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Hotel Mercure Gdansk

Hotel Mercure Gdansk reasons to stay there!

Hotel Mercure Gdansk a Welcome Oasis

23 June 2024 ~ Hotel Mercure Gdansk reasons to stay there!

You may recall, if you were listening to me (“Now, pay attention, as I will be asking questions later!” ) that returning from the UK to Kaliningrad, I made the fatal mistake of booking via Booking.com the apartment Tawerna Rybaki in Old Town Gdansk. To all extents and purposes, the apartment never existed, and I was left on the streets of Gdansk, me and my faithful laptop, with nowhere to lay my head for the night.

The subsequent hunt for alternative accommodation was a long and arduous one, eventually culminating, not before time, at Gdansk’s Mercure Hotel.

Although I appreciate that my positive affirmation of the Mercure’s finer points may be tinged by the fact that at the time I was desperate and ‘any port in a storm’ had become my alma mater (original use of the term), in reviewing the Mercure Hotel, I have attempted to put the object of my misfortunes, the bogus Rybaki apartment, as far behind me as I can and write with objectivity.

So, here we go: My first reaction to the Mercure was “Oh, it’s a tower block”; my second, “It looks a tad upmarket for a chap who just wants a bed for the night”; my third, “Bugger this for a game of soldiers, I have been walking around for hours. I need to book in somewhere and head off to a bar!”

Getting the feel of the place

On the other side of its perpetual revolving door, the Mercure’s interior is TARDISial. It’s grand, it’s palatial, it’s swish, say your senses, but once you have checked in and taken a second look your senses qualify your first impression with ‘it is also rather passe’.

The lobby, indeed the Mercure in its entirety, has a distinctly 1980s’ look and a period feel to go with it. It is not faded and jaded, on the contrary, the hotel could not be more 1980s than if it was still the 1980s. And yet, it is not unfair to say that the swish has lost its swashbuckle.

Nevertheless, there is enough of the right thing going on in its aircraft hangar interior to strike the gong of plush. The vast space is broken down into open-plan units: seating areas with big, spongey recliners, coffee-table resting points, unusual modernist sculptures, a shimmering shiny floor, downlighters, uplighters, pendulous globular basket lampshades, and, ah yes, at the back of the room, that all-important traveller’s requisite the hotel lounge and bar. Don’t leave home without one!

It had been a long day for me when I booked in to the Mercure, and I was dying to use the loo, so I was not entirely enamoured when I was given a plastic card instead of a good old-fashioned key. First off, I shoved it in the hole, and it did not work the lift; then I nipped quickly off to the toilet, and it did not work the toilet lock, then when I rushed up to my room in it went and opened the door, ruining whatever chance I had of changing my pants and complaining. Just in the nick of plastic-card time!

My opinion of the interior downstairs décor, that it was 1980s, was given a serious leg up when the lift went ching on the hotel’s sixth floor. In contrast to the capacious lobby, the sixth-floor landing and long, long corridor was a little Alice in Wonderland. I felt as if I had sipped from Alice’s ‘Drink Me!’ bottle, and now my head was touching the ceiling.

The imposing and all-suffusing chocolate browns of the carpet, which match the tones of the doors, the walls and the ceiling, and which are brought into intimate proximity thanks to the carpet’s thick and heavy mercurial globular patterns and their blotting paper absorption of the well-intentioned low-lit lighting, has 1980s stamped right through them like a piece of seaside rock, and the rooms, or at least my room, completed that turn of the retro page.

All brown in the Mercure Hotel, Gdansk

Turning back the page need not be disagreeable if, like me, you find that direction infinitely more appealing than moving with the times. Thus, although the tones of the hotel room, at least the room in which I was staying, followed the lead of the communal areas in their 1980s’ love of chocolate, the amenities therein neither added to nor subtracted from the context of backdated.

There was everything you would expect to get from a hotel of this scale and calibre. It came in spades and with enough variation to seduce you into believing that it offered more than you had expected and all with an extra air of luxury tinged with a personal touch.

The lighting alone was sufficient to do this to you. Ambient lighting, lighting for reading, mood lighting, soft lighting and lighting to get you in the mood ~ multiple combinations of it and all at the flick of a switch ~ or two.

