Tag Archives: Ponart Brewery

Art Depot Restaurant Kaliningrad

Art Depot Restaurant Kaliningrad is right on track

Mick Hart’s one-track mind takes him to Art Depot

17 March 2025 ~ Art Depot Restaurant Kaliningrad is right on track

Of all the roles I have played, or wanted to play, I never considered myself to be a second Bruce Reynolds. But here I was, about to pull off in my mind the world’s Second Great Train Robbery.

Everything was set; planned to the very last detail. Nothing had been left to chance. The moment my accomplice hit the switch, the moment the lights went down, it would happen; unbeknown to and unseen by everyone, history would repeat itself. And when the lights came up again, as they would on cue, the train and its trucks would still be there, but as for its valuable cargo, all that would remain of that was the empty space where it once had been.

This was me then, watching intently as the train and its freight wagons loaded down with beers trundled past at eyebrow height, but with my mind at a lonely railway bridge tucked away in rural Buckinghamshire, which, in the summer of 1963, was about to enter the annals of criminal history.

When they finally caught up with Bruce Reynolds, they thought that they had collared the mastermind behind the most audacious heist of all time, but how mistaken they must have been. For had they got it right, I could hardly have been sitting here, in Kaliningrad’s Art Depot Beer Bar, free to monitor the freight cars of booze as they passed mesmerically before my eyes.

Art Depot Restaurant Kaliningrad is right on track

The less dramatic but no less novel circumstances in which I found myself was that of watching beer and other intoxicants being delivered to customers’ tables by way of a model train. Although it may seem that I am merely substituting a long-held boyhood fantasy for something from Alice in Wonderland, I am firmly back from both, biding my time in a world where the cliché ‘truth is stranger than fiction’ was beginning to make me wonder why my entire life had been challenged by a second-hand lie detector.

A model train full of beer in Kaliningrad

I was actually sitting beneath the Gothic-vaulted red-brick ceiling of a series of interconnecting catacombs. Whoops, there it goes again! My imagination wandering at will where it will wilfully wander. Not exactly catacombs, but a subterranean space occupied long ago by an elaborate network of beer cellars belonging to Ponart Brewery, which, in the late 19th and early 20th centuries was the largest brewery in Königsberg. This environment met my every requirement, blending the architectural style I love with social history, brewery history and my personal history of drinking beer.

And yet I had not imbibed sufficiently for me to invent the existence of a scaled-down railway that permitted drinks to be conveyed direct from bar to customer.

Art Depot Restaurant Kaliningrad

The train-delivery concept is as intriguing, as it is entertaining as it is educational. The train leaves Königsberg station, passes through the suburbs of Kaliningrad as they are today and from there heads out into the past across the Königsberg countryside.

To achieve this effect, models detailed in construction mark the route of the train and the settlements at which it stops, the old German names of which fastened to the wall, by corresponding to the booth-style seating, act like table numbers, enabling the bar staff to literally keep tabs on customers and their tariffs. The miniature version of Kaliningrad’s Central Station (once Königsberg Hauptbahnhof) from which the beer train leaves, stands proudly and unmistakeably, thanks to the accurate portrayal of its 1930s’ postmodern façade, at the point where all good beer journeys start, which is, of course, the bar.

To announce the departure of the train and the onset of one’s drinks, a bell is heard to ring, and the train carrying its valuable cargo steams urgently out of Central Station, travelling via Zelenogradsk ~ observable by its Ferris wheel ~ and off across East Prussia, except in this particular instance, it is charging along the side of the wall heading in one’s direction.

Art Depot Kaliningrad Beer Train

Being a beer and bar enthusiast but knowing nowt about model railways, except that they make good money at auction, I am unable to enlighten those who are interested in such things as to the track gauge of the railway, but presume that I can safely say that since the train is hauling lovely big pint glasses, the track width must be considerably larger than a Hornby Double O.

I bet that even Bruce Reynolds couldn’t have told you that.

