Tag Archives: Mick Hart & Olga Hart Kaliningrad

Water Tower Gothic design in Znamensk (Wehlau)

Znamensk (Wehlau) Before You Go What to Know!

There are more things in Znamensk than meet the eye

Victory Day Russia 2024

9 May 2024 ~ Znamensk (Wehlau) Before You Go What to Know!

It is about 50km / 30 miles from Kaliningrad to Znamensk. That is no distance when you are whipping along in an all-mod-cons motor vehicle, but when you are travelling by classic car, such as a 1960s’ Volga, ‘Vorsprung durch Technik’ is less likely to spring to mind than ‘oversprung and lurch quite drastic’. But isn’t that just the fun of it!

As is the custom of the Kaliningrad Auto Retro Club, those members who were attending the latest meet, met up on the concourse of a filling station. As pre-planning goes, this strategy cannot be faulted. Most large filling stations have all you need for a temporary stop: fuel, food, tea and coffee, toilets, and, most importantly, a place to park and space to stretch your legs.

Mick Hart & Olga Hart with a classic Volga car in Kaliningrad Oblast

They are also perfect for saying hello to and shaking hands with people whom you may not have seen for months, and you can amble around and look at the cars and, of course, take numerous photographs.

All of these things we did, until, when all the participants were herewith assembled, we hopped into our respective motors and cavalcaded away.

Znamensk (Wehlau)

Znamensk, our destination, is a small rural settlement, population less than 5000, situated in the Gvardeysky District, east of Kaliningrad, Russia. As with many places in this region it has a chequered and violent history, changing hands many times over the course of centuries.

Wehlau, as Znamensk was known in Prussian times, fell to the Teutonic Order in the mid-13th century. Having populated it with Germans, the Order then went on to fill the town with horses. In the first half of the 14th century, civic charters were granted turning the hitherto sleepy settlement into a major centre for horse trading. Three horse fairs were held each year, one of which lasted for three whole days.

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Велау (Знаменск). Довоенные виды. | Pro History | Tilsit | Дзен (dzen.ru)

Opposition to Teutonic rule in the mid-fifteenth century sparked a war between the Kingdom of Poland and the Teutonic Order. Lasting for 13 years, someone with an eye for detail decided to call it the Thirteen Years’ War. The outcome of this conflict was that the eastern lands of old Prussia, including the town of  Wehlau, was granted to the Teutonic Order as a fief and protectorate of Poland. The Teutonic Order had not been entirely vanquished, but it was certainly no longer the force it had been.

The sixteenth century came and went. It was not the best of times for Wehlau as it suffered a number of natural disasters, including a terrible fire. But in the 17th century, its fortunes changed. Frederick William, ‘The Great Elector’ of Brandenburg, acquiring full sovereignty over Prussia, proceeded to develop the country into a major power.

In January 1701, the Kingdom of Prussia was formed, and in 1871 Wehlau, along with the rest of Prussia, was absorbed by the German Empire.

During the 19th  century and up until the mid-20th century, Wehlau grew into a handsome town and one with a thriving community. The town was served by all essential amenities, including a school, a court and a church. The Prussian Eastern Railway provided access to Königsberg and also to Berlin and from Berlin a link to St Petersburg.

On the 23 January 1945, Wehlau’s history ended. After two days of gruelling urban warfare, Russian troops wrested the town from its embedded German defenders. By the time the fighting was over, nearly all that was left of the old town centre was rubble. In the aftermath of war, the ruins were flattened and cleared, and the town in its pre-war form was never rebuilt.

Victory Day Russia 2024

WWII: January 1945, the Red Army attack and take Wehlau
Wehlau (now Znamensk) was almost totally obliterated in the last year of the Second World War, but it was not an easy prize. Record has it that it took the Soviet forces two days of intense fighting to defeat the German defenders and, as with other East Prussian towns, the only way to rout the enemy was to confront them street by street, building by building. The Soviets eventually won the day but casualties were high.

Znamensk (Wehlau)

Before we set out on our trip today, I had been forewarned not to expect too much of Znamensk, as there was little left to see.

First impressions of the still-standing Seven-Arch Bridge over the Pregolya River and the bronzed cupola of St Jacob’s Church visible above the distant rooftops appeared to belie what I had been told. But after snaking our way through a narrow street with German buildings on either side, we emerged into nothing much — much of empty space but little of town. To the left stood the ruins of St Jacob’s church, to the right a block of flats, typically Soviet 1970s, rather rundown and tired and of no aesthetic value.

