Category Archives: VISITOR’S GUIDE to KALININGRAD

Rabbit Hole Gastro-Bar Kaliningrad Wonder No More

“I am not crazy; my reality is just different from yours.”

28 February 2025 ~ Rabbit Hole Gastro-Bar Kaliningrad

There is a gastro-bar on Mira Avenue Kaliningrad which lies at subterranean level. At the bottom of the steps that lead down to its entrance is a sign. The sign says enigmatically: “Fall into the Hole, Get Lost in Time”. The name of this gastro-bar is unlike any I have ever encountered. How many Rabbit Holes have you frequented?  Through the windows of the front door, I can see the bar itself, the thing with beer taps on it. Without a second ado, like a ferret down a rabbit hole, and what could be more appropriate, I cross the portal to the other side.

Rabbit Hole Gastro-Bar sign Kaliningrad

Like Alice who passed before me (Who the !*!* is Alice?),  who, it has been suggested, had an addiction of her own, I find myself in Wonderland. But first a passing word, or more, on what we mean by ‘cozy’.

Rabbit Hole Gastro-Bar Kaliningrad

When people use the term ‘cozy’ they usually employ it in a complementary or even compensatory way, intimating that whilst the place they are describing may be small, it is warm, comfortable and inviting.

Before becoming a city slicker, I lived my life among country folk, whose view of the average rabbit hole was anything but romantic, and I tended to concur with them. But this strictly urbanised concept  persuaded me to revise my opinion.

From the moment I entered its rarified world, I felt the urge to compare it to the British pub of yore, with its typical two-room segregation: one for the serious drinker, traditionally known as the public bar, and the other for more discerning types, which went by the name of the lounge. But the two-room similarity ends at this point of the parallel, since whilst one side of the gastro-bar has a discrete and inglenook feel and the other, being slightly larger, though not tremendously so, an aspirant sense of restaurant, neither one nor the other can be said to be less cozy.

Rabbit Hole Gastro-Bar Kaliningrad room

It is the larger room of the two, however, where Wonderland is best perfected. Not exactly the gossamer Wonderland as conceived in the maze-like labyrinth of Lewis Carroll’s inventively playful, playfully odd, often obtuse and fantasy-making mind, but rather the rich star-spangled extravaganza bristling with special-effects, which, we are told at the time of writing, is the highest grossing film of director Tim Burton’s career. The framed anthropomorphist images displayed on Rabbit Hole’s walls are not the exquisite renditions of Tenniel or of Attwell, they are loud, near-modern grotesque, decidedly Burtonesque, and the looped Alice in Wonderland film shown silently on the wall-mounted screen needs no introduction: it is Mr Burton’s Hollywood blockbuster.  

Olga Hart at Kaliningrad Rabbit Hole Bar
White Rabbit in Rabbit Hole Bar Kaliningrad

One of the most compelling draws of this pantheon to Burton ~ no, not a monogrammed pair of Alice’s ~ is its enticing assortment of Wonderland hats. Casually tossed in a wicker basket just below the TV screen, these simulated props, which identify with Alice’s fictional characters, enable those who are smitten by the happy-snappy smartphone age to plonk them on their bonces, take photos of each other and feed them proudly to their ‘Like-clicking’ friends, who are presumably waiting, phones in hands with nothing but bated breath, for the next instalment of lives that surprise. ‘If the hat fits, it fits’, and the management of Rabbit Hole have latched onto this modern compulsion, for it certainly fits their marketing ploy.

Olga Hart wearing hats in Rabbit Hole

Wearing an Alice hat or not, there is something important you need to know about dining out at Rabbit Hole, which is that before the evening is out you will be rubbing Deep Heat into your neck. I think we can safely say that the last thing Mr Burton would likely want to hear is that his multi-billion-dollar film has been upstaged by a ceiling, but there you have it, and there it is.

Rabbit Hole’s ceiling is a work of art, an engaging, colourful illustration that wouldn’t look amiss in an early 20th century children’s story book. It is in itself a fitting tribute to the golden age of authentic Alice. 

Its canvas is awash with iconic Wonderland objects, which float around in a densely turbulent space as though, caught up in the Wizard of Oz tornado, they have been flung at random and as a whole into ever-lasting affection, which, as all we avid readers know, is the library of our impressionable years to which we owe a lifelong membership.

Rabbit Hole Gastro-Bar Kaliningrad ceiling is a work of art

‘Crikey!’ you might think, as you crane your neck in admiration, ‘they’ve even crimped’ the ceiling, but in this respect you’d be lavishing praise where praise is not readily due, for whilst the effect lends the images an appropriate dreamlike character, as every student of Königsberg’s history knows, or if he doesn’t should, the series of narrow arches that give the ceilings of basements and those in old industrial buildings in this part of the world their characteristic ripple, as aesthetically pleasing as they are, are principal to the fulfilment of an essential structural purpose.  Having made this distinction, however, artistic concept and construction complement each other, as though their eventual coexistence had been ordained by Carroll himself. Carroll’s tale has innumerable twists, but Rabbit Hole’s ceiling has a few of its own. 

If you haven’t come to Rabbit Hole to gawp in amazement up at the ceiling, the only explanation can be that perhaps you are here for the food.

Rabbit Hole Gastro-Bar Kaliningrad

I see a lot of positive comments regarding the quality of Rabbit Hole’s food posted on the internet but have failed to find anything much written about the quantity. A word in your ear, if I may. On the evening that we dined there, one amongst our group was rather disappointed that the prawn salad she had ordered only contained as many prawns ~ two to be precise ~ to justify its name and warrant its plurality. And I was not exactly impressed when the baked potato for which I had paid the British equivalent of three whole pounds was lost in the landscape of a bowl whose suspiciously disingenuous proportions could have taken a single olive and optically turned it into a melon. Taste in all things was in place and thus it goes was quality, but the whereabouts of quantity was anybody’s guess, perhaps it was off taking tea with Carroll’s March Hare and Mad Hatter.

The Mad March Hair takes tea at Rabbit Hole

I have no idea what brand of beer they serve in Alice’s wonderland, do you? But down in Kaliningrad’s Rabbit hole, I was perfectly happy to reprise my friendship with the ever-amenable Maisel’s Weisse, which, as every student of good beer knows, perhaps those very same students who are so up to scratch on Konigsberg’s history, is a special  Bavarian wheat beer.

I would have been quite content sitting and sipping at my Maisel’s Weisse whilst gazing at the ceiling ~ pass the crick-in-the-neck cream, please ~ had it not been for my discovery of that something exciting going on at a nearby table of ladies. They had just received a wooden platter from the waiter in a bowler hat containing umpteen shots of different vodkas. You may recall, and if you don’t here is the link that will jog your memory, that I knew all about these special platters and the different vodkas they conveyed, having been bought one at the Dreadnought.

Did Rabbit Hole have a vodka or two tinctured with different flavours?  Most certainly they did not! They had a vodka or 54, replied the indignant waiter, and before we could disarm him, he had whipped his phone out of his pocket as smartly would have Hickok had he possessed a mobile phone instead of his trusty side-iron, and tippy tapping away on his phone, not Hickok but the waiter, he began to recite a list of vodkas as long as Alice’s arm when whatever the potion it was she drank inflated her general stature. The only way we could switch him off ~ and here’s a mark of salesmanship ~ was to interrupt his roll call by ordering up a batch of those vodkas upon whose fragrant personalities he was so zealously expatiating.

Bowler-hatted waiter at Rabbit Hole, Kaliningrad

The least adventurous of our party, and, if the truth be known, cursed by the same affliction as Wonderland’s White Rabbit, I stuck to my staple flavoured vodka, horseradish, a choice I presumed would be safe by precedent, but which, as it transpired, was nothing of the sort. The grimace on my face could, I suppose, have been mistaken for the grin on the face of the Cheshire Cat, but whatever it was that he was on, this was not my fix. I am not sure what became of the radish, but I felt the kick that came with the horse.

Lewis Carroll Cheshire Cat Kaliningrad

The next safe bet was cherry flavour, but this concoction as nice as it was being rather more sweet than I cared for, made me think that it may have been more prudent had I approached it via the stepping stones of turnip, carrot, swede and cucumber, but that my friends is what tasting is, a bit of a tightrope to getting it right, but a talking point when getting it wrong.

By the end of this Rabbit Hole evening, the unpredictable marriage of Maisel’s Weisse with exotic vodkas brought me to the realisation why when Alice drank her magic infusions one minute she felt too small for the room and much too tall the next. But the sorcery hadn’t ended here. Before returning to the ground above me, I was aghast to see in my reflection that some of the vodkas had gone to my head and one ~ it must have been carrot ~ had definitely gone to my ears … Rabbit, Rabbit, Rabbit

MIck Hart at Rabbit Hole Gastro-Bar Kaliningrad

Copyright © 2018-2025 Mick Hart. All rights reserved.

Ponart Brewery Olga Hart with Michaelangelo's hand

Ponart Brewery in the Strange Case of Creation

Ponart Brewery Another Bite at Creation’s Apple

18 February 2025 ~ Ponart Brewery in the Strange Case of Creation

>> Creation — the famous exhibition from Annenkirche and the art group Grain is now in Kaliningrad! This is a biblical view of the creation of the world through the prism of modern Christian art. The exhibition is located within the walls of the atmospheric old Brewery Ponart, where the past and the present, faith and creativity, deep meaning and stunning visual design are harmoniously combined. At the exhibition, you will learn all the most important things about the days of creation. You will be able to touch God, get closer to the heavenly bodies and decide for yourself whether to bite or not to bite the forbidden fruit. Large-scale installations and aesthetic locations help to penetrate the theme and provide the opportunity for many beautiful keepsake photographs. << Translated from the exhibitor’s website

And now an extract from my diary regarding my impressions of Creation (The Creation of the World exhibition). See my earlier post, Ponart Brewery Creation of the World Exhibition

Sailing past the world and saying goodbye to the dinosaur, we entered a short, narrow section of corridor, the walls of which were decorated with multiple lights, each having flower petal shades in hues of natural green and yellow. This room appeared to represent Day 3 of God’s world creation: the introduction of the natural environment, the phenomenon we call ‘nature’. 