Not the Hotel California, hence no mirrors on the ceiling, for which I was truly grateful. For I would not wish to inflict on myself a view of myself like that first thing in the morning! But the room did have its fair share of mirrors, including, above the convenient desk, a nice, big, long, rectangular one, which looks a bit like a telly? I could not tell you for certain as I have not used one for years.

The seating was also variegated to suit every type and class of bum. And there was an adequate wardrobe with sliding doors and adequate chests with sliding drawers. And a bed with a firm and comfortable mattress, on which to sleep and what have you.

The 1980s was not so primitive as to exclude the presence of an ensuite bathroom, and neither, I am glad to report, was my 21st century room. It had a credible bath and shower room and even contained a toilet, which was just as well in the circumstances, as a tower-block hotel with a lavvy out back in the yard would be mighty inconvenient.

A bedroom at Mercure Hotel in Gdansk

Ah, excuse me, I almost forgot, there was also a safe to put things in, if only you knew how to use it (I believe you put your bits inside, then close the door and lock it Mick.) (Quite so.), and the room comes equipped with its very own window, which is useful for letting in natural light, which if there was no window, you would need to bring your own natural light, and, of course, when letting in light and even when it is not, the window comes in handy when you get the urge to look out of it.

I am not about to pretend that the view from my window was actually inspiring, but equally shall not argue that it was not. As the photograph below reveals, the view does capture Gdansk; the new Gdansk and the old.

View from hotel window at the Mercure, Gdansk

Excited by the red-brick church, you swear on a pint of good beer that as soon as you have unpacked your things, attended dutifully to your reasonable ablutions and put on a different cravat, you will point your brogues decisively in the direction that you want to go and permit them to carry you off towards the architectural/historic masterpiece that those ever-inventive Poles did christen the Old Town.

Unfortunately, however, although the Mercure Hotel is devilishly close for on-foot types to the town’s historic quarter, my shoes belong to an era, as I do myself, in which modern navigation aids play no understandable part.

I could have asked the way of course, but that would have been too easy and obviously much too sensible, and so, of course, I didn’t. I simply relied on my sense of direction, and for once I got it right.

This is something else that speaks in Mercure’s favour. If, like me, never becoming a navigator was one of the most applaudable things you did in your life, then the Mercure should appeal to you. Its name emblazoned in bright white light at the very top of its tower acts like a lighthouse beacon. It can be seen from many points of the compass and therefore can be used in co-operation with other landmarks to guide you safely home in the unlikely event you have drunk too much after a night on the town.

Mercure Gdansk the name acts as a navigational beacon

In summarising my Mercure experience, I would say “a solid hotel ~ rock solid”.  Comfortable, appealing ~ in a slightly old-fashioned sort of way ~ and supremely atmospheric, it effortlessly brings together the feel of a hotel somewhere above its station with a kindly welcome that is home-from-home. The bar, my natural habitat, has that cushty, big upmarket hotel, relaxing, come-hither air. You just order yourself a drink and sink yourself carefree into its soft and sumptuous seats. The staff are as pleasant as they are helpful; the service cannot be faulted. Everything around you is as easy on the eye as it is upon the senses, which is quite an achievement in itself as the hotel contains some visual surprises. And in its relativity to Gdansk’s Old Town and to the central railway station, if any hotel deserves the accolade of being well-appointed then that hotel is the Mercure.

I know and I do appreciate that on that fateful day when I first laid eyes upon it, the Mercure appeared on my troubled horizon like an oasis in a desert of lies and deceit, but be that as it may, from any objective viewpoint, the Mercure delivers the goods and with it value for money. What else would you expect? It is not for nothing that it derives its name from the Roman God of Travellers!

Hotel Mercure Gdańsk Stare Miasto
Jana Heweliusza 22, 80-890 Gdańsk, Poland

Tel: +48 58 321 00 00
Website: Mercure Gdańsk

Streetmap: Mercure Gdańsk

Copyright © 2018-2024 Mick Hart. All rights reserved.

Mick Hart at Kaliningrad Flea Market

What makes Kaliningrad Flea Market a Junk Buyers paradise?

I went, I saw, I bought … and I am still buying!

Published: 16 June 2022 ~ What makes Kaliningrad Flea Market a Junk Buyers paradise?

In 2000, the first time I set foot on Kaliningrad soil ~ a giant step for a man who had never been to Russia before ~ one of the major attractions very quickly became the city’s flea market or junk market, as we like to call it.

