Yorshik - Expat in Kaliningrad, Russia

Dedicated to You

1 September 2023 ~ A Birthday Fairytale with Love

ONCE UPON A TIME THERE WAS A YORSHIK, who lived in the fifth dimension and worshipped Beautiful Nature. Although she could be prickly, she was not a nasty Yorshik. She loved the fields, gardens, flowers, lakes, suns, skies and trees ~ most of all she loved the trees.

One day, whilst walking by the side of the lake in the footsteps of the Teutonics, she espied a tree that she liked very much. It was an old tree, a tree that had stood for centuries. This tree had seen so much of life and of countless people’s lives.

How many people have admired this tree? thought the Yorshik. How many people have sketched or painted it? How many people have written poems about it. How many people have sat beneath it ~ daydreamers, lovers, people in need of shelter, people in need of support, people in need of a tree?

Whenever Yorshik found a tree, especially a great old tree like this one, she felt the need to hug it. She would throw her arms around the tree and say, “I long for the day when your inner strength will be my strength also.” And the trees that she hugged would hug her back, and each would sigh with happiness.

And so, she hugged the mighty tree before her. But the tree neither hugged her in return nor sighed a happy sigh. It clung to her. It trembled, and its sigh was a groan of fear and despair.

“Whatever is the matter, tree?” asked the Yorshik.

“They are coming to cut me down tomorrow,” sobbed the tree.

“But why?” Yorshik asked. “You are so big and strong and healthy!”

The tree it sobbed some more until regaining its composure, said: “Because I have a fairy in my boughs.”

Yorshik looked up and sure enough, sitting in the branches of the tree, there was a fairy.

Yorshik had seen many things, such as flowers, hedges, clouds and trees, but never a fairy before. She had, of course, seen drawings of fairies but never of one so round.

“What?” Yorshik asked the tree, “has a fairy in your branches got to do with cutting you down?”

The tree sniffled: “The fairy has cast a spell, and tomorrow at daybreak the men will come with saws and axes, and I will be cut down.”

“I didn’t want to cast the spell,” then spoke the fairy in a quavering voice, “truly I didn’t. But I am trapped between Heaven and Earth, and if I place my feet voluntarily on Terra-Ferma, I shall be forced to exist in a limbo state for the rest of all eternity.”

And now the fairy was crying, too.

“But if the tree is cut down,” the fairy sobbed (and the tree let out a wail) “I shall descend to earth, but not by my own volition, and I will be saved.”

The fairy was weeping, the tree was weeping and Yorshik was at a loss for what to do. She could not bear to see the tree cut down, but neither could she bear to imagine the fairy trapped between Heaven and Earth in a state of immortal torment.

A Birthday Fairytale with Love

She thought and thought until she could think no more, whereupon, in a paroxysm of despair, she threw herself on the ground and hugging the trunk of the tree, implored and prayed to the Gods for an answer.

As she prayed, her tears fell to the ground, and the tears of the tree and the fairy followed, mingling together until they had formed a stream that trickled into the lake. At that moment, the clouds, which had settled upon the sky, parted, and a ray of sunlight soft and luminous travelling from the Heavens landed gently at the point where the river of tears held hands with the lake. Still embracing the tree, the Yorshik watched the light as it danced upon the water. She followed its vibration along the beam, into the sky and back to the water again.

At the water’s edge, where a moment ago no one had been, she thought she saw a figure, the figure of a man. She could not be certain of this, because her eyes were so full of tears; they had become twin ponds from Königsberg.

She peered again at the water’s edge. Sure enough, there was a man. His detail was lost to her, but she could feel the warmth of his presence and the kindness in his heart.

“Who are you?” the Yorshik asked.

“I’m an artist,” he replied. “I have come to paint a picture of you. To paint it upon this tree.”

And setting down an easel, this is exactly what he did.

When he had finished the picture, which seemed to be of a moment’s work, he turned to the Yorshik and smiling said: “Don’t worry, Yorshik. Don’t fret. Everything in this universe has its finite place and everything will fall into place when the time is right for it to do so.”

He had hardly finished speaking, in a voice like balm to the Yorshik’s soul, when a second beam of light breaking through the clouds momentarily dazzled her, and when she could see again, the artist he had gone.

A Birthday Fairytale with Love

It was then that she saw his painting on the tree. She gasped in amazement. Her likeness was so lifelike, the colours so strong, so vibrant, altogether alive and everything so beautiful that she felt as if everything good had been given to her forever. And even the fairy and the tree, on beholding the artist’s magic, forgetting guilt, regret and fear, also forgot that they should be crying.