The impact of the following room would have been awesome without comparison to the cramped and confined space of the last, but no such prelude was necessary.

We were now standing in an area of the old brewery, which once would have comprised three or four storeys but, gutted from floor to rafters, had been recast as a towering shaft, gnarled, scarred and ragged. The entire confinement was bathed in a low red glow, causing me to bookmark Edgar Allan Poe’s Masque of the Red Death, which was a rather unfortunate negative parallel, because the huge illuminated moon suspended from the ceiling suggested that in the narrative structure by which the rooms were sequenced, we must have arrived at Day 4, the creation of the universe. Don’t quote me on this, however, as my proficiency in maths is far below the standard of the divinity’s.

A low, not humming sound, but musical chord, which wavered slightly, but not enough in noticeable degree to be called melodic, vibrated sonorously through the vertical vastness of this lofty chamber, adding audibility to its already visual awesomeness. Stunned by the giant moon, I also found myself becoming inadvertently absorbed by the many scars with which the faces of the wall were pocked and disfigured, the many uneven ledges and protuberances, the legion of empty joist holes, which reminded me of eye sockets in the face of an ancient skull.

Scaling three of the four walls was a metal staircase, linked by two horizontal platforms at higher and lower levels. This was a staircase which, if you had not turned adult, you would want to climb immediately. Up I went!  

The difference in elevation of the two landings provided an agreeable variety of photo opportunities, which, have smartphone will snap, we, of course, took full advantage of.

Now see here > Restoring the Polessk Brewery in the Kaliningrad Region

At the summit of the steps, we passed into a small piece of truncated passageway, emerging thereafter into a great rectangular room, the installations and arrangement of which in relation to one another reminded me of the surrealist work of Terry Gilliam, Monty Python’s collage animator.

Lighting ~ green, blue, orange-red ~ bird flocks strung in mid air, paintings of beasts on the walls, a row of trampoline-seat swings and, in the centre of this row, but at the further end of the room, an enormous pointing white hand (if this had been the UK, it would have been liberal black), thrusts out of the heavens (in this case from the ceiling) through clumps of something that I am rather fond of. I was thinking ‘cauliflower’; the artistic creators most probably clouds.

“Michaelangelo!” Olga announced, annoying me. I had wanted to say it first

Ponart Brewery Kaliningrad hosting the Creation of the World exhibition

The next venue, the room immediately above the one containing the giant hand, was, arguably, more surreal than the last. Two rows of the same sized but differently stylised mannequin heads centred atop rectangular plinths travelled along the centre of the chamber, whose every wall had attached to them paintings of a symbolic nature depicting either variations on the theme of divine creation, Michaelangelo’s version, or unsympathetic renditions of the progenitors of original sin, the hapless Adam and Eve.

Biblical Creation of the World. A grotesque view of a grotesuq world

Lighting continued to generate atmosphere as it had in the rooms before, and once again could be heard that low, impenetrable but penetrating, measured background hum, which, speaking for myself, had nothing of hallelujah in it but a lot of numbing depth. It gave me grim satisfaction to note that it, and all I had experienced whilst on this voyage of wonder, accorded with my sullied view that of all God’s myriad creations, with the exception of man himself, the world is the most imperfect. Indeed, I have to say and must say, that you would need to be less receptive than deaf, dumb and blind, or a child upon a rocking horse or swing, not to arrive at the end of this incredibly evocative ghost-train ride with more of awe and wonder and less of self-possession than you had upon starting out.

True to form, there is nothing in this biblical treatise on the creation of the world that does not deserve to be called amazing but at one and the same time peripherally unsettling, and nowhere was this more apparent than in each and every one of the artistic interpretations of the spark of life and the fall of man.

Ponart Brewery images of the world's creation
Creation exhibition at Ponart Brewery

The grotesque ethereal landscapes portrayed symbolically in these works of art made the scores of red rosy apples suspended on threads of different lengths, some so long that the apples attached to them descended through circular pits in the floor, wherefrom they could be witnessed hovering above a rectangular trough scattered with scarlet  bricks, divine enough to test the wrath of God. This then is the thematic ethos of the exhibition’s penultimate room, where it is hats off to Creation’s creators who, by ingenuity or by accident, have made the legendary curse of original sin never seem more tempting!

I will never now be able to look again in innocence at a store-bought rosy apple or pluck one off a tree without that the act of doing so emphatically returns me to this desirous scene at Ponart Brewery, as well as to the mythological premise that almost every instinctual human act is sin wrapped up in guilt or guilt wrapped up in sin.

It occurs to me that there is someone out there who is abrogating responsibility for filling this flawed world of ours with a dynastic glut of apple pluckers. Tell me, who can think of Granny Smith when the orchard in full bloom is full to bursting with attractive distractions like Honeycrisp and Golden Delicious? It’s easy to blame it on Adam and Eve, they are not here to defend themselves.

Ponart Brewery in the Strange Case of Creation

The truth of the matter is that the biblical story of creation, that masterpiece of tragedy of which we are a part, means different things to different people. Go and see it for yourself, and ask yourself at the end of the journey, is the biblical view of our world a slice of apple pie, or does it give you the pip? One thing is for certain, Creation is an exhibition, which starts and keeps you thinking. https://zernoart.ru/creation_kaliningrad

What a wonderful world?

Copyright © 2018-2025 Mick Hart. All rights reserved.

👉 PIVOVAR RESTAURANT BREWERY, KALININGRAD

Ponart Brewery Creation of the World Exhibition

Ponart Brewery Creation of the World Exhibition

A step-by-step guide to the six days it took to create the world

10 February 2025 ~ Ponart Brewery Creation of the World Exhibition

Holiness, theological doctrines and a biblical view of the world, these are some of the many spiritual components of our mortal existence with which, I imagine, I am rarely associated. I can think of hardly anybody among those few who think they know me, and that includes myself, who would even half believe that I would take an active interest in the genesis creation narrative. And yet, there I was ~ where, I shall tell you in good time ~ not merely taking an interest in, but following in the footsteps of, the Divine Creator’s plan.

This genesis paradigm has been used to explain why we go to, or in England used to go to, church on Sundays and why on that same day, before the evil ones changed the licensing laws, the pubs worked fewer hours, so that we, the people who used the pubs, would stay at home and rest in order to work greater hours in the restless week to come. Is nothing sacred to exploitation? The answer to that is no.

I had not been asked such searching biblical questions since I was a nipper, and, as far as I can recall, had never been asked them whilst standing in front of a giant globe of the world, lit up and suspended within a hushed and semi-darkened room, bathed in a red-filtered light, with a Lutheran priest standing before me dressed in a pair of jeans surrounded by a semi-circle of orange-painted rocking horses.

Something for the weekend, Sir?
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Ponart Brewery Creation: Dinosaur and large world installation at Kaliningrad's Ponart Brewery Creation of the World Exhibition

In telling you that the cavernous, scarred, hollowed out, red-brick room in which myself, my wife, the priest, the globe and the dinosaur were congregated was one piece in the mammoth jigsaw of Königsberg’s Pomart Brewery, a rambling late-19th century pile undergoing restoration and emerging from its ruined condition as a multifarious public space, those who think they know me, and this includes myself, will pick up on the one word ‘brewery’ and whisper slyly under their breath, ‘Hmm, so that’s why he was there!” But both of us could not be more wrong. Though it shames me to admit it, I was not strictly or exclusively at Pomart’s for the beer.

Mick Hart at the Ponart Brewery in Kaliningrad

Not that I have not been aware of the Pomart Brewery’s existence; could I of all people be guilty of this oversight? I have known it as a historic landmark fallen into dereliction and, in more recent months, as an ambitious restoration project, complete with functioning brewery. The fact, therefore, that I have not had time to explore it in either its faded former or current glory testifies to the many things that there are to see and do in and around Kaliningrad. But here we were, or rather there we were, at last, attending an exhibition called Creation, a deceptively simple title for something of such conceptual and spatial magnitude.

Ponart Brewery Creation of the World Exhibition

The art group ‘Grain’, Creation’s creators, originates from ‘Annenkirche’ (in Russian: Анненкирхе), or the easier to relate to St Anne’s Lutheran Church in the Russian city of St Petersburg.

The group describes their exhibition as a “biblical view of the creation of the world through the prism of modern art … where the past and the present, faith and creativity, deep meaning and stunning visual design are harmoniously combined.

“At the exhibition, you will learn all the most important things about the days of the creation,” Creation’s creators promise. “You will be able to touch God, get closer to the heavenly bodies and decide for yourself whether or not to bite the forbidden fruit.”

Tempted? I wouldn’t recommend it. Although among the exhibition’s stimulating props and large-scale installations, you will find no shortage of apples, like everything else in this tour de force the apples are only as real as symbolic licence permits them to be. The creators of Creation invite you to leave this material world and sink your teeth into something that you may have bitten into before, but which lies beyond the secular yonder to which you have grown accustomed.

Apples of Temptation at the Creation of the World Exhibition

Ponart’s Brewery was not created as a venue for Creation, it was created for the creation of Pilsner lager (there’s no accounting for taste), but as an exact fit for Creation’s needs, it is difficult to imagine anywhere else coming reasonably close. Ponart swallows everything whole  ~ you, me, apples and all, even the giant globe of the world and the looming sphere of the moon. To the exhibition’s props, the gargantuan scarred-brick labyrinth constitutes a compatible universe, an expanse in which each exhibit finds its own unique space, providing the parabolic journey, along whose line the exhibits lead you, with a transport of celestial commentary and a glimpse into your own beliefs, which, latent within your spiritual landscape, are as revealing in their intimacy as they are in cosmic proportion.

