Tag Archives: Victor Ryabinin the Artist Born in Königsberg

Victor Ryabinin Art Exhibition

Victor Ryabinin Art Exhibition Kaliningrad opens December 2021

An Artist who Can Hear Angels Speak

Published: 21 December 2021 ~ Victor Ryabinin Art Exhibition Kaliningrad opens December 2021

An art exhibition devoted to the works of our late friend Victor Ryabinin opens at The Kaliningrad Regional Museum of History and Arts on 23 December 2021. The exhibition will run until 31 December 2022.

He [Victor Ryabinin] was a breath of fresh air in my understanding of art. He was so alive in comparison with many of the other teachers. He ignited our imagination. He was not backward in pointing out our mistakes, but he inspired! And he took a sincere interest in our artistic development, which extended beyond the classroom.

Stanislav Konovalov, friend & art student of Victor Ryabinin

Details of Victor, the man and artist, can be found by accessing the links below:

Victor Ryabinin Königsberg Artist-Historian
Художник Виктор Рябинин Кёнигсберг
Victor Ryabinin Königsberg Kaliningrad
Дух Кенигсберга Виктор Рябинин
Victor Ryabinin the Artist Born in Königsberg
Stanislav Konovalov ~ student and friend of Victor Ryabinin

“When I wrote the draft to {Victor Ryabinin’s biographical essay}, I wrote that I believe there is no equal to him in Kaliningrad — I still believe he has no equal.”

Boris Nisnevich, author

Victor Ryabinin Art Exhibition Kaliningrad


The Kaliningrad Regional Museum of History and Arts is located close to the bank of Kaliningrad’s Lower Pond.

Originally Königsberg’s city hall (Stadthalle) and also a performing arts centre, the impressive, multi-roomed building was constructed in 1912 by the Berlin architect Richard Zeil.

In its pre-war glory days, the Stadhalle boasted three concert halls, a restaurant and a well-appointed garden cafe that looked out over the castle pond, Schlossteich.

As with most of Königsberg, the building suffered extensive damage during the Allied bombing raid that took place on 26 August 1944. It took five years to restore the building, from 1981 to 1986.

The museum has five halls, each one devoted to a different theme: Nature, Archaeology, Regional History, War Room & the Post-war History of the Region.

Essential details:

The Kaliningrad Regional Museum of History and Arts
236016, Kaliningrad, St. Clinical, 21

Tel: 8 (4012) 994-900; 8 (911) 868-31-76

Email: koihm@westrussia.org (director’s reception)

Website: https://westrussia.org/

Opening times
10am to 6pm Monday ~ Sunday
(Note cash desk open until 5pm)

Copyright © 2018-2022 Mick Hart. All rights reserved.

Mick Hart renovating Codpiece statue

A Memorial Garden for Victor Ryabinin

Pushing the boat out

Published: 30 August 2021 ~ A Memorial Garden for Victor Ryabinin

The idea to create our own, modest memorial garden to Victor Ryabinin came to us when we were deliberating on what name to give to the dacha. My wife, Olga, said that she wanted to name it ‘Boat with Flowers House’ after one of Victor’s paintings, which was also used as an illustration for the front cover of his and Sam Simkin’s book on East Prussian poetry.

Victor Ryabinin Boat with Flowers

Victor Ryabinin’s ‘Boat with Flowers’, shown here as the front-cover design for his and Sam Simkin’s book on East Prussian Poetry

We already felt obliged, motivated by our sensibility for history and heritage, to renovate the statue that stands in our garden. The statue is that of a fisherman. We did not put him there and neither did the Germans. In German times the dacha was the village hall, but in the Soviet era it became a hostelry for fishermen. Now it is a place where Olga plays houses and gardens, and I drink beer that I have bought from the local shop. And although I believe that a statue of me with a pint glass in my hand would be something that Nigel Farage would approve of, as the fisherman was there first, there he should remain.

The statue is Captain Codpiece. That is not his real name, of course, but one that has been bestowed upon him by my brother. I don’t think Codpiece minds. He knows we respect him, and he has certainly benefitted from our recent ministrations.

