It’s magic at Kavkaz
31 December 2024 ~ Georgian Restaurant Kaliningrad the Magic of Kavkaz
Like many towns and cities in Christendom, the centre of Kaliningrad undergoes a magical transformation over the festive season. Victory Square becomes a yuletide theatre, a stage of glittering silver motifs, including a life-sized Santa’s sleigh with reindeers and a larger-than-life iconic assemblage of 2025 numerals. A lofty, conical Christmas tree transitions through a dramatic series of illuminating colour contrasts. The commercial buildings that border the square are, for want of a no less appropriate term, all lit up like Christmas trees, whilst the municipal building facing the square takes the Christmas biscuit, with its symmetry of grazing lights gently and slowly ringing the changes in complementary hues through a violet, blue and turquoise spectrum.
We were on our way to the Kavkaz Restaurant, and our route would take us across this bewitching bespangled world. I had one eye on the white magic and one eye on the black. In England, this is de rigueur nowadays, especially during the festive season, for every day and every way is a possible Christmas Market. Happy Christmas (and every day) from Britain’s politicians.
With no discernible goblins grabbing at the ghoulies, I felt safe to take my camera out and shoot some snaps for the folks back home. It was then, at that moment, I saw her: a Christmas angel with very long legs, wearing a skirt that was far too short for winter ~ whatever could she be thinking of? ~ and a pair of black leather boots. As amazing as she was, she was just another stocking filler. The real angel was yet to come. She was waiting for us in Victory Square, silver-white with wings to match, a tribute to the Christmas props with which she was surrounded. She was poised in the centre of Victory Square: a photograph waiting to happen.
“Oh, please take a photograph of me, next to the angel!” Olga pleaded. She knows that I have a limited tolerance to taking smartphone photos for the sake of harvesting ‘likes’ on social media. But that is part of the magic of Christmas, the willingness to make concessions for no other reason than because it is Christmas.
It was hard to resist the angel. She looked the perfect angel, with her voluminous white and silver wings, and here I am confessing that for all my reservations about incessant, gratuitous photo-taking, I myself was beyond redemption to get in on the act. The angel must have had some inkling of her photogenic allurement, as she had thoughtfully brought along with her a second set of wings, not so big and so bold as her own, but like the halos she also carried, convenient and prop sized.
When your halo is a permanent fixture, you have no need for apparatus, but I was chuffed about the wings. I never knew until I watched Frank Capra’s Christmas classic, It’s a Wonderful Life!, the most highly rated Christmas film of 1946 and notably of all time, that angels have to earn their wings, although I have often paused to wonder why mine are so long coming.
The angel, like angels should be, was only too pleased to oblige when we asked to take a photo with her. But just before we assumed the position, she whispered the secret to us that even angels as endowed as they are with all their celestial powers needed to keep the wolf from the door, so a small charge, a small gratuity, 200 roubles in fact, would stamp the seal on the deal. What is 200 roubles, I thought, in the collection box of Christmas. Is it not better to give than receive!
So, with the contract duly signed, Olga and then myself, encouraged by the angel, adopted various angelic-hugging poses, whilst first one then the other snapped away with my mobile phone.
At the conclusion of our photoshoot, we took out our 200 roubles only to be angelically told that we had run up a bill of 1000 roubles, as the going rate for angels was 200 roubles a photograph and not, as we had thought, 200 roubles a sesh. Well, blow me down with seraphim wings, you do learn something every day.
A thousand roubles lighter, we took three or four more photographs without the angel within the Square, which only cost us our time, and then we muggered off to Kavkaz restaurant.
Kavkaz Restaurant revisited
Cool in the summer, both kinds of cool, Kavkaz is in winter forever warm and welcoming, and now with its twinkling Christmas lights festively fondling the susceptible cockles of a receptive holiday heart, no less tender from having been shared with the angel, we were pulled with the ease of a Christmas cracker into Kavkaz’s spellbinding charm.
