Tag Archives: Ryabinin Spirit of Königsberg

Love for Kaliningrad & its territory

Kaliningrad beyond the headlines of the West

What I like about Kaliningrad

Updated 18 April 2022 | First published: 2 March 2021 ~ Kaliningrad beyond the headlines of the West

[INTRO} I wrote this piece over a year ago, at a time when western media had nothing better to do than push a hysteria-fomenting narrative about the coronavirus pandemic; now, apparently, it has nothing better to do than to push a hysteria-fomenting narrative about the situation in Ukraine. Bearing this in mind, I dutifully revisited my post to see if anything had changed regarding my opinion of life in Russia and to what extent if any western media had succeeded in convincing me that I would be happier in the UK than if I remained a sanctioned Englishman living in Kaliningrad. I am pleased, but not surprised, to say that other than one or two grammatical improvements, there was nothing to revise! Here’s that post again …

We left the UK for Kaliningrad in winter 2018, but things were far from settled. Over the next twelve months I would have to return to the UK three or four times to renew my visa and to obtain official documents and then return again to pay an extortionate sum of money for a notarised apostille, a little rosette-looking thing verified by a notary that once clipped to the official documents could be used to complete my Leave to Remain in Russia. It was expensive; it was a rigmarole; but obtaining Leave to Remain meant that opening visas would be a thing of the past.

The last time that I was in the UK was December 2019. I returned to Kaliningrad just in time for the New Year celebrations and a month or so afterwards was granted Leave to Remain. We had intended to return to the UK in April for a month, as we had some business to attend to, but before we could do that coronavirus came along and the rest, as they say, is history.

In a previous article I revealed the circumstances which persuaded us to leave the UK and move to Kaliningrad. Now, with December 2019 to the present date being the longest uninterrupted period that I have been in Kaliningrad, it would seem appropriate that I pause to reflect on what it is about Kaliningrad that drew me to it and continues to endear and fascinate.

Our friend, the late Victor Ryabinin, used to refer to Kaliningrad and its surrounding territory as ‘this special place’, and I am with him on that. Whether it is because I see Kaliningrad through his eyes and feel it through his heart, I cannot rightly say. Certainly, his outlook and philosophy on life influenced me and my intuition bears his signature, but I rather imagine that he perceived in me from the earliest time of our friendship something of a kindred spirit, someone who shared his sensibility for the fascination of this ‘special place’.

Nevertheless, my feelings for Kaliningrad are in no way blinkered by a Romanticist streak, which, yes, I do have. If Victor could describe himself as a cheerful pessimist, then I have no qualms in describing myself as a pragmatic Romanticist. But I am no more or less a stranger to Kaliningrad’s flaws and imperfections than I am to my own. 

When we arrived in Kaliningrad on a very cold day in winter 2018 to make arrangements for moving here, we were thrown in at the deep end. Early in the morning, still tired from our flight the night before, we had official business that would not wait, which meant trekking off to one of the city’s less salubrious districts. We had given ourselves sufficient time, allowances having been made for the usual protracted queuing, but on reaching our destination discovered that the office we were bound for was working to a different timetable than the one advertised, and consequently we had a two-hour wait before we would be seen! Asking some kind people if they would reserve our place in the queue, we ventured out to a small eatery, a cubicle on the side of the road, for a coffee and a bite to eat. I wrote in my diary:

“Outside, we were confronted yet again by downtown Kaliningrad at its ‘finest’: those ubiquitous concrete tower blocks, stained, crumbling and patched; pavements cracked, ruptured and sunken; kerbstones akimbo; grass verges churned by the wheels of numerous vehicles so that they resembled farmyard gateways; small soviet-era fences rusting and broken; and roads so full of potholes that I began to wonder if it was 1945 again and looked anxiously above me to check for the presence of Lancasters.

When I returned to Kaliningrad from England in December 2019, I wrote:
“I am not sure whether I love Kaliningrad in spite of its imperfections or because of them”.

