Mick Hart’s totally biased review of bottled beers* in Kaliningrad (or how to live without British real ale!)
Published: 2 September 2020
Article 7: Baltika 3
It is, alas, customary for reviewers of almost anything these days that when confronted with something that they judge negatively to pan the product/experience with such acidity that you might well suspect that they own a moped and live somewhere like Streatham.
Subscribing to the modern misconception that recourse to expletives is the new humour rather than a substitute for lack thereof, these would-be social-media wits ‘gobshite’ it out as if there was no tomorrow, when the real pity is that that they were with us yesterday and are still with us today.
With this misfortune in mind, I shall, like the true English gentleman that I aspire to be, exercise restraint when I say that so far Baltika 3 is, in my opinion, not the best beer that I have drunk since coming to Kaliningrad.
“You don’t want to drink that,” snorted an acquaintance of ours, whilst driving us to the seaside, “It’s traction oil!!”
I used to work in publishing so, naturally, I never believe anything I read or anything anybody says, so when next I went to the supermarket to buy a bottle of beer, what did I do? Exactly, I bought Baltika.
First off, I did not like the bottle, well, not the bottle exactly, rather the label design. It said ‘Baltika 3’, which we will not carp about because that is what it is, but the shimmering blue and steel silver hues made me wonder if the graphic designers had not filched their ‘modern’ look from a motor vehicle advert.
I thought, “this is going to be very metallic, like that other lager ~ how does the advert go? ‘Possibly the nastiest and most metallic lager in the world’”.
It wasn’t. But guess who it is brewed by?
I took the cap off, mainly because I have not yet found an easier way to get to the contents of a bottle ~ as I have said, the bottle was fine ~ and took a poser’s sniff. Even if I had not smelt it before, and I had, because I used to work with heavy-plant machinery, I would recognise traction oil. It would not be fair to say that it did smell like this, but I struggled to determine what it did smell like.
I poured my premiere sample into an old Soviet bacal ~ a dimpled glass tankard ~ recently acquired, and tentatively, and with great trepidation, took my inaugural sip!
Not wanting to be scathing, the beer I had drunk previously, Lidskae Aksamitnae, had been so delectable that the inferior flavour of Baltika 3 could have suffered a severe case of amplification in consequence.
Being the nice chap that I am, I am willing to give Baltika 3 the benefit of this doubt. But I still cannot believe that Baltika is Russia’s most popular beer, and that this claim is out there. In 2018, Baltika 3 Classic received the silver medal in the Pilsner category of the British International Beer Challenge, so not all of my fellow countrymen agree with me on this one.
All I can say is, and all I am willing to say is, that if Baltika 3 is anything to go by, I dread to think what the higher numbers of Baltika beer are like.
I suppose the only way to find out is to drink them.
Life, as they say, is a lottery!
😁TRAINSPOTTING & ANORAKS Name of Beer: Baltika 3 Brewer: Carlsberg Group Where it is brewed: St Petersburg, Russia Bottle capacity: 1.5 litres Strength: 4.8% Price: It cost me about 160 rubles (£1.62) Appearance: Pale to light brown Aroma: Barley malt (I think) Taste: I am still working on it Fizz amplitude: 7/10 Label/Marketing: Modernistic Would you buy it again? I would drink it if it was bought for me
I am most concerned about what is happening in Belarussia (I mean, Belarus) at the moment, not least because I have just discovered Lidskae Aksamitnae, a dark, rich, full-bodied beer with a deeply refreshing flavour.
Prejudiced against dark beers, with a proud aversion to the twangy-harp taste of Guinness and generally unseated by the intensified sweetness that seems to be the signature of dark, strong, British ales, I hesitated both in the purchase of Lidskae and, once that threshold had been crossed, the subsequent quaffing of it.
Removing the lid from my 1.5 litre bottle, I sniffed at it gingerly. It did not have a strong treacly smell and, I am glad to say, there were no twangy notes of a suspect brogue nature. What was this aroma that was hurtling up my hooter? Chocolate? Toasty? Someone’s nuts roasting? Whatever it was, I liked it.
Out of the bottle and into my glass it was as black as Brickstun (the name of my neighbour’s cat). But, within seconds of pouring it, an effervescence occurred that brought to the surface a white head, which stood out in stark contrast to the mass from whence it had come. I eyed it with the cautious way one would before entering Taste Alley. Dark beers had always been no-go areas for me, and I knew I was taking a risk. I recalled a stormy night in Portland. I had drunk black beer there and had felt bad for about 80 days.
I took my first sip. What was the verdict? Guilty!! It had only been a thought, but I was clearly inciting beery hatred. Contrary to my expectations, this brew had a rich, malty taste. It was not a riot, not even demonstrative on one’s taste buds. It did not try to sell you something you would rather not have, nor did it mug you. I felt that feeling one must get in taking one’s case to the European Court of Beery Rights and having it ruled in my flavour. I was not just relieved but rewarded ~ disproportionately compensated, for so I secretly thought, by a richness I did not deserve ~ well not for £1.40, which is what the beer had cost.
Lidskae Aksamitnae Beer in Kaliningrad
Like most things of value, Lidskae Aksamitnae’s pedigree is firmly rooted in history and in heritage.
As the date on the label testifies, the Lida Beer Brewery began life in 1876. It is one of the oldest breweries in Belarus, the brainchild of Nosel Pupko, and it remained within his family for three generations.