Seating beer bar restuarant in Kaliningrad

The positioning of the bar’s booth seats at 90 degrees to the wall enables the train to divert to them as a full-sized locomotive would into a railway siding. The train and its precious cargo come to rest on a platform ramped up ‘viaduct’ style across the length of each table at a height above the seated occupants’ heads. This all goes to make the arrival of one’s eagerly awaited beverages infinitely more exciting, even, from the angle viewed, spectacular, the only drawback being that the supports on which the train track rests tend to get in visions way of normal social interaction with others in your group sitting on the opposite side of the table. This disadvantage, however, may be one concealing a hidden advantage, should, for example, the company you are in necessitate some subtle moves on the social evening’s chessboard, viz ‘Amanda Woke is a bit of a lefty, we’ll hide her behind that strut!’

The novelty of Art Depot Restaurant’s train network and the modern predilection for photographing everything, whether it moves or not, is not without an intrinsic risk, for should you be distracted and not act quickly enough to remove the cargo on arrival, the train can suddenly reverse, causing more than a mild hysteria as it makes off with your drinks back to the bar from whence it came.

It may strike you as rather odd that a beer bar housed in a former beer cellar located beneath a former brewery is not thematically predisposed to the matter of beer production, but the railway as a feature is not without connection both to the brewery itself and to the district in which the brewery stands.

A long while ago … and now

One hundred and seventy-five years ago, Ponart was little more than a village waiting to be subsumed by the expanding city of Königsberg. During this dynamic period, the district’s major employers were Schifferdecker’s Ponart Brewery and, from the 1860s to the 1900s, the Prussian Eastern Railway, which eventually came to be known as the Royal Prussian State Railways. The development of the railway system in East Prussia and Russia significantly impacted Königsberg’s commerce, stimulating demand for enlargement of the workforce.

The resultant influx of labourers generated a need for the provision of homes close to the industries the workforce would be servicing. The high-density living created by these converging influences can effectively be quantified from an observation of the housing stock type, which predominantly comprises three-storey flats built as a series of uniform terraces, and also from an estimation of the close proximity of the Pomart Brewery to the railway’s rolling-stock marshalling yard, which is crossable by a through-truss Bridge, acting as the gateway from the centre of the city to this erstwhile working-class neighbourhood.

So let that be a lesson to you!

If you think that a model train delivering beer to your table is a whimsy of a thing, it will do you no harm to know that at Art Depot Restaurant the railway theme ends not at your table but follows you into the toilets. Not the train itself, or the station master or the ticket collector, but piped noises you would expect to hear at a busy railway station.

Now, toilets are hallowed places with particular sounds of their own, so it is vitally disconcerting to hear the outside world inside of them; indeed extremely difficult when it’s “All aboard!” and the whistle blows to divorce yourself from the governing fantasy that you are actually in a station loo. Blast! I thought, having heard the whistle shrilling, the carriage doors slamming and the train a chuff, chuff, chuffing as it left without me down the tracks. I had only gone and missed the 8.30 to Nowhere! There was nothing more that I could do. Well, what else could I do? I would have to go back to the waiting room, sink another beer or two and hope that anyone watching me would mistake me for being anyone else but the man they thought I wasn’t: “That’s him! That’s not Bruce Reynolds!”

Copyright © 2018-2025 Mick Hart. All rights reserved.