Kaliningrad beyond the headlines of the West

They say that it is people that make places what they are, and it is a difficult-to-disprove logic. In the UK, for example, left-leaning commentators, liberal media editors, state-blamers and apologists are continually referring to ‘disadvantaged’ people from ‘deprived areas’, whereas in my experience it is people who deprive areas not areas that deprive people and the only disadvantage is yours, if you should wander into these areas by mistake.

Case in point: Back in the 1990s I had a female acquaintance who lived in a notorious concrete citadel in south London’s Peckham; her reputation I was assured of, but when I visited her one late afternoon in autumn, my knowledge of the Badlands where she lived was incipiently less important to me than my amorous intent. Ahh, the follies of youth!

When it came time to leave, I was ready to phone for a taxi. It was then that she informed me that after dark taxis refused to enter the estate, in fact the entire area! I suggested hailing a black cab in the street and was told that black cabs were as “rare ‘round here as rocking horse s!*t!”.

There was nothing for it: I would have to walk. I cannot say that I was unduly perturbed by this prospect. I was young, well relatively young, and these were the days of my London-wide pub crawls, which would take me to every corner of London no matter which corner it was.

On this particular evening, I had not walked far before I espied my first pub. I was still some distance from it, and though the light from the one or two working streetlamps was dim, the building was easily distinguished as the front was bathed in a low, lurid glow.

As I drew closer, I discovered to my surprise that someone had propped a large mattress on the side of the pub wall and had set light to it. It must have been very damp, the proverbial piss-stained mattress I suppose, because the conflagration was limited to a slow, puthering, smoulder.

Being the Good Samaritan that I am, I popped my head around the pub door and called to the chap behind the bar, “Hey, did you know that there is a burning mattress strapped to the side of your pub?” I need not have felt so daft for saying this, as, barely looking up from his newspaper, the barman grunted in reply, “It’s not unusual around here, mate.”

I had not walked far from The Burning Mattress pub before I found another: The Demolition Inn. All of the windows on the pavement side were smashed, and one pathetic light shone miserably through the broken glass in what otherwise would be a superb and original 1920s’ doorway. I couldn’t just walk past!

The place was empty and quiet, but it had not always been. Evidence had it that not too long ago it had been extremely lively. In one corner there was a pile of broken furniture and that which was still standing had bandaged legs and strung-up backs. The mirror behind the bar was bust, western-film style, and all of the more expensive bottles, the shorts, had been removed from the shelves and the optics, presumably for their own safety.

I never did ask what had happened. It just did not seem the polite thing to do. I just ordered a pint from the man behind the bar, who had a lovely shining black eye and his arm in the nicest of slings, and spent the next thirty minutes on my own in this disadvantaged pub, philosophically ruminating on the nasty way in which bricks and mortar and the wider urban environment deprived people to such an extent that there was nothing they could do but set light to piss-stained mattresses, smash up backstreet pubs, terrify London cabbies and (a popular sport in London’s predominantly ethnic areas) mug the hapless white man.

So, what can we conclude from this? Most large towns and cities have rundown areas, but the difference between the rundown areas in Kaliningrad and those that we know and avoid in London and other UK cities ~ the ‘deprived areas’, as they are called ~ is that you are less likely to be deprived of your possessions, your faculties even your life, whilst walking through the Kaliningrad equivalents of the UK’s infamous sink estates. Although, to be precise, such equivalents do not exist.

Thus, without sounding too fanciful, let us agree that it is people ~ the way they act, talk, behave, dress and generally conduct themselves in public ~ that makes a place what it is. An observation that applies to anywhere ~ be it a 1920s’ terraced street, a 1970s’ concrete estate, a pedestrianised city centre, anywhere ~ from region to region, country to country.

I am not about to make any silly sweeping statements about what Russian people are really like. I could not accomplish this with any degree of validity if someone was to ask me to ‘sum up’ British people (not the least because true British are lumped together with people from foreign lands, who in appearance and behaviour are anything but British, and yet have a stamp in their passport that contradicts good sense) simply because every individual is different no matter where he or she hails from. What I can say hand on heart is that in the 22 years that I have been coming to Kaliningrad, I have had the good fortune to meet, and in some instances become friends with, people of the highest calibre in this small corner of Russia.

