Category Archives: Kaliningrad Region’s bars, cafes, restaurants, hotels

Balt Restaurant Zelenogradsk Russia

Zelenogradsk Restaurant BALT a Lesson in Harmony

Balt Restaurant Zelenogradsk Review

Published: 29 January 2023 ~ Zelenogradsk Restaurant BALT a Lesson in Harmony

I’m sure, almost certain, that it was not there 18 months ago, when I last visited Zelenogradsk (doesn’t time fly!), but it was there now. I am talking about a new restaurant ~ new to me ~ that sits smack bang at the midway point of Zelenogradsk’s serpentine high street: a large, impressive, luxurious establishment set back from the street inside a broad paved plaza, its plate-glass single-storey extension forming a scaled juxtaposition against the taller building from which it extends, the latter meticulously refurbished to a grand and imposing standard.

In the winter months when we were in town the first impression of this restaurant from the outside looking in was PC; that’s not politically correct but plush and cosy.

It was bitterly cold that day, and if the hallmark of a successful bar or restaurant is principally defined by the pulling power it possesses to tempt one off the street, then rest assured Balt restaurant has it.

Oh, did I forget to tell you? The name of the restaurant is Balt.

The first impression from the exterior of the building, which is so categorically  bourgeoisie  that Lenin had turned his back to it, was swish. I made a mental note, a simple equation: plush+posh+impressive+coastal resort+town centre = expensive. So, let’s jump to the bill. We had three dishes, nothing elaborate, a speciality tea and a glass of beer. It didn’t break the bank.

Mick Hart with Lenin in Zelenogradsk

The second impression the Balt conveys is ‘big’. “It’s so big!” say your senses, when perhaps they should be saying, “It’s so tall”! In keeping with the modern trend in bar and restaurant design, the Balt is undeniably big, but, initially and accurately, this perception of spaciousness is confined to the height of the ceiling. The restaurant area leading away from the entrance hall is in fact limited to the perimeter of the building; it forms the letter ‘L’, being a long, but slightly more wide than the word implies, corridor. This is because, conforming once again to modern predilections, the restaurant has been built around a central kitchen, in other words built to a plan where kitchen is King.

In the olden days, restaurants concealed their kitchens as though they were the black sheep of the family, the philosophy seeming to be out of sight, out of mind. This closeted mentality was an excellent way of keeping the eating-out fraternity on edge, since they never knew, having enjoyed an excellent meal the night before, whether their friends would treat them the following morning to a ‘You didn’t eat there, did you!?’ story, involving the latest hygiene scandal. Today, there is no need to be told by ‘well-meaning’ friends, family or media, what goes on in restaurant kitchens, because all is laid out for the eyes to see. Restaurant kitchens have come of age. They are open, accessible, uninhibited, something to be admired not hidden away like a seedy back room in the depths of a mucky book shop. Restaurant kitchens have been emancipated, and a large part of that liberation lies in the transformation from cautious propriety to unabashed exhibitionism.

Some bar and restaurant designs tend to OTT this. Displaying a kitchen in all its stainless steel and hygiene-oriented, busy, industrious, functioning glory is one thing, but it is quite another and quite inexcusable to overdo the exposure. Thankfully, Balt’s kitchen is a far more sophisticated centrepiece, enabling it to escape comparison with a man in a mac on a hill surrounded by precious little foliage. I think the word I am searching for is ‘subtle’.

In fact, everything, about Balt restaurant, not in its individual accoutrements but as a job lot, taken in its entirety, is subtle. How this works exactly is a rather clever feat, because Balt is not without novelty.

Zelenogradsk Restaurant BALT

We were able to appreciate both the component parts of this dichotomy and its overarching effect from the favourable location of the table we were escorted to. Our seats occupied the latter portion upon the longer extension of the room’s ‘L’, almost at the inflection, thus availing us of a first-class view of each and all the different elements, which, when taken together, add up to the Balti experience.

First off, we were only a few feet away from the serving area; a long, curved counter from which waiters collect ‘meals to go’ and on which chefs add the finishing touches to the dishes they are preparing before popping them into the tandoor oven.