Each exhibit seems to signpost biblical images in your childhood past, which, as you are gradually reacquainted, shuffle to and fro against an ever-changing, dream-like scenery, part comprised of book illustrations, part the work of your own young hand. You can almost feel the wax of the crayons brushing against your fingers and feel the smile on your face at the Rembrandt you have created.

Ponart Brewery Creation: All creatures great and small at Ponart Brewery Exhibition, Kaliningrad

Creation is the kind of exhibition, the startling kind, where you can live the Earth’s first six days of life at a pace that suits your ruminations, and when you feel you have reached the seventh, you can take a well-earnt rest, for example, in one of Ponart’s relaxing bars or atmospheric restaurants.

Creation has never been so creative and Ponart’s never so tempting. 

Copyright © 2018-2025 Mick Hart. All rights reserved.

Creation’s Website
Выставка Сотворение в Калининграде

Mick Hart at Kaliningrad Flea Market

What makes Kaliningrad Flea Market a Junk Buyers paradise?

I went, I saw, I bought … and I am still buying!

Revised 19 January 2025 | First published: 16 June 2022 ~ What makes Kaliningrad Flea Market a Junk Buyers paradise?

NOTE>: Kaliningrad flea market has moved! Follow the link to the new location here. Use this article to gain an insight and overview of what the market has to offer. The address of the new location can also be found at the end of this post.

In 2000, the first time I set foot on Kaliningrad soil ~ a giant step for a man who had never been to Russia before ~ one of the major attractions very quickly became the city’s flea market or junk market, as we like to call it.

Linked post > Beldray at Kaliningrad Flea Market a Surprising Find

In those days, the junk market was located at the side of Kaliningrad’s central market, a monolithic and cavernous complex consisting of all kinds of exciting combinations of traditional stalls, purpose-built units and multi-layered shops, selling everything from fruit and veg to jewellery.

To get to the market we would cut around the back of Lenin’s statute, which occupied the place where the Orthodox cathedral stands today (irony), and making our way along a make-shift pavement of boards raised on pallets, often treacherously slippy as winter approached, we’d pass amidst the wagon train of covered craft-sellers’ stalls, trek across the city’s bus park and, on the last leg of the journey, sidle off down a long, wide alley, which had rattling tin on one side and a towering building on the other. I have no idea why, as I was often in Kaliningrad during the sunny seasons, but my abiding memory of that alley was that it sucked wind down it like the last gasp of breath and was never anything other than cold, wet and raining.

Another ‘in those days’ was that the junk market extended along the side of the road, which is now a pedestrianised space between buildings ancient and modern and the latest super monolithic shopping centre.

Dealers could be found in an old yard opposite, plying their trade from a shanty town of stalls, all higgledy-piggledy, thrown and cobbled together, whilst public sellers set up shop on a narrow sloping scar of land, a grass verge at the side of a pavement worn down over the years by the restless itinerance of junk-seller hopefuls.

In our militaria dealing and 1940s’ re-enactment hey days, we bought twenty pairs of sapagee (high leather and canvas military boots) from a bloke stalled out on this piece of ground over several consecutive days. We also bought his Soviet military belts, the ones that he was wearing. On the last day of purchasing, we would have had his belt again had he more to sell, but all that he had left by the time we were through with buying was a piece of knotted string, which he needed to keep his trousers up. 

Kaliningrad Flea Market Soviet belt

When we left Russia at the end of a month’s visit, this was in 2004, border security couldn’t help sniggering when they found inside our vehicle twenty pairs of old Soviet boots, rolled up tightly, lashed down with string and packed away in bin liners. But he who laughs last, laughs longest. We hadn’t sneaked off with an icon or two or anything of any great value, but boots bought for a quid a pair that we could sell on in the UK at £35 or more a pop to WWII re-enactors and members of living history groups was unarguably lubbly jubbly. Whilst we wouldn’t get rich on the proceeds, it would certainly help to offset the cost of our trip to Kaliningrad. Dear, dear comrades, it shames me to admit what a despicable capitalist I once was.

Soviet boots Kaliningrad Market

When I first came to Kaliningrad (2000), I was buying stuff mainly for myself, but as I turned dealer, as most collectors are obliged to do to reclaim the space they live in, I did what all collectors must when the fear of decluttering wakes them in a cold sweat from their slumbers: I went out looking for more clutter, the justification being that I was no longer buying it for myself but selling it on for profit.

Believe you me, sooner or later (usually later), every junk hoarder arrives at a critical stage of consciousness, when they finally have to admit to themselves that buying old stuff is not just a compulsion, it is in fact a disease. After confession, however, absolution swiftly follows and, like all professional sinners, hoarders quickly learn that regular sin and regular confession go productively hand-in-hand. Thus, wherever it was we travelled to ~ be it Lithuania, Latvia, Poland or Odessa in Ukraine ~ the story was always the same: junk markets and antique shops loomed large on the itinerary.

What makes Kaliningrad Flea Market a Junk Buyers’ paradise?

Be it ever so difficult, if not impossible, for the likes of us to understand, but accumulating old stuff is not everyone’s cup of tea. Thus, the first victims of the development and progressive gentrification of Kaliningrad’s market area were the junk sellers. Speaking euphemistically, they were ‘politely asked to move on’.

I must admit (there you go, I am at it again, confessing!) that when I discovered their absence, I was truly mortified: new shops, block-paved walkways, tree-inset pedestrian-only streets ~ to be sure an incredible face lift, which no amount of Botox or timely plastic surgery could hope to emulate. All, I suppose, applaudable. But oh! Wherefore thou goest junk?!

As it happened there was no cause for alarm. All I needed to do was go around the bend, something that I am known to be good at, and there it was, as plain as the specs (the vintage specs) on your nose.

The precise location of the junk market was ~ I use the term ‘was’ because rumour has it that the purveyors of indispensable high-quality items and second-hand recyclables may be made to move on again to make way for further civic tarting ~ parallel to the road at the back of Der Wrangel tower, thereupon extending at a right angle, along a sometimes dusty, sometimes muddy, tree-shaded stretch of embankment, skirting a remnant of Königsberg’s moat.

The better-quality items ~ such as militaria and Königsberg relics ~ are generally to be found on the stalls lining either side of the pavement. Here you can discover gems, although not necessarily, or regularly for that matter, at prices to suit your pocket.

German helmets & ceramics Kaliningrad Flea Market

The pavement-side sellers are mainly traders, people ‘in the know’, who are hoping to get at least market rate for their wares or substantially more, if they can wangle it.

Experience has taught me that in dealing with these chaps movement on prices is not unachievable, but don’t expect the sort of discounts that are possible to negotiate at UK vintage and boot fairs. Sellers in Kaliningrad are skilled in the art of bargaining and are seemingly absolute in their conviction that if you don’t want it at the quoted price some German tourist will.

The pavement Kaliningrad Flea Market
A busy Saturday at Kaliningrad Flea Market

If you are after military items, especially those relating to WWII and to Königsberg’s German past, then it is here, along this stretch of pavement, where most likely you will find them. Badges, military dog-tags, Third Reich medals and weapon relics are often quite prolific in this quarter, as is cutlery, ceramics and ceramic fragments, many backstamped with political symbols and the insignia of Germany’s military services.

A word of warning, however. For although Kaliningrad’s German heritage and the fierce battles fought there during WWII would reasonably lead you to expect a preponderance of genuine military relics, as anyone who collects Third Reich memorabilia and/or deals in this specialised field will tell you, counterfeit and reproductions abound. German WWII relics, both military and civilian, bearing ideological runes attained collectable status almost before WWII had ended, and a thriving market in quality replicas to service this growing interest emerged as early as the late 1940s.

Party badges, military decorations, particularly of the higher orders and those associated with the German SS, have been faked and faked extensively, and faked with such credibility that it is difficult to distinguish, sometimes almost impossible, the later versions from the real McCoy, particularly since many were struck from the same dies and moulds that were used to create the originals.

The rule of thumb when hunting out Third Reich bargains from dealers’ stock is that you are less likely to get a bargain than to experience a hard bargain, as the pieces acquired by dealers will almost certainly have been exhaustively studied and meticulously researched. However, if you are tempted to buy, pay attention to the item’s appearance. Remember that genuine military items dating to the Second World War are now well into their dotage ~ 80-years-plus ~ and just like ‘mature’ people will generally exhibit significant signs of age, age-related wear and tear and sundry other defects from natural use and handling.

The other thing to watch out for is a proliferation of similar items at any one time. When in the UK, I was a regular attendee at the Bedford Arms Fair, then held in the now demolished Bunyan Centre, you could guarantee each year that a ‘bumper crop’ of something or other would mysteriously materialise. What an alarm bell that is! For example, one year it was German army dress daggers. Every other dealer seemed to have some and all in mint condition; the next it was German flags. These looked and smelt the part ~old ~ with the exception of their labels, which did neither. So, beware! Before you part with your cash or touch your card on the handset, remember these two wise words: Caveat emptor!

When I buy German these days I do so not to sell on but mainly for nostalgic reasons, and because I am attracted by the historic value only, I am content to purchase military pieces, decorations, party badges and anything else that appeals to me that have been dug up out of the ground. Naturally, condition ranges from considerably less than pristine to battered, biffed, corroded and poor, but an item in this condition is more likely to be the genuine article than one that might be described as ‘remarkably well-preserved’. Moreover, you can usually buy such items at a price that won’t break your brother’s piggy bank (is that another confession?).

The same can be said for architectural pieces such as enamel and metal signs that are Königsberg in origin. Signs ~ advertising, military, street plaques ~ whatever they might be, are personal favourites of mine, since they make historically interesting additions to any thoughtful home design. In purchasing relics of this nature, the same rule applies as the guiding one proposed for determining whether militaria is genuine or not. Signs, whatever their type and whatever material they are made of will, in the main, have been used, thus commensurable indications of use and age should be apparent.