In an instant and magnificently, staff within this palatial place are swarming all around you: a small, attractive attentive army, ones very own personal retinue, whose task it is to get your clothes off and get you into a seat.
Once divested of your outer garments, you are ritualistically led away into a cavernous mesmerisation, where upmarket, hip and trendy live together in perfect harmony. You mean like Sir Paul McCartney’s ‘ebony and ivory’? No, I don’t mean that at all.
In a kitchen part exposed to view, white smocked chefs are wocking it up as if there is no tomorrow, whilst waiters hither and thither fly. The voices of the seated, who are already pleasantly wining and dining, form a mood-inspiring background murmur, akin to the sound of soothing white noise blotting out the primordial row of that noisy neighbourhood dog.
If ever the Wizard of Oz had owned a palace like this, it could not have been half as entrancing.
Would we be led to the left, or would we be led to the right? On this occasion we are led to the right and given a table for two. My back is against a solid brick pillar, just the way I like it. Seats in restaurants and bars, just like friends and angels, are meant to be chosen carefully; if you don’t feel comfortable where they’ve put you, you won’t enjoy your meal; in fact, the entire evening could be ruined. If you don’t believe me, ask Wild Bill Hickock.
We had dined at Kavkaz before, and the first reason for returning was that Kavkaz serves good food at value-for-money prices, but I was also there on a mission. We have a project pending, and I could think of no better place than Kavkaz to consolidate our knowledge of shabby chic design. From my vantage point, with my back to the wall, I had a commanding view of all that I wanted to see.
The place was busy this evening, the only available seats were on my left and these, too, would be taken later. A squadron of waiters and waitresses, dressed in their becoming livery of tan trousers and matching waistcoats, flitted swiftly from table to table. The restaurant is so vast that every waiter is wired. Ah, the wonders of the electronic age. Wherever would we be without a plug stuck in our ear or a smartphone in our hands!
The buzz it was a happy one. It had that unmistakeable festive feel that Christmas brings to the better world of Christendom. Long may it prevail. An atmosphere like this, which is to say comfortable, requires a specific beer, and the atmosphere this evening seemed to be calling out for Maisel’s Weisse, but first the waiter brought to our table a complementary carafe of water (you have to drink it sometimes) infused with a sliver of cucumber. That sure was a new one on me!
The beer was fast on its heels, and not long after along came our meals. The restaurant may have been busy, but the service as always was slick and swift.
At half time, who should arrive but Father Frost and his daughter. Shimmering silver and white, they passed from table to table, with a Ho! Ho! Ho! and a Snovam Gordam (Happy New Year), handing out small presents to children, who were wreathed in smiles, with sparkling eyes and amazed and enthralled expressions. Call him Father Frost, Father Christmas, Santa Claus, call him what you will, it’s a non-negotiable fact that the world needs a lot more of him.
To even up the score, there was another, a dark and mysterious figure, wandering amongst us, looking as if he had just stepped off a Roger Corman film set. This sinister apparition, a man we must presume, or something of mortal substance, was dressed from head to toe in black. The hood, or cowl, that he was wearing, completely obscured his face, turning his eyes and thus his soul invisible. If one was to level one’s own eyes to a point at which they strained, one could just make out whatever it was inhabiting concealment, peering out from behind an obfuscating curtain of gauze, an almost impenetrable barrier, which must have dramatically altered the hidden incumbent’s perception of anything outside his inside world.
Perched upon his shoulder, above a hooked, outstretched and angled arm, was an ugly looking so-and-so, which, every now and again, according to its will, would home in on a table of quietly seated innocent folk and invade their zone of comfort. Who was this mysterious stranger? And what was his purpose here, tonight?