Spoke the fairy from the tree on high: “I cannot let this kind old tree that has given me hope and shelter, and which now has such a beautiful picture of Yorshik painted on it, be cut down. Tonight, I shall climb from the branches myself and take my chances as predetermined.”

It was a frightful night for Yorshik. There was a full moon that shone through the crack in the bedroom shutters and danced around in her half-sleep in an endless succession of mutated forms and apparitions most ghastly. She felt the bite of the woodman’s axe and turned away from that horror only to be confronted by the dreadful sight of the screaming fairy descending into a fiery hell.

No sooner had dawn broke, than, with bleary eyes and in a cold sweat, Yorshik scampered from her woodland house and hurried towards the lake and the tree. She was so afraid of what she might see, and even more afraid of what she wouldn’t, that she thought of running backwards, but very few Yorshiks have reverse gear, so she had to proceed as always and make the best of a very bad job. At least it wasn’t foggy.

As she rounded the corner where she knew the tree would be, if indeed it would be, she took her hands away from her eyes and, rubbing the bruises on her body, which, unfortunately, one tends to get when one attempts to run with their eyes closed, stared at where she thought she’d see nothing, or perhaps just a pile of logs. But Saints preserve and Hallelujah, the tree it was still standing!

Alas, of the tree-bound fairy, however, there was not the slightest sign.

Falling to her knees by the side of the tree and hugging its mighty trunk, the Yorshik cried: “You are safe, thank the Gods that you are safe, but what has become of the fairy? I cannot bear to imagine the pain and the suffering which, through her most noble act, she has brought upon herself!”

But why was the tree not crying! Heartless, ungrateful tree! The heartless, ungrateful tree was smiling!!

“Shh, shh,” said the tree, “Do not cry! Be still! Dry your eyes! Look at the painting, Yorshik! Look at the painting!”

Bewildered, understanding not, but drying her eyes as instructed, the Yorshik did as she had been bidden and looked towards the painting. At first, she could see nothing but herself, as a reflection might see itself on the opposite side of the mirror. But when she rubbed her eyes again and took a second look, there, in a moment of joy and rapture, she saw in the painting by her side the fairy smiling back at her. The fairy was alive! The fairy was alive!

And above and around the Yorshik in the painting on the tree, and above and around the Yorshik kneeling on the ground, not one but a host of fairies danced and laughed, embraced and sang and loved.

This time when the Yorshik hugged the tree, the Universe hugged back, and since that day to this, no one in the world and anywhere else beyond has ever had to suffer the pain of being alone again.

Post links
An Autumn Walk in Kaliningrad
The Natural Beauty of the Baltic Coast
Englishman Chilling in Zelenogradsk with a Bear and a Beer
Kaliningrad Green and Adorned with Flowers

Image attributions:
Scenery Bats & Tree: https://publicdomainvectors.org/en/free-clipart/Vector-illustration-of-scenery-with-bats-and-tree/14960.htm
Zombie: https://publicdomainvectors.org/en/free-clipart/Vector-graphics-of-zombie-with-an-exposed-brain-and-axe/21889.html
Bed: https://publicdomainvectors.org/en/free-clipart/Child-in-bed/58663.html
Tree: https://publicdomainvectors.org/en/free-clipart/Tree/89793.html
Fairy on Crescent Moon: https://publicdomainvectors.org/en/free-clipart/Fairy-sitting-on-a-crescent-Moon/63695.html

A kind, charming, thought-provoking and sentimental animation

Published: 2 December 2022 ~ Hedgehog in the Fog seen in Kaliningrad

Before setting off to London/Bedford England last month, we were walking back from a coffee in the café gardens (Soul Garden) by the Upper Pond, Kaliningrad, when we were thrilled to discover that some artistic person or other had painted the perfect impression of the star (Yorshik) from the famous 1970s’ animation, Hedgehog in the Fog. Normally, or abnormally, depending upon your personal prejudice, I am unable to accept painted or spray-canned text or images plastered on public or private property as anything else but what it truly is ~ a brazen example of vandalism. But, as with most things in life, exceptions to the rule exist, and this, I have to admit, is as true of graffiti as it is of anything else, providing that you want it to be.

Hedgehog in the Fog is a highly acclaimed Soviet-Russian multiple award-winning animated film. It was written by Sergei Grigoryevich Kozlov [Серге́й Григо́рьевич Козло́в] and animated and directed by Yuri Norstein [Ю́рий Норште́йн]. It is both an animation and intellectual masterpiece, capable of myriad interpretations, but whose ultimate message is as simple as it is sublime as is it sentimental: that we all need someone in this world with whom we can count the stars.