Art Depot Restaurant
Kaliningrad, Sudostroitelnaya st., 6-8
(on the territory of the historical quarter ‘Ponart’)

Tel (reservations): +7 (963) 295 74 95

Opening times
Mon to Fri: 11am to 10pm
Sat & Sun: 12pm to 11pm

Website: Art Depot Restaurant

Ponart Brewery Olga Hart with Michaelangelo's hand

Ponart Brewery in the Strange Case of Creation

Ponart Brewery Another Bite at Creation’s Apple

18 February 2025 ~ Ponart Brewery in the Strange Case of Creation

>> Creation — the famous exhibition from Annenkirche and the art group Grain is now in Kaliningrad! This is a biblical view of the creation of the world through the prism of modern Christian art. The exhibition is located within the walls of the atmospheric old Brewery Ponart, where the past and the present, faith and creativity, deep meaning and stunning visual design are harmoniously combined. At the exhibition, you will learn all the most important things about the days of creation. You will be able to touch God, get closer to the heavenly bodies and decide for yourself whether to bite or not to bite the forbidden fruit. Large-scale installations and aesthetic locations help to penetrate the theme and provide the opportunity for many beautiful keepsake photographs. << Translated from the exhibitor’s website

And now an extract from my diary regarding my impressions of Creation (The Creation of the World exhibition). See my earlier post, Ponart Brewery Creation of the World Exhibition

Sailing past the world and saying goodbye to the dinosaur, we entered a short, narrow section of corridor, the walls of which were decorated with multiple lights, each having flower petal shades in hues of natural green and yellow. This room appeared to represent Day 3 of God’s world creation: the introduction of the natural environment, the phenomenon we call ‘nature’. 

The impact of the following room would have been awesome without comparison to the cramped and confined space of the last, but no such prelude was necessary.

We were now standing in an area of the old brewery, which once would have comprised three or four storeys but, gutted from floor to rafters, had been recast as a towering shaft, gnarled, scarred and ragged. The entire confinement was bathed in a low red glow, causing me to bookmark Edgar Allan Poe’s Masque of the Red Death, which was a rather unfortunate negative parallel, because the huge illuminated moon suspended from the ceiling suggested that in the narrative structure by which the rooms were sequenced, we must have arrived at Day 4, the creation of the universe. Don’t quote me on this, however, as my proficiency in maths is far below the standard of the divinity’s.

A low, not humming sound, but musical chord, which wavered slightly, but not enough in noticeable degree to be called melodic, vibrated sonorously through the vertical vastness of this lofty chamber, adding audibility to its already visual awesomeness. Stunned by the giant moon, I also found myself becoming inadvertently absorbed by the many scars with which the faces of the wall were pocked and disfigured, the many uneven ledges and protuberances, the legion of empty joist holes, which reminded me of eye sockets in the face of an ancient skull.

Scaling three of the four walls was a metal staircase, linked by two horizontal platforms at higher and lower levels. This was a staircase which, if you had not turned adult, you would want to climb immediately. Up I went!  

The difference in elevation of the two landings provided an agreeable variety of photo opportunities, which, have smartphone will snap, we, of course, took full advantage of.

Now see here > Restoring the Polessk Brewery in the Kaliningrad Region

At the summit of the steps, we passed into a small piece of truncated passageway, emerging thereafter into a great rectangular room, the installations and arrangement of which in relation to one another reminded me of the surrealist work of Terry Gilliam, Monty Python’s collage animator.

Lighting ~ green, blue, orange-red ~ bird flocks strung in mid air, paintings of beasts on the walls, a row of trampoline-seat swings and, in the centre of this row, but at the further end of the room, an enormous pointing white hand (if this had been the UK, it would have been liberal black), thrusts out of the heavens (in this case from the ceiling) through clumps of something that I am rather fond of. I was thinking ‘cauliflower’; the artistic creators most probably clouds.

“Michaelangelo!” Olga announced, annoying me. I had wanted to say it first

Ponart Brewery Kaliningrad hosting the Creation of the World exhibition

The next venue, the room immediately above the one containing the giant hand, was, arguably, more surreal than the last. Two rows of the same sized but differently stylised mannequin heads centred atop rectangular plinths travelled along the centre of the chamber, whose every wall had attached to them paintings of a symbolic nature depicting either variations on the theme of divine creation, Michaelangelo’s version, or unsympathetic renditions of the progenitors of original sin, the hapless Adam and Eve.