Chef Balt Restaurant Zelenogrask

From our vantage point, we had a privileged view of the kitchen and the floor-to-ceiling tandoor, a large cylindrical-shaped oven used for baking unleavened flatbreads and for roasting meat. Once the open oven door and blazing fire beyond had ceased to remind me of crematoria, it was fun to watch the chef at work, sliding the various dishes and breads into the wood-fired oven with the help of a peel tool, a long-handled shovel-like implement with a flat metal pan attached to its furthest extremity.

Chef uses tandoor oven in Zelenogradsk restaurant Balt

Looking straight ahead, I noted with satisfaction the high-backed wooden chairs belonging to the nearest table. The back rests consisted of two vertical ebonised planks slightly angled toward one another. Close to their highest point a pair of semi-circles had been cut out so that in alignment they formed a circle. The only other concession to decoration was the seemingly random inclusion of small, pierced motifs, simple shapes which donated a touch of mystique without disturbing the minimalist balance.

Ebonised plank chair in resturant frequented by Mick Hart

My forward view also provided examples of ingenious lighting styles, including a heavy, orange tassel-roped pendant and lampshades mimicking small sheaths of straw.

Rope lamp shade in Zelenogradsk restaurant

The tables to the left and behind me were objects to be marvelled at. They had thick, ragged-end marble-apparent tops, were supported on a small cluster of angled tree trunks, some of which had been allowed to protrude through the table’s surface, and hovering above them with remarkable pendulosity a clump or cluster of shell-like bowls, off-white and almost asymmetrical, which had me wondering out loud if they were really made from pumpkin skins or moulded from papier-mâché.

Zelenogradsk restaurant tables Flintstone-style.

Every item in the Balt’s atmospheric makeup is an imagistic letter in the word and the concept of ‘Natural’: wood, stone, fire, rope, straw, vegetables. At one end of the subtle spectrum, Fred Flintstone and Barney Rubble would not look out of place, but the Balt’s natural is a polished natural that borrows as much for its appeal on down-to-earth and back-to-nature as it does on chic sophistry. 

Following the line of the floor, a patchwork quilt of natural-look tiling in a crazy-paving composition, my eyes discovered the bar (they would, wouldn’t they!), all wood with top-shelf liquor brands set smartly against undressed brickwork.

Crazy paving restaurant floor Baltic Coast
Balt restaurant bar servery

For all its emphasis on the natural world, and for good fashionable measure, Balt’s designer’s had hedged it’s bets, choosing not to preclude but include the draw factor of a tried, tested and much approved formula: the distressed industrial look.

This approach has become so prevalent that it has gone beyond ‘must have’ and has entered the realms of ‘can’t do without’. In the Balt, it has gone one further, becoming ‘Would you Adam and Eve it, it actually works’; thematic principles such as rocks, marble, stoneware vases, corn plants, vegetables and pieces of tree, rubbing shoulders with gnarled brickwork, whitewashed slat-board old beam ceilings, exposed ventilation ducts and suspended arty farty spots.

Zelenogradsk Restaurant BALT old brickwork

It is a tribute to Balt’s interior designers that they have managed to pull off a subtle, seamless fusion between modern chic and reclaimed rundown and then wrap it up in in an eco-friendly ethnicity.

Harmony at the Balt restaurant, Zelenogradsk

In a nutshell ~ and I am sure that Balt would approve of the use of such natural imagery ~ the key word to Balt’s come-hither and dine-within appeal is harmony. Everything, including things that would normally be at odds with each other, are wedlocked. It might be a marriage of convenience, but one that is no less perfect for it. Even the ethnic music, with its emphasis on tom-tom beat and chanting, is low-key, Sade-like and subtle.

At the centre and everywhere else of this is lighting. I’ve said it before; I’ve said it again; I’ll say it again and keep on saying it: from Restaurant Guy Savoy in Paris to The Four Seasons B&B in Brightlingsea, if the lighting is not right everything else will be wrong. Lighting is the magic drawstring that pulls everything together.

Balt’s lighting is soft, suffused and artistically modulated, a harmonising integration of ambient-sensitive ceiling spots and downlighters, overhead table pendants, each paired with its own novel shade, soft-glow wall lights, natural fire and candles. It’s good, because it works.

At this juncture, I know what you are thinking: So much for the Balt’s design; what about the grub?

Those of you who have read any of my bar/restaurant reviews will know that when it comes to food I’m hopeless. Why do I go to bars? To drink. Why do I go to restaurants? Usually because the company I am in wants to go to restaurants, and so I tag along, but also because, as you may have deduced, I am an ardent fan of interior design and atmosphere. 