Trundling on, we eventually hung a right, which brought us into a little enclave of shops nestled against the side of the river. This partly developed oasis in the desert of Wehlau’s former glory is pretty much today what Znamensk is all about — a place to come if you own a boat and want to make use of the water. And what a lovely stretch of water it is!

We passed a rack of canoes and a vehicle with a boat in tow and pulled up beside a building, which, we would later be pleased to discover, was an attractive restaurant serving good food.

It was here on a narrow strip of ground that our Captain of Ceremonies, Arthur Eagle, would have the unenvious responsibility in his role of car-club president of marshalling the cars in our company into some kind of orderly parking

Kaliningrad Auto Retro Club

With no responsibility for us to abdicate, which is one of the joys of travelling passenger class, Olga and I disembarked, and, after a statutory session of photograph-taking, using the river as a picturesque backdrop, we took to the nearby restaurant.

Olga Hart near the river in Znamensk

Minimalist and light, bright and sensorially breezy, it is hard to picture a restaurant more inviting, especially after an hour or so of motoring classic style.

Olga Hart in restaurant Znamensk

Halfway through our repast, however, Mr Eagle attempted to roust us out, we and the other club members who had sidled in for a bite to eat, for a guided tour of St Jacob’s, but the twin considerations of the restaurant being well-appointed and a paucity of enthusiasm when it comes to guided tours, we politely declined the order. 

We would stroll to St Jacob’s church in our own good time, take in it’s red-brick architecture and feel our way back through the centuries to the dawn of its inception (1380), but as for the moment, it was comfy seats and coffee.

St Jacob’s Church Znamensk (Wehlau)

Like so many churches decommissioned by time, St Jacob’s is a shell, but it must have been born with survival in mind, because in 1540 a fire engulfed the town and the church was one of the very few buildings to resist complete destruction. Likewise, in 1945, most of Wehlau went up in smoke, save for St Jacob’s church. It seems that in this world of ours some things are heaven blessed, whilst others suffer the consequences of unmerciful indifference.

St Jacob's church, Znamensk. The cupola can be seen above the rooftops
St Jacob's church, Znamensk, front elevation
St Jacob's Church Znamensk (Wehlau)
Mick Hart expat kaliningrad near St Jacob's church, Znamensk (Wehlau)

St Jacob’s church is often described as the only building of note in Wehlau to have survived the  Second World War, but this is in fact untrue. Rising above the German buildings on the approach to the railway crossing, in all its faceted and Gothic glory, is the lead-crowned tented roof, complete with spire-topped dormer windows, of what easily could be mistaken for the bold, extravagant centrepiece of a medieval castle but which is in point of fact a 1913 water tower.

Standing on an abrupt eminence next to the railway crossing, the tower built according to the Gothic revivalist style cuts an imposing figure, its tall tapering brick arches contrasting with and complementing the railway lines it looks down upon, as they sweep past in opposing directions and vanish quite spectacularly into the distance of themselves.

Znamensk (Wehlau) water tower built in 1913
Railway lines at the crossing in Znamensk

Wehlau tower was love at first sight, which is probably why fate stepped in and prevented me from buying it. ‘You can’t buy love’, the Beatles warbled? And when I inquired is the tower for sale? I learnt the bitter truth that it had been for sale most recently but most recently had been sold.

Thwarted, thus, there was nothing more to be done than to cross to the other side of the tracks and find yourself in an abandoned graveyard.

Between two brick piers, minus their gates, the ground beyond was unkempt, and though not a spinney as such, it was interspersed with far more trees than would otherwise permit it to be described as open land.

Not exactly a stranger to graveyards, on the contrary I have tarried within and walked through many a graveyard in England, most of which are neglected to some degree, and yet I cannot recall witnessing one so complete in its desertion that, like the inmates it accommodates, it had fallen into abject decay.

I assumed this piece of ground was once the town’s main burial plot, dating at least to the mid-19th century, but should my assumption be correct, where was the immediate evidence of legacy German tombstones?