It is true that in June 2019 we lost Victor Ryabinin, which was and still is an inconsolable loss, and tragedy would overtake us again in November 2020, when our friend and Victor’s protégé, Stas Konovalov, who helped us through the emotional period of Victor’s death and with whom we shared so many good times, died also. For the second time in less than two years, irreplaceable people had been taken from us. We continue to miss them both.

As it had been for Stas and Victor, history plays an important part in my relationship with Kaliningrad. There is, of course, my own personal history of Kaliningrad, an interaction that stretches back over two decades, and then the energy of the greater past that flows from antiquity into the present. In Kaliningrad, and its region, the past and present parallel each other. There are times and places where the past seems so close that you feel all you need to do is reach out, pull back the curtain and take its hand in yours.

“There is something magnetic in this city; it pulled some of the world’s most significant people into it as it has pulled me. I cannot explain this magic, but I know that this is my city.”

Victor Ryabinin

For some, this confluence of the past has more disturbing connotations. My wife’s mother, who is attuned to the ‘otherness’ of our existence, complains that although she likes Kaliningrad, there is something inescapably ‘heavy’ about it, defined by her as emanating from its dark Teutonic and German past. And I am inclined to agree with her. But I do not share her more gloomy interpretation of the dark side or its negative affect. For me, the cloud has a silver lining: it is profundity and, at its core, cultural sensitivity, interlaced with creative energy. Indeed, creativity and creative people thrived and flourished in Königsberg and that legacy, I am pleased to say, lives on to this day.

Victor Ryabinin painting of Königsberg
Königsberg ~ the retrospective world of artist Victor Ryabinin

Whilst the bricks and mortar of Königsberg’s ruins ~ the haunting landscape in which Victor Ryabinin spent his susceptible childhood ~ may have largely been replaced, the spirit of the old city and the spirits of all those who passed through it, whether peacefully or violently during times of war, are ever present. And I earnestly believe that the energy of our two departed friends, Victor and Stas, walk among the living here as countless others do who were brought to this place by fate.

Königsberg in ruins
Königsberg after allied bombing ~ the childhood landscape of Victor Ryabinin
Modern Kaliningrad beyond the headlines of the West
Kaliningrad 2019

Victor wrote that “there is something magnetic in this city; it pulled some of the world’s most significant people into it as it has pulled me. I cannot explain this magic, but I know that this is my city.”

I experienced a similar revelation on that cold, snow-bound night, back in the year 2000, when I was standing on the forecourt of Kaliningrad station . It was strong then and is strong now, and knowing it as I do, it no longer surprises me that I am living here today.

Kaliningrad beyond the headlines of the West ~ Kaliningrad station

I was told by someone, not by Victor himself, that Victor believed that no matter how we felt about the past, we have to live in the present. I never did get chance to ask him whether by that he meant that we had no choice but to live in the present or that we each had a moral imperative to do so, but whichever version you choose, I would qualify both by adding that to a certain extent we can pick and mix, take what we need from the past and present and leave the rest behind.

In my case, the past and present converge, and I am attracted to modern-day Kaliningrad as much as I am fascinated by its East Prussian, German and Soviet history.

When English people call me out, asking pointedly what it is I like about Kaliningrad. I reply, glibly: “What’s not to like?”

Of course, I start with the historical perspective ~ it would not be me if I didn’t ~ referring to the Teutonic Order, ancient Königsberg, Königsberg’s fate during the Second World War and its Soviet reincarnation. I emphasise what a fascinating destination it is for those who are interested in military history and woo antique and vintage dealers with seductive tales of dug-up relics, the incomparable fleamarket and colourful descriptions of alluring pieces hidden away in the city’s antique shops.

Kaliningrad flea market: Kaliningrad beyond the headlines of the West
Relics of Königsberg & Soviet Kaliningrad’s past

Then I go on to say that Kaliningrad is a vibrant and dynamic city, a city of contrasts, of surprises; I talk up its superb bars and restaurants, the variety and price of the beer, the museums and art galleries, the excellent public transport facilities, the attractive coastal resorts that are a mere forty minutes away and cost you two quid by train or a tenner by taxi,  the UNESCO World Heritage Curonian Spit, the small historic villages, how friendly the natives are to visitors and, when the wife is not about, the presence of many beautiful women.