As a baked beans on toast man, a man who likes simple food, I cannot provide you with a gourmet breakdown of what the Balt has to offer or the quality of its meals, and neither shall I try. However, a quick twirl around the internet should satisfy your curiosity. It might even tell you all you need to know.

Menu from the BALT restaurant

Our order at the Balt amounted to a snackette: a spicey vegetable platter on oven baked bread, a white leavened flatbread similar in texture and taste to naan, and some exotic-looking poppadoms  It was not in the least expensive, but I will say that presentation took precedence over quantity. Now, were you to indulge in a main meal, the situation may be completely reversed or, like everything else at Balt, a happy medium struck.

I had a beer there, which was palatable, but it was served up in one of those peculiar ‘neither here nor there’ glasses, ie glasses that are neither small nor large, which frankly I find irritating. Half a litre, fine; half a half litre, fine; anything else exceeds my mathematical ability (see Soul Garden post).

The Balt, I am told,offers a range of dishes based on Indian subcontinent fare, which is something of a luxury in this part of the world. The prices are so-so, but not so expensive that they will tear the lining out of your pocket, and the carefully choreographed atmosphere, which is as restful and relaxing as it gets, beats anything I have experienced anywhere else in the Kaliningrad region or for that matter in the UK. Recommend the Balt? I’d buy it if I could!

💚 Around the Kaliningrad region

Angel Park Hotel > An inspirational rural recreation centre on the site of an East Prussian settlement
Amber Legend Restaurant > Amber Legend Yantarny, a jewel in the coastal town of Yantarny
Fishdorf Country Guest Complex > A family-oriented retreat, secluded and steeped in nature
Fort Dönhoff (Fort XI) > An evocative 19th century redbrick fortress, part of Königsberg’s labyrinth defence network
Polessk Brewery > Beer, history and German-Gothic architecture (that’s my personal order of preference!)

Copyright © 2018-2023 Mick Hart. All rights reserved.

Amber Legend restaurant Yantarny

Amber Legend Yantarny is a jewel in the coastal town!

Yantarny: sea, sand and the Amber Legend restaurant

Updated: 24 August 2022 | First published: 30 April 2022 ~ Amber Legend Yantarny is a jewel in the coastal town!

The ‘Amber Restaurant’ as people refer to it, although its real name is Amber Legend, is located in Yantarny, a small coastal resort nestled on the edge of the Baltic in Russia’s Kaliningrad region. Yantarny is held in high regard for its Blue Flag beach, which is all white sand, and for its good, clean air.

It is also known for the Amber Legend, a novel and attractive restaurant cunningly constructed on a split-level plan.

Built on a fairly steep incline, the pavement entrance to Amber Legend accesses what is effectively the upper ground floor, while the doors at the rear of the building lead to the lower level.

Externally, the building is invested with more than a touch of the neoclassical. It follows a simple but imposing geometrical outline, with dominating rectangular upright supports, a balustrade balcony traversing the width of the building and a matching balustrade parapet. After an introduction of this calibre, anything less internally, both upper and lower level, would be disappointing, but happily this is not the case: aesthetic integrity and continuity are safely, indeed inspiringly, assured.

The question is, however, why did the proprietors of the Amber Legend not call their establishment ‘Blue Flag restaurant’, ‘good clean air’ or ‘split-level neoclassical eatery’? Why the ‘Amber’ and why the ‘Legend’?

There are two possible reasons, one lesser known to some and the other, one trusts, obvious to anyone who has frequented the restaurant in person. The first most conceivably has to do with Yantarny’s massive amber reserves. Approximately 90 per cent of the world’s amber resources are sitting in Yantarny. They are mined upon an industrial scale using the open-quarry method.

The second, inspired by the first, has visible connotations, since both the exterior and interior of the building are lavishly decorated with variegated stones of genuine polished amber. Inside the restaurant the precious ancient resin is taken to another level of artistic meritocracy, as richly inlaid amber panels of many different hues sharing geometrical space with amber art assemblages. (Thanks for the word, Vit!) vie for your attention.

Amber Legend Yantarny
Artwork Amber Legend Yantarny

There are amber trims to the seats; amber-studded back rests; inset amber wall plaques; the bar is adorned with amber; and the ceiling-suspended lamp shades, bowls of amber inlay, are interwoven tiffany style.