Biblical Creation of the World. A grotesque view of a grotesuq world

Lighting continued to generate atmosphere as it had in the rooms before, and once again could be heard that low, impenetrable but penetrating, measured background hum, which, speaking for myself, had nothing of hallelujah in it but a lot of numbing depth. It gave me grim satisfaction to note that it, and all I had experienced whilst on this voyage of wonder, accorded with my sullied view that of all God’s myriad creations, with the exception of man himself, the world is the most imperfect. Indeed, I have to say and must say, that you would need to be less receptive than deaf, dumb and blind, or a child upon a rocking horse or swing, not to arrive at the end of this incredibly evocative ghost-train ride with more of awe and wonder and less of self-possession than you had upon starting out.

True to form, there is nothing in this biblical treatise on the creation of the world that does not deserve to be called amazing but at one and the same time peripherally unsettling, and nowhere was this more apparent than in each and every one of the artistic interpretations of the spark of life and the fall of man.

Ponart Brewery images of the world's creation
Creation exhibition at Ponart Brewery

The grotesque ethereal landscapes portrayed symbolically in these works of art made the scores of red rosy apples suspended on threads of different lengths, some so long that the apples attached to them descended through circular pits in the floor, wherefrom they could be witnessed hovering above a rectangular trough scattered with scarlet  bricks, divine enough to test the wrath of God. This then is the thematic ethos of the exhibition’s penultimate room, where it is hats off to Creation’s creators who, by ingenuity or by accident, have made the legendary curse of original sin never seem more tempting!

I will never now be able to look again in innocence at a store-bought rosy apple or pluck one off a tree without that the act of doing so emphatically returns me to this desirous scene at Ponart Brewery, as well as to the mythological premise that almost every instinctual human act is sin wrapped up in guilt or guilt wrapped up in sin.

It occurs to me that there is someone out there who is abrogating responsibility for filling this flawed world of ours with a dynastic glut of apple pluckers. Tell me, who can think of Granny Smith when the orchard in full bloom is full to bursting with attractive distractions like Honeycrisp and Golden Delicious? It’s easy to blame it on Adam and Eve, they are not here to defend themselves.

Ponart Brewery in the Strange Case of Creation

The truth of the matter is that the biblical story of creation, that masterpiece of tragedy of which we are a part, means different things to different people. Go and see it for yourself, and ask yourself at the end of the journey, is the biblical view of our world a slice of apple pie, or does it give you the pip? One thing is for certain, Creation is an exhibition, which starts and keeps you thinking. https://zernoart.ru/creation_kaliningrad

What a wonderful world?

Copyright © 2018-2025 Mick Hart. All rights reserved.

👉 PIVOVAR RESTAURANT BREWERY, KALININGRAD

Ponart Brewery Creation of the World Exhibition

Ponart Brewery Creation of the World Exhibition

A step-by-step guide to the six days it took to create the world

10 February 2025 ~ Ponart Brewery Creation of the World Exhibition

Holiness, theological doctrines and a biblical view of the world, these are some of the many spiritual components of our mortal existence with which, I imagine, I am rarely associated. I can think of hardly anybody among those few who think they know me, and that includes myself, who would even half believe that I would take an active interest in the genesis creation narrative. And yet, there I was ~ where, I shall tell you in good time ~ not merely taking an interest in, but following in the footsteps of, the Divine Creator’s plan.

This genesis paradigm has been used to explain why we go to, or in England used to go to, church on Sundays and why on that same day, before the evil ones changed the licensing laws, the pubs worked fewer hours, so that we, the people who used the pubs, would stay at home and rest in order to work greater hours in the restless week to come. Is nothing sacred to exploitation? The answer to that is no.

I had not been asked such searching biblical questions since I was a nipper, and, as far as I can recall, had never been asked them whilst standing in front of a giant globe of the world, lit up and suspended within a hushed and semi-darkened room, bathed in a red-filtered light, with a Lutheran priest standing before me dressed in a pair of jeans surrounded by a semi-circle of orange-painted rocking horses.