In the past four decades, as original signs, especially enamel ones, have grown in popularity and correspondingly price, various retro companies have been successfully plugging the gap in an escalating market, meeting demand with repro goods. Some of these shout repro at you from a telescopic distance, but as techniques in ageing evolve, it often can be hard at first glance, even after several glances and even after a detailed study, to separate the wheat from the chaff, particularly when impulsiveness knocks caution quite unconscious. And signs are not the only things that are being skilfully ‘got at’. I recall a ‘19th century ship’s wheel turning up at our local auction house. It was so well aged and distressed that were it not for the fact that it was so thoroughly convincing, you could easily have talked yourself Into disbelieving that it was anything other than the genuine article.

This is what to look out for: Signs that are ‘uniformly’ aged or show wear and tear in places where you would most expect to find wear and tear but not to the extent that it dissuades you from going ahead with a purchase are to be placed at the top of the suspect list. The last thing you want to discover, after years of gazing lovingly at the antique sign in your home, romancing on the fancy that this was once on a Königsberg shop front, long imagining how eyes like yours lost in time and to memory alighted on it as yours do now, is to learn that your treasured piece of history was in fact knocked out in China less than a week before you bought it.

Königsberg antique enamel signs in Victor Ryabinin's art studio, Kaliningrad
Original German/Königsberg signs (photo taken Victor Ryabin Studio, c.2010)

Once authenticity has been established, anything to be had forming a direct link to Königsberg can only be irresistible, not just signs but home appliances, kitchen ware, tea sets, ornaments, furniture, garden tools, anything in fact, especially when that anything bears irrefutable provenance in the form of a maker’s mark. Metalware and ceramics embossed or printed with commercial references, ie references to memorable brands or specific retail outlets, are desirable collectors’ pieces. Old ashtrays, many of which are inventive in shape and size, are top whack in this category. Even if chipped and cracked, they still command high prices, and as for the best examples, which are usually in the hands of dealers, after you have exclaimed with astonishment, “How much!” in those same hands they may well remain.

Konigsberg relic at Kaliningrad flea market

For a less expensive and in-profusion alternative, you could do far worse than plump for bottles. Bottle bygones are dug up in their hundreds, possibly thousands, in Kaliningrad and across the region, but as there are as many different shapes, sizes and hues as there is quantity, it is not unreasonable to discover rare, curious and even exquisite bottles rubbing shoulders with the more mundane.

In the UK, old bottles from the end of the 19th century to the 1960s are as cheap as chips (used to be, before the West sanctioned itself), but Kaliningrad is not the UK, so don’t expect to get bargains on a par. The trade here adjusts the market price according to the needs and instincts of German visitors, many of whom are easily swayed to part with more money than they seem to have sense for a fragment of their forbears’ past. But “Ahh,” I hear you say, “what price, philistine, can anyone put on nostalgia?” Must I confess again?

Mick Hart buys vintage bottle at Kaliningrad Flea Market

I have been known to part with as much as ten quid for an interesting and unusual bottle when it has caught my fancy, but this kind of impetuosity acts in defiance of common sense. If you haven’t got the bottle to part with that much, and you shouldn’t have (Frank Zappa: ‘How could I be such a fool!’), when visiting Kaliningrad’s ‘flea market’, turn 90 degrees from the pavement, head along the well-worn and sometimes muddy embankment, and there you will find bottles and a vast range of all sorts, spread out on the ground on blankets, perched on top of little tables, hanging even in the branches of trees, for this is the market’s bargain basement, home to mainly domestic sellers.

Königsberg antique collectable bottles from Kaliningrad market
Sundry items Kalingrad junk market

I have bought all sorts of things from this part of the market that I never knew I did not need, not to mention clothes that I have never worn and never will wear. For example, I was once obliged to buy an old tin bucket, and I would not dream of wearing it. It’s far too nice a bucket to use as a bucket should be used; so, there it sits in our dacha full of things that one day I possibly may go looking for but will never dream of looking for in that old tin bucket. It’s the sort of bucket that dealers such as I typically find in house clearances ~ a bucket of flotsam and jetsam left behind by the owner when he up and decided to die; a bucket of odds and ends destined to take up valuable space; the accidental contents of which having absolutely no value at all, I would never be able to give away let alone turn as much as a penny on. I sometimes wonder if this is not the only logical reason why people fill their houses and barns with junk, viz to make more work for those poor sods whose job it is to clear them after they, the owners, kick the bucket. And what a lovely bucket, my bucket is!

Mick Hart with vitage Tin bucket near  Kaliningrad fort

Now, where was I? Ahh, yes wandering around on the bank mesmerised by matter.

As I said at the outset of this post, Kaliningrad’s ‘collectors’ market’ is on the move again. Please don’t quote me on this! As Elvis Costello said, it could be ‘just a rumour that was spread around town’, but its veracity is tied to the echo that the strip of wooded embankment roaming along by the side of the Königsberg fort may soon be hosting its last tin bucket. There is a whisper in the air of landscape reincarnation and the rustle of leaves in a public park.

Likewise, I am not entirely certain where this cornucopia of memories, this junk market par excellence, is now officially bound, although the wind in my tin bucket tells me that it may be somewhere not far removed from the city’s botanical gardens.

To be perfectly honest with you (another confession may soon be required), I really harbour no desire to know the new location ~ what the eye doesn’t see the heart won’t pine after. Thus, the next time that I wake up at the market handing over my roubles, I won’t be able to blame myself for going there deliberately and for buying things on purpose. Take a leaf out of my well-thumbed book: never leave chance to anything else but intention ~ you can always confess in the fulness of time.

Copyright © 2018-2025 Mick Hart. All rights reserved.

*Proposed location of Kaliningrad Flea Market at time of writing:

Gaidara Street 8 ~ a piece of land, I am told, that lies opposite the bridge on the way to Sovetsky Prospekt.

Mick Hart outside Kavkaz Restaurant, Kaliningrad

Georgian Restaurant Kaliningrad the Magic of Kavkaz

It’s magic at Kavkaz

31 December 2024 ~ Georgian Restaurant Kaliningrad the Magic of Kavkaz

Like many towns and cities in Christendom, the centre of Kaliningrad undergoes a magical transformation over the festive season. Victory Square becomes a yuletide theatre, a stage of glittering silver motifs, including a life-sized Santa’s sleigh with reindeers and a larger-than-life iconic assemblage of 2025 numerals. A lofty, conical Christmas tree transitions through a dramatic series of illuminating colour contrasts. The commercial buildings that border the square are, for want of a no less appropriate term, all lit up like Christmas trees, whilst the municipal building facing the square takes the Christmas biscuit, with its symmetry of grazing lights gently and slowly ringing the changes in complementary hues through a violet, blue and turquoise spectrum.

We were on our way to the Kavkaz Restaurant, and our route would take us across this bewitching bespangled world. I had one eye on the white magic and one eye on the black. In England, this is de rigueur nowadays, especially during the festive season, for every day and every way is a possible Christmas Market. Happy Christmas (and every day) from Britain’s politicians.

With no discernible goblins grabbing at the ghoulies, I felt safe to take my camera out and shoot some snaps for the folks back home. It was then, at that moment, I saw her: a Christmas angel with very long legs, wearing a skirt that was far too short for winter ~ whatever could she be thinking of? ~ and a pair of black leather boots. As amazing as she was, she was just another stocking filler. The real angel was yet to come. She was waiting for us in Victory Square, silver-white with wings to match, a tribute to the Christmas props with which she was surrounded. She was poised in the centre of Victory Square: a photograph waiting to happen.

“Oh, please take a photograph of me, next to the angel!” Olga pleaded. She knows that I have a limited tolerance to taking smartphone photos for the sake of harvesting ‘likes’ on social media. But that is part of the magic of Christmas, the willingness to make concessions for no other reason than because it is Christmas.

It was hard to resist the angel. She looked the perfect angel, with her voluminous white and silver wings, and here I am confessing that for all my reservations about incessant, gratuitous photo-taking, I myself was beyond redemption to get in on the act. The angel must have had some inkling of her photogenic allurement, as she had thoughtfully brought along with her a second set of wings, not so big and so bold as her own, but like the halos she also carried, convenient and prop sized.

Mick Hart with an angel in Victory Square, Kaliningrad

When your halo is a permanent fixture, you have no need for apparatus, but I was chuffed about the wings. I never knew until I watched Frank Capra’s Christmas classic, It’s a Wonderful Life!, the most highly rated Christmas film of 1946 and notably of all time, that angels have to earn their wings, although I have often paused to wonder why mine are so long coming.

The angel, like angels should be, was only too pleased to oblige when we asked to take a photo with her. But just before we assumed the position, she whispered the secret to us that even angels as endowed as they are with all their celestial powers needed to keep the wolf from the door, so a small charge, a small gratuity, 200 roubles in fact, would stamp the seal on the deal. What is 200 roubles, I thought, in the collection box of Christmas. Is it not better to give than receive!

So, with the contract duly signed, Olga and then myself, encouraged by the angel, adopted various angelic-hugging poses, whilst first one then the other snapped away with my mobile phone.

At the conclusion of our photoshoot, we took out our 200 roubles only to be angelically told that we had run up a bill of 1000 roubles, as the going rate for angels was 200 roubles a photograph and not, as we had thought, 200 roubles a sesh. Well, blow me down with seraphim wings, you do learn something every day.

A thousand roubles lighter, we took three or four more photographs without the angel within the Square, which only cost us our time, and then we muggered off to Kavkaz restaurant.

Kavkaz Restaurant revisited

Cool in the summer, both kinds of cool, Kavkaz is in winter forever warm and welcoming, and now with its twinkling Christmas lights festively fondling the susceptible cockles of a receptive holiday heart, no less tender from having been shared with the angel, we were pulled with the ease of a Christmas cracker into Kavkaz’s spellbinding charm.

In an instant and magnificently, staff within this palatial place are swarming all around you: a small, attractive attentive army, ones very own personal retinue, whose task it is to get your clothes off and get you into a seat.

