On the 75th anniversary of Victor Ryabinin’s birth
Published: 17 December 2020 ~ A book about Victor Ryabinin
To coincide with what would have been Victor Ryabinin’s 75th birthday, a book has been published which celebrates and commemorates his life and work. Conceived, supervised and edited by Kaliningrad artist Marina Simkina, daughter of the famous Russian poet Sam Simkin, and Boris Nisnevich, author and journalist, this fascinating book contains personal memories of Victor Ryabinin and critical acclaim of his work and career from 28 of his friends and colleagues.
More information about the book can be found by following this link [Victor Ryabinin the Artist Born in Königsberg], which will take you to the permanent pages on this blog under the category Victor Ryabinin Königsberg.
The following articles relating to Victor, his life and his art, also appear in this category:
An artist who can hear angels speak Художник, у которого ангелы говорят Kaliningrad author and journalist, Boris Nisnevich’s essay on the haunting influence that Königsberg’s ruins had on Victor Ryabinin’s philosophy and art: “When I wrote the draft to this article, I wrote that I believe there is no equal to him in Kaliningrad — I still believe he has no equal.” ~ Boris Nisnevich
In Memory of Victor Ryabinin This article was published in memoriam on the first anniversary of Victor’s death. Victor died on 18 July 2019.
Personal Tour Guide Kaliningrad Stanislav Konovalov (Stas) was a student and close friend of Victor Ryabinin. In the months following Victor’s death Stas supervised and worked on the emotionally and physically difficult task of dismantling, packing, transporting and storing the many and various Königsberg artefacts, artworks and assorted relics that once adorned and constituted The Studio ~ Victor’s atmospheric art studio and celebrated reception room. Stas took detailed photographs and measurements of the room in the hope one day that it could be reconstructed as part of a permanent exhibition to Victor and his work. Sadly, Stas himself passed away in November 2020. We live in hope that someone will continue the work that his untimely demise left unfinished. This is Stas’ story.
Victor Ryabinin’s Headstone Königsberg After quite a hiatus Victor’s grave was finally bestowed with a headstone befitting the man and the artist. It shows Victor sitting on a stool in his art studio. He is leaning nonchalantly in his chair, relaxed, unassuming, in tune with himself, his life and the world around him. His right arm is resting on one of his art-historian creations, his left arm cradling the base. The artwork is an assemblage, a composition of assorted Königsberg relics assembled icon-like within a frame …
It was during the summer months this year that our friend Sergey Goryunov invited us to take part in a photoshoot which he was organising with a view towards producing a 2021 calendar for the members of Kaliningrad’s Auto Retro Club.
The photo session was scheduled to take place at 6am, which meant that we had to wake up at 4am, and it was just my luck that the night before I had experienced one of my life-long bouts of insomnia. It was not a case of can I drag myself out of bed in time, rather should I be dragging myself into it.
As the photographer was on standby, the vintage car organised and the venue prescribed, the effort had to be made and, in spite of myself, it was good to have the opportunity to get dressed up again in our vintage attire and to take part in this capital retro project.
Sergey Goryunov picked us up in his Volga GAZ 21 R (1966). It was fairly quiet in Kaliningrad at that time of day, but as we drove through the main streets the sight of Sergey’s vintage Volga attracted toots of appreciation from other motorists as we passed by.
The location for the photoshoot was none other than the concourse at the foot of the steps to the old German Stock Exchange. Whilst we were happy to co-star, the real star of the show was the Moskvich 401 (1956), whose immaculate condition at the age of 64 made my condition feel somewhat tarnished!
Everything went without a hitch, and a few days ago we received notification from Sergey that the calendar had been printed.
Praise where praise is due, the commitment of the car club members, particularly with regard to their vintage outfits, was highly commendable, but the lion’s share of the work, and consequently recognition for vision, planning and organisation, rests with Sergey Goryunov, without whose sterling efforts the calendar would not have been possible ~ oh, and whilst we are at it, let’s don’t forget the cars!
Speech by Sergey Goryunov at the official launch of the 2021 Auto Retro Club Kaliningrad
Sergey Goryunov: “The year is coming to an end. I would like to introduce my child — the 2021 Club Calendar of the Auto Retro Club Kaliningrad. We have focused on the GAZ-21, including the epoch-making ‘Muscovites’ and the legendary Pobeda cars for this photo series, using models from inside the club. Accompanying the cars are their owners and their teammates. Titanic work has been accomplished. Filming locations were located throughout the region, and the shooting itself was conducted at different times of the year. Three photographers worked on the calendar. Of course, this project would not have been possible without the enthusiasm of its participants, who, despite the pandemic, at my first call, got up in the early hours, preened, dressed themselves in retro clothes and rushed to the shooting location. We did it! Hurray!”