Once seen never forgotten, the majority of Russians would recognise Yorshik’s likeness instantly, certainly as unmistakeably as they would the stars of such classic Soviet films as Irony of Fate and Office Romance.

The portrait was also discovered and recognised by Kaliningrad’s administration department, and before we left for England, I caught sight of a media report in which the administration was asking the public to cast their vote ~ with the proviso that the paint used was harmless to the tree ~ on whether the image should be removed or be allowed to remain.

Since I have not walked that part of Kaliningrad recently, I have no idea what the fate of Yorshik might be, although I for one would hope that when the votes were counted, they favoured Yorshik’s continued presence.

Not only does the composition capture Yorshik’s appearance perfectly, but the artist has also located him within a beautiful blue graduated background, where he shares space romantically with twinkling stars and fairies.

Whether Yorshik has survived or not, if the artist would like to contact me, I have a canvas, an interior wall, which is just crying out for this work of art to be replicated!

Hedgehog in the Fog

Hedgehog in the Fog is a Soviet-Russian animated film about a hedgehog (Yorshik) who sets off on foot to visit his friend, a bear cub (Meeshka), and finds himself lost in the fog. As in folklore, fairy tales and fantasy and in Gothic and psychological suspense genres, fog as a literary/cinematographic device is typically employed in the film to deviate objective reality, turning the world as we know it ~ or think we do! ~ into a claustrophobic and distorted realm where the heightened possibility of supernatural occurrences amplifies the vicissitudes encountered in everyday life.

In this state of altered consciousness, Yorshik’s imagination supersedes logic, creating a new and unnerving reality in which, for example, an owl and white horse ~ one commonplace the other rare but possible ~ take on puzzling and sinister shades of meaning.

When Yorshik stumbles into the river he assumes that he will drown, but carried along by the current he relaxes into his situation, resigning himself to the journey wherever it may take him.

His ordeal culminates when a mysterious submersible benefactor, a ‘Someone’ as the subtitles tells us, lifts him onto his back and conveys him safely to the water’s edge.

Once on dry land, Yorshik hears his friend, Meeshka, calling out to him through the fog and by following the direction of his friend’s cries the two are at last united.

Hedgehog in the Fog is a simple story, but one which arguably manages to achieve what no other comparable animation has in its simultaneous creation of an atmosphere of dread tempered by quiescence. The kinetic tempo has a lot to do with this, as does the steady, hushed and neutral tone of the omniscient narrator, but the fundamental appeal of the film and the extent to which it engages us lies in its ‘seen through the eyes of a child’s perspective’, its lilting dream-like quality and its effortless ability to invoke and mirror the childhood world which we all once inhabited, with its troublesome symbols and shadows, its half-open doors to what, where and who, its many unanswered questions and its never completely understood what may lie within and beyond.

In following the classic tradition of all that is best in fantasy motion pictures ~ The Haunting (original version), Night of the Hunter and, with one or two exceptions, the complete canon of Hitchcock’s works ~ the key to Hedgehog in the Fog’s allure is that just below the surface of fairy tale enchantment it taps profoundly and incisively into our childhood psyche.

It calls upon the fog and the river for their habitual literary symbolism: the first for its incarnation of a supernatural milieu where anything is possible, the second for its depiction of life as a predetermined current against whose superior will we are powerless to resist, and it besets the journey with downstream dangers, credible menace, innate fears and the almost tangible presence of death. All the things that we learn about living as we are hurried along by the current of life.

The still frames from Hedgehog in the Fog are every bit as resoundingly emotive as the narrative in flux. Single static images such as the looming face of the owl, the white horse, apparition-like and luminescent, the bewildered expression on Yorshik’s face and, most memorable of all, the concluding frames of the film where the re-united Yorshik and Meeshka sit on the log together, with their jam, tea and samovar and the scent from the burning juniper twigs, counting the stars in the heavens, are each and every one blissfully indelible.

Hedgehog in the Fog works, even for we adults, not only because the artwork, the cinematography, pace and timbre are as spot on as they can be, but because the overarching feel of the film is unashamedly affectionate and applaudably sentimental.

However unnerving the fog may be, the narrator takes us by the hand and, like the dreamy river of life upon which the hapless Yorshik floats, albeit with philosophical tranquility, he leads us reassuringly from opening credits to heartfelt conclusion.

If you have the samovar, the juniper twigs and the raspberry jam, all you need to count the stars ~ as the stars are always above you ~ is the log on which to sit and that special someone next to you for whom those stars shine as brightly and mean the same to them as they do for you.