Once divested of your outer garments, you are ritualistically led away into a cavernous mesmerisation, where upmarket, hip and trendy live together in perfect harmony. You mean like Sir Paul McCartney’s ‘ebony and ivory’? No, I don’t mean that at all. 

In a kitchen part exposed to view, white smocked chefs are wocking it up as if there is no tomorrow, whilst waiters hither and thither fly. The voices of the seated, who are already pleasantly wining and dining, form a mood-inspiring background murmur, akin to the sound of soothing white noise blotting out the primordial row of that noisy neighbourhood dog.

If ever the Wizard of Oz had owned a palace like this, it could not have been half as entrancing.

Would we be led to the left, or would we be led to the right? On this occasion we are led to the right and given a table for two. My back is against a solid brick pillar, just the way I like it. Seats in restaurants and bars, just like friends and angels, are meant to be chosen carefully; if you don’t feel comfortable where they’ve put you, you won’t enjoy your meal; in fact, the entire evening could be ruined. If you don’t believe me, ask Wild Bill Hickock.

We had dined at Kavkaz before, and the first reason for returning was that Kavkaz serves good food at value-for-money prices, but I was also there on a mission. We have a project pending, and I could think of no better place than Kavkaz to consolidate our knowledge of shabby chic design. From my vantage point, with my back to the wall, I had a commanding view of all that I wanted to see. 

Olga and Mick Hart at Kavkaz, Georgian Restaurant Kaliningrad

The place was busy this evening, the only available seats were on my left and these, too, would be taken later. A squadron of waiters and waitresses, dressed in their becoming livery of tan trousers and matching waistcoats, flitted swiftly from table to table. The restaurant is so vast that every waiter is wired. Ah, the wonders of the electronic age. Wherever would we be without a plug stuck in our ear or a smartphone in our hands!

The buzz it was a happy one. It had that unmistakeable festive feel that Christmas brings to the better world of Christendom. Long may it prevail. An atmosphere like this, which is to say comfortable, requires a specific beer, and the atmosphere this evening seemed to be calling out for Maisel’s Weisse, but first the waiter brought to our table a complementary carafe of water (you have to drink it sometimes) infused with a sliver of cucumber. That sure was a new one on me!

The beer was fast on its heels, and not long after along came our meals. The restaurant may have been busy, but the service as always was slick and swift.

At half time, who should arrive but Father Frost and his daughter. Shimmering silver and white, they passed from table to table, with a Ho! Ho! Ho! and a Snovam Gordam (Happy New Year), handing out small presents to children, who were wreathed in smiles, with sparkling eyes and amazed and enthralled expressions. Call him Father Frost, Father Christmas, Santa Claus, call him what you will, it’s a non-negotiable fact that the world needs a lot more of him.

Father Frost at Kavkaz

To even up the score, there was another, a dark and mysterious figure, wandering amongst us, looking as if he had just stepped off a Roger Corman film set. This sinister apparition, a man we must presume, or something of mortal substance, was dressed from head to toe in black. The hood, or cowl, that he was wearing, completely obscured his face, turning his eyes and thus his soul invisible. If one was to level one’s own eyes to a point at which they strained, one could just make out whatever it was inhabiting concealment, peering out from behind an obfuscating curtain of gauze, an almost impenetrable barrier, which must have dramatically altered the hidden incumbent’s perception of anything outside his inside world.

Hobgoblin and veiled figure, New Year's Eve, Kaliningrad

Perched upon his shoulder, above a hooked, outstretched and angled arm, was an ugly looking so-and-so, which, every now and again, according to its will, would home in on a table of quietly seated innocent folk and invade their zone of comfort. Who was this mysterious stranger? And what was his purpose here, tonight?

Nobody seemed unduly perturbed by the presence of this denizen duo. In fact, wherever the two would wend, which was everywhere, they seemed to raise a smile if not a laugh.  But the black veil and swooping creature had an entirely different effect on me. Give me Father Frost and his delightful daughter any day of the week, rather than this Soros hobgoblin and his blighted bedighted funereal future. But I ask you to forgive me. My imagination has a reputation for being overly sensitive and has been known to play tricks before. And yet I did have an auntie called Clair Voyant, and my uncle was blessed with crystal balls … It was enough to make me want to order, in fact I felt I had to order, another pint of Maisel’s Weisse.

Festive season mythology at work in Kaliningrad

When eventually ~ eventually being of no greater duration than possibly two minutes, although to hypersensitive senses it seemed there was nowhere he could not be for any length of unspecified time ~ this ominous be-gauzed spectre of inauspicious things to come, and his malevolent menacing mate, left the spot where they had been preying, my clarity was restored.

I took a gulp of Maisel’s Weisse ~ what nectar! ~ and afforded myself the luxury of staring into the middle distance, freely.

Mirror Mirror on the wall do you tell the truth at all?

Between the wall and the open room, an altitudinous wooden screen of shelving had, in the imaginative Kavkaz manner and by considered intersection, created a narrow corridor, leading away from the dining area down to the gents’ and ladies’ loos. A very important direction.

At the end of this long and narrow walkway, mistaken by some for a models’ catwalk, stands a large, tall, gilt-framed mirror. People walking towards it react to its presence in different ways: some gaze directly into it, in the hope of receiving their own approval; others seem to fall shy of it, briefly looking then looking away, but often casting a sideways glance before they turn the corner, as if by failing to do so, they might lose sight of their very existence; and still others stop in front of it, forced to a halt by their own adoration.

One young lady was so enthralled by whoever it was she wanted to be, whatever it was she wanted to see, that she walked that way several times and even, on one occasion, brought her friends to look in the mirror with her. I wondered what it was that each of them could see and if they saw the same as one another. What was that mirror showing them? Was it their present, their past or their future? And would that mirror still be there, say in 50 years from now, should they ever return to Kavkaz, which reflection would they see: the one they had left behind today or the one which they would bring with them?

The time would come this evening when I would have to walk that way myself, and that time inevitably came halfway through my second pint.

What, I thought, was this mirror up to, so bold, so brash, so strategically placed that in any age more primitive it could have been mistaken for a portal to your soul. In Kavkaz, as in life, this is a mirror you cannot avoid. When you have to go, you have to go. But when it was my turn, I wilfully looked away, not completely sure, however, who or what the mirror had captured, or if that something had looked like me had it been grinning as it went past? Mirrors can be funny things. Things funny be can mirrors. Is it little wonder that vampires seldom use them?

Georgian Restaurant Kaliningrad

Back safely at our table the spirit of Christmas welcomed me in the form of a Georgian special. I found a glass of chacha, a Georgian pomace brandy, sitting next to my pint. I had not yet had the pleasure of sampling such a rare intoxicant and was surprised, as much as a vegetarian can be, that I took to it like a hungry shark in a swimming pool, so much so in fact that I had to have another. The fermentation was truly delicious, but I threw myself a lifebelt after the second glass for fear of becoming a goldfish in my reckless Christmas ocean. Sam Cooke knew a lady who couldn’t do the cha cha cha, but that was his problem, not mine. My problem was that I could, but knowing I could, I shouldn’t.

Mick Hart discovering chacha at the Kavkaz, Georgian Restaurant Kaliningrad

The one thing that I should be frightened of, but, alas, forsooth, am not, is turning into a pumpkin. It is hard to get me home once I have found a hospitable place. But all good things, as we are told, and told, and told, and told … must, and do, come to an end, even a night at Kavkaz.

Leaving the Kavkaz is never easy, particularly when it is still in motion and more so particularly at this time of year. Yet, like all the best and worst of villains swear when their time is up, “You haven’t seen the last of me! I vow I shall return!”, the same was singing in my ear.

And that’s the way it always is, and that’s the way it should be, whenever you go to Kavkaz.

Happy New Year!

Also go to: Tolstoy Art Cafe

Copyright © 2018-2026 Mick Hart. All rights reserved.

Pivovar Restaurant Brewery Kaliningrad

Pivovar Restaurant Brewery Kaliningrad

British pub-like brew bar and restaurant

27 December 2024 ~ Pivovar Restaurant Brewery Kaliningrad

Shame on me! It was one of my brothers who first discovered the Pivovar Restaurant Brewery, ‘hidden away’, he said, close to the foundations of a Kaliningrad Spar. That’s Spar as in supermarket not spa as in Roman baths.

He was right in the first place, the location is unusual, or so it seems to us Brits, but not in the second: A large, illuminated logo-branded sign strapped atop a cylindrical portico, all glass and rather tall, facing a busy road that leads to Kaliningrad’s city centre can hardly relate to something said to be ‘hidden away’. But, if that is so, how come I missed it?

The obvious answer is that, unlike my brother, my whole life does not revolve around hunting out bars and beer (polite cough).

I thanked him for letting me know and assured him that when I could find the time I’d stroll along and check out this bar. Then away he went, and off I rushed.

Pivovar Restaurant Brewery Kaliningrad

Since that pioneering visit, I have returned to the bar under the Spar on three or four occasions, which, given the calibre of the establishment, may not nearly be enough.

My recent tarriance at the Pivovar Restaurant Brewery found it, I am pleased to say, much the same as it was on previous visits. We like things to stay the same, don’t we. How does it go? “If it ‘aint broke, don’t fix it.”

I stood outside for a moment and allowed myself the luxury of admiring the bar’s grand portico, until someone, no doubt wondering what had so arrested me, asked if I needed help. This was really nice of them, but having been beyond help for more years than I care to remember, I politely replied, “It’s much too late,” thanked them for their indulgence, then did all that I could to remove myself before someone else came along and mistook me for Colin Conspicuous.

In any event, there’s only so much portico admiring that one can reasonably do when there are better things to be doing, and beer is one of those better things. The next step was to literally pass through the portico. This is what I did.

Pivovar portico Kaliningrad

The grand portico of the bar below the Spar leads to expectations that bad management could easily upend. Thankfully, no such failure is engendered. After the grand portico comes a grand staircase, which leads to a grand lower floor and to a lady behind a cloakroom counter.