A Memorial Garden for Victor Ryabinin

I started the ball rolling by removing the moss, most of which had gathered on the plinth of the statue, and cleaned the flaking concrete from it, then some chaps from the village, whose building skills are far superior to mine, reconstructed the plinth using wooden planks for shuttering and pouring fresh concrete into the mould.

The statue with its new plinth under construction

Last week, our friend Chilikin, artist and conservationist, drank beer and vodka with me, and he also gave Codpiece the once over with a wire brush before saturating him in a transparent sealing compound, which will also act as a base substrate for the paint job that is to follow. In Soviet times, the statute was bright silver; the paint acted as a weather-shield, but it also transformed the concrete man into something resembling a metallised robot. Times change, and as the silver has worn off and with it the sheen of dubious taste, we have decided to act on Chilikin’s advice and go for a mottled bronze. The ‘distressed’ look will preserve antiquity, and a fresh coat of paint will give the statue a new lease of life.

Chilikin renovating Statue
Valordia Chilikin restoring the statue of the fisherman

Whilst Codpiece will stand tall, literally head and shoulders above the ensemble, iconic to the composition will be the boat we acquired some weeks previously, which will be used to recreate Victor’s Boat with Flowers.

Mick Hart Painting boat. A Memorial Garden for Victor Ryabinin
Mick Hart applying preservative to the boat that will be used in
Victor Ryabinin’s memorial garden

A memorial plaque has been commissioned and is in the process of being made. Next week we hope to find a suitable boulder on which to mount the plaque.

If we adhere to our timetable and complete the garden by mid-September, there is talk in the air of commemorating the event with a private gathering of clans. The occasion, I have been told, will not be black or white tie, but all attendees will be expected to wear some kind of hippy dress that backdates them to the 1960s. Codpiece was erected in the 1960s, so somehow it only seems right.

F.A.B. cats!

Links to posts on Victor Ryabin, Artist

Victor Ryabinin at One with Königsberg

Victor Ryabinin at one with Königsberg

Victor Ryabinin, artist, Königsberg
17 December 1946 ~ 18 July 2019

Why Victor Ryabinin will never leave Königsberg

Victor Ryabinin, a word with him after his death:
Thoughts on the second anniversary of Victor’s death

It is two years now, by our understanding of time, since Victor stepped out of time, but hardly a day goes by when we do not mention him. Since his death, Victor has become the benchmark by which we judge both the architectural and cultural developments in Kaliningrad and its region.

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To coincide with what would have been Victor Ryabinin’s 75th birthday, a book has been published which celebrates and commemorates his life and work. Conceived, supervised and edited by Kaliningrad artist Marina Simkina, daughter of the famous Russian poet Sam Simkin, and Boris Nisnevich, author and journalist, this fascinating book contains personal memories of Victor Ryabinin and critical acclaim of his work and career from 28 of his friends and colleagues.

More information about the book can be found by following this link [Victor Ryabinin the Artist Born in Königsberg], which will take you to the permanent pages on this blog under the category Victor Ryabinin Königsberg.

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The following articles relating to Victor, his life and his art, also appear in this category:

Victor Ryabinin Königsberg Kaliningrad

Victor Ryabinin the Spirit of Königsberg
Oдин из самых замечательных людей, которых я когда-либо встречал
I first met Victor Ryabinin in the spring of 2001. A friend of my wife’s, knowing how much my wife liked art and how fascinated I was with anything to do with the past, suggested that we meet this ‘very interesting’ man, who was an artist and a historian.

An artist who can hear angels speak
Художник, у которого ангелы говорят
Kaliningrad author and journalist, Boris Nisnevich’s essay on the haunting influence that Königsberg’s ruins had on Victor Ryabinin’s philosophy and art: “When I wrote the draft to this article, I wrote that I believe there is no equal to him in Kaliningrad — I still believe he has no equal.” ~ Boris Nisnevich

In Memory of Victor Ryabinin

In Memory of Victor Ryabinin
This article was published in memoriam on the first anniversary of Victor’s death. Victor died on 18 July 2019.