It had been the railing enclosures that first made it known to me that I was walking across a graveyard, and these, as I suspected and later would confirm, were not of German but Russian ancestry. All told, the sight they presented was emphatically forlorn, almost film-set in their sorry spectacle, randomly scattered among the trees, some with trees having grown up through them. The railings forming their compounds were for the most part intact, but with yellow, green and blue paint fading, bleached by the sun, scoured by the frost and the rain. And some of the enclosures lay at awkward angles, pushed up from the ground by tree roots or brought down into hollows by water-logged and sinking soil.

Forgotten grave in Znamensk graveyard

The tombstones, where surviving, were all to an object gnarled and cracked, their inscriptions barely legible. They shared their space with plastic containers, improvised make-shift flower vases, now destitute of purpose and strangled by the undergrowth. All were sad reminders of moments of grief in people’s lives, who, many years long since past had gathered at these gravesides to bid farewell to their nearest and dearest. They had placed their flowers upon the graves and continued with this ritual until, within the relentless march of time, they had either grown too old to visit, moved so far away that visiting was impractical or kept their own appointments with death and now, in turn, were the visited ones and would continue in this way until such a time would come when the reasons I have given would commit them to a solitude even greater than first inflicted. And now, in the here and now, was I, staring down at the graves of the dead-forgotten, among whose number we already belong in the eyes of those who are staring down at us and thinking the thoughts that I am thinking, but whom we will never know as they exist in a future that we have run out of. 

Trees grow through grave compound in Znamensk garveyard

Whilst I was engaged not in what I would define as a reflection of a morbid kind so much as a contemplation of mortality, Olga had gone on a mission, to hide from what I was seeing and not to share in what I was thinking. For a short while, therefore, but who is to say it was not an eternity, I was given free reign to immerse myself in the oddity of it all; to ponder on time’s mysteries and the obsolescence it inevitably brings. Znamensk is that sort of place, you know; it does this sort of thing to you and does it when you are least expecting it.

Suddenly a grating noise, as though Peter Cushing was dragging the lid from Christopher Lee’s sarcophagus, startled me from my solitary reveries. For a split second I knew not what to make of it,  and then I remembered my smartphone ~ yes, I actually had one of those. It was ringing in my pocket, but not with a ding-a-ling-ling or a tune to make you look silly. It was ringing with a customised tone, the guttural sound of the TARDIS in the famous throes of it taking off. How very appropriate, I caught myself thinking.

There are no prizes for guessing who it was who was ringing me. It was not a long-distance call. She was, in fact, ‘next door’, having discovered, as she said, a ‘wonderful Catholic church’.

Orthodox Christian Church in  Znamensk, Rssia

We made arrangements to meet there. Not bad things, these smartphones, ay?

The gardens of the church next door do have an air of wonder about them. They are neatly laid out, formal style, in stark contrast to the graveyard opposite, and the church which they contain alludes to renovation in a period not too distant to the one we occupy now.

I found Olga where she said she would be, sitting on a park bench with the caretaker of the church, whom she had told me was about to lock up and go home but was willing to wait a while to allow us to look around.

Olga Hart in Znamensk churchyard

This church, the deserted graveyard, the gorgeous red-brick water tower, St Jacob’s church, the handful of old town buildings that had refused to give into destruction, the river bridge and near-river scenes, everything, in fact, that constitutes the town that was and the settlement that is, works a kind of magic. I could feel it in the air as surely as I could feel the warmth of the sun upon my body.

Don’t be fooled by what people tell you: There is much to see in Znamensk: much of what was and is. And that which you cannot see with your eyes, if you give in to your inclination, you will see with your mind and your heart, and something, call it imagination, will join the dots between.

Places to visit in the Kaliningrad region

Waldau Castle
 A 750-year-old castle, now under the auspices of a friendly curator-family from central Russia. The castle shares ground space with a fascinating museum.
Nizovie Museum
Once it was a multifunctional retail premise, then a school and now an evocative museum dedicated to local social history, vintage transport and Soviet militaria.
Fort Dönhoff (Fort XI)
One of the 19th century forts that formed historic Königsberg’s formidable ring of defence, now restored to a high standard and offering visitors a labyrinth experience on a scale and of a kind most likely never encountered.
Angel Park Hotel
A rural recreation centre on the site of an old East Prussian settlement set in a beautiful natural landscape replete with timeless mystique.

Copyright © 2018-2024 Mick Hart. All rights reserved.