The lights in the entrance hall are dim, mindfully so, and together with the woodwork, of which there is plenty, has a significant impact on first impressions. Would this bar be in England, the dark varnish on the doors, panelling and staircase balusters would peg its origin to the 1980s, but as cultural influences take time to travel, my hunch is that the premises date to the mid-2010s.

Staircase Pivovar Bar in Kaliningrad

The pre-bar experience, in spite of the paintwork’s distressed character, which could be actual or artificial, has rather stately and formal overtones, which carry over into the bar itself. And what a bar it is. Vast is a word that springs to mind: JD Wetherspoon vast.

Size isn’t everything, or so we are led to believe, and this is perfectly true if it fails to work, but in this establishment it does work. In fact, it works rather well, even better than most.

The ratio of seating to open space is well balanced, not at all cramped, packed or crowded. A full complement of seating types is offered, including cubicle, booth, banquet, open table and bar stools. I could run around a place like this all night trying different seats, with a different beer on a different table whilst availing myself of a different perspective. But, of course, I wouldn’t do that, because I look silly enough. Like most of us who are creatures of habit, I usually make for the self-same seat that I have occupied on previous occasions, or find a seat as near as dammit, and these are those that have snob-screened partitions to the left of the entrance facing the bar.

There was one occasion, completely out of character, when feeling oddly adventurous, I went and broke the mold. That’s not quite the same as breaking one’s beer glass, which always is and always has been a tragedy, it’s simply an introduction to saying that I found myself sitting pretty, if ever an idiom of this kind could be used to describe one such as I, elevated high and mighty upon the luxurious centrepiece seating, my foam-frothing formidable pint clasped firmly in my hand, the foam-padded faux-leather ochre beneath my pampered bum, which was, of course, in trousers. This, however, was a one-off move. I suppose I like my regular seat as it looks out over the bar, a regular bar at that, with beer pumps thrusting from it and immediately behind it well-stocked spirit shelves, which add to its British persona.

The bar at Pivovar
Bar at Pivovar Brewery Restaurant Kaliningrad

We have already debunked the myth that Pivovar Restaurant Brewery is hidden away German-bunker style, establishing in the process that this clever bar beneath the Spar packs a surprise in size (notice how I rhymed that!). To that we can now add that there is also nothing in its name that conceals the fact that beers are brewed on the premises and that the grub it serves is rather special. 

Almost without exception, internet reviews posted by former Pivovar diners are cock-a-hoop and thumbs-up good. Indeed, I myself have once or twice partaken of the victuals, and though far from being a seasoned gourmet am happy to relate that there was nothing to complain about. So, if you are one of those whose reason for eating out is to give your complaints to the chef, you will need to go elsewhere.

The same advice applies if you are longing for a pint of bad or boring beer, since the beer at Pivovar Restaurant Brewery is consistently applaudable, as much for its quality as it is for variety.

The beer range, though not, for example, as breathtaking as the Yeltsin’s revolving stock, is, nevertheless, not to be sneezed at, with or without your old plandemic mask. Most certainly you will find that in downing one of Pivovar’s beers you will want to sink another, maybe more.

Brewing vats at Kaliningrad's Pivovar Brewery

On the occasion of my first visit to Pivovar Restaurant Brewery, I wondered why the waitress had handed me the local newspaper. Did she want me to read the article on the art of looking not quite so obviously English? It was only when I spotted the bar’s distinctive beer vat logo centred within the paper’s masthead that the rouble finally dropped: this was no local rag, it was, in fact, the menu.

I cannot recall in my long and distinguished pub-frequenting career ever coming across something of this nature. It is a simple but effective touch, as the branding remains in your mind. “It’s that bar. You know the one; the big place under the Spar. The one that has menus that look like newspapers.”

There are restaurants and bars in Kaliningrad whose menus are printed in Russian and English. I suspect that this was done to coincide with the World Cup tournaments which Kaliningrad hosted in 2018. Unfortunately, Pivovar Restaurant Brewery did not follow this trend, and since the world we live in today is a lot different than the one we inhabited yesterday, insofar as English-speaking folk are thinner on the ground, the bar’s management must sigh with relief that they saved themselves the extra expense. However, that having been duly noted, I was there on the premises, all alone in the world of written Russian, squinting through my Franklin Splits in an effort to determine which one of their excellent beers they could tempt me with today.

Luckily for me, language has never been a barrier, at least not where beer is concerned, although it doesn’t hurt at all to have a decent memory. I went for a deep, dark beer that cost me 300 roubles. This was not the first time that I had drunk this beer at Pivovar Restaurant; thus, cynics might postulate that working from memory negated the need for further squinting, they might also insinuate that as the beers on the menu’s consecutive pages were rather more expensive than the one I had chosen on the front page, I had gone for the cheapest option.

I was far too preoccupied with practising my reading skills to give a definite account of what it was the waitress said to her colleagues after I had ordered. For all I know, she could have said,  “Yes, it’s him, alright, that same old tight-arsed Englishman, disguised by beard as Father Frost. He always goes for the cheapest beers!”

“Happy Cheap Year and down the hatch!”

Beer and beards — they were made for each other.

Foaming around the mouth hair, I did not on this occasion partake of the bar’s cuisine. I had a thousand roubles in my pocket and a calculation in my mind that should I order another beer, I would be left with enough nalichka for a loaf of bread and a tin of baked beans from the Spar above the bar.

Pivovar Restaurant Brewery Kaliningrad

On the evening that I was at Pivovar’s, I was flying solo, so all I needed was a table, a chair, and, of course, a glass of beer. However, the size of the restaurant/brewery and its range of food and beer make it the perfect fit for business lunches and birthday parties. Birthday parties are a Pivovar speciality and are catered for at a 10% discount, whilst business lunches are bookable throughout the working week, from Monday to Friday inclusive, between 12 noon and 4pm.

Another Pivovar humdinger is its Beer to Go service. Carry-outs can be purchased in 1 litre or in convenient 1.5 litre containers at a cost of 320 and 480 roubles respectively. Alternatively, food and beer combinations can be collected in person or delivered to your door (web-page link here).

And here you will find a link to the brewery’s beer selection.

It would be completely out of character if I failed to mention how much I appreciated the retro signs, wall mirrors and other memorabilia which light up the stairwell and entrance hall to the Pivovar Restaurant Brewery. Not only do we like things to stay the same as they were, as when they do they remain the same as they are, but we also like all things retro. Moreover, we like good beer, which is why we like to like Pivovar Restaurant Brewery. 

Pivovar bar Kaliningrad retro signs

Opening times
Sun to Thu: 12 noon to 11pm
Fri to Sat:  12 noon to 12 midnight

Copyright © 2018-2025 Mick Hart. All rights reserved.

Croissant Café Kaliningrad

Croissant Café Kaliningrad it tastes as good as it looks

Just a very nice place to eat, drink and relax in

30 November 2024 ~ Croissant Café Kaliningrad it tastes as good as it looks

Never let it be said, and it seldom is not, that an exorbitant number of my posts have a disproportionate beer focus. I like a drink, and I am partial to the odd atmospheric pub/bar, but I am just as at home ~ well, nearly just as at home ~ in a good restaurant or café, and whilst I feel no need to prove the point, I will let you into the secret of one of my favourite Kaliningrad cafés: Croissant.

Croissant Café Kaliningrad

Croissant Café resides on Alexandra Nevskogo Street, which, in my opinion is an excellent street. Among its many other delights and facilities, there is the Tourist Hotel, a well-stocked Spa supermarket, the legendary Cultura Bottle Shop, a shop selling all kinds of inexpensive household products, including socks, pants, slippers and woolly hats, a special bread kiosk, an arty farty barbers, in fact, everything needed for daily sustenance.

Croissant Café is, of course, an all-year-round establishment, but I am particularly drawn to it in the winter months. I like the way on a cold, damp, frosty or a snow-settled day, the light ~ soft, warm and inviting ~ frames its windows in a cosy glow and then, stealing out into the street, tugs at your lapels. If you feel like a moth drawn to a flame, don’t worry. For a café serving quality food, the prices are quite reasonable. You can open your wallet, and you won’t get burnt.

Croissant Café likens itself in atmosphere and fare to the best in French tradition. It proudly emulates the pastry shops and bakeries from which French gastronomy gets its good name. Certainly, its bread selection, which comes in all shapes and sizes, has enough French sticks and crispy baguettes bristling from its wicker baskets to conjure up boulangerie.

Croissant Café Kaliningrad display counter

Its website speaks in mouthwatering terms of all-day breakfasts and exclusive desserts, and its confidence in its ‘confectionary showcase’ allows it to mention by name its celebrated pastry chef Alexander Dianov.

In an illuminated glass display unit below the bread-laden shelves, a sumptuous banquet of choice awaits for those who have a sweet tooth. There are cakes, tarts, tempting delicacies covered in rich dark chocolate, an enticing array of exciting desserts and countless peerless pastries.

Excuse me, why do they call it Croissant Café?

Even though Croissant Café places great store on its sweet’s selection, and not without good reason, its range of savoury dishes are no less gastronomically adventurous or relegated by aesthetic indifference.

Every picture tells a story, and the café’s glossy booklet-style menus capture every dish using full-colour high-res photographs accompanied by descriptive profiles. The only flaw in the café’s menu, which in fairness is an oversight endemic in Kaliningrad, is that it fails in its savoury dishes to cater sufficiently for vegetarians, a funny lot, I know, among whose number I am one, but a consumer group all the same growing exponentially whose converts await entrepreneurs who can convert their conversion into roubles.

I am frankly quite surprised that no one in Russia’s hospitality industry has identified the vast potential lurking in this untapped resource, brought it on, encouraged it and mined it for all it is worth.

View of Croissant Café K

Croissant Café (Kruassan-Kafe) Kaliningrad
There are a number of Croissant Cafés centred in and around Kaliningrad each proudly purveying a tempting range of high quality pastry and confectionary products and unique recipe freshly baked breads. Aromatic coffees and a wide selection of teas, plus hot beverages of an avant garde nature complement the café’s cuisine, or, should you wish to pamper the palate further, you could always go for one of the wines from the café’s European selection.