By the turn of the 20th century, Lidskoe beer, as it was then known, was already a winner in Europe, garnering various awards at respected exhibitions. Come the Soviet period, GOST standards meant standard beer; regional beers were restricted to the republic of its origin. But good news travel fast, as they say, and Lida’s reputation for producing tasty, quality brews somehow got out.
Today, with investment, ideas and technological input from companies in Finland and the Czech Republic, Lidskae beer continues to flourish, collecting international awards as high-class products and, more importantly, retaining and making old fans and new (such as me, the drinking Englishman) who certainly have no qualms when it comes to putting money where their mouths are.
They say you live and learn, and if I have learnt one thing and one thing only from buying and drinking this beer, it is BBM ~ Black Beers Matter!
😁TRAINSPOTTING & ANORAKS Name of Beer: Lidskae Aksamitnae Brewer: Lidskoe Pivo Where it is brewed: Belarus Bottle capacity: 1.5 litres Strength: 4.8% Price: It cost me about 136 rubles (£1.40) from Spa (so near and also so far!) Appearance: As black as your hoody Aroma: Nutty and toasted Taste: Smooth, rich, malty with a little sweetness and light bitterness Fizz amplitude: 4/10 Label/Marketing: Proud heritage Would you buy it again? Too right!
*Note that the beers that feature in this review series only include bottled beer types that are routinely sold through supermarket outlets and in no way reflect the variety of beer and/or quality available in Kaliningrad from speciality outlets and/or through bars and restaurants.
Mick Hart’s totally biased review of bottled beers* in Kaliningrad (or how to live without British real ale!)
Article 5: Zhigulevskoye Beer
As stated in my last beer review, my choice of supermarket-bought bottled beer in Kaliningrad is not influenced in any way by recommendation of any kind, which includes word of mouth. Neither do I purchase beer on the basis of its strength. The only selection criteria that I use is (i) have I drunk it before? (ii) do I like the label? As I know my Russian A Б B, I can sometimes cobble the name of the beer together. Not that it means very much, but as you might guess that was not the case with this particular brand, which when translated into English spells ‘Zhigulevskoye’.
I was attracted to this particular beer, as opposed to the many others on offer, as the label has a distinctly nostalgic resonance. Look at it: The lower half of the label is the colour of ripe corn, the upper a bright blue sky. In the foreground, stationed on the yellow bed, stands one of those old Soviet roadside tankers, the ones that used to dispense peeva (beer) but which, in later years, were phased out as mobile meeting points with the greater uptake of conventional bars.
When I first came to Kaliningrad in the year 2000, there were still quite a few of these little yellow containers on wheels in evidence, but as the popularity of bars and licensed restaurants increased they were put out to pasture, making a comeback in later years for the dispensation of one of Russia’s most popular drinks, Kvass, an unusual beverage with an acquired taste made from fermented rye bread. Not that this would interest you lushes, as Kvass is alcohol-free.
In this pictorial incarnation, the one on the beer bottle, the little two-wheeled tanker proudly displays the word ‘beer’, peeva, in Cyrillic script. At the dispensing end, a young lady sits, a small shelf in front of her on which can be seen two ‘pint’ glasses. There are trees in the background and peeping through them the red pantiled rooftops and tall rustic chimneys of small cottages. The scene is one of perfect idyll. It captures superbly the Soviet concept of harmonic relationship between people and Mother Earth, and the impression is made complete by one of the USSR’s most simple but potent symbols, the yellow ear of wheat.
The name of the beer (which, as history denotes, is fairly unpronounceable in English) is written at a sloping angle across the front of the label in a deep-blue flowing Cyrillic script and the whole ensemble edified by an award-winning stamp of quality, a circular medallion containing a strong and manly thumbs-up symbol.
When I asked my wife, Olga, what the unpronounceable name of the beer meant in English, she was unable to translate, but, after several attempts to solve the riddle with the help of the internet, it turned out that the name equated to a motor vehicle! So, here I was sitting in my Russian attic drinking a pint of Lada!
As my friend John Hynes would say, and does say, “You couldn’t make it up!” Actually, he would say, and does say, “You couldn’t make this shit up!” but as the expletive can only confer an inapplicable derogation, for the sake of propriety and for accuracy we will dispense with this unfortunate word and focus instead on dispensing the beer.
Intrigued by the vehicle anomaly, Olga took to the internet via her mobile phone and connecting with a Russian site she was soon able to supply me with some interesting background information.
History of Zhigulevskoye Beer Kaliningrad Russia
The story goes that originally Zhigulevskoye was called ‘Viennese Beer’. It first saw life when Austrian aristocrat and businessman Alfred von Vacano established his Zhiguli Brewery in Samara in the early 1880s. The beer proved to be extremely popular but unfortunately for Alfred, come the Russian revolution in 1917, he was not. He ended up in Austria, his brewery confiscated, passed into the hands of the new Russian state.
Thus captured, Alfred’s extremely popular beer fell victim to the communist zeal for outlawing anything and everything that had a suspect bourgeoisie ring to it, and this was reflected in the beer’s name change from something that once could have been very well easy to say to Zhigulevskoye ~ proudly named after a Soviet car.