Above: Kaliningrad region’s main coastal resorts: Svetlogorsk & Zelenogradsk

*********Editorial note [18 April 2022]********
In the paragraphs to follow, I refer to the onerous restrictions which at the time of writing were impacting international travel in the name of coronavirus. Since then, you will have probably noticed that we have entered a new, dramatically more restricting chapter in the history of international travel, thanks to the West’s anti-Russian hysteria and its sanction-futile attempts to isolate the largest country on Earth. This ill-advised and not very well thought through economic warfare programme has added multiple layers of estranging complexity for global travellers everywhere, not just for potential visitors who want to leave the West to travel to Kaliningrad. From a purely selfish standpoint, these self-defeating impositions have merely made the ‘special place’ that Kaliningrad is to me that little bit more special, its taboo status, difficult-to-get-to location and mythicised risk to westerners making my ‘secret holiday destination’ even more enticing, albeit, ironically, somewhat less secret since in the latest round of Russophobia it has been singled out as a strategic military obstacle to the New World Order aspirations of neoliberal globalism.

You will also find in my later comments evidence supporting Russia’s assertion that the West’s attempts to stigmatise and degrade its international standing and denigrate its culture did not start with Ukraine. The events that we see unfolding today have been a long time in the making and by comparing my honest depiction of life in Kaliningrad with life as you know it in the UK, you should begin to understand why Russia’s traditional cultural ethos inflames the rancour of the West and why it fuels a burning desire in its governments to corrupt, transform and replace that culture with something sub-standard resembling their own. All I can say is Heaven forbid!
*********End of Editorial note [18 April 2022]********

Admittedly, as with everywhere else in the world, access to Kaliningrad and accessibility with regard to its facilities have suffered restrictions through the outbreak of coronavirus, but hopefully it will not be long before the borders are open again. Before coronavirus struck, I was looking forward to excursions into Poland and to Vilnius, Lithuania ~ one of my favourite cities ~ and I want to make that train trip across Russia to Siberia.

As I say, what’s not to like?

Above: Scenes from Kaliningrad and its Baltic Coast region

I realise, of course, that this is not what most English people expect or even want to hear. The UK media has done a good demolition job on Russia over the years, especially Kaliningrad. True, each year that goes by, as things improve here and grow inversely worse in the West, the UK media is finding it increasingly difficult to slag Kaliningrad off. Who can forget its failed propaganda coup in 2018, when it pulled every trick in the book in an attempt to terrify British fans from travelling to Russia for the World Cup?! The plan backfired spectacularly, since the fans that trusted in their own intuition and came to Kaliningrad in spite of media hype were later to report how immensely they enjoyed themselves. What an ‘own goal’ for the West and an embarrassing one at that!

Nevertheless, UK and American liberals continue to bang their conspiratorial heads against the door of this nation state, taking solace in the belief that should they ever run out of tall and sensational stories, there’s always Kaliningrad’s ‘military threat’, to latch onto. Simultaneously, they promise to bestow on Mother Russia ~ as if she is an ‘it’ or an ‘other’ (now, isn’t that just typical!) ~ the rights equivalent of the Emperor’s New Clothes, and all for the knock-down bargain price of Russia becoming a vassal state of the New World Liberal Disorder.

When I am asked about Kaliningrad, I respond to the critics by saying that I can only tell it how I find it, from my point of view, and that the Kaliningrad that I know is not the one readily fictionalised by UK mainstream media. They listen, but I suspect that Brits being Brits they routinely dismiss me as a latter-day Lord Haw Haw, even though the only hawing I do is when reflecting on their entrenched dogmas I allow myself a good chuckle.

However, there is one thing about Kaliningrad that has changed decisively for me: When I first came here, I was a tourist. I came for the good times; I had a good time; and then I went home until the next good time. I was a tourist.

In those days Kaliningrad was my ‘secret destination’. No one I knew in the West had ever heard of it, and that’s just the way I liked it!