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Ponart Brewery Creation: Dinosaur and large world installation at Kaliningrad's Ponart Brewery Creation of the World Exhibition

In telling you that the cavernous, scarred, hollowed out, red-brick room in which myself, my wife, the priest, the globe and the dinosaur were congregated was one piece in the mammoth jigsaw of Königsberg’s Pomart Brewery, a rambling late-19th century pile undergoing restoration and emerging from its ruined condition as a multifarious public space, those who think they know me, and this includes myself, will pick up on the one word ‘brewery’ and whisper slyly under their breath, ‘Hmm, so that’s why he was there!” But both of us could not be more wrong. Though it shames me to admit it, I was not strictly or exclusively at Pomart’s for the beer.

Mick Hart at the Ponart Brewery in Kaliningrad

Not that I have not been aware of the Pomart Brewery’s existence; could I of all people be guilty of this oversight? I have known it as a historic landmark fallen into dereliction and, in more recent months, as an ambitious restoration project, complete with functioning brewery. The fact, therefore, that I have not had time to explore it in either its faded former or current glory testifies to the many things that there are to see and do in and around Kaliningrad. But here we were, or rather there we were, at last, attending an exhibition called Creation, a deceptively simple title for something of such conceptual and spatial magnitude.

Ponart Brewery Creation of the World Exhibition

The art group ‘Grain’, Creation’s creators, originates from ‘Annenkirche’ (in Russian: Анненкирхе), or the easier to relate to St Anne’s Lutheran Church in the Russian city of St Petersburg.

The group describes their exhibition as a “biblical view of the creation of the world through the prism of modern art … where the past and the present, faith and creativity, deep meaning and stunning visual design are harmoniously combined.

“At the exhibition, you will learn all the most important things about the days of the creation,” Creation’s creators promise. “You will be able to touch God, get closer to the heavenly bodies and decide for yourself whether or not to bite the forbidden fruit.”

Tempted? I wouldn’t recommend it. Although among the exhibition’s stimulating props and large-scale installations, you will find no shortage of apples, like everything else in this tour de force the apples are only as real as symbolic licence permits them to be. The creators of Creation invite you to leave this material world and sink your teeth into something that you may have bitten into before, but which lies beyond the secular yonder to which you have grown accustomed.

Apples of Temptation at the Creation of the World Exhibition

Ponart’s Brewery was not created as a venue for Creation, it was created for the creation of Pilsner lager (there’s no accounting for taste), but as an exact fit for Creation’s needs, it is difficult to imagine anywhere else coming reasonably close. Ponart swallows everything whole  ~ you, me, apples and all, even the giant globe of the world and the looming sphere of the moon. To the exhibition’s props, the gargantuan scarred-brick labyrinth constitutes a compatible universe, an expanse in which each exhibit finds its own unique space, providing the parabolic journey, along whose line the exhibits lead you, with a transport of celestial commentary and a glimpse into your own beliefs, which, latent within your spiritual landscape, are as revealing in their intimacy as they are in cosmic proportion.

Each exhibit seems to signpost biblical images in your childhood past, which, as you are gradually reacquainted, shuffle to and fro against an ever-changing, dream-like scenery, part comprised of book illustrations, part the work of your own young hand. You can almost feel the wax of the crayons brushing against your fingers and feel the smile on your face at the Rembrandt you have created.

Ponart Brewery Creation: All creatures great and small at Ponart Brewery Exhibition, Kaliningrad

Creation is the kind of exhibition, the startling kind, where you can live the Earth’s first six days of life at a pace that suits your ruminations, and when you feel you have reached the seventh, you can take a well-earnt rest, for example, in one of Ponart’s relaxing bars or atmospheric restaurants.

Creation has never been so creative and Ponart’s never so tempting. 

Copyright © 2018-2025 Mick Hart. All rights reserved.

Creation’s Website
Выставка Сотворение в Калининграде