Alena Kravchenko Photographer, Kaliningrad

Alena Kravchenko Photos 1940s’ English Home in Kaliningrad

Alena Kravchenko writes about her love for photography and a past project in the present

Published: 26 July 2022 ~ Alena Kravchenko Photos 1940s’ English Home in Kaliningrad

About Alena Kravchenko, Professional Photographer

Alena Kravchenko Photographer, Kaliningrad

Alena Kravchenko: I have been interested in photography for as long as I can remember. It began in my youth as a hobby. Using my then state-of-the-art Polaroid camera, I would happily snap photos of family and friends and the more pictures I took, the more immersed I became in the art of photography. Furthering my education in this direction purely through self-study, I eventually mastered the art.

For the past three years I have been photographing professionally, receiving commissions for various commercial projects, whilst continuing to develop my skills in the art and science of photography.

To assist me in this endeavour I attend various master classes, study paintings, go to exhibitions and to concerts.

In each context I challenge myself, experimenting with different shooting techniques, different genres and with different stylistic interpretations. Every time I work on a project, I try something new and learn something new! This is the joy of photography! It is an endless source of creative self-expression.

Anything can inspire me to create a project: Nature, with its extraordinary colours and lively locations; people by their charismatic appearance, idiosyncratic character or simply because of their interesting features; diverse forms of architecture – both historical and modern. Whatever the subject matter, I pay great attention to detail and location.

I look at the world through the eyes of a photographer, frequently wishing that the pupils of my eyes were small lenses themselves, able to capture immediately the beauty that surrounds me.  But, alas, this never can be, and my phone’s memory is often full, because it is neither practicable nor feasible to carry an expensive and heavy camera with me everywhere I go.

Sometimes I wonder where my inspiration comes from. For example, I recently drove past a field of lambs and visualised a photograph of a shepherd girl and her sister. Photography allows this licence. It allows me to project my vision of the world. The world of photography is wonderful. There is so much to see and explore!

About Alena Kravchenko’s 1940s’ project shot at the home of Mick and Olga Hart

A word from Mick Hart: You know, everybody needs someone to say nice things about them sometime, even me ~ it’s different from when you say them about yourself. So, for the record, for my detractors, the sentiments that follow are not exclusively my own, and I can honestly swear that no money passed hands between Alena Kravchenko and myself for her modest opinions of us and her restrained appraisal of our home.

Alena Kravchenko: A couple from England inspired me to create a project with an Art Deco flavour.

Mick and Olga Hart were performing in Yuri Grozmani’s WWII film Last Tango in Königsberg.

Elegantly dressed in 40s’ style, they looked as if they had stepped from the silver screen of cinema during the Art Deco era.

Immediately, I wanted to get to know them and arrange a retro photo session.

It wasn’t difficult. Olga agreed and a few days later I was invited to their home.

What joy I experienced when stepping over the threshold!

Mick and Olga are real rarity collectors; keepers of 30s’ and 40s’ history.

Alena Kravchenko Photos Olga Hart in 1940s' clothes

Music from the 30s and 40s, commingled with the smell of sweet perfume, carried into the hallway. The vintage space immersed me. It was as if time had been placed on hold.

Mick and Olga were exceptionally friendly, giving me free reign to photograph whatever and wherever I liked. I started using my camera from the hallway and couldn’t stop. By the time I had finished, my camera and I were satisfied that we had explored and captured life as it would have been lived in the period leading up to and during the war.

Using Yury’s screenplay as my premise, I wanted to capture the story of this house; the story of a warm relationship between a married English couple and the home and working environment of wartime British intelligence agent, Mick Donovan, as portrayed by Mick Hart in Yury Grozmani’s film. I was more than pleased with the end result.

Mick Hart expat Kaliningrad in 1940s mode

Mick and Olga’s house is a real museum; a tribute to the 1930s and 40s. As I moved from room to room taking pictures of this special couple from England, I was overwhelmed with delight. They are true custodians of history.

Below: In the UK, during WWII, no sooner was your back turned than …

Mick Hart in Kaliningrad in USAAF uniform

>>Links to Yury Grosmani’s WWII film<<
1927 Bootleggers’ Cadillac is the Star in Yury Grozmani’s Film
Königsberg in WWII, Nazi Spies & a 1927 Cadillac
A Film set in Königsberg during WWII
How to make a film set in Königsberg

*Image attribution
Geometric border
Image Credit: Geometric Border from Vector.me (by narrowhouse)

Copyright © 2018-2022 Mick Hart. All rights reserved.