Holiday venues are like that, they exist in the distance of your life, somewhere on the periphery. It’s a bit like having a mistress, or so they tell me: you can call round when it pleases you, take your pleasure, vow one day that you will move in together and then return to your life and forget it, until that is of course holiday time comes round again.

The risk is, however, that by returning time and time again ~ to places not mistresses (although …) ~ you develop friendships, and before you know it you have become a part of their life and they a part of yours. Your lives become enmeshed. You learn about each other’s hopes and fears, joys and sorrows, dreams and aspirations. You gain an informed insight into each other’s past and the course your lives have taken, and whilst you are living in each other’s lives fate, which is working behind the scenes, is quietly writing you into its narrative

The point at which you find yourself no longer living on the outside but looking in is indistinct, but it occurs somewhere at that imperceptible juncture where you are not only sharing the ‘ups’ of people’s lives but also the ‘downs’.

This is particularly true when you fall into the raw, barely consolable emotion, grief, in which fused as one by pain and despair, you eventually emerge on the other side less intact than you were but brothers in arms and sorrow. Such experiences are not peculiar to me or to Kaliningrad, or for that matter to any one time and place; they are timeless, universal. But it is these experiences that will ultimately determine which are the stations on your way and which your final destination.

And do you know what is most awesome? It is that you never know where it will be until after you arrive there.

Mick Hart & Olga Hart in Svetlogorsk
Zelenogradsk in the sun … It’s not always cold in Russia!!

Copyright © 2018-2022 Mick Hart. All rights reserved.

Victor Ryabinin Königsberg Kaliningrad

Victor Ryabinin Artist Historian


Victor Ryabinin the Spirit of Königsberg

by Mick Hart

Published: 18 April 2020

I first met Victor Ryabinin in the spring of 2001. A friend of my wife’s, knowing how much my wife liked art and how fascinated I was with anything to do with the past, suggested that we meet this ‘very interesting’ man, who was an artist and a historian.

When somebody prefaces an introduction with ‘you’ll like him/her’, the Imp of the Perverse often ensures that you won’t, but there is no doubt in my mind, or memory, that I warmed to him immediately. This surprised me, because I am naturally, or unnaturally depending on your definition, cautious when meeting someone new, and I am somewhat selective when it comes to making friends. But Victor won me over in an instant.

How much of his good nature, depth of intellect, openness and sincerity were perceived at that moment is open to question, and I am sure that the surroundings in which I found myself contributed not a little to my relaxed frame of mind, but I still recall that overriding impression of being in the company of someone very special.

The Studio: Victor Ryabinin Artist Historian

We met in Victor’s studio ~ a small, wedge-shaped room at the top of a non-descript concrete Soviet block of flats. Little did I know then as I climbed the tier upon tier of crumbling steps leading to his studio, how many more times over the next 18 years I would climb them or how enthusiastically.

As an inveterate collector of vintage, antiques, junk, and having been obsessed with the past for as long as I can remember, at least from the age of four, Victor’s studio was an absolute paradise. It was a cornucopia of relics, a living memorial to the past splendour of Königsberg, a stimulating reminder of its World War II legacy and its subsequent reincarnation as the Soviet city Kaliningrad.

The back wall of the studio alone was worth travelling one thousand, one hundred and seventy-five miles for! It had been clad from floor to ceiling with a carefully orchestrated mosaic of old enamel advertising, information and military signs, some from pre-war Königsberg, others of wartime origin, identified as such by the presence of the Nazi swastika.

Victor Ryabinin Königsberg Kaliningrad ~ Artist & Historian
Victor Ryabinin & Mick Hart in The Studio, Summer 2015

The back wall of the studio alone was worth travelling one thousand, one hundred and seventy-five miles for!

Everywhere else there was stuff: bottles dug out of the Königsberg ruins, the corroded remains of wartime weapons, vintage Soviet uniforms, metal wall plaques ~ including profiles of Hitler and Stalin ~ German and Soviet military helmets, plates, cutlery, bits and bobs of jewellry, fragments of porcelain, bottle tops. Everywhere ~ on tables, shelving, walls and floor was stuff ~ relics from a dissolved city, sublimely intermingled with Victor’s works of art-history: symbolic paintings, surreal sculptures and unique subliminally haunting ‘assemblages’.