Linked post > Beldray at Kaliningrad Flea Market a Surprising Find

The junk market was located at the side of Kaliningrad’s central market, a monolithic and cavernous complex consisting of all kinds of exciting combinations of traditional stalls, units and multi-layered shops, selling everything from fruit and veg to jewellery.

In those days, to get to the market we would cut around the back of Lenin’s statute, which occupied the place where the Orthodox cathedral stands today (irony), and making our way along a make-shift pavement of boards raised on pallets, often treacherously slippery as winter approached, we’d pass amidst the wagon train of covered craft-sellers’ stalls, trek across the city’s bus park and on the last leg of the journey sidle off down a long, wide alley with rattling tin on one side and a towering building on the other. I have no idea why, as I was often in Kaliningrad during the sunny seasons, but my abiding memory of walking along that alley was that it sucked wind down it like the last gasp of breath and was always wet and raining.

Another ‘in those days’ was that the junk market extended along the side of the road which is now a pedestrianised space between buildings ancient and modern and the latest super monolithic shopping centre. Dealers could be found in an old yard opposite, plying their trade from a shanty town of stalls, all higgledy-piggledy and cobbled together, whilst public sellers set up shop on a narrow sloping scar of land, a grass verge worn down by years of junk-seller hopefuls.

In our militaria dealing and 1940s’ re-enactment hey days, we bought twenty pairs of sapagee (high leather and canvas military boots) from a bloke stalled out on this piece of ground over several consecutive days. We also bought Soviet military belts from him, the ones that he was wearing. On the last day of purchasing, we would have had his belt again had he more to sell, but all he had left by the time we were through was a piece of knotted string to keep his trousers up. 

Kaliningrad Flea Market Soviet belt

When we left Russia at the end of a month’s visit, this was in 2004, the border personnel searched our vehicle, and on finding twenty pairs of old Soviet boots, rolled up, tied down with string and stashed in bin liners, sniggered to themselves. But we had the last laugh. We hadn’t sneaked off with an icon, but boots at one quid a pair that could be sold in the UK to re-enactors and members of living history groups at £35 or more a pop was lubbly jubbly. Whilst we wouldn’t get rich on the proceeds, it would certainly offset the cost of our trip. It shames me to recall, comrade, what a despicable capitalist I once was.

Soviet boots Kaliningrad Market

When I first came to Kaliningrad  (2000) I was buying stuff mainly for myself but as I turned dealer, as most collectors are obliged to do to reclaim the space they live in, I did what all collectors do when the fear of decluttering wakes them from their slumbers in a cold sweat, I went out looking for more things to clutter with, the justification being that I was no longer buying it for myself but selling it on for profit. Believe you me, sooner or later (usually later) every junk hoarder reaches this critical stage of consciousness, when they finally have to admit that buying old stuff is more than a compulsion it is in fact a disease. After confession, however, comes absolution and, like all professional sinners, hoarders quickly learn that regular confession and regular sin go hand-in-hand together.Thus, wherever we travelled the story was always the same ~ be it Lithuania, Latvia, Poland or Ukraine ~ junk markets and antique shops loomed large upon the itinerary.

What makes Kaliningrad Flea Market a Junk Buyers’ paradise?

Be it ever so difficult for the likes of us to understand, but old stuff is not everybody’s cup of tea, and the first victims of the development and progressive gentrification of Kaliningrad’s market area were the junk sellers. Speaking euphemistically, they were ‘politely asked to move on’.

I must admit (there you go, I am at it again, confessing!) that when I discovered they had gone, I was truly mortified: new shops, block-paved and tree-inset pedestrian-only streets and a face lift that no amount of Botox or plastic surgery could replicate is all very nice, but oh, what had become of the junk!?

As it happened there was no cause for alarm. All I needed to do was go around the bend, something that I am known to be good at, and there it was, as plain as the specs (the vintage specs) on your nose.

The precise location of the junk market was ~ I use the term ‘was’ because rumour has it that the purveyors of indispensable high-quality items and second-hand recyclables may be moved on again to make way for more civic tarting ~ parallel to the road at the side of the fort opposite the central market, thereupon extending at a right angle along a tree-settled and sometimes muddy embankment that follows the remnant of Königsberg’s moat.