Personal Tour Guide Kaliningrad

Personal Tour Guide Kaliningrad
Stanislav Konovalov (Stas) was a student and close friend of Victor Ryabinin. In the months following Victor’s death Stas supervised and worked on the emotionally and physically difficult task of dismantling, packing, transporting and storing the many and various Königsberg artefacts, artworks and assorted relics that once adorned and constituted The Studio ~ Victor’s atmospheric art studio and celebrated reception room. Stas took detailed photographs and measurements of the room in the hope one day that it could be reconstructed as part of a permanent exhibition to Victor and his work. Sadly, Stas himself passed away in November 2020. We live in hope that someone will continue the work that his untimely demise left unfinished. This is Stas’ story.

Victor Ryabinin’s Headstone Königsberg  Kaliningrad

Victor Ryabinin’s Headstone Königsberg
After quite a hiatus Victor’s grave was finally bestowed with a headstone befitting the man and the artist. It shows Victor sitting on a stool in his art studio. He is leaning nonchalantly in his chair, relaxed, unassuming, in tune with himself, his life and the world around him. His right arm is resting on one of his art-historian creations, his left arm cradling the base. The artwork is an assemblage, a composition of assorted Königsberg relics assembled icon-like within a frame …

Copyright © 2018-2021 Mick Hart. All rights reserved.

Thoughts on the Death of Victor Ryabinin

Victor Ryabinin a word with him after his Death

Published: 18 July 2021 ~ Victor Ryabinin a word with him after his Death

On the second anniversary of Victor Ryabinin’s death, I recall Victor saying of himself, “I suppose you could call me a cheerful pessimist.” His ironic self-assessment led me to the conclusion that if he could call himself a cheerful pessimist, I could call myself (amongst other things!) a pragmatic Romanticist.

My wife, Olga, however, is an explorer of and believer in esoteric, spiritual and metaphysical doctrines. Thus, it was no contraindication of our normality that just before falling asleep one night Olga should embark upon an epilogue that adumbrated her philosophic convictions that human kind, the world as we perceive it and the universe of which we are a part operate as an omnipotent mechanism, a machine of Art Nouveau amalgamation melding and interconnecting all of nature’s components, giving them purpose and place within a grand and mysterious scheme that starts before life and does not end with death.

I prefer to count sheep myself, or beer bottles, but that’s pragmatic Romanticism for you.

Olga believes that if you want something and that you visualise that something with devout conviction you can shape your own reality. It is simply another way of saying, “Life is what you make it”, or in Hollywood speak, “Dreams really can come true”.

On this particular occasion, however, she was not talking about her extreme good fortune of having met and married me, but about her increasing interest in and love for Königsberg-Kaliningrad, which has received inspirational impetus from her recent discovery of the architectural splendours of Komsomolskaya  street, the street on which the Home for Veterans is situated, a street which has more than its fair share of late 19th century early 20th century buildings, built, embellished, thankfully preserved and carefully restored, in the grand style. She was so entranced by her May-time visit to this street that she wrote about it on her Facebook page: 

Olga Korosteleva-Hart [Facebook]

Shared with Public

Do not underestimate the importance of the human factor! These beautiful bas-reliefs would have been destroyed if it were not for the woman in this series of pictures, whose name I sadly did not ask. She told me that building site workers tried to hammer the bas-reliefs from the walls of this 19th century house just before they began to paint the building, arguing that the symbols were Germanic and therefore were not relevant to Russians. It was only when the lady reasoned with them and wrote complaints to the city’s administration that the reliefs were restored and repainted in their original colour.

The history of the suburb of Hufen (the location of the buildings) is mentioned in the 13th century, but only in the 19th century did it begin to assume the shape that Kaliningrad’s residents see today. Queen Louise of Prussia spent her summer months in Luisenval, as this area was known in her time [early 19th century] , and this was the reason for its rapid development.

In the 19th century Hufen was divided into three parts: Forder Hufen – Far Hufen, Mittelhufen – Middle Hufen and Hinter Hufen ~ Further Hufen and was later renamed Amalienau. By this time, the urban layout of the streets had already been formed, and the wealthy owners of the villas laid a cobblestone road. In 1896, an architectural competition for the development of the Luisenallee, organised by the Eastern Bank of Konigsberg, established planning rules. The first and most important rule was to restrict the height of the buildings, the second was to adhere to half-timbered construction and the third to incorporate abundant decorative elements. The rules also spelt out several mandatory cosmetic conditions, one of which involved the addition of elegant ornamentation iconic to Gothic architecture or associated with national romantic symbols.