Other cafés in the Croissant Café family in and around Kaliningrad
пл. Победы, 4
ул. Багратиона, 87
Ленинский пр. 67
пр. Мира, 84
пр. Мира, 23
Zelenogradsk, Lenin St, 3
Светлогорск, ул. Ленина 33

On a menu so extensive that it could have been the work of Tolstoy, I could only find three meat-free meals, and when I went to place an order, two of these I discovered though pictorially on the menu were not really on the menu at all.

Croissant Café Kaliningrad

The advantage of being a simple-food person is that disappointments like these have no earth-shattering consequences, and I was not so very much perturbed by the only option left to me, which was avocado salad. This relatively humble offering, like every other Croissant Café meal, could not be better presented, and with an appetising salad dressing and an assortment of tasty breads, each one freshly baked, I was not unhappy with my lot.

As with its savoury dishes and sweets, the café does not stint on its coffee and tea varieties, which are almost more diverse than the migrant-invaded West. It also caters for those whose approach to beverages is more intrepid, who are open to trying something new, something enticingly different, something overtly exotic.

Excuse me, why do they call it Croissant Café?

Contrary to Western media, Russia is rather sweet (see that picture below). I, on the other hand, am not a sweet man (Sorry, what was that you said? You’ve worked it out already.). However, providing the quality and price is right, I have been known to make exceptions, and nowhere am I more inclined to make exceptions of this kind than when dining at Croissant Café.

French cafe experience in Kaliningrad

Cafés can be many things, for example cafés exist in England that bear more than a passing resemblance to the down-at-heel soup kitchens in Chicago’s prohibition era (I kinda like these too!). Croissant, on the other hand, is the very Ritz of cafés. The food is consistently good and presented with such an artistic flair that it would not look exceptionally out of place displayed at the London Tate.

The service, on my most recent visit and on previous occasions, was and has been commendable, scoring top marks for efficiency and ~ now read this café owners and read it in slow motion, since loyal patronage depends on it~ a gold medallion for friendliness. I am not, as some would appear to be, in the habit of frequenting cafés to lord it over the waiters and waitresses. Empathy is good for digestion, and Croissant Café’s friendly staff are a credit to the café’s appeal and to its overall experience.

Now look here and for the last time! Why do they call it Croissant Café?

Because the croissants at Croissant Café are the real, the absolute deal. They are freshly prepared, baked and produced in a seductive variety of flavours and fillings.

People come from near and far to sample and savour the pastries from which Croissant Café takes its name.

Would you care for a tip? Whilst the chocolate croissants should not be passed over, the marzipan ones are marvellous!

Croissant Café (Kruassan-Kafe)
Ulitsa Aleksandra Nevskogo, 24-30, Kaliningrad, Kaliningrad Oblast, 236006

Tel: 8 (401) 230-30-40

Opening times:
Monday to Friday 8am to 9pm
Saturday & Sunday 9am to 9pm

Website: Круассан-кафе

Copyright © 2018-2024 Mick Hart. All rights reserved.

Kaliningrad flea market is a feast for antique hunters

Kaliningrad flea market has moved to a new location

They said it would happen, and it has

4 November 2024 ~ Kaliningrad flea market has moved to a new location

The Kaliningrad flea market that has occupied the pavement area close to the Central Market, and in more recent years spilled over onto a ribbon of disused ground bordering the moat of the Wrangel Tower, has officially moved.

For me, as I dare say for many, the relocation of this sprawling and excitingly chaotic masterpiece of antiques, collectables, curios and junk, marks the end of an era. Not that we did not know that it was coming; plans to move the market on have been in the pipeline for years.  Indeed, I wrote about the proposal in a 2022 blog post: What makes Kaliningrad Flea Market a Junk Buyer’s Paradise?

Kaliningrad flea market moves to a new location

We all know that nothing stays the same forever; Königsberg can testify to that. Nevertheless, knowing that change is imminent rarely compensates when it comes to pass.

There will be some, of course, who will breath a sigh of relief that most days, but on a Saturday in particular, they will at last be able to stroll without let or hindrance along the sidewalk next to the Wrangel Tower instead of running a zigzag gauntlet through sandwiched lines of dealers’ stalls agog with curious clutter-buggers.

I, for one, however, will miss the incipient urge whenever I visit the city’s Central Market (food market) to detour to the ‘junk’ stalls to see what they have on offer that I cannot live without, such as an old tin bucket, for example.  

Mick Hasrt with his tin bucket bought from Kaliningrad flea market

There have been occasions when travelling by bus on route to somewhere else that I have accidentally alighted at the flea market. Of course, I have only gone to look, not to buy. So imagine how surprised I have been on arriving home to discover that whilst I was only looking a Soviet belt, a Königsberg ashtray, a kitsch ornament and an old German helmet have somehow jumped into my shopping bag.

Kaliningrad flea market has moved

I have not yet had the chance to work out which bus route one should take to get to the market’s new location. Gaidara Street 8 is its new address; a piece of land, I am told, that lies opposite the bridge on the way to Sovetsky Prospekt.

At the time of writing (4 November 2024), the market is not yet functioning. By all accounts, the site is vast, but a great deal needs to be done to bring it up to snuff, to make it seller- and buyer-friendly. News is, however, according to the market organisers, that the site will be ready and the market up and running in a matter of days not weeks.  

Now, where did I put my Kaliningrad map? What have I done with my bucket?

Copyright © 2018-2024 Mick Hart. All rights reserved.

Hotel Mercure Gdansk

Hotel Mercure Gdansk reasons to stay there!

Hotel Mercure Gdansk a Welcome Oasis

23 June 2024 ~ Hotel Mercure Gdansk reasons to stay there!

You may recall, if you were listening to me (“Now, pay attention, as I will be asking questions later!” ) that returning from the UK to Kaliningrad, I made the fatal mistake of booking via Booking.com the apartment Tawerna Rybaki in Old Town Gdansk. To all extents and purposes, the apartment never existed, and I was left on the streets of Gdansk, me and my faithful laptop, with nowhere to lay my head for the night.

The subsequent hunt for alternative accommodation was a long and arduous one, eventually culminating, not before time, at Gdansk’s Mercure Hotel.

Although I appreciate that my positive affirmation of the Mercure’s finer points may be tinged by the fact that at the time I was desperate and ‘any port in a storm’ had become my alma mater (original use of the term), in reviewing the Mercure Hotel, I have attempted to put the object of my misfortunes, the bogus Rybaki apartment, as far behind me as I can and write with objectivity.

So, here we go: My first reaction to the Mercure was “Oh, it’s a tower block”; my second, “It looks a tad upmarket for a chap who just wants a bed for the night”; my third, “Bugger this for a game of soldiers, I have been walking around for hours. I need to book in somewhere and head off to a bar!”

Getting the feel of the place

On the other side of its perpetual revolving door, the Mercure’s interior is TARDISial. It’s grand, it’s palatial, it’s swish, say your senses, but once you have checked in and taken a second look your senses qualify your first impression with ‘it is also rather passe’.

The lobby, indeed the Mercure in its entirety, has a distinctly 1980s’ look and a period feel to go with it. It is not faded and jaded, on the contrary, the hotel could not be more 1980s than if it was still the 1980s. And yet, it is not unfair to say that the swish has lost its swashbuckle.

Nevertheless, there is enough of the right thing going on in its aircraft hangar interior to strike the gong of plush. The vast space is broken down into open-plan units: seating areas with big, spongey recliners, coffee-table resting points, unusual modernist sculptures, a shimmering shiny floor, downlighters, uplighters, pendulous globular basket lampshades, and, ah yes, at the back of the room, that all-important traveller’s requisite the hotel lounge and bar. Don’t leave home without one!

It had been a long day for me when I booked in to the Mercure, and I was dying to use the loo, so I was not entirely enamoured when I was given a plastic card instead of a good old-fashioned key. First off, I shoved it in the hole, and it did not work the lift; then I nipped quickly off to the toilet, and it did not work the toilet lock, then when I rushed up to my room in it went and opened the door, ruining whatever chance I had of changing my pants and complaining. Just in the nick of plastic-card time!

My opinion of the interior downstairs décor, that it was 1980s, was given a serious leg up when the lift went ching on the hotel’s sixth floor. In contrast to the capacious lobby, the sixth-floor landing and long, long corridor was a little Alice in Wonderland. I felt as if I had sipped from Alice’s ‘Drink Me!’ bottle, and now my head was touching the ceiling.

The imposing and all-suffusing chocolate browns of the carpet, which match the tones of the doors, the walls and the ceiling, and which are brought into intimate proximity thanks to the carpet’s thick and heavy mercurial globular patterns and their blotting paper absorption of the well-intentioned low-lit lighting, has 1980s stamped right through them like a piece of seaside rock, and the rooms, or at least my room, completed that turn of the retro page.

All brown in the Mercure Hotel, Gdansk

Turning back the page need not be disagreeable if, like me, you find that direction infinitely more appealing than moving with the times. Thus, although the tones of the hotel room, at least the room in which I was staying, followed the lead of the communal areas in their 1980s’ love of chocolate, the amenities therein neither added to nor subtracted from the context of backdated.

There was everything you would expect to get from a hotel of this scale and calibre. It came in spades and with enough variation to seduce you into believing that it offered more than you had expected and all with an extra air of luxury tinged with a personal touch.

The lighting alone was sufficient to do this to you. Ambient lighting, lighting for reading, mood lighting, soft lighting and lighting to get you in the mood ~ multiple combinations of it and all at the flick of a switch ~ or two.

Not the Hotel California, hence no mirrors on the ceiling, for which I was truly grateful. For I would not wish to inflict on myself a view of myself like that first thing in the morning! But the room did have its fair share of mirrors, including, above the convenient desk, a nice, big, long, rectangular one, which looks a bit like a telly? I could not tell you for certain as I have not used one for years.