In Soviet times the brand had the best kind of monopoly that any beer can have ~ it was almost if not exclusive. At the height of its popularity, it was dispensed from 700 breweries and was exported to a number of different countries. Ironically, its international success was hampered by its name, which was not only difficult to pronounce but in some countries resembled words of a vulgar or impolite nature. The crude connotations of similar sounding words did not apply in England, where the beer was exported for a short while but simply did not catch on. How could it when we had Watney’s Pale Ale!!
Following the dissolution of the USSR, former satellite countries continued to brew Zhigulevskoye, most notably Carlsberg and Baltika brewers from their outlets in the Ukraine. Nevertheless, purists, romanticists and nostalgic drinkers stick firmly to their revolutionary guns where Zhigulevskoye is concerned, refusing to acknowledge true Zhigulevskoye unless it is brewed in Samara.
Voice off stage: Get on with it!
So, how did I find my 2020 version of Zhigulevskoye?
For all that I have read and for all that I have said, I am afraid to say that I cannot commit myself to use any other evaluative word other than that of ‘moderate’. The beer has a golden hue, a soft, mellow, traditional lager taste, is light on the palate, with a distant scent of hops, is easy to drink and quite refreshing, but what Alfred von Vacano would make of it, is anybody’s guess.
Call me an old (no, that’s reserved for people who really know me and liberals who think they do), old sentimentalist, but what I could not discern in flavour I derived more, as I supped away at Zhigulevskoye, from the label on the bottle. Even had there been nothing to recommend it, and this is not true, I could never bring myself to trash such an emblem of historic import. I know this lacks impartiality, but then this is why I named this series of posts, Mick Hart’s totally biased review of bottled beers in Kaliningrad.
😁TRAINSPOTTING & ANORAKS Name of Beer: Zhigulevskoye (after 2 x 1.5 litre bottles you can pronounce it) Brewer: More than one, including Baltika and Carlsberg Where it is brewed: Lots of places but Samara is its original birth place Bottle capacity: 1.5 litres Strength: 4.5% (strength varies depending on brewery) Price: It cost me about 112 rubles (£1.16) Appearance: A lovely yellow corn Aroma: Faint this ‘n’ that Taste: Light, traditional pale lager taste Fizz amplitude: 5/10 Label/Marketing: Nostalgists heaven Would you buy it again? Yes, whenever I am in a Soviet mood
*Note that the beers that feature in this review series only include bottled beer types that are routinely sold through supermarket outlets and in no way reflect the variety of beer and/or quality available in Kaliningrad from speciality outlets and/or through bars and restaurants.
Mick Hart’s totally biased review of bottled beers* in Kaliningrad (or how to live without British real ale!)
Article 4: Gold Mine Beer
Published: 24 July 2020
The bottled beer that I am reviewing today goes by the very enticing name of Gold Mine. As with all beers in this series of reviews, they are widely available throughout Kaliningrad, Russia, from most supermarkets, and, as with all of the beers that I intend to review here, they have been selected on an ad-hoc basis. Why did I choose Gold Mine? Because I liked the name and the label.
Labelling and product presentation plays a crucial role in leveraging purchasing decisions at every level, but is particularly important when it comes to impulse purchasing an unknown, untried and untested brand of, in this case, beer without recommendation or information to act as a guide.
The seductability value of a bottled beer’s label design is especially important if you are operating on a quick-decision buy-it-now basis. Nowhere is this more true if you are buying a beer that is produced in a country that is not your home country, where you may have no knowledge of, or only an elementary grasp of, the written language of that country. In this case, your purchasing decision will almost certainly be made according to visual appeal. In my case, as my command of the Russian language is limited, as is the time that we have on this Earth, making a purchasing decision from what is written on the bottle would leave me little time to drink it before its sell by date expired. So, for me here in Russia, labelling, as well as beer strength (since even I can read the percentage on the bottle), are the two criteria that I use before parting with my rubles.
Marketing wise, Gold Mine is great. The label has a retro feel to it, which is bound to be attractive to an old vintage and antique dealer like myself who has never moved out of the past. The label, which is unsurprisingly gold coloured, has an American bias. The words Gold Mine Beer (in English) romp brassily across the front of a dark-blue and gold-rimmed shield, reminiscent of a 1960s’ US police officer’s badge. The shield is surmounted by a New York City skyscape, a group of sketched skyscrapers and big city office blocks, one bearing the word ‘Urban’ written sideways and travelling vertically and another, in bold, ‘Light’. The US city design continues as a series of abstract shapes and line-drawn tower blocks that fade in and out of the golden background. The collar label above wears a complementary image, denoting skyscraper and suspension bridge together with the words ‘100% Light Beer’ and ‘fresh’, ‘premium’. What does all this mean? Well, nothing much, but the words are in different weights and scripts and as my Russian wife would say, when she gets her words in a mucking fuddle, it good looks.
We do not buy beer to look at the label, do we? That is about as daft as suggesting that we buy anything with alcohol in it to drink sensibly, because if we wanted to do that we would confine ourselves to mineral water, but, at the risk of repeating myself and sounding vaguely sexist, when it comes to trying something new appearance is everything and a bit more besides.
Leering at it in the supermarket cooler it occurred to me that if the product delivered as much as the labelling, it would be a darn good drink.
So, I bought it. Took it home. Retired with it to my gentleman’s drinking room, Mick’s Place, secreted in the attic, and plumbed the depths.