I would like to thank the lovely lady who managed to save these evocative ancient pagan symbols from modern barbarism. If we all cared about our environment and our shared history regardless of nationality as she does, life would be so much more beautiful!

And, note this:

“I love my city! Vibrant, busy and green!”

Victor Ryabinin, a word with him after his death

She told me that whilst she was walking along this street, she realised just how much she loved Kaliningrad. She said that she sees its imperfections less and less and that, like Victor, she is always discovering and learning something new.

She thought how pleased Victor would have been to have known how much Kaliningrad and its Königsberg heritage meant to her, and, as she was thinking this, Victor appeared to her.

She said, I spoke to him. I asked what he was doing now, and he replied that I am still learning; I am just in another realm.

She connected these mutual feelings about Kaliningrad to her ‘life is what you want it to be’ philosophy. Some people, she infers, can see the good in Kaliningrad, others cannot or will not. But, she believes, that if you see and feel Kaliningrad-Königsberg in a positive light, the city will reward you.

She proceeded to remind me of a day we spent with Victor. We were walking past an old, partly burnt-out Königsberg building. When we brought this building to Victor’s attention, he chuckled. He told us that years ago it used to be a police station. He must have been rather drunk one night, because having been arrested on the streets of Kaliningrad he had the pleasure of spending the night in the cells of this building. When they released him, he cursed the place and wished it would burn down. Shortly afterwards, it did.

From which we had to conclude that our kind, inoffensive and easy-going friend was something of a subliminal pyromaniac. Still, I never had a problem when we visited him in his studio in getting a light for my cigar.

But it was not the mysterious elements of these two stories that had prompted Olga to recall this day. It was Victor’s enthusiasm for a number of old buildings along the street where the burnt-out police station stood.  

“I could not understand how Victor could be so excited by these buildings and by the spaces occupied by new buildings where old buildings used to be. I just did not get it,” said Olga. “But now I understand.”

The Mystical Nature of Victor Ryabinin

She alluded to the mystical qualities inherent in this city, referring to the symbolism expressed in the many bas-reliefs and in the other forms of ancient decoration, concluding that in days gone by, and not so long ago, people were more attuned to the other dimension, the world beyond our material existence. It was this intuitiveness that endowed people with a sense of belonging, belonging to the world and the universe. It imparted knowledge of the ‘otherness’ and the place that mortals occupy within its schema. It gave people a deeper insight into and understanding of the mystical, all of which is now threatened by an overt and misappropriated emphasis instilled and prosecuted by the globalists for the sake of their ‘Me, Myself, I’ culture, at the centre of which is alienating technology and the drive to reduce us all to nothing more than consumer clones. And I am sure that within this context coronavirus and its divisive objective also got a mention.

I thought for a moment, and then said, “There was certainly something mystical about Victor.”

We were perceptive to this,” she emphasised. “This is why we enjoyed Victor’s company, because we were on the same wavelength. Victor was unique in many ways. He was non-judgemental; he accepted people for what they were, and he accepted situations; I do not remember him being really negative about anything or anyone.”

It is two years now, by our understanding of time, since Victor stepped out of time, but hardly a day goes by when we do not mention him. Since his death, Victor has become the benchmark by which we judge both the architectural and cultural developments in this region. Whenever we observe something new, such as the restoration of an old building or the construction of a new one, one or other of us will ask, “I wonder if Victor would have approved of this?” or will categorically state, “Victor would have loved this!” or “Victor would not have liked this!” whatever the case may be.

On 20 May 2021, Olga learnt that the green light had been given for Kaliningrad to invest in and organise the Kant celebration, which is scheduled to take place on the anniversary of the birth of Immanuel Kant, the German philosopher, in 2024.

As a boy who grew up in the ruins of Konigsberg and for whom this city and its history was his first love and his life’s work, the prospect of the Kant celebration was something that was very dear to Victor’s heart and something he had been looking forward to experiencing. Said Olga, on hearing the news that the Kant celebration was to go head: “Victor would have been so proud!”

We, too, are proud, to have been blessed with the friendship of Victor Ryabinin.