The seating was also variegated to suit every type and class of bum. And there was an adequate wardrobe with sliding doors and adequate chests with sliding drawers. And a bed with a firm and comfortable mattress, on which to sleep and what have you.

The 1980s was not so primitive as to exclude the presence of an ensuite bathroom, and neither, I am glad to report, was my 21st century room. It had a credible bath and shower room and even contained a toilet, which was just as well in the circumstances, as a tower-block hotel with a lavvy out back in the yard would be mighty inconvenient.

A bedroom at Mercure Hotel in Gdansk

Ah, excuse me, I almost forgot, there was also a safe to put things in, if only you knew how to use it (I believe you put your bits inside, then close the door and lock it Mick.) (Quite so.), and the room comes equipped with its very own window, which is useful for letting in natural light, which if there was no window, you would need to bring your own natural light, and, of course, when letting in light and even when it is not, the window comes in handy when you get the urge to look out of it.

I am not about to pretend that the view from my window was actually inspiring, but equally shall not argue that it was not. As the photograph below reveals, the view does capture Gdansk; the new Gdansk and the old.

View from hotel window at the Mercure, Gdansk

Excited by the red-brick church, you swear on a pint of good beer that as soon as you have unpacked your things, attended dutifully to your reasonable ablutions and put on a different cravat, you will point your brogues decisively in the direction that you want to go and permit them to carry you off towards the architectural/historic masterpiece that those ever-inventive Poles did christen the Old Town.

Unfortunately, however, although the Mercure Hotel is devilishly close for on-foot types to the town’s historic quarter, my shoes belong to an era, as I do myself, in which modern navigation aids play no understandable part.

I could have asked the way of course, but that would have been too easy and obviously much too sensible, and so, of course, I didn’t. I simply relied on my sense of direction, and for once I got it right.

This is something else that speaks in Mercure’s favour. If, like me, never becoming a navigator was one of the most applaudable things you did in your life, then the Mercure should appeal to you. Its name emblazoned in bright white light at the very top of its tower acts like a lighthouse beacon. It can be seen from many points of the compass and therefore can be used in co-operation with other landmarks to guide you safely home in the unlikely event you have drunk too much after a night on the town.

Mercure Gdansk the name acts as a navigational beacon

In summarising my Mercure experience, I would say “a solid hotel ~ rock solid”.  Comfortable, appealing ~ in a slightly old-fashioned sort of way ~ and supremely atmospheric, it effortlessly brings together the feel of a hotel somewhere above its station with a kindly welcome that is home-from-home. The bar, my natural habitat, has that cushty, big upmarket hotel, relaxing, come-hither air. You just order yourself a drink and sink yourself carefree into its soft and sumptuous seats. The staff are as pleasant as they are helpful; the service cannot be faulted. Everything around you is as easy on the eye as it is upon the senses, which is quite an achievement in itself as the hotel contains some visual surprises. And in its relativity to Gdansk’s Old Town and to the central railway station, if any hotel deserves the accolade of being well-appointed then that hotel is the Mercure.

I know and I do appreciate that on that fateful day when I first laid eyes upon it, the Mercure appeared on my troubled horizon like an oasis in a desert of lies and deceit, but be that as it may, from any objective viewpoint, the Mercure delivers the goods and with it value for money. What else would you expect? It is not for nothing that it derives its name from the Roman God of Travellers!

Hotel Mercure Gdańsk Stare Miasto
Jana Heweliusza 22, 80-890 Gdańsk, Poland

Tel: +48 58 321 00 00
Website: Mercure Gdańsk

Streetmap: Mercure Gdańsk

Copyright © 2018-2024 Mick Hart. All rights reserved.

Life in Kaliningrad in spring. Youth Park.

Life in Kaliningrad through the lens of a camera

A few snapshots from my Kaliningrad album

22 May 2024 ~ Life in Kaliningrad through the lens of a camera

They could be curated, they could be aggregated, but I suspect that they are a random collection of photographs, some more recent than others, taken in and of Kaliningrad. Judge for yourselves.

Life in Kaliningrad

Above: Trams {Click on images to enlarge}
The new and the old ~ and I am not referring to myself. Here am I riding one of Kaliningrad’s latest trams. They are smooth and swish, and you can buy your ticket using touch-card technology. The old trams, c1970s (second photograph), good looks, as far as I am concerned. For me, these two-carriage ‘biscuit tins’ have classic kudos. I love the sounds and the movements they make. I even love the metal seats. Whenever I use these trams, our old friend Victor Ryabinin comes to mind. I can see him now, holding onto the rail at the back of the tram, observing life, as artists do, through the tram’s rear window. Rear Window! That’s a good name for a film.

Mick Hart and Olga Hart at Kaliningrad vintage car show 2019

Above: 2019 Golden Shadow of Königsberg
When things were different, and they often are, the Auto Retro Club Kaliningrad held an international and classic car show. The photo of me in a wide-brimmed trilby (a Fedora) was taken in what was that year (2019) the main arena for car competitions, the carpark of the King’s Residence, Kaliningrad’s most elaborate family leisure centre and restaurant complex. (Tweed jacket courtesy of Mr Wilcox)

Mick Hart in front of Kaliningrad's Cathedral of Christ the Saviour

Orthodox Christian Cathedral Kaliningrad
The photograph of yours truly was taken in March of this year (2024) in Victory Square in front of The Cathedral of Christ the Saviour, Kaliningrad. In days of yore, meaning the early 2000s, this spot was dominated by a large bronze statue of Lenin, since removed to another quarter of the town. With the construction of the cathedral, the centre of Kaliningrad moved from Königsberg’s cultural and spiritual centre, directly in front of the Kaliningrad Hotel, to where it is today. In Königsberg’s days, the area known as Victory Square and everything beyond lay outside the city’s defensive walls. (Yes, I know, from a compositional perspective, it would have been much better had I stood so that I was centred in the photograph in line with the door. It annoys me as well!)

Königsberg relics at fleamarket in Kaliningrad

< Left: Königsberg Relics
A lot of Königsberg was blown into bits and pieces during World War Two, so it is hardly surprising that bits and pieces of its past keep turning up, and a good place to find them ~ in fact the best ~ is at Kaliningrad’s flea market, just to one side of the city’s central market. This photo illustrates why I love this market so much.

Below: QR Code Checkers
Here’s a blast from the past ~ and let’s sincerely hope that it remains that way. Here we have QR Code Checking Officers on duty during the Coronavirus era, not letting anybody inside the cathedral unless they had a QR code proving they had been ‘jabbed’. Looking back on this sinister period of history makes walking in and out of doorways unchallenged instantly gratifying.

Life in Kaliningrad

QR Code checkers monitor access to Kaliningrad Cathedral in the Coronavirus year of 2021
Kaliningrad Botanical Gardens: an autumnal scene of the lake

Above: Kaliningrad Botanical Gardens
Unlike many cities, you do not have to travel far in Kaliningrad to enjoy nature in its natural habitat. This photograph captures the tranquility of the lake in Kaliningrad’s Botanical Gardens. It was taken in autumn 2023.

Above: Kaliningrad Sculptures {Click on images to enlarge}
Kaliningrad is renowned for its sculptures: Schiller, Kant, Lenin and the composition of two fighting bison to name but four. They may possess an attitude of assumed permanence thanks to who and what they are, but this distinction should not cancel out the ephemeral and the esoteric. This purple faceted moggy was last seen sitting statuesque outside Kaliningrad’s latest shopping centre in the central market district, and it is not everyday you will see an updated Russian samovar sitting on top of an oil drum in the grounds of Königsberg Cathedral.

Life in Kaliningrad: Three iconic buildings in Kaliningrad, but the House of Soviets is no more ...

Above: House of Soviets
A poignant picture of the House of Soviets framed between the hotel and restaurant buildings of Kaliningrad’s Fishing Village and the reconstructed ‘New Synagogue’ c.2023. Stand in the same spot today where the photograph was taken to appreciate the laws of transience by which our lives are governed.  

Mick Hart with USSR ice cream

Above: CCCP (that’s USSR to you)
As you know, because it’s general knowledge, there’s no time like the past, which is why as a collector of what’s left of it, I was thrilled to discover on a hot day in ’22 an ice cream with an historical theme. After chilling out on it, I was able to say with impunity, “ I enjoyed the USSR”.

Above: Sunny Day in Youth Park {Click on images to enlarge}
They say that ‘youth is wasted on the young’, but whenever I stroll through Kaliningrad’s Youth Park, I put this prejudice behind me and think instead ‘young at heart’. Some would say, ‘never grown up!’ I vow one day that I will attempt to complete every adult ride in the park in series. Until that day dawns, I will continue to enjoy those days when the park is less rumbustious. At the time these photos were taken (May 2024), I was more than happy simply to purchase a cup of specialty tea and sit and drink it on a park bench. The park attendants were filling the planters with flowers, and the sun had got its hat on.

Above: Königsberg Villas
It is hardly surprising that when residents of Moscow, Siberia and other far-flung places across this huge territory that is Russia, visit Kaliningrad, they fall in love with the city. Kaliningrad, in all its many and diverse facets, is, by virtue of its Prussian-Russian history, a unique experience, central to which is its surviving German buildings. Contrary to the belief that all of Königsberg was raised to the ground during WWII, many splendid, curious and fine examples of architectural merit are extant, and it is not always necessary to adopt a  ‘seek and ye shall find’ approach. In the districts of Amalienau and Maraunenhof, for example, almost every street contains something of architectural significance, and some streets have enough large houses and grand villas on them to make even the most abstemious ashamed of their secret envy.

Above: Contrasting Scenes of Kaliningrad {Click on images to enlarge}
Two cityscape views: one taken from a high-rise flat complex; the other from a balcony (May 2024), to coincide with the first blooms of spring.

Copyright © 2018-2024 Mick Hart. All rights reserved.