The glass-fronted shelving units contained a profusion of artistic sculptures all designed around the theme of skulls and skeletons. My favourites consisted of: (1) a ‘giant’ Zippo lighter, with two skelets standing nearby, one holding the body of the lighter and the other supporting its top; (2) three skeletons together on a beach with a large jug of beer next to them, one of the skeletons is lying drunk on his back and next to him is the proverbial tall story ~ a giant fish; (3) three different tray and skull designs, each profusely decorated ~ one in blue & white motifs; the other deep red with abstract, almost psychedelic ornamentation; and the third in traditional Russian lacquer-work. I also liked the open-sided computer tower with a gold skull inside, and the skulls with green moss clinging in patches to the side of them. One of these had a small graveyard scene modelled on the skull’s cranium, complete with tumble-down picket fence and skewed tombstones.

Amazed at the Museum of Skulls & Skeletons Zelenogradsk
Amazed at the Museum of Skulls & Skeletons Zelenogradsk
Amazed at the Museum of Skulls & Skeletons Zelenogradsk

Of the numerous artefacts on display, if I was asked to choose my favourite, it would be without hesitation a figural piece, which was both touchingly symbolic and at the same time macabre. The composition is that of a long-haired female skeleton sitting on the knee of her skeleton male lover, the two are embracing and kissing, and the piece most aptly named, ‘True Love Never Dies’.

I would have purchased this without a second thought, but, alas, none of what we could see before us was purchasable. There were skeleton-themed items that you could buy, but they were cheaply made and overpriced. There were other pieces that I did not care for, mainly those skulls that looked as though they belonged to computer-game software and Halloween-type products: skulls and skeletons with glaring, gobstopper eyeballs. There was even a wall-hanging skeleton with the parched remains of brown flesh clinging to its bones. If this was available for purchase, would I have bought it and hung it on my wall …?

In the end, we settled for a skeleton pen, with two articulated arms. There are a couple of buttons at the back of these little devils and when you press them the arms move, as if they are boxing, oh, and the eyes light up.

I would have bought the skull lamp, but I thought it a tad expensive at thirty quid, and besides I was not sure whether our skelet, the one we have at home who is a member of the family, would be pleased. Skelets, like the human beings that they partly are, can be exceptionally jealous.

Amazed at the Museum of Skulls & Skeletons Zelenogradsk

Essential details:

Museum of Skulls & Skeletons
Saratovskaya St, 2A
Zelenogradsk 238326
Russia

Tel: +7 (40150) 31053 / +7 (9520) 560992

Web: http://m-ch-s.ru/

Opening times

Monday to Sunday inclusive 11am to 6pm

LINKS TO OTHER ARTICLES
ZALIVINIO LIGHTHOUSE RESTORATION
SCHAAKEN CASTLE
FORT XI (Fort Dönhoff)

Zelenogradsk New Sea View Apartment Blocks

Zelenogradsk New Sea View Apartment Blocks

Zelenogradsk’s new sea-view apartment blocks are duneright amazing!

Revised 1 April 2024 | First published: 19 August 2020 ~ Zelenogradsk New Sea View Apartment Blocks

Now, whilst in Zelenogradsk, Russia, if you take the coastal route written about in my previous posts, you will eventually come across what could with accuracy be described as an architectural wonder of our modern age.

As noted in those previous posts, the block-paved thoroughfare runs parallel with the sea, but on walking it you reach a point where a series of low-level private flats, not so terribly old, obstruct you from making further progress. At this juncture, you have no option if you want to proceed but to continue your walk in land, a route that very soon brings you before a rather prosaic development residential in nature, most of whose flats which were up for sale last year are up for sale this year (2020). But as you turn to the right a most amazing visual thing happens, helped not a little, I suspect, by the mediocre tenor of the flats you passed a moment ago. In less than 18 months a new development has sprung from the ground, which, in its domineering height, prodigious bulk and latitude and by dint of its sheer proliferation in a relatively short space of time, really knocks you for six.

Completely out of scale with everything around it and consuming more ground than a migrant camp in Calais is the most enormous high-rise residential estate that I have ever encountered. With your senses still reeling from scale fright, the foreground flats and those behind them marching regimentally down the steep fall of the hill, grab you by the Gothics. If, like me, you are a Gothic freak, adore Gothic almost as much as drinking a pint of real ale in the company of Nigel Farage, then you will put aside any prejudices that you may have adopted against kitsch and lap what you see before you up like a Westernised Bela Lugosi on a boy’s night out in Butlins.

Gothic towers in Zelenogradsk Russia
Gothic ~ get the point!

Here, there are more than enough perpendiculars, faceted angles, towers, turrets and pinnacles to give every Gothic addict the fix they crave and need. Yes, I know that these structures are modern, but I have personally consulted with Tom Cat Murr in whom, he has assured me, no catatonia has been induced by their 21st century origin.

Zelenogradsk Apartment Blocks with a touch of Gothic

I am  not sure, however, that either he or I feel the same way about the estate’s alter ego, those just as massy structures that run in line with their Gothic neighbours along the unfinished roadside and which extend at right angles from them.

Zelenogradsk flats, Russia: two styles face off against each other ~Zelenogradsk New Sea View Apartment Blocks

The flip side to the Gothicised coin is a vast battery of impressive apartments built, correction embellished, in the Neo-Classical and Neo-Renaissance spirit. Designed with corners, angles and twists enough to thwart prescribed conformity, and assisted in this respect by the natural decline of the landscape, along whose downward curve this Goliath series of buildings march in the most dramatic manner, the stacking effect of shelves and ledges, inclusion of white panels, many adorned with relief motifs, and woven into the frieze a colonnade of arches strike a Kensington/Chelsea chord in me, chiming, whilst not exactly in tune but all the better for it, with a nuanced note in their juxtaposition against the light-brick infill. The icing on top of this pastiche cherry has to be the recessed oval, a final flaunting touch of extravagance clearly seen at the front and centre of the classic Dutch-styled gable.

Zelenogradsk New Sea View Apartment
The icing on the top ~ Zelenogradsk New Sea View Apartment Blocks

Whatever your feelings towards these 21st century additions to Zelenogradsk’s built and natural environment, you have to admit they are a big improvement on the experimental, rectangular-limited, mass-housing pre-fab models constructed during Stalin’s reign and the clunky pre-cast concrete jobbies, known as the Khrushchyovka, that went up at an alarming rate in the late 1940s and 50s.

Nevertheless, for all their ubiquitous uniformity and quick-assembly triumph over the lauded principles of aesthetic finesse, they, these seemingly once drab predecessors, have, with the re-evaluation that typically comes with the passing of time and hindsight, acquired, especially in recent years, an era-defining nostalgic status similar in intrinsic import to the cult of personality.

However, whether today’s apartments that are changing Zelenogradsk’s shoreline profile into a high-density urbanised landscape will be accepted so sympathetically by tomorrow’s generations depends on values we cannot predict. As with everything in our immediate lives ~ only time will tell.

Zelenogradsk New Sea View Apartments
We will see them from the beaches!

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