Of particular note are the broad wooden panels, chain-hoisted close to the ceiling, each containing a window of different coloured amber stones lamp-backed for illumination.

Confoundingly, when we visited the restaurant, it was during the daylight hours, so that although in the room’s darker recesses some of the lamps were lit, the full effect of the interplay between light source and amber creation was lost in the dilution of overpowering, brilliant sunlight. However, the upside to this was in the excuse that it presented, which was as good as any that I could invent, for returning on an evening to witness what most assuredly must be a lighting display of artistic splendour.

  • Bar & Dance Floor Amber Legend
  • Amber Panels in Yaltarny restuarant
  • Bar & Dance Floor Kaliningrad region restaurant
  • Amber Legend bar
  • Interior decor restaurant Russia
  • Amber light panels in Yaltarny restaurant
  • Amber Legend Yaltarny bar

Another sphere of artistic splendour, according to my wife, who had dined at Amber Legend before, was lurking in the toilets, and this, she said, was something that I must see.

Amber Legend Yantarny legendary toilet

Now, contrary to what you may have been told, I am not in the habit, not even rarely, of taking a camera into the toilet, but called upon by my wife to do so, strictly on account of the brilliance of the interior décor, I cast caution to the wind, in a manner of speaking, and made an exception on this occasion. The result of this promiscuity is documented here in two revealing photographs, illustrating the continuation of the amber theme, both in the ornamentation surrounding the wash basins and, more spectacularly, in a glass-windowed chamber recessed within the toilet floor, where chunks of amber of novel shapes and some of prodigious proportions turn everyday humble toilet into a veritable natural history museum, even at the inconvenience of others wanting to use the convenience.

You may have liked the loo, but do you like the blue? In my humble opinion, the TARDIS-blue woodwork that repeats itself throughout the restaurant, including the toilet, creates the perfect frame for the amber displays. It is just neutral enough without subsiding into plain and functions as a recall feature of Amber Legend’s personalised style. I call the colour TARDIS blue because recognisably that is what it is, which is why I should imagine we chose this colour for our TARDIS, the one that we built at home. But then, I suppose, it is not that unusual; just the colour of choice for everyone’s TARDIS.

At this point I would normally add a footnote about the food, so why disappoint. But first a caveat. As you probably recall, whilst making allowances for having been called gormless ~ and who wouldn’t want to be, for it is such a lovely word ~ gourmet I am not. Beer needs volume; food needs volume. There is only one winner. But, when we visited Amber Legend I was feeling rather peckish, so I did partake of the pizza, which was pretty good as pizza goes. However, my fellow patrons, who needless to say were more adventurous in their choice of dishes than I, as most normal people appear to be, reliably informed me that their meals were most enjoyable. And I have no reason to doubt their sincerity.

The verdict is, therefore, that when visiting this coastal jewel in Kaliningrad region’s amber crown (remember the name, Yantarny) make sure your experience is complete: Discover the Amber Legend!

Amber Legend Yantarny

Essential details

Amber Legend
66A Sovetskaya Ulitsa
Yantarny
Kaliningrad Olblast
Russia

Tel: +7 (401) 233-55-25

Open until 12am

Copyright © 2018-2022 Mick Hart. All rights reserved.

Hartman Hotel Svetlogorsk

The Hartman Hotel Svetlogorsk reviewed by Mick Hart

Willie & Greta Hartmann may still be drinking tea on the hotel terrace …

Published: 27 June 2021 ~ The Hartman Hotel Svetlogorsk reviewed by Mick Hart

I often wondered what was going on behind the plastic sheets and scaffolding, which, it seemed to me, had been there for years, and then, in the winter of 2020, the sheeting was removed and there stood this immaculately renovated building bearing the name Hartman Hotel.

As a portion of the hotel’s name was synonymous with mine, ‘Hart’, the prospect of not having my photo taken standing next to it was inconceivable. My wife would later use this photograph to create a Facebook post, the implication being that this latest addition to the Svetlogorsk hotel portfolio was under my ownership. How does the expression go? You wish!!