The better-quality items ~ militaria and Königsberg relics ~ are generally to be found on the stalls that line both sides of the pavement. Here you can discover gems, although not necessarily or even regularly at prices to suit your pocket.

German helmets & ceramics Kaliningrad Flea Market

The pavement-side sellers are mainly traders, people ‘in the know’, who are hoping to get at least market rate for their wares or substantially more, if they can wangle it.

Experience has taught me that in dealing with these chaps movement on prices is not unachievable, but don’t expect the sort of discounts that are possible to negotiate at UK vintage and boot fairs. Sellers in Kaliningrad are skilled in the art of bargaining ~ seemingly absolute in their conviction that if you don’t want it at the quoted price some German tourist will.

The pavement Kaliningrad Flea Market
A busy Saturday at Kaliningrad Flea Market

If you are after military items, especially those that relate to WWII and Königsberg’s German past, then it is along this stretch of pavement where you will most likely encounter them. Badges, military dog-tags and Third Reich medals are quite prolific, as is cutlery, ceramics and fragments of ceramics backstamped with the symbols and insignia of the time.

Although, given Kaliningrad’s German heritage and the fierce battles fought here during WWII, you would reasonably expect to find a preponderance of genuine military relics, as anyone who collects Third Reich memorabilia and/or deals in this field will tell you, counterfeit and reproductions abound. Memorabilia, both military and civilian, bearing ideological runes attained collectable status almost before WWII ended, and a thriving market in good quality reproduction items to service this growing interest emerged as early as the late 1940s.

Party badges, military decorations, particularly of the higher orders and those associated with the SS, are difficult to distinguish from the real McCoy since many were struck from the same dies or moulds used to create the originals.

The rule of thumb when hunting out Third Reich bargains from dealers’ stock is that you are less likely to get a bargain than to experience a hard bargain, as the pieces that dealers have acquired will almost certainly have been exhaustively studied and meticulously researched but, if you are tempted to buy, pay attention to the item’s appearance. Remember that genuine military items dating to the Second World War are now in their dotage ~ 70-years-plus ~ and, just like ‘mature’ people, will generally exhibit signs of age-related wear and tear and sundry other defects from natural use and handling.

The other thing to watch out for is a proliferation of similar items at any one time. When in the UK I was a regular attendee at the Bedford Arms Fair, then held in the now demolished Bunyan Sports Centre, you could guarantee that each year there would be a ‘bumper crop’ of one category of Third Reich memorabilia or another. What an alarm bell that is! For example, one year almost every other dealer had German army dress daggers, all sharing the same mint condition; another year it was flags, which looked and smelt the part ~old ~ but whose labels did neither. Caveat emptor!

When I buy German items these days I do so mainly for nostalgic reasons, not to sell on, and because it is the historic not monetary value that attracts me, I am content to purchase military decorations, party badges and so on that have been dug up. Naturally, the condition of such items range from considerably less than pristine to battered, biffed, corroded and poor, but as such they are more likely to be the genuine articles than their ‘remarkably well-preserved’ counterparts and, moreover, you can get them at a price that will not break your brother’s piggy bank (is that another confession?).

Iron Cross Dug Up in Kaliningrad
It should come up nicely with a light polish …

The same can be said for architectural pieces such as enamel and metal signs that are Königsberg in origin. Enamel signs, advertising, military, street plaques, whatever, are a personal favourite of mine, since they make excellent and historically evocative wall-mounted additions to any thoughtful home design. In purchasing these, the same rule applies: signs of any type and description will in most cases have been used; they will have hung on walls in both internal and external situations, and wherever they were and whatever they are they will demonstrate commensurable signs of age.

In the past four decades, as original signs, especially enamel ones, have grown in popularity and correspondingly price, various retro companies have been successfully plugging the gap in an escalating market and meeting demand with repro goods. Some of these shout repro at you from a telescopic distance, but as techniques in ageing have evolved it can often be hard at first glance, and even several glances or more and even if you study them, to separate the wheat from the chaff, particularly when your impulsiveness has knocked caution quite unconscious. And it is not only signs that have been skillfully ‘got at’. I recall a ‘19th century’ ship’s wheel turning up at our local auction house in Bedford that was so well aged and distressed that had it not been so convincing you could easily have talked yourself into believing that it was the genuine article.