Mick Hart’s totally biased review of bottled beers* in Kaliningrad (or how to live without British real ale!)
Article 10: Soft Barley beer
Published: 14 December 2020
None of us want to be told that we are going soft, do we? But, unless you are one of these old-fashioned he-men who pumps weights, never cries and walk around as if their arms don’t fit, there is nothing wrong with a little bit of mellowness, when the mood so takes you, which is not why I chose Soft Barley as the latest in a succession of bottled beers widely available through Kaliningrad supermarkets as an aid to my research.
Among the all-shapes-and-sizes 1.5 litre beer bottles that congregate enticingly on Kaliningrad’s shop shelves, the ones that really stand out from the crowd are, in fact, the simplest. They are squat, fat, dumpy-looking things, shaped purposefully to resemble small beer barrels. They are to beer advertising what Body Shop is to shampoos and body lotions, their simple packaging and minimalist presentation emphasising good, natural, salt-of-the-earth products, free from artificial additives: Nature’s best at its best.
When all’s said and done, that’s quite a gob full to live up to and, whilst the advertising works a treat, the question is does the product fulfil the promise?
Soft Barley beer in Kaliningrad Russia
Soft Barley has a soft natural label ~ note the ears of corn ~ and when you take the top off the bottle what do you get? Sniff! Sniff! Nothing really. Unless I am losing my sense of smell (no, let’s rephrase that symptom quickly!) ~ unless my olfactory senses deceive me, there is no distinctive aroma other than, perhaps, a faintly discernible ‘softness’.
When poured, this underwhelming neutrality does not escape from the glass. The beer fizzes, an ephemeral head appears, retreats and then dissolves. This is only depressing if you like ‘a big creamy ‘ed on your pint’, but I am not from Yorkshire, so I don’t.
Nevertheless, from the first sip to the last the taste is consistently palatable. There are no sharp notes to undermine the ‘soft’, as in subtle, and almost any corn bitterness is reduced to a hint, playing second fiddle to the rounded buttery overtones.
This beer is not, by Russian standards, a strong brew; if it was, I suppose they would have called it ‘Strong Barley’, but neither at 4.2% is it limp-wristed. It has just enough bottle, taste and flavour to make it the perfect complement to light snacks and ‘bitings’, an à la carte beer which speaks to me of warm summer afternoons, picnic tables and straw hats, although, being a bit of a renegade, I can close my ears and carry on drinking it until the snow has melted.
Aficionados and advocates of seriously head-banging beers may well pour scorn upon your choice, but pour scorn is not poor corn and drinking Soft Barley does not mean that you are going soft, just that you have a soft spot for the finer beers in life.
ABOUT THE BREWERY The Trisosensky brewery has a proud and noble brewing history, its origins dating to 1888. Its name comes from the three great pine trees on the idyllic lakeside spot where it was founded by the merchant family Markov.
One of the first Russian breweries to produce beer using European technology, the quality of its products quickly established the company’s reputation at home and facilitated expansion into the export market.
The brewery’s Black, Pilsen, Czech and Vienna beers were particularly held in high regard, so much so that in 1910 the brewery was honoured with the official title ‘Supplier to the Court of His Imperial Majesty’.
Although the Ulyanovsk brewery was assimilated more recently into the company, its brewing history actually pre-dates that of Trisosensky, when Alexander Dmitrievich Sachkov, an honorary citizen of the city of Simbirsk, founded his honey brewery at Ulyanovsk in 1862.
Today, the Trisosensky brewery prides itself on the historic continuity of its classic brewing techniques, brewing traditional beers to traditional recipes using natural ingredients and talented brewers.
Its efforts have garnered it various prestigious awards including: the World Beer Awards; the International Beer Challenge; Gold Awards, the DLG Quality Test for Beer and Mixed Beer Beverages, Frankfurt am Main, 2016; Monde Selection 2017 awards; and awards in the ‘International Tasting Competition’, The Beer Awards 2017.