Gold Mine Beer in Kaliningrad
Verdict: Gold Mine Beer does have a colour that lives up to its name. It is a light, golden, lager beer. I have seen it described as crisp, but I would disagree with that: it has a soft, mellow taste with a standard, traditional lager finish. There is also a faint after taste, but not exciting enough for me to want to write home about it. Having said that, the texture is quite full bodied. It suits my palate in that its carbonation soon gives out, so it does not fizz up one’s nose like a glass of Andrew’s Liver Salts (sorry for mentioning the liver in a beer review).
Would I drink it again?
Yes. A 1.35 litre bottle retails in our local store for about 90 rubles (just over a quid). It is not the bees’ knees of beers but then neither is it the roadman’s wellingtons. It is drinkable and more. Real ale connoisseurs may well have a problem with it, but I suspect seasoned lager drinkers used to finding less ‘gold in them thar pilsners’ than they would like, might reasonably discover when prospecting this brand that it was good enough to bottle it.
😁TRAINSPOTTING & ANORAKS Name of Beer: Gold Mine Beer Brewer: World Beers Where it is brewed: California, USA Bottle capacity: 1.35 litres Strength: 4.5% Price: It cost me about 90 rubles (98 pence) Appearance: You won’t believe it ~ Gold Aroma: Corny Taste: Soft, traditional, light-coloured lager tang with one or two hops struggling to the surface Fizz amplitude: 6/10 Label/Marketing: As good as, if not better than, gold Would you buy it again? Yes. But I wouldn’t go looking for it
*Note that the beers that feature in this review series only include bottled beer types that are routinely sold through supermarket outlets and in no way reflect the variety of beer and/or quality available in Kaliningrad from speciality outlets and/or through bars and restaurants.
Mick Hart’s totally biased review of bottled beers* in Kaliningrad (or how to live without British real ale!)
Article 3: Cedar Wood beer
Published: 20 July 2020
Would you Adam and Eve it, the name of this beer is Wood? Well, to be more precise Cedar Wood. And no, I am sorry to disappoint you, I am not about to make comparisons between the smell and taste of this ‘Russian-brewed’ beer and a cheap, tacky aftershave of the same name that was rife in the UK back in the 1970s, if only because Cedar Wood aftershave did stink strongly of cedar wood (whatever that smells like) and may have tasted like it too, although, contrary to legend, I never did drink it.
I bought this beer not for its strength, which comes in at a not-to-be-sniffed-at 4.8% (not considered to be a strong beer in this part of the world), but on the strength of its label, which at first site is its selling point and some Wood say its last.
The label shows three men, two sitting on top of a log and one standing nearby, which, one would logically (pun intended [or was it!]) conclude, is from the eponymous tree genus, cedar, as it would not make sense if it was something else. The three men are, supposedly, jolly Siberian peasants ~ the bottle states that the beer is brewed in Siberia, although I have since found out that it isn’t. One man has a foaming ‘pint’ in his hand, which must be any other beer but Wood, as although Wood does have a big head on it, it is rather wishy-washy. A second man has his chopper over his shoulder. Yet another boast, I suspect, that Wood cannot live up to. And I am not quite sure what the third man has in his hand or where his hand is. Ahhh, it appears to be in his pocket, possibly holding his wallet intact because he has no intention to pay for such a beer as this. Come to think of it, he does look a bit like my brother …
Cedar Wood Beer in Kaliningrad
That the marketing profile has good, old-fashioned masculine appeal ~ you can almost smell the pheromones ~ cannot be disputed. This beer is aimed at and drunk by hard-grafting manly men ~ none of your skinny-arsed trousers and nerdy spectacles here! Indeed, when I first saw the label I thought, I bet this comes from Canada, but I quickly remembered that the Canada of my youth and earlier ~ the Canada of fur trappers, mountain men, cattle ranchers, lumberjacks and the good old Canadian Mountie ~ was now, like John Wayne, an anachronism, replaced by new man, woke man, limp-wristed and Guardian-reading, the sort that would make Bob Hope look like Tyson Furry.
I suppose this is why when I took my first sip I won’t say that I was disappointed, as this might suggest all kinds of acceptable things by today’s gender-depleted standards, but it certainly was not what I had expected. Unlike the Mountie I thought it was, it never got its man.
In other words, it was not as manly as the label suggested. It did not have to be infused with the sweat of honest toil and reeking of rancid pipe tobacco, and neither, just because it was called ‘Wood’, did I anticipate that it would make me feel 30 years younger at half-past six in the morning, but a little more oomph Wood have been appreciated.
I am in no way attempting to criticise the alcohol strength, 4.8% is good enough for me; no, the missing ingredient was taste.
Here you have a light, golden-looking beer, with a hoppy taste and straw-like aroma. There is a touch of the aromatics about it, which conforms to the cedar name, and this ingredient loiters happily at the back of your throat after the beer has been quaffed. It is a fizz beer, with plenty of carbonation, but as both taste and aroma lacks clout, and is fairly bland, the effervescence compensates for the rest and does propel what vague distinction there is high up into the back of your hooter, which is by no means novel if, like me, you have the distinction of having belonged to the Andrews Liver Salts generation.
With Wood, you need patience, for you have to wait for the taste to come through, but it eventually does in a very eventual way.
In summary, Wood is a light, golden, traditional lager beer. The aroma and taste are hardly as memorable as the vintage aftershave of the same name, but at 4.8% by volume, it is deceptively strong. I purchased my bottle of Wood, 1.35 litres, for about 137 rubles (£1.50) from our local supermarket.