Living history: Victor Ryabinin Königsberg Kaliningrad

In one corner, by the wall, there was a set of old wooden steps that led to a small gantry, which had a slatted rail to the front. When we first visited the studio, this rail was adorned with one or two vintage flags and three or four military visor caps. In those days, the ‘upper storey’ had been sufficiently empty for Victor to bed down there if the mood so took him. When we last visited in 2019, however, the entire front rail of the gantry was obscured with all manner of flags, hats and other items and the gantry itself was full. This, as they say, was a man after my own heart! The studio was a nostalgists heaven! And a work of living history to a city that had ceased to be.

Flags inside Victor Ryabinin's art studio
Victor Ryabinin’s Art Studio 2019: Victor Ryabinin Artist Historian, Königsberg-Kaliningrad

On our first visit to the studio, we had taken with us a ‘picnic’: some meats, cheeses, salad items, crisps, olives and pickled gherkins. We had also taken some vodka and sat around the small rectangular table shared by all sorts of interesting bygones, including the busts of Karl Marx and Lenin, who were watching us intently. This set in motion a social ritual which would be practiced many times over the next 18 years.

Artist Historian Victor Ryabinin Königsberg Kaliningrad

On my office wall, in the antique emporium that we used to run in England, I had a framed photograph of myself and Victor taken during a rainy day on Svetlogorsk (Rauschen) beach in winter 2004, together with a framed printed plaque of Lenin, which Victor had presented to me in the form of a spoof award. On this plaque he had written the presentation in beautifully scrolled and flowing calligraphic script, and because he did not know my last name and as at the time when he produced the plaque I was living in Bedford, he wrote the dedication to me in the name of ‘Mick Bedford’.

Victor Ryabinin on Svetlogorsk beach with Mick Hart 2005

Victor Ryabinin in true form discards his umbrella on this cold, wet day: ‘Ne problem!’

{January 2005, Svetlogorsk (Rauschen) }

These two items were guaranteed to raise questions from friends and customers alike, and I was only too happy and extremely proud to introduce them to my friend Victor, a Russian from Kaliningrad who was an accomplished artist, philosopher, historian and a wonderful human being.

I would show them the many photographs of my trips to Kaliningrad, when we were in Victor’s presence, especially photographs that had been taken in the studio, and I would say to them, “It is worth going to Kaliningrad, just to meet this man.”

Sometimes I liked to add a touch of mystery. Just before I left for Kaliningrad, I would drop a hint that I was off on holiday. Where too? they would ask. My answer: “To the Shrine to Königsberg.” ~ Victor’s studio.

Art Studio Königsberg
Fragments of Königsberg in the company of one of Victor Ryabinin’s symbolic artworks: Victor Ryabinin Art Studio

Victor Ryabinin Artist Historian: Königsberg

Whenever I holidayed in Kaliningrad I would make the most of it, staying there for four or five weeks at a time. Victor and the studio were constantly top of my itinerary list, and I have lost count of the number of social evenings we spent in that hallowed place, the studio, and, later, the excursions we went on, both around Kaliningrad itself and further into the region. Suffice it to say, they were wonderful times.

We had begun talking about moving to Kaliningrad as far back as 2015, although I do not think that I had any intention of committing myself at that time. However, Victor’s enthusiasm, positivity, indefatigable interest in novelty and his sincere affirmation, ‘of course you could live here!’, must have worked its magic behind the scenes of consciousness, for, one day, when my wife and I were discussing the prospect more earnestly, it suddenly dawned on me that if I did move to Kaliningrad I would be living in Victor’s city, the city that was his life and his life’s work.

That I believe was the defining moment; that was when I made the decision to move. I looked upon the possibility of living in Victor’s Königsberg to be an honour and a privilege. I could hardly believe that by doing so I would be able to associate with him more often and looked forward to more historical excursions around the city and region and, under his tutelage, developing my historical knowledge of the city’s past. I was also looking forward, of course, to those evenings of camaraderie, sitting in the atmospheric studio, the Shrine to Königsberg, relaxing in the company of mutual friends, chatting whilst drinking vodka or cognac.