Soft Barley beer in Kaliningrad Russia
Soft Barley beer in Kaliningrad Russia
😁TRAINSPOTTING & ANORAKS Name of Beer: Soft Barley Brewer: Trisosensky brewery Where it is brewed: Ulyanovsk, Russia Bottle capacity: 1.5 litres Strength: 4.2% Price: It cost me about 127 rubles (£1.31) Appearance: Pale golden Aroma: Very nearly silent Taste: Lightly bitter, mellow, buttery Fizz amplitude: 6/10 Label/Marketing: Naturalistic Would you buy it again? I would and I have. Marks out of 10: 8
*Note that the beers that feature in this review series only include bottled beer types that are routinely sold through supermarket outlets and in no way reflect the variety of beer and/or quality available in Kaliningrad from speciality outlets and/or through bars and restaurants.
Diary of a Self-isolator: Day 272 [11 December 2020]
Published: 11 December 2020 ~ Hotel Tchaikovsky Kaliningrad is Nothing to Sneeze at
Psychological problems resulting not from contracting Covid-19 but from the social prohibitions orchestrated and, in some instances, enforced in the name of spread containment and personal safety appear to have affected some people more than it has others. Indeed, scientists and health professionals alike, not to mention conspiracy theorists, postulate that ‘extreme measures’ such as lockdown and diminished social interaction have had and are having serious adverse effects on the mental-emotional well-being of a large cohort of people who feel that they have better things to do than imprison themselves in their respective homes playing John Wankerson’s Clueless for the rest of their unnatural lives.
Speaking for myself, the restrictions, self-imposed by ‘informed guidelines’ and/or edict, have left me bamboozled (What’s that? You’ve never experience it? You don’t know what you are missing? Vote Labour and find out!), the puzzle being, am I really responding as I perceive I should be to the exigencies of the pandemic or, as time goes by (good song that!), have I allowed my guard to slip?
Yes, I know, here I go again, getting myself into a mucking fuddle about whether my coronavirus precaution corollary justifies me calling myself a bona fide self-isolator. I would like to think that the ambiguity is simply a matter of semantics ~ self-isolator, social-distancer, reluctant mask-wearer, anti-social misanthropist using coronavirus as an excuse to hermiticise myself, whatever ~ but the crux of the question is, are divergencies allowed? Does one have to be an either/or? Either self-isolating or not self-isolating? Or can one be self-isolating some of the time but not others? A sort of part-time self-isolator or one on day release?
However, as I have confessed in previous posts, my self-inflicted isolation falls somewhat short of perfect and, insofar as restricted social contact is concerned, I know of a number of people who are far holier than thy in their fastidious observation of the social distancing rule.
There are occasions when it is not impossible but is still difficult to swerve in the opposite direction to the norms and mores that bind us, where, just as it was in the pre-coronavirus age, we find ourselves obliged to proceed in a manner not entirely in keeping with our own convictions, and, at such times, are compelled, I am afraid to say, to throw caution to the wind.
Thus, it came to pass, a few weeks ago, that a strong gust in the form of a birthday celebration and the traditional expectations that such engenders, whipped my caution away like an unstuck toupée, and I found myself faced for the first time in umpteen Covid months with the arguably risky prospect of dining and drinking out.
Hotel Tchaikovsky Kaliningrad
The occasion was my wife’s mother’s 80th birthday. We had discussed with her how she wanted to celebrate this milestone in her life, and she had shown great favour in the suggestion of going to a restaurant. The idea was that three other friends of hers, roughly of the same age group, would join us, all of whom at the outset expressed an interest in doing so. However, come closer to the day, as news began to percolate of escalating Covid cases, one by one these friends dropped out.
Admittedly, their example made me think that perhaps it would be best if we followed suit and instead of the restaurant settle upon a quiet celebration at home, but my wife’s mother remained unphased. She still wanted us all ~ what there was left of us ~ to go to the restaurant, and so the restaurant it was.
My wife, Olga, had chosen the Hotel Tchaikovsky as the venue. Hotel dining rooms tend normally to be less populated than restaurants per se, so I could see the logic in this. Of course, going anywhere without first strapping on our muzzles would have been so 2019 don’t you think? And as I had not dined in a restaurant for quite some considerable time, I found myself wondering how exactly one would be able to eat one’s food with a mask slapped about one’s kisser?
As my wife’s mother is in her 80th year, walking, cycling or running to the restaurant were less obvious options than taking a taxi. I remember the time when travelling by taxi was looked upon as an innocent luxury as well as the best expedient, but in the coronavirus age taxis, as with every other mode of transport requiring third-party involvement, is where the risk-taking starts.