As standard supermarket retailed fare goes, it was not that bad, and the price speaks for itself. Would I buy Wood again? To answer that question, I will borrow that singularly important loaded word from the long-running Carlsberg advertising campaign ‘probably’, if only to enjoy the Pythonesque label!
Note that the beers that feature in this review series only include bottled beer types that are routinely sold through supermarket outlets and in no way reflect the variety of beer and/or quality available in Kaliningrad from speciality outlets and/or through bars and restaurants.
😁TRAINSPOTTING & ANORAKS Name of Beer: Cedar Wood Brewer: Baltika-Samara Where it is brewed: Everywhere but Siberia Bottle capacity: 1.35 litres Strength: 4.8% Price: I got it for 136 rubles (£1.50) Appearance: Light, traditional lager beer Aroma: Still working on it Taste: A bit of this and that ~ hoppy, slightly bitter, tinge of herbs but no cedar Fizz amplitude: 7/10 Label/Marketing: Michael Palin and the Lumberjack song Would you buy it again? Probably
Although I am still prone to headlining this series of articles as the Diary of a Self-isolator, I have begun to wonder whether the relaxation of coronavirus restrictions warrants a change of name, say, for example, the Diary of a Social Distancer, but have come to the conclusion that in the interests of continuity the original appellation should persist.
You can see the etymological crux of the issue in the revelation that recently, whilst self-isolating, I accepted the invitation to emerge from the homestead to stay for a couple of days at a friend’s dacha in the heart of Zelenogradsk.
Zelenogradsk is considered to be the second principal seaside resort in the Kaliningrad region, the number-one slot invariably reserved for Svetlogorsk. Whilst it is widely accepted that Svetlogorsk wears the crown, in recent years that crown has been tarnished by a controversial extension of the coastlines promenade in preparation for an extensive building programme that has decimated the resort of what little beach it had.
Zelenogradsk, on the other hand, has a beach par excellence; acres of white and golden sand stretching across the curving coastline for as far as the eye can see. On a good day, that is under a bright blue sky with plenty of sun to boot, the Zelenogradsk coastline is a beach-lovers paradise and the rolling waves and surf from the sea a scintillating superlative for all that is loved about swimming and sailing about on the briny.
Today (3 June 2020), the weather conditions could not have been better. And for reclusive comfort combined with close proximity to the front, the old German house in which we were lodging could not have been more inviting or better located.
Before heading off to the beach, we decided ~ my wife, our friend and I ~ to buy a pizza and a few edible accessories from one of the seafront bars. This was the first time since coronavirus began that I had eaten in a restaurant or been to a restaurant to buy food, and although we were sat outside on the decking and the waitresses were bemasked, the entire experience seemed strangely illicit and fraught with a sense of risk.
On paying for our order there was a poignant moment when one of the girls who had served us, possibly the manager, not only thanked us for our custom but almost begged us to return again, such is the devastation that coronavirus has wrought upon the café, bar and restaurant business.
We did not eat in the restaurant’s outside seating area, choosing instead the comparative safety of limited social numbers in the conservatory of our temporary German home.
Before eating the food we had bought we of course observed all of the risk-decreasing procedures handed down to us from the world’s health industry, which is to say that we washed our mitts and swabbed the polystyrene packaging with antiseptic wipes before opening it and then used cutlery to eat with.
I have to admit that it was good to sample fast food again, even though the preliminaries had knocked it down a gear or two.
Social Distancing in Zelenogradsk
Victually resuscitated, plus a bottle of white wine later, our friend departed, leaving Olga and myself to make our way to the sea.
I wondered, as I walked towards the beach, if the low numbers of people present was a coronavirus consequence. If so, it was the perfect tragedy, but the volumetric increase in visitors on the following day, which was a Saturday, assured me that the comparatively low turnout had been the product of a working day.
By 12 noon on Saturday the numbers of people in Zelenogradsk had swelled enormously, but not to such an extent as to render social distancing ridiculous, as it had in England when people had flocked to Brighton beach in such appalling numbers that it was all they could do to find enough room in which to stab each other.
As we walked along the widened footpath with its pedestrian section on one side and its mini-road on the other, along which whizzed all kinds of two- and four-wheeled mini traffic, and with its astonishing eclecticism of man-made buildings on one side and the rolling sea and sand on the other, I hoped for their own sake that there were no representatives of a certain American media organisation lurking around in the undergrowth. From what I have read recently the western media seems to have a neurosis regarding ‘ethnic Russian families’, ‘smiling Slavic couples with children’ and ‘traditional family values’, all of which was refreshingly evident today. It is a peculiar point to ponder on, is it not, that what matters to some is of no matter to others.
Take the preferences of my wife and I, if you will: My wife swims; I drink.
Under the Old Normal, we would find a spot that was mutually suitable. An outside drinking area for me to relax in; a section of beach close to the sea for her to get sand in her toes and completely drenched in salt water.
Under the New Normal, however, this was not to be. Although the seating areas outside the bars were reassuringly patronised, the interiors being off-base, I had decided aforethought not to frequent them but carry on social distancing. So, whilst my wife dunked herself, I simply went for a stroll, and when I had strolled enough waited for her on a bench like the perfect husband I am.