This is what to look out for: Signs that are ‘uniformly’ aged or show wear and tear in the places where you would most expect to find them but not to the extent that it dissuades you from making a purchase are to be put on the suspect list. The last thing you want, after years of gazing lovingly at the antique sign in your home, thinking to yourself this was once on a shop front in Königsberg, long imagining how eyes like yours lost in time and to memory alighted on it as yours do now, is to learn that your treasured piece of history was made in China a week before you purchased it.

Königsberg antique enamel signs in Victor Ryabinin's art studio, Kaliningrad
Original German/Königsberg signs (photo taken Victor Ryabin Studio, c.2010)

Anything to be had forming a direct link to Königsberg can only be irresistible, not just signs but home appliances, kitchen ware, tea sets, ornaments, furniture, garden tools, anything in fact, especially when that anything bears irrefutable provenance in the form of a maker’s mark. Metalware and ceramics embossed or printed with commercial references, ie references to specific brands or retail outlets, are desirable collectors’ pieces. Old ashtrays, which come in all sorts of inventive shapes and sizes, are top whack in this category. Many are chipped and cracked, but even so still command high prices, and as for the best examples, which are usually in the hands of dealers, after you have exclaimed “How much!” in those same hands they may well remain.

Konigsberg relic at Kaliningrad flea market

For a less expensive and in-profusion alternative, you could do far worse than plump for bottles. Bottle bygones are dug up in their hundreds, possibly thousands, in Kaliningrad and across the region, but as there are as many different shapes, sizes and hues as there is quantity, it is not unreasonable to discover rare, curious and even exquisite bottles rubbing shoulders with the more mundane.

In the UK, old bottles from the end of the 19th century to the 1960s are as cheap as chips (used to be, before the West sanctioned itself), but Kaliningrad is not the UK, so don’t expect to get bargains on a par. The trade here adjusts the market price according to the needs and instincts of German visitors, many of whom are easily swayed to part with more money than they seem to have sense for a fragment of their forbears’ past. But “Ahh,” I hear you say, ‘what price, philistine, can you put on nostalgia?’ Must I confess again?

Mick Hart buys vintage bottle at Kaliningrad Flea Market

I have been known to part with as much as ten quid for an interesting and unusual bottle when it has caught my fancy, but this kind of impetuosity acts in defiance of common sense. If you haven’t got the bottle to part with that much, and you shouldn’t have (Frank Zappa: ‘How could I be such a fool!’), when visiting Kaliningrad’s ‘flea market’, turn 90 degrees from the pavement and head off along the well-worn and sometimes muddy embankment, where you will find bottles and a vast range of all sorts, spread out on blankets, perched on top of little tables and even hanging in the trees from mainly domestic sellers.

Königsberg antique collectable bottles from Kaliningrad market
Sundry items Kalingrad junk market

I have bought all sorts of things from this part of the market that I never knew I did not need, not to mention clothes that I have not worn and would never wear. For example, I was once obliged to buy an old tin bucket, and I would not dream of wearing it.  It’s far too nice a bucket to use as a bucket should be used; so, it sits at home in our dacha full of things that one day I may go looking for but will never think of looking for them there. It’s the sort of bucket that dealers like I typically find in house clearances ~ a bucket of flotsam and jetsam left behind by the owner when he up and decided to die; a bucket of odds and ends destined to take up valuable space; the accidental contents of which having no value at all, I would never be able to give away let alone turn a penny on. I sometimes wonder if this is not the only reason why people fill their houses and barns with junk, viz to make more work for those poor sods whose job it is to clear them after they, the owners, kick the bucket. And what a lovely bucket, my bucket is!

Mick Hart with vitage Tin bucket near  Kaliningrad fort

Now, where was I? Ahh, yes wandering around on the bank mesmerised by matter.

As I said at the outset of this post, Kaliningrad’s ‘collectors’ market’ is on the move again. Don’t quote me on this! As Elvis Costello said, it could be ‘just a rumour that was spread around town’, but its veracity is tied to the echo that the strip of wooded embankment roaming along by the side of the Königsberg fort may soon be hosting its last tin bucket. There is a whisper of reincarnation and the rustle of leaves in a public park.

Likewise, I am not 100% certain where this cornucopia of memories, the junk market, is bound, although the wind in my tin bucket tells me that it may be somewhere not too far removed from the city’s botanical gardens.