The Hartman Hotel, Svetlogorsk ~ a brief history
The Hartman Hotel, Svetlogorsk, is the modern successor to the Hartmann Hotel, Rauschen, which itself succeeded the Waldesrand (Forest Edge). The Waldesrand began life in 1910 at a time when the small Prussian town of Rauschen, nestled on the  Baltic Coast, was renowned as a spar resort and revered for the health-restoring properties of its fresh sea and pine-tree woodland air.

The name Hartmann was given to the hotel after its new owner, Willie Hartmann, acquired it in the 1920s. When it re-opened in 1925, it incorporated a restaurant, had undergone various interior improvements and had been remodelled as a year-round venue.

Willie Hartmann and his wife, Greta, took great pride in the running and the reputation of their new venture, and it was not long before Hotel Hartmann became a firm favourite, attracting people from far and wide as well as local dignitaries.

When the Second World War changed the course of history, the Hartmanns were forced to abandon their treasured home and business. Fate was kind to them in that they survived the war, resettled and continued to work in the hotel trade, but in 1945 Rauschen officially died and with it the Hartmann Hotel.

Destiny, however, has a strange way of intervening, sometimes in ways that are least expected. Who would have thought, for example, that 76 years after the war, through all the vicissitudes of change and temporality that it inflicted, not only would a hotel faithfully replicated upon the designs of its predecessor rise phoenix-like from the ashes of time but also would be restored to the standards of its former self and revived to bear the name of its most successful owner? 

The answer, Willie Hartmann: “War is not eternal,” he told his wife, “… a hotel will always be needed … our grandchildren will still drink tea on the terrace of this hotel!”

What he meant by that in relation to the outcome of the war is a moot point. In early 2020, the descendants of Willie Hartmann discovered by chance whilst surfing on the net that their grandfather’s hotel had been restored, resurrected and eponymously named.

They wrote a heartfelt letter of thanks to the new owners, acknowledging their sensitivity to and appreciation of the hotel’s place in the history of the region, recognising that the new owners could quite easily have taken much of the hard work out of their new project by limiting the conversion to a simple contemporary makeover.

The extent to which the hotel’s exterior resembles that of its predecessor is clearly demonstrated by comparing our photographs, taken in 2021, with those taken in the 1920s, which appear in a booklet thoughtfully commissioned by the hotel’s new owners and devoted to the hotel’s history for the edification of guests and visitors.

The Hartman Hotel Svetlogorsk

My first encounter with the new Hartman (we shall, out of respect, continue to spell it the old German way, Hartmann), that is when the building resembled what it used to be and not a building site, occurred in winter 2020.

With its little red-lamp-shaded lights casting a warm glow through its restaurant windows, I was all for going in, but as we were short on time, and with my wife knowing from years of experience that once in a cosy licensed premises it would be difficult to get me out, we would have to wait until the early summer of 2021 before this avenue of pleasure could be properly explored.

The day that we had chosen to visit Svetlogorsk in mid-June was a hot one, and, unbeknown to us, it was a public holiday (there are many and they are hard to keep track of here!) Consequently, our train was packed, and when we got out I had never seen so many people in Svetlogorsk. It was, to use the vernacular, ‘rammed’.

We had planned to walk to the promenade and have lunch on one of the hotel or restaurant terraces overlooking the sea, but Svetlogorsk’s tourist invasion required evasive action. Almost at once and together we remembered the Hartmann Hotel and how stylish it had looked. It was old, had been restored and had an air of 1930s’ gentility; in other words, it was our sort of place. We would not be disappointed.

We could quite easily have been disappointed, however, since, whilst there were less people away from the front, the terrace at the Hartmann was not short of patrons. Fortunately for us, we had timed it right. On the way I had paused to take stock of my favourite Rauschen building, recently renovated to a high and attractive standard, and by doing so we arrived at the Hartmann just as a table came vacant.

The Hartmann, which is appealing enough in its own right, has added a touch of swish to pull the punters in. Last winter it had a 1930s’ style motor vehicle parked on the forecourt; now, it has a bright red and sparkling-chrome classic MG convertible.

The Hartman Hotel Svetlogorsk reviewed by Mick Hart
Front entrance to the Hartman Hotel, Svetlogorsk

In the era of Visual Blitz, induced and exploited by Facebook and other social media, who could resist having their photograph taken next to such a swanky automobile parked out front of such a tasteful hotel? Certainly not my wife. Olga, given her Facebook obsession, was predictably one of the least resisting, and several photographs had to be taken before I could get down to the serious business of sampling the beer.