Nobody seemed unduly perturbed by the presence of this denizen duo. In fact, wherever the two would wend, which was everywhere, they seemed to raise a smile if not a laugh. But the black veil and swooping creature had an entirely different effect on me. Give me Father Frost and his delightful daughter any day of the week, rather than this Soros hobgoblin and his blighted bedighted funereal future. But I ask you to forgive me. My imagination has a reputation for being overly sensitive and has been known to play tricks before. And yet I did have an auntie called Clair Voyant, and my uncle was blessed with crystal balls … It was enough to make me want to order, in fact I felt I had to order, another pint of Maisel’s Weisse.
When eventually ~ eventually being of no greater duration than possibly two minutes, although to hypersensitive senses it seemed there was nowhere he could not be for any length of unspecified time ~ this ominous be-gauzed spectre of inauspicious things to come, and his malevolent menacing mate, left the spot where they had been preying, my clarity was restored.
I took a gulp of Maisel’s Weisse ~ what nectar! ~ and afforded myself the luxury of staring into the middle distance, freely.
Mirror Mirror on the wall do you tell the truth at all?
Between the wall and the open room, an altitudinous wooden screen of shelving had, in the imaginative Kavkaz manner and by considered intersection, created a narrow corridor, leading away from the dining area down to the gents’ and ladies’ loos. A very important direction.
At the end of this long and narrow walkway, mistaken by some for a models’ catwalk, stands a large, tall, gilt-framed mirror. People walking towards it react to its presence in different ways: some gaze directly into it, in the hope of receiving their own approval; others seem to fall shy of it, briefly looking then looking away, but often casting a sideways glance before they turn the corner, as if by failing to do so, they might lose sight of their very existence; and still others stop in front of it, forced to a halt by their own adoration.
One young lady was so enthralled by whoever it was she wanted to be, whatever it was she wanted to see, that she walked that way several times and even, on one occasion, brought her friends to look in the mirror with her. I wondered what it was that each of them could see and if they saw the same as one another. What was that mirror showing them? Was it their present, their past or their future? And would that mirror still be there, say in 50 years from now, should they ever return to Kavkaz, which reflection would they see: the one they had left behind today or the one which they would bring with them?
The time would come this evening when I would have to walk that way myself, and that time inevitably came halfway through my second pint.
What, I thought, was this mirror up to, so bold, so brash, so strategically placed that in any age more primitive it could have been mistaken for a portal to your soul. In Kavkaz, as in life, this is a mirror you cannot avoid. When you have to go, you have to go. But when it was my turn, I wilfully looked away, not completely sure, however, who or what the mirror had captured, or if that something had looked like me had it been grinning as it went past? Mirrors can be funny things. Things funny be can mirrors. Is it little wonder that vampires seldom use them?
Georgian Restaurant Kaliningrad
Back safely at our table the spirit of Christmas welcomed me in the form of a Georgian special. I found a glass of chacha, a Georgian pomace brandy, sitting next to my pint. I had not yet had the pleasure of sampling such a rare intoxicant and was surprised, as much as a vegetarian can be, that I took to it like a hungry shark in a swimming pool, so much so in fact that I had to have another. The fermentation was truly delicious, but I threw myself a lifebelt after the second glass for fear of becoming a goldfish in my reckless Christmas ocean. Sam Cooke knew a lady who couldn’t do the cha cha cha, but that was his problem, not mine. My problem was that I could, but knowing I could, I shouldn’t.
The one thing that I should be frightened of, but, alas, forsooth, am not, is turning into a pumpkin. It is hard to get me home once I have found a hospitable place. But all good things, as we are told, and told, and told, and told … must, and do, come to an end, even a night at Kavkaz.
Leaving the Kavkaz is never easy, particularly when it is still in motion and more so particularly at this time of year. Yet, like all the best and worst of villains swear when their time is up, “You haven’t seen the last of me! I vow I shall return!”, the same was singing in my ear.
And that’s the way it always is, and that’s the way it should be, whenever you go to Kavkaz.
Happy New Year!
Copyright © 2018-2025 Mick Hart. All rights reserved.