To be perfectly honest with you (another confession may soon be required), I really harbour no desire to know the next location of Kaliningrad’s junk market ~ what the eye doesn’t see the heart won’t pine after. Thus, the next time that I wake up there handing over my roubles, I won’t be able to blame myself for going there deliberately and for buying things on purpose. Take a leaf out of my well-thumbed book: never leave chance to anything else but intention ~ you can always confess in the fulness of time.

Copyright © 2018-2022 Mick Hart. All rights reserved.

Location of Kaliningrad Flea Market at time of writing:

Ulitsa Professora Baranova, 2А, Kaliningrad, Kaliningrad Oblast, 236029

Opens: Saturdays & Sundays 9am to 3pm

Mick Hart Dreadnought Bar Kaliningrad

An Englishman at the Dreadnought Kaliningrad

Bar Drednout [Dreadnought], Kaliningrad

Published: 23 September 2021 ~ An Englishman at the Dreadnought Kaliningrad

Every Jazz lover knows that the best jazz is played in underground basements. Where else would you find a basement? And Kaliningrad’s Dreadnought is one such place.

Billing itself as a ‘legendary English pub’, you would be hard pushed to find a pub like it anywhere in England, but what it most certainly is, is an excellent atmospheric bar-come-music venue and a subterranean supper’s delight, boasting best beers from around the world, including eight permanent and six guest beers on draught.

No need to ask why I was there, then.

An Englishman at the Dreadnought, Kaliningrad

A short walk from Kaliningrad’s Victory Square, down some steps and you are in the Dreadnought. The roomy entrance hall tells you immediately what you can expect. The Union Jack mat, the large wall painting of a gauntlet-covered fist holding a key and a second painting of the eponymous dreadnought battleship, the concrete section walls roughly skimmed with paint: This is a no-frills place, mate; hip, modern, up to date; good music, good beer, young people and me.

Undaunted, I stood on the Union Jack and had my photograph taken and did the same again in front of the dreadnought painting.

Mick Hart Dreadnought Kaliningrad

Dreadnought’s basement is open plan, but it isn’t exactly. It feels that way because there are no doors, just entrances, so you get the unique ambivalence of airiness whilst sitting in a rabbit warren.

An anteroom immediately in front of the music room enables you to listen to the bands from a distance. The main room, where the bands play, is ‘L’ shaped and divided into three sections by narrowed widths minus doors.

Choice of seats range from high oval tables lined with tall, backed, bar stools on heavy cast-iron bases, low tables with bench seats on either side and, closest to the stage, comfortable-looking captain’s chairs, the sort that swivel nicely and are covered in brown leatherette.

I liked our reserved table. It was one of the tall ones, with high stools on heavy industrial bases. I always like a table where I can sit with my back to the wall. Why not? Look what happened to Wild Bill Hickok!

Mick & Olga Hart Dreadnought Kaliningrad

On the subject of reserved tables, Kaliningrad grows more popular each year, so, if you have a particular place in mind where you want to wine and dine or down a few beers, be advised that you’d best reserve a table or face the possible inconvenience of wandering around from bar to bar ad infinitum. This is particularly true on a Saturday night.

An Englishman at the Dreadnought Kaliningrad

As anybody who follows jazz can tell you, improvisation and spontaneity are highly valued, and I get the impression that Dreadnought knows this. Improvisation and spontaneity have been built into the décor. The basement is basic, real basic, for the walls and the ceiling follows that modern trend where all is exposed and on display: the electrical fittings, wires, heating and ventilation pipes, structural supports and so on. The lighting, even with the many traditional ceiling sockets, is subdued and the industrial-style suspended lamps that dangle over the tables halo the glow with limited dispersal.

Likewise, the interior décor is minimal; its artiness is controlled, aspiring towards the extemporised look, to give that laid-back, unobtrusive but thoroughly engaging appeal.

The British theme, which comes with the dreadnought name, is carried over from the hall into the music room by the further use of Union Jack curtains which, in keeping with the retro theme of the early 20th century, have worn and distressed stage managed into them.

Principal to the decor in the entertainments room are two large wall paintings. Although in content these are naval associated, the style in which they are painted is distinctly 1940s’ United States Air Force. They are, in fact, nose-art replicas, featuring leggy, stocking-clad, frolicking females, partly dressed  in uniform, with flirtatious come-hither looks.