The Hartman Hotel Svetlogorsk

Having struck lucky with our seats, our pride of place position gave us a good view of the hotel’s revived façade.

This was one of those marvellous, old German/Prussian buildings of inverted breakfront design, where flanking end sections project from the middle plane, thus recessing the central component. The orange-red brickwork that forms the window arches, cornerstones and lateral-running decoration are picked out pleasingly against the white painted background, perfectly in keeping with the architectural style of the late 19th early 20th century. The windows, are, of course, double-glazed units, but in order to conform as far as possible with the shape and impression of the more intricate design contemporary to the Hartmann era, they are predominantly curved in form, made up of sections separated by vertical and horizontal struts and with narrow vertical strips in the upper lights intended to resemble the more elaborate wooden frameworks of earlier periods. The rectangular casements in the upper storey are not a deviation. On the contrary, as the photograph of the hotel front taken in the Hartmann era shows, they replicate the original pattern, as does the long, central balcony and decorative half-timbered fretwork.

Hartman Hotel restored
The Hartman Hotel, Svetlogorsk, celebrates its past

The front door with its copper, curved awning and embossed/carved detail is, I imagine, a lot more elaborate than the original Hartmann entrance would have been, but whomsoever chose it deserves top marks for gilding the lily that is the most deserving.

Standing next to this door of doors, at least on the day that we were there, in addition to two potted shrubs, was a fully-fledged doorman in complete vintage doorman regalia, his burgundy sleeveless tunic, conforming tilt hat and twin rows of silver buttons harmonising splendidly with the MG’s polished red livery and dazzling chrome work.

The Hartman Hotel, Svetlogorsk, doorman

Like many things, hotel observation can be thirsty work, and it was hooray when the beer arrived! As a vegetarian, and a simple food one at that, I do not feel that I am really qualified to comment on the quality of our meal, except to say that my salad was good enough. My wife settled for a good old honest portion of fish and chips but discovered that this was no ordinary plateful: traditional cod had been mixed with tasty salmon! For liquid refreshment Olga had a couple of glasses of wine, and I had two German beers. The tab came to about £20, which we thought was reasonable.

During our time at the Hartmann, the hotel staff were attentive and approachable and the service friendly and good. In fact, we were so taken with it all that although we live only a relatively short bus or train ride from the coast, we decided to take the plunge and book in for a night the following week, which would give us a chance to sample the hotel interior (and, naturally, more beers) and to take a few photos for the post I had planned.

Mick Hart & Olga Hart at Hartman Hotel
Mick Hart & Olga Hart at the Hartman Hotel

Our overnight stay at the Hartman Hotel, Svetlogorsk

Check in at the Hartmann Hotel is officially 2pm. We arrived early, but this was no problem as the helpful receptionist stowed our overnight bag behind a closed door in a luggage area opposite the lobby desk.

When we had inquired about the possibility of taking a room last week, we had been told that the hotel was fully booked. This encouraged us to take the one room that was vacant, which was a family room, which we would have taken anyway as the extra space and additional seating that this type of room provides is always welcome. For a family room we had to fork out £80, which is not as budget friendly as some hotels in the region, but we were not unhappy considering the standard and ambience.

Room number 23 opens out into one of the end extensions of the building. The large arched window combinations to the front and one at either side makes this a particularly light, airy and pleasant space. It contains a bed-settee, two open armchairs, coffee table and second, wider screen TV.

The room itself is sensitively decorated. Although a dark-wood Gothic man myself, I had no quarrel with the light and pastel colours in this particular setting. The room’s facilities are modern and equipped to a high standard ~ it even has its own iron and ironing board, which is an absolute necessity for keeping one’s cravat in tip-top shape!

To enable en suite conditions, the combined shower room and W.C. has to occupy quite a narrow space, but this has been achieved with zero inconvenience. Necessity, as they say, is the mother of invention, and I was, and still am, in awe, as to how they managed to design this room to maximise space and sacrifice nothing.

The room’s door-locking system is one that Willie Hartmann and his wife, not to mention his 1920s’ guests, would find novel and entertaining. It is one of those electronic touch-card jobs, the card also doubling as an electricity activation key once inside the room. Me to the porter, trying not to look as if I was a backdated key user: “How do you work this?”  And then when he’d shown me: “Ah, I wondered if you knew!”