My fascination along this particular pedestrian thoroughfare is with the architectural anomaly. It is so outrageously ~ in an entrancing sort of way ~ diverse, with no two buildings the same either in scale or point of style. It is not visually unheard of, for example, to have a brand-spanking new hotel ~ all curvilinear, porticoed, sleek and slick in metal and glass and conspicuously erect ~ rubbing shoulders, I should say, with a great, grey giant of a building, a sad and sorry-looking concrete block of flats, neglected, uninhabited, windows open and vacant like the proverbial eyes in skulls and next to it, abstrusely, a red-brick castle pastiche, festooned with mini-turrets, or a vast building in magnolia-coloured stone boasting all the attributes of neoclassical architecture in its most defining form standing next to a humble shack, a distressed-brick and weathered wooden domicile with its roots in Eastern Prussia but with the added Soviet enhancements of an asbestos roof, steel railings and bulwarking metal sheets. I could walk up and down this road all day marvelling at these sites, which are far more interesting, and infinitely more imaginative, than anything you would see today on the fashion-circuit catwalks.
This lovely old building overlooks the sea along the Zelenogradsk coastline. Its much sought after location almost certainly means it will be demolished to make way for a palatial new residence, or, more likely, hotel. Myself, I would go for renovation. There is nothing like restoring heritage and making it your home.
Our excursion to the beach tomorrow would take me even further along this road, to a place of architectural extravagance the likes of which I have never beheld before, but more of this in a later post.
The sea and my wife having been reacquainted, it was now time to walk into town and purchase some bottles of ale from a well-stocked shop on Zelenogradsk’s high street. I would like to include these delights in my bottled beers of Kaliningrad appraisal, which I started compiling last week, but notwithstanding that they were not bought in the city itself, a minor point that could be overlooked, I have limited my bottled beer review to include brands that are generally available in supermarkets, so I will possibly leave the ones I tried today for a future specialist category on craft and imported beers.
Social Distancing in Zelenogradsk
Now, coronavirus has brought about a number of changes both in attitudes and lifestyle, some seemingly seismic, others more subtle. Like Nigel Farage, who on his Facebook page posted ‘103 days since I last drank a pint in a pub’, it has been 106 days-plus since I drank a beer in a bar or restaurant. Drinking at home is not my cup of tea, although that is what I drink there, and I have to say that sitting on a park bench and drinking ~drinking alcohol that is ~ is one of those dubious pleasures in life which up until now has passed me by. Today, however, as my wife wanted to go swimming again, and as I would rather be outdoors than in, whilst she got ready to swim this evening I packed up my beer in my old kit bag ready to find that bench.
To be honest it was not as bad as I had anticipated. All in life is relative and when you have been cooped up for the greater proportion of 106 days, a park bench and a bottle of beer is paradise. As the song goes, ‘the bare necessities of life will come to you!’
Mick Hart’s totally biased review of bottled beers in Kaliningrad (or how to live without British real ale!)
Introduction
Published: 30 June 2020 ~ Variety of Beer in Kaliningrad
Everybody knows that vodka is Russia’s national tipple, but it may come as surprise to learn that the second favourite is beer. From personal observation, I would say that here in Kaliningrad young people tend to favour beer over vodka, which would explain why the variety and availability of different beer types and brands have mushroomed in pace with the numerous new bars, restaurants and hotels that have opened in recent years.
Gone are the days when if you felt like a beer you either went to the billiard hall or stopped off for a jar and a chat with friends at the side of the road. The little yellow two-wheeled tankers that provided this service have since been pensioned off, as far as beer is concerned, but can still be seen today now dispensing another traditional Russian drink of the non-alcoholic variety known as Kvass.
The increase in on-licensed premises since I first came to Kaliningrad in 2000 is nothing short of phenomenal and, coronavirus willing, may it continue to be that way. To service this industry there is not just a greater variety of Russian-brewed beer but also many international imports, both mainstream brands and interesting lesser known products, offering plenty of scope for exploration.
The craft beer bar has also made its debut in Kaliningrad. I believe there are five such outlets, the most popular and well-known being the Yeltsin Bar. These fairly small, but magnificently well-stocked beer bars, are reminiscent of the UK’s micro- or pop-up pubs but offer a substantially greater quantity and variety of beers at any one time sourced from around the world and purveyed on a rotational basis.
Variety of Beer in Kaliningrad
The brewed-on-the premises concept is also well established, with brew bars producing their own house brands and proudly displaying their brewing equipment for all to see on the premises. A good, large and exciting example of this would be the Pivovar Restaurant Brewery just off Victory Square in the centre of Kaliningrad, where the rows upon rows of deep copper brewing kettles and those mounted monolithically behind the bar are nothing short of magnificent
British ales are obtainable in Kaliningrad, such as Fuller’s ESB and various IPA varieties, most conspicuously in the Sir Francis Drake English-style pub, the first of such bars in Kaliningrad, which was certainly functioning when I first came here in the year 2000. But, as might be expected, the British ales that are served here are the keg export equivalent of their real-ale counterparts. But hey! ~ you did not travel all this way to drink a pint of Charlie Wells, did you?
Bottled British-brewed craft ales are also no stranger to Kaliningrad. You can expect to find both mainstream and more exotic brands in Kaliningrad’s specialist beer shops, and some supermarkets, both small and large, often stock a surprisingly diverse range of British beers.