Amber Legend restaurant Yantarny

Amber Legend Yantarny is a jewel in the coastal town!

Yantarny: sea, sand and the Amber Legend restaurant

Updated: 24 August 2022 | First published: 30 April 2022 ~ Amber Legend Yantarny is a jewel in the coastal town!

The ‘Amber Restaurant’ as people refer to it, although its real name is Amber Legend, is located in Yantarny, a small coastal resort nestled on the edge of the Baltic in Russia’s Kaliningrad region. Yantarny is held in high regard for its Blue Flag beach, which is all white sand, and for its good, clean air.

It is also known for the Amber Legend, a novel and attractive restaurant cunningly constructed on a split-level plan.

Built on a fairly steep incline, the pavement entrance to Amber Legend accesses what is effectively the upper ground floor, while the doors at the rear of the building lead to the lower level.

Externally, the building is invested with more than a touch of the neoclassical. It follows a simple but imposing geometrical outline, with dominating rectangular upright supports, a balustrade balcony traversing the width of the building and a matching balustrade parapet. After an introduction of this calibre, anything less internally, both upper and lower level, would be disappointing, but happily this is not the case: aesthetic integrity and continuity are safely, indeed inspiringly, assured.

The question is, however, why did the proprietors of the Amber Legend not call their establishment ‘Blue Flag restaurant’, ‘good clean air’ or ‘split-level neoclassical eatery’? Why the ‘Amber’ and why the ‘Legend’?

There are two possible reasons, one lesser known to some and the other, one trusts, obvious to anyone who has frequented the restaurant in person. The first most conceivably has to do with Yantarny’s massive amber reserves. Approximately 90 per cent of the world’s amber resources are sitting in Yantarny. They are mined upon an industrial scale using the open-quarry method.

The second, inspired by the first, has visible connotations, since both the exterior and interior of the building are lavishly decorated with variegated stones of genuine polished amber. Inside the restaurant the precious ancient resin is taken to another level of artistic meritocracy, as richly inlaid amber panels of many different hues sharing geometrical space with amber art assemblages. (Thanks for the word, Vit!) vie for your attention.

Amber Legend Yantarny
Artwork Amber Legend Yantarny

There are amber trims to the seats; amber-studded back rests; inset amber wall plaques; the bar is adorned with amber; and the ceiling-suspended lamp shades, bowls of amber inlay, are interwoven tiffany style.

Of particular note are the broad wooden panels, chain-hoisted close to the ceiling, each containing a window of different coloured amber stones lamp-backed for illumination.

Confoundingly, when we visited the restaurant, it was during the daylight hours, so that although in the room’s darker recesses some of the lamps were lit, the full effect of the interplay between light source and amber creation was lost in the dilution of overpowering, brilliant sunlight. However, the upside to this was in the excuse that it presented, which was as good as any that I could invent, for returning on an evening to witness what most assuredly must be a lighting display of artistic splendour.

  • Bar & Dance Floor Amber Legend
  • Amber Panels in Yaltarny restuarant
  • Bar & Dance Floor Kaliningrad region restaurant
  • Amber Legend bar
  • Interior decor restaurant Russia
  • Amber light panels in Yaltarny restaurant
  • Amber Legend Yaltarny bar

Another sphere of artistic splendour, according to my wife, who had dined at Amber Legend before, was lurking in the toilets, and this, she said, was something that I must see.

Amber Legend Yantarny legendary toilet

Now, contrary to what you may have been told, I am not in the habit, not even rarely, of taking a camera into the toilet, but called upon by my wife to do so, strictly on account of the brilliance of the interior décor, I cast caution to the wind, in a manner of speaking, and made an exception on this occasion. The result of this promiscuity is documented here in two revealing photographs, illustrating the continuation of the amber theme, both in the ornamentation surrounding the wash basins and, more spectacularly, in a glass-windowed chamber recessed within the toilet floor, where chunks of amber of novel shapes and some of prodigious proportions turn everyday humble toilet into a veritable natural history museum, even at the inconvenience of others wanting to use the convenience.