From that moment, it was no longer a question of should I move, but how quickly could I move?

Unfortunately, the practical aspects of relocation took too long and by the time we arrived in Kaliningrad in December 2018, unbeknown to us and to Victor himself, Victor’s life was ebbing way and in seven months’ time he would be dead.

Victor Ryabinin Königsberg Kaliningrad

Victor Ryabinin was, without question, one of the finest people I have ever known. He was an exceptional human being. In the words of a mutual friend, “I am proud that I was close to this great man”.

I admired him for his artistic talent; I respected him for his phiIosophy; I adored him for his love of history; I loved him as a person.

When he died, last July (July 2019), of cancer, it was a great personal tragedy for me. Apart from my wife, Olga, he was the single most influential person to tip the scales in favour of me coming to live in Kaliningrad. If he was here today, he would correct me at this juncture ~ “Königsberg, Mike!” In fact, this became something of an in-joke. I would purposefully refer to the city as Kaliningrad just to have him correct me. He continues to do so. I think he always will.

Victor Ryabinin was not just an artist-historian. He was far, far and away beyond that. He was a time traveller: a man who could talk to the past, empathise with the past and commune with it.

He was a man of small stature but great presence. He had an aura about him, a magnetic personality and was thoroughly and utterly engaged and engaging. The magic ethos with which Victor was infused stemmed from many sources. His personality was one of calm and calming repose. He was good natured, good humoured, his sense of humour was playful but never acerbic. His philosophy of life seemed to be based on two short words: ‘ne problem’ ~ things could be an ‘issue’ but never ‘a problem’, and issues could always be resolved, or would resolve themselves in the fullness of time. This reassuring attitude, this positive philosophy made Victor’s company always good. No matter how you felt before meeting with him, you came away from his company with an overwhelming sense of wellbeing. Victor’s company had the feelgood factor.

The Spirit of Königsberg

As an artist and historian, there was profundity and depth, but they were free from the heaviness and pretentiousness by which these qualities are so often confounded. Victor practised humility and was never confrontational. He would express himself and then move on. He never forced his point of view upon you.

The magnetism of his innate character came from a spiritual energy, which I believe was made more potent as it was drawn from the same source, the same well from that which Königsberg drew its spiritual energy. Victor was not just one among a number of talented people who originated from or who worked in Königsberg, he was the Spirit of Königsberg.

Last but by no means least, there was Victor’s inquisitiveness. It was one of his most endearing character traits.

At the gathering of friends and family after his funeral, Victor’s nephew said of Victor that he had a childlike inquisitiveness, a curiosity to know, to learn, to explore and that this quality remained with him throughout his life. It is true that Victor exhibited profound and sincere astonishment at every new revelation. He was a keen observer of life for whom everything had an intrinsic interest; nothing passed him by. As Boris Nisnevich records in his article An Artist Who Can Hear Angels Speak, Victor himself said, “I can only guess what boredom is”.

“I can only guess what boredom is”.

Victor Ryabinin

Another of his friends claimed that ‘Victor created his own reality’. I suppose that each and every one of us does this. Victor’s reality is possibly best summed up in the name he gave to one of his final compositions (‘assemblages’, as he liked to call them). He called it The Relics that will Save my Soul.

In the last analysis, it is impossible to extricate, separate or divorce Victor Ryabinin from Königsberg. Whenever I see the word Königsberg and whenever I hear it, it is impossible not to think of Victor. The two were, are and always will be synonymous.

In the work that follows, a biographical essay of Victor’s life and the experiences and influences that informed his art and love of Königsberg,  Boris Nisnevich celebrates the life of a unique artist-historian and an exceptional human being.

Victor Ryabinin could talk to angels, there is no doubt about that, and through his work and in his memory those angels speak to us.

I miss him.

Victor Ryabinin, Artist, Historian, Philosopher ~ The Spirit of Königsberg

Victor Ryabinin, Artist, Historian, Philosopher ~ The Spirit of Königsberg
{17 December 1946 ~ 18 July 2019}

Copyright © 2018-2020 Mick Hart. All rights reserved.