Imported beer is, not very strangely, more expensive to buy than home-grown varieties, whether bought for consumption in restaurants or bars or as an off-sale from specialist beer shops. The typical price of half a litre of British beer in the Sir Francis Drake, for example, would set you back 250 to 360 rubles, which is between £2.90 and £4.18, whereas a half litre of Russian beer in one of the Britannica bars (a chain of British-themed ale houses along the lines of Wetherspoons) will leave your pocket a lot less stressed at around 130 rubles (£1.51).
Naturally, beer purchased from supermarkets can be obtained at more economical prices. My favourite Kaliningrad bottle beer, Ostmark (strong), which weighs in at a not inconsiderable 6.7% alcohol by volume ~ rather too strong for my normal preference of 4.5% max, but with more taste than most lager beers ~ costs between 160 rubles and 136 rubles for a 1.35 litre bottle, the price differentiation can be explained by the presence of two small supermarkets close to where we live, one of which is cheaper. In the cheaper supermarket, special offers occur on a daily basis, and I have seen good quality beers in 1.35 litre bottles going for less than a quid. Incidentally, this same supermarket does a good discounted range of quality vodkas as well, from around £2.80 for a 75cl bottle.
Another must for the beer connoisseur and further testimony to the take-up of beer in Kaliningrad specifically and Russia overall are the well-patronised specialist beer-dispensing shops. These establishments offer a wide selection of Russian and imported speciality beers on tap, which once purchased are conveniently decanted into screw-topped 2-litre plastic bottles.
Surprisingly, given its relatively small size, one of our local supermarkets incorporates an outlet of this nature. It stocks around 10 different beers on tap as well as some bottled varieties. The beer is good, both in terms of variety and quality, and is also competitively priced, making this venue a particular favourite of my brothers when he visited us last summer.
Variety of Beer in Kaliningrad
In Russia, beers tend to be grouped into categories determined by their hue: light, red and dark. In restaurants or bars, you will also often be asked whether you want a particular beer to be filtered or unfiltered. Simply translated this means that you have a choice between cosmetic surgery or beer in its natural state.
As the articles which follow deal exclusively with beers that I have been buying at random from our local supermarkets in 1.35l bottles, the light, dark, filtered and unfiltered taxonomy is only relevant insofar as appearance is concerned, and you can only really determine this once the bottle is open and the contents have been poured.
These beers may not be the crème de la crème in the sense that they are supermarket bought, not purchased from craft-beer outlets, but they do have something very important going for them: they have helped to sustain me through the isolating process, and during social distancing have become a much appreciated part of my personal New Normal in the wake of closed bars whilst the dreaded spectre of Coro continues to stalk the land.
😏 Feature image: Mick & Olga Hart enjoying a beer on the terrace at the palatial Residence of the Kings, Kaliningrad, in the pre-coronavirus summer of 2019
Mick Hart’s totally biased review of bottled beers in Kaliningrad (or how to live without British real ale!)
Preface
Published: 21 June 2020 ~ Bottled Beer in Kaliningrad
Prompted by no other motivation than a love of beer drinking, I have decided to review some of the bottled beers I am drinking here in Kaliningrad, Russia, whilst the bars remain closed due to social distancing rules. This is the preface to a series of posts on that most hallowed of subjects, beer. It places my own beer-drinking experiences in a biographical and historical context and is a precursor to explaining how I am surviving without real ale in Kaliningrad, the alternative beers available and a personal review of the quality and marketing success of the bottled beers that I have sampled. As they say, it’s a tough job, but somebody has to do it!*
Bottled Beer in Kaliningrad
When I told fellow Brits that I was moving to Russia, three responses
stick in my mind. The first, and the most obvious, was aghast amazement that I
was leaving behind the most celebrated democracy in the world (Ha! Ha!). The
second, a rather cynical comment on the number of times I visit the doctors,
was made by one of my brothers: “It’s a long way to travel to see Dr Kelly each
week!” And the third, “How are you going to survive without real ale?” The last
one worried me.
I was a victim of the first wave of lager drinking, which infected the UK back in the 1970s. I will not call it a love affair, it was more like sex for sale. In those days, the UK pub industry was dominated by the Big Six ~ six major breweries that had consolidated their monopolies by buying up many smaller regional breweries and their tied houses and incorporating them into their business portfolio. Real beer had long since been challenged, and in many public houses replaced, by what CAMRA (the Campaign for Real Ale) pejoratively dubbed ‘fizz’, keg beer, which was spearheaded in the 1960s by the now infamous Watneys Red Keg Barrel, both brewer and beer having since become a cipher for poor quality, mass produced.
It is an irony of fate that the beer and the brewery which set out, and partly succeeded, in changing the drinking habits of the nation ended up as the beer-drinkers’ pariah.
Remember the Firkin pubs?
Of the many insults levelled at Watney’s, possibly the quintessential one, certainly the one that I remember best, was when the Flamingo and Firkin in Derby, one of the David Bruce-inspired craft-ale chain of pubs, refitted the gents toilet with an oversized water cistern masquerading as a Red Barrel. The barrel design, shade of red and even the Watney’s name emblazoned across the front in a typeface identical to the one that Watney’s used, was the pièce de résistance of piss taking, and in that respect it was in the right place.
Whilst no one can defend with any credibility the instigatory role that Watney’s played in the fizz revolution, Red Barrel was not alone for long. Who can forget the dubious delights of such mass-produced keg mediocrity as Ind Coope’s Double Diamond (‘Double Diamond Works Wonders’ ~ it didn’t) Whitbread Trophy (‘Whitbread Big Head Trophy Bitter the pint that thinks it’s a quart’ ~ well it would; it was all head, no strength and as inflatable as a hydrogen balloon) and Charles Wells’ Noggin (its bar-top beer-pump head made of wood to look like a nautical mooring post complete with rope wrapped around it, presumably to remind you that the 15 pence you had just spent was ‘money for old rope’).