You may have liked the loo, but do you like the blue? In my humble opinion, the TARDIS-blue woodwork that repeats itself throughout the restaurant, including the toilet, creates the perfect frame for the amber displays. It is just neutral enough without subsiding into plain and functions as a recall feature of Amber Legend’s personalised style. I call the colour TARDIS blue because recognisably that is what it is, which is why I should imagine we chose this colour for our TARDIS, the one that we built at home. But then, I suppose, it is not that unusual; just the colour of choice for everyone’s TARDIS.

At this point I would normally add a footnote about the food, so why disappoint. But first a caveat. As you probably recall, whilst making allowances for having been called gormless ~ and who wouldn’t want to be, for it is such a lovely word ~ gourmet I am not. Beer needs volume; food needs volume. There is only one winner. But, when we visited Amber Legend I was feeling rather peckish, so I did partake of the pizza, which was pretty good as pizza goes. However, my fellow patrons, who needless to say were more adventurous in their choice of dishes than I, as most normal people appear to be, reliably informed me that their meals were most enjoyable. And I have no reason to doubt their sincerity.

The verdict is, therefore, that when visiting this coastal jewel in Kaliningrad region’s amber crown (remember the name, Yantarny) make sure your experience is complete: Discover the Amber Legend!

Amber Legend Yantarny

Essential details

Amber Legend
66A Sovetskaya Ulitsa
Yantarny
Kaliningrad Olblast
Russia

Tel: +7 (401) 233-55-25

Open until 12am

Copyright © 2018-2022 Mick Hart. All rights reserved.

Auto Retro Club Kaliningrad 2021 Calendar

Auto Retro Club Kaliningrad 2021 Calendar

2021 calendar celebrates classic cars of Russia

Published: 15 December 2020

It was during the summer months this year that our friend Sergey Goryunov invited us to take part in a photoshoot which he was organising with a view towards producing a 2021 calendar for the members of Kaliningrad’s Auto Retro Club.

The photo session was scheduled to take place at 6am, which meant that we had to wake up at 4am, and it was just my luck that the night before I had experienced one of my life-long bouts of insomnia. It was not a case of can I drag myself out of bed in time, rather should I be dragging myself into it.

As the photographer was on standby, the vintage car organised and the venue prescribed, the effort had to be made and, in spite of myself, it was good to have the opportunity to get dressed up again in our vintage attire and to take part in this capital retro project.

Related topic: The Vintage Cars of Königsberg

Sergey Goryunov picked us up in his Volga GAZ  21 R (1966). It was fairly quiet in Kaliningrad at that time of day, but as we drove through the main streets the sight of Sergey’s vintage Volga attracted toots of appreciation from other motorists as we passed by.

The location for the photoshoot was none other than the concourse at the foot of the steps to the old German Stock Exchange. Whilst we were happy to co-star, the real star of the show was the Moskvich 401 (1956), whose immaculate condition at the age of 64 made my condition feel somewhat tarnished!

Everything went without a hitch, and a few days ago we received notification from Sergey that the calendar had been printed.

Praise where praise is due, the commitment of the car club members, particularly with regard to their vintage outfits, was highly commendable, but the lion’s share of the work, and consequently recognition for vision, planning and organisation, rests with Sergey Goryunov, without whose sterling efforts the calendar would not have been possible ~ oh, and whilst we are at it, let’s don’t forget the cars!

2021 Auto Retro Club Kaliningrad

Link to 2021 Auto Retro Club Kaliningrad Calendar

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Speech by Sergey Goryunov at the official launch of the 2021 Auto Retro Club Kaliningrad

Sergey Goryunov: “The year is coming to an end. I would like to introduce my child — the 2021 Club Calendar of the Auto Retro Club Kaliningrad. We have focused on the GAZ-21, including the epoch-making ‘Muscovites’ and the legendary Pobeda cars for this photo series, using models from inside the club. Accompanying the cars are their owners and their teammates. Titanic work has been accomplished. Filming locations were located throughout the region, and the shooting itself was conducted at different times of the year. Three photographers worked on the calendar. Of course, this project would not have been possible without the enthusiasm of its participants, who, despite the pandemic, at my first call, got up in the early hours, preened, dressed themselves in retro clothes and rushed to the shooting location. We did it! Hurray!”

Auto Retro Club Kaliningrad 2021 Calendar

Copyright © 2018-2021 Mick Hart. All rights reserved.