These little plastic cards are all well and good, but since they negate the need to physically shut the door, turn the handle and use a key, early rising guests tend to let the door go slam as they toddle off to breakfast, which is a bit disconcerting if you are still in bed biding your time with a hangover. Jim Reeves: ‘I hear the sound of not-so-distant drums!’ Not a criticism, but perhaps some calibrated door-closers?

The Hartmann Hotel’s dining room, located on the ground floor opposite reception, also doubles as a restaurant that admits non-residents. We were out on the town in the evening, so we did not become acquainted with it until breakfast the following morning, whereupon it received immediately the Egon Harty seal of approval.

Breakfast was not wanting in any respect. The choice of food on offer, which is included in the tariff, is wide and varied, and you help yourself to what you want and as much as you want (always a dangerous option when my brother is around; I’ve lost count of the number of restaurants and hotels that almost went out of business when he discovered the invitation ‘eat as much as you like’).

Another bonus was that since it was a warm, sunny morning, we were able to take our breakfast and dine a la carte on the hotel terrace.

The Hartmann Hotel’s website states that Willie Hartmann and his staff laid great store on providing not just excellent service but service with a smile. When you are working with the public (and remember, we know, because we once ran an antiques emporium), remaining cool, calm, collected ~ and, in the hospitality trade, most essentially cordial ~ takes a certain kind of person and a certain kind of skill. I must confess that I never did quite get the hang of this and ran our antiques emporium as if I was Basil Fawlty!

Fortunately, or by careful choice, today’s Hartmann management can boast that its team possesses all the qualities that Willie Hartmann would have expected from his team. Without exception, everyone with whom we came into contact was cheerful, good humoured and helpful. The Hartmann service could not be better!

When it wasn’t the Hartmann or Hartman

It had taken me a while to remember what the Hartmann had been when I first came to Svetlogorsk twenty-one years ago.  And then, suddenly, it flashed into my mind, or rather a giant bear skin did!  

As I recall, in the left front-extension of the building, there had been a small, two-roomed bar, access to which was only available by crossing a rubble-filled patch of waste ground, the present location of the Hartmann terrace, and then by going through a side door located where the side door is today.

This bar was as basic as basic; it sold tea, vodka and very little else and had a big, flat, sad-looking bear nailed to the wall. As far as I can remember, the rest of the building was in a fallen-on-hard-times state, possibly no longer used and desperately in need of the kind of tender loving care which, thankfully, come the second decade of the 21st century it eventually would be blessed with.

I would not imagine that any reference to Hartmann existed then, but today the name is proudly sign written above the front entrance and on the gable end of the building; the letter ‘H’ appears on all the Art Noveau stylised lamps; and there is an even an ‘H’ incorporated within the embossed panel on the front door.

Inside, the Hartmanns are acknowledged again, with pictorial representations of their faces heading up an acrylic wall board on which an illustrated map featuring the Hartmann hotel in relation to surrounding tourist sights, the coastline and the sea creates an attractive display.

And, in the small seating area that extends from the reception, stands a glass-topped coffee table containing assorted memorabilia from the time when Willie Hartmann and his wife, Greta, ran the hotel. These include monogrammed silver cutlery, an original monogrammed cup and saucer and other period items all resting on a lace tablecloth contemporaneous to the Hartmann’s tenure.

Relics from the Hartmann Hotel, Rauschen
Items from Hartmann’s original hotel include a restaurant menu

How impressed was I with the Hartmann Hotel?

See for yourself: I bought the place …

Model of the Hartman Hotel

Essential details:

Hartmann Hotel, Svetlogorsk
Oktyabr’skaya Ulitsa, 1
Svetlogorsk
Kaliningrad Oblast, 238563

Tel: 8 (4012) 270-204 ~ Hotel Information
Tel: 8 (4012) 270-206 ~ Restaurant table reservations

Email: info@hartmanhotel.ru

Airport transfers
You can book a transfer from Khrabrov airport, and back if required, by telephoning the main reception desk: 8 (4012) 270-204
Regular transfer (minivan Hyundai H-1) – 2,000 rubles (approx. £19.90): one way
VIP transfer (Lexus LX570) – 3,500 rubles (approx. £34.84): one way

HARTMAN HOTEL WEBSITE: https://hartmanhotel.ru/

Our first visit to Svetlogorsk Winter 2000

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