Postscript:

On the first anniversary of Victor Ryabinin’s death, our friend Stas (Stanislav Konovalov), student and friend of Victor Ryabinin, drove us to Victor’s graveside to pay our respects. Afterwards, we stopped in Kaliningrad and went for a short walk along the top of the ramparts and defensive banks next to the King’s Gate. Stas died in November 2020.

In memory of a good friendship too short-lived.

Copyright © 2018-2021 Mick Hart. All rights reserved.


Links to posts relating to Victor Ryabinin in chronological order:

1. Victor Ryabinin Königsberg Kaliningrad
2. Дух Кенигсберга Виктор Рябинин
3.  Victor Ryabinin Königsberg Artist-Historian
4. Художник Виктор Рябинин Кёнигсберг
5. In Memory of Victor Ryabinin (first anniversary of Victor’s death)

6. Personal Tour Guide Kaliningrad (in memory of Victor’s student & friend, Stanislav Konovalov)
7. Victor Ryabinin’s Headstone Königsberg
8.  Victor Ryabinin the Artist Born in Königsberg (Commemorative book by Marina Simkina & Boris Nisnevich: an anthology by friends and colleagues)

 

A book about Victor Ryabinin

On the 75th anniversary of Victor Ryabinin’s birth

Published: 17 December 2020 ~ A book about Victor Ryabinin

To coincide with what would have been Victor Ryabinin’s 75th birthday, a book has been published which celebrates and commemorates his life and work. Conceived, supervised and edited by Kaliningrad artist Marina Simkina, daughter of the famous Russian poet Sam Simkin, and Boris Nisnevich, author and journalist, this fascinating book contains personal memories of Victor Ryabinin and critical acclaim of his work and career from 28 of his friends and colleagues.

More information about the book can be found by following this link [Victor Ryabinin the Artist Born in Königsberg], which will take you to the permanent pages on this blog under the category Victor Ryabinin Königsberg.

The following articles relating to Victor, his life and his art, also appear in this category:

Victor Ryabinin Königsberg Kaliningrad

Victor Ryabinin the Spirit of Königsberg
Oдин из самых замечательных людей, которых я когда-либо встречал
I first met Victor Ryabinin in the spring of 2001. A friend of my wife’s, knowing how much my wife liked art and how fascinated I was with anything to do with the past, suggested that we meet this ‘very interesting’ man, who was an artist and a historian.

An artist who can hear angels speak
Художник, у которого ангелы говорят
Kaliningrad author and journalist, Boris Nisnevich’s essay on the haunting influence that Königsberg’s ruins had on Victor Ryabinin’s philosophy and art: “When I wrote the draft to this article, I wrote that I believe there is no equal to him in Kaliningrad — I still believe he has no equal.” ~ Boris Nisnevich

In Memory of Victor Ryabinin

In Memory of Victor Ryabinin
This article was published in memoriam on the first anniversary of Victor’s death. Victor died on 18 July 2019.

Personal Tour Guide Kaliningrad

Personal Tour Guide Kaliningrad
Stanislav Konovalov (Stas) was a student and close friend of Victor Ryabinin. In the months following Victor’s death Stas supervised and worked on the emotionally and physically difficult task of dismantling, packing, transporting and storing the many and various Königsberg artefacts, artworks and assorted relics that once adorned and constituted The Studio ~ Victor’s atmospheric art studio and celebrated reception room. Stas took detailed photographs and measurements of the room in the hope one day that it could be reconstructed as part of a permanent exhibition to Victor and his work. Sadly, Stas himself passed away in November 2020. We live in hope that someone will continue the work that his untimely demise left unfinished. This is Stas’ story.

Victor Ryabinin’s Headstone Königsberg  Kaliningrad

Victor Ryabinin’s Headstone Königsberg
After quite a hiatus Victor’s grave was finally bestowed with a headstone befitting the man and the artist. It shows Victor sitting on a stool in his art studio. He is leaning nonchalantly in his chair, relaxed, unassuming, in tune with himself, his life and the world around him. His right arm is resting on one of his art-historian creations, his left arm cradling the base. The artwork is an assemblage, a composition of assorted Königsberg relics assembled icon-like within a frame …

Copyright © 2018-2021 Mick Hart. All rights reserved.