Nose Art Style Dreadnought Bar

The one nearest to our table had its coquette perched on top of a sharks’ teeth painted torpedo set against a billowing wave with ‘On the Wave’ written across the foam, which I imagine should rightly read ‘on the crest of a wave’. The other had its flirty part-uniformed female draped across the suggestive gun barrels of a dreadnought class destroyer. Both pictures are fun and colourful, although historically neither one, or anything vaguely like them, would have been tolerated by the Royal Navy’s upper echelons or likewise by, and especially by, the Royal Air Force, and as such this type of artwork strictly remains an American idiosyncrasy.

There is yet another room in the Dreadnought’s arsenal, which, if you are unaware of it, you are likely to come across on your way to the toilet. It put me in mind of a typical American bar, where the rooms are long and narrow and the clientele perch on tall bar stools at the front of the serving counter that runs the length of the room. The hubbub, which was busy but not rowdy, the clever lighting and silhouette wall-art of the dreadnought’s heavy guns, coalesced to create an ambience that took me back to those heady days of university campus bars. 

Dreadnought Bar Kaliningrad Russia

Food is served at the Dreadnought, but as we had already eaten at the Greek restaurant El Greco’s, I will make no attempt to comment on either the variety or quality of the food. See the Essential Details section at the end of this post , where you will find the Dreadnought’s website address and the food it has on offer.

I had already drunk beer at El Greco’s but that did not stop me drinking beer at the Dreadnought. My choice of beer this evening was Maisel’s Weisse. It’s a German beer which, from experience, agrees with me, although as I sat there drinking it I could distinctly feel those heavy guns from the Royal Navy’s dreadnoughts bearing down on my fraternisation.

An Englishman at the Dreadnought, Kaliningrad

The Dreadnought hosts different kinds of music but tonight, as I have noted, the stage was set for jazz.  My appreciation of jazz is reserved more or less to the emerging and principal swing years of the 1920s to the 1940s. Anything outside of this I tend to regard as background music, some of which I like and some which quite frankly jars. I am pleased to say, however, that Dreadful at the Dreadnought were not performing on the evening of our visit, and all of our party agreed that what we heard we liked.

Another plus in the Dreadnought’s favour is that the music is transmitted at an agreeable volume, meaning that you can hear it, appreciate it and still can hear yourself think and talk. How many times have you been to a music venue where you just can’t wait for each successive number to stop so that you can hold that conversation? I often wonder if some bands don’t pump up the volume to prevent the audience from discussing whether they like the music or not. Personally, I like to listen to music at a volume that allows me to converse with my friends without shouting, not to be deafened into submission to fulfill the band’s delusion that I love their music so much that it has rendered me, and everyone else, speechless for the evening.

Everything considered ~ the location, ambience, lighting, service, range of beers on offer, choice of places to perch and, as just appraised, the music ~ the Dreadnought gets the expatriate seal of approval.

Vodka Selection Dreadnought Bar Kaliningrad

But it wasn’t over yet. One of our party, out of the goodness of her heart, had ordered the house specialty for me ~ my very own ‘big gun’ dreadnought. As the photograph shows, the wooden dreadnought model holds a full battery of different flavoured vodkas; large glasses full of them, and all for me at the end of the evening when I’d been drinking beer. The rest of the crew abandoned ship, but, like the good captain that I am, I remained on the bridge ready to do my duty and was quite prepared, if need be, to go down with the ship as the band played on. Sink or float, the following morning I knew I would need a life belt!

An Englishman at the Dreadnought Kaliningrad. Mick Hart.

Note in the photograph, the thoughtful and conveniently placed fire extinguisher that your friends can put you out with after you’ve overdone it on lashings of chili vodka!

Essential details:

Bar Drednout (Dreadnought Pub)
5 Handel Street
Kaliningrad
Russia

Tel: +7 (4012) 99 26 06

Opening times:
Mon-Thu, Sun: from 12 noon to 12 midnight
Fri-Sat: from 12 noon to 3am

Website: http://dreadnoughtpub.ru/

Copyright © 2018-2022 Mick Hart. All rights reserved.

SEE >>>>>>> Kavkaz Restaurant, Kaliningrad