The bland and sterile taste that these truly revolting beers left in one’s mouth was gradually, but then meteorically, replaced by something not dissimilar. It, too, was gassy, bland and sterile but sold well, thanks mainly to the money thrown at it in mass advertising campaigns that succeeded in hiding its meretricious nature behind a macho, blokey image, similar in aspiration to the rugged sexuality exploited by aftershave brands Brut and Hai Karate and enlisting the same flared trousers, tight-fitting tank tops and downturned droopy moustache approach.
Make way for lager
Initially, the lager market was aimed at female and young mixed clientele, but its rapid uptake quickly recommended it as a manly alternative to keg, escalating sales into brand warfare as brewers vied with one another to gas-tap their product into the number one slot.
My lagers of choice at that time were Lamont, Tuborg Gold and Tennent’s Extra. But the gold standard in lager for myself and my drinking confederates was undoubtedly Stella Artois, which, unfortunately, we could only seem to find in freehouses, and in our area these were few and far between.
My return to beer drinking and my induction into real ale is
a vivid memory. It was 1979 and I was on a pub crawl in Norwich with a fellow
student from the University of East Anglia, a chap called Clive. We had not
known each other long, but long enough to know that we both liked beer. We met
in the student’s bar on the then Fifers Lane campus. It was a full house that
evening and a group of us were sitting on the floor surrounded by beer cans.
Clive had just rolled in from a late game of squash. “A fitness fanatic,” I
thought. I revised my opinion six pints later, but I have to say it was beer at
first sight.
Clive was a Londoner and as such, insofar as beer-drinking
trends were concerned, he was far ahead of the game than folk like myself who
hailed from the sticks or from small provincial towns, places at that time
where the only escape from the big brewers and their bog-standard fare was the
occasional hard-to-find freehouse.
It was Clive who introduced me to real ale. We were in a pub overlooking Norwich market when Clive asked if I would like a pint of Director’s. As a lager drinker, used to less esoteric names, such as ‘Extra’, ‘Gold’ and ‘Red Stripe’, I remember thinking ‘what a bloody silly name for a beer’. Moreover, I had not drunk anything from a wooden handle pulled at the bar since my light and bitter days. Gas-tap beer was typically dispensed through a little plastic box with a light bulb behind it, whilst lager frothed and foamed worse than the liberal-left from out of conspicuous chromium taps, large, brassy and brazen things which over the years have become incredibly more stupid. Where does the light and bitter fit in? We were young when we started drinking in pubs, about 14 I think, but even then we eschewed Charles Wells’ bitter, which, unfortunately was a staple brew in most of the pubs in our area. We could drink it, but only ‘half-and-half’, that is a half pint of Charlie from the handpump diluted with light ale from the bottle.
Silly name or not, Directors was my first pint of real ale,
and to me, at that time, it tasted like nectar. I was hooked from the first
sip. Here, at last, was something different; something which had flavour!
All praise to CAMRA!
It was CAMRA (the Campaign for Real Ale) which revived the fortunes of real ale and put the final nail in the keg-bitter coffin. CAMRA launched a relentless campaign throughout the 80s and 90s, encouraging small and later micro-breweries to experiment with and increase their beer type and range and as the ‘cold tea’, as my cockney friend called ale, caught on the major brewers were forced to follow suit and up their real-ale ante to keep pace with the craft-beer experts.
Local beer guides and national Good Pub Guides
coinciding with the arrival and development of the soon to become ubiquitous beer
festival, which ranged from large-scale events featuring scores of brewers from
around the country, fast-food outlets and live music to mini-festivals held in
pubs, compounded and accelerated what for real legacy Britons such as myself is
a unique and treasured part of our national heritage: proper beers and British
pubs! No wonder that our saviour from the European Union, the indefatigable
Nigel Farage, is himself a beer connoisseur!
But these are troubled times, comrades. Coronavirus’s New Normal is sweeping across the land like an out-of-control temperance league and ideological agendas threaten British life with a rehashed version of British heritage. Our only hope is that beer-drinking patriots stand firm in the face of adversary. Keep the beer-drinking faith and stamp the virus out! Pubs are a national treasure and beer the jewel in its crown.
It is not ‘Time Gentleman, please’, yet gentlemen!
Bottled Beer in Kaliningrad
In the next astonishing instalment of Mick Hart’s totally biased review of bottled beers in Kaliningrad, we will see how exactly Mick Hart adjusted to the New Drinking Normal of no real ale!
*If you make your obsession your profession you will never work again ~ so some clever fellow once said. Well, I was fortunate to make one of my obsessions, beer, my profession for a while, and yes, if I had not moved on to something else, I might never have worked again! I was fortunate enough in my publishing career to work on and contribute to various licensed trade publications, hospitality titles, pub guides and drinkers’ manuals, which also gave me the opportunity to interview brewers, publicans and report on real ale and cider festivals. Consequently, I can vouch for the fact that you can have too much of a good thing, so I switched from drinks’ publications to medical ones, thus exchanging the fear of becoming an alcoholic for becoming a hypochondriac.