Hotel Tchaikovsky Kaliningrad
The Hotel Tchaikovsky is situated on a Königsberg street, which backs onto the city’s Zoo. It was a cold, wet and inhospitable evening, so my observations of the hotel’s exterior were minimalised by the need to get inside. There, it was light, charming and warm. Not only that, but there was something, whilst not exactly ‘decidedly’, vintage going on. In the hallway leading to the main reception, an impressive array of old suitcases had been stacked, two rows and several high, the uppermost cases garnished with clocks, and there was an upright parlour piano standing in the corridor. Vintage was going on at the same time as something almost antique, and also almost classical, as reflected in the reproduction 19th century furniture, impressive walnut servery and glass chandelier-style ceiling pendants.
Something vintage this way comes: the reception room at the Hotel Tchaikovsky in Kaliningrad, Russia
Even with the threat of coronavirus hanging over us like the proverbial Sword of Damocles, I was still able to take this in, whilst applying disinfectant to my mitts from one of those pump-action dispensers, which had been strategically placed on a small console table prior to the dining-room entrance.
The hotel dining room consisted of two rooms, which was handy Andy, as between each there was a pair of glazed French Window-style doors, which kept things bright and airy whilst enabling the hotel management to comply quite handsomely with coronavirus distancing rules.
The first room had one engaged table, a family gathering, the adult occupants of which glanced apprehensively at us as we strolled in, passing within millimetres of their social distancing space. But they need not have stressed themselves. Two waitresses in regulation mask attire were ushering us courteously but firmly and swiftly into the adjoining room, where there was nobody else but us.
Since every table was unoccupied, it made the task of choosing where to sit virtually impossible. Each and every location was appraised and, by the time we had settled for the seats in the window, I felt as if we had sat everywhere else simultaneously.
The window seats turned out to be the perfect coronavirus cubby hole. They were literally seats, together with a table, placed inside the special dimensions rendered possible by a rectangular bay window, and being given to private corners of this type, I would have chosen to have sat here even if coronavirus was not half the threat that we have been led to believe.
So, we sat down, Olga’s mother done up to the nines, sporting her best jewellery and looking far more relaxed than we could ever be, even though every other table was only almost occupied by us and nobody else. We had no beef and Yorkshire pudding with that; only Olga’s mum seemed disappointed that the rest of Kaliningrad was not in the same room. I do wish that she had not said as we entered the restaurant, “There’s not many people here. It can’t be that popular”. But if you cannot insult the hotel management on your 80th birthday, when can you?
It was about this time, as we were sat there, in the bay window, with only us and our reflections as company, that I heard the ghostly voice of my long dead auntie Ivy saying, “Hold hard, Michael!” (How I wished she could have used a different expression!), “What about the cutlery and glasses?” And she was right, we had not brought those antiseptic wipes with us for nothing! So, out they jolly well came, and yours truly set to with a vengeance wiping the wipes around the ends of the eating implements and around the rims of the glasses. That should do the trick! ~ none of us believed.
We were alone long enough for me to talk myself into the fallacy that I was still, technically, self-isolating, when a young waiter-me-lad appeared, wearing his mask in a Constructivist fashion. He took our order and scooted off to the kitchen. This was the real test, I thought: kitchen and kitchen staff coronavirus cleanliness.
It is quite frankly amazing how a couple of swift glasses of vino can transform melodrama into maladits (perfection!). By the time the waiter reappeared, bringing with him my vegetarian dish and Olga and Olga’s mum’s meaty options, apprehension had almost completely given way to restaurant rhapsody. The wine was excellent, if not a tad expensive, and we would soon discover that the food at the Hotel Tchaikovsky was crisp, fresh, first class and delicious.
With such culinary conviviality going down, and Olga having ordered three glasses of apricot brandy, which was sympatico, Covid, or rather the morbid dread of Covid, had been well and truly kicked up the arse.
Somewhere, at some time, during the indulgences, auntie Ivy had spoken again, and, in compliance, I had whipped out the wipes and shot them around the brandy glass rims, but no repeat performance was forthcoming as regards dessert spoons and later the shot glasses brimming with vodka.
Hotel Tchaikovsky Kaliningrad is Nothing to Sneeze at
Amidst all of this post-normal abandon and frivolity, a couple had come into the room and were occupying a table to the outside right of ours. They were over a metre away, so niet problem there then, but suddenly, with no warning, quite out of the blue, Olga’s mum developed a sneezing fit!
The first rendition had my head shoot round at a nervous pace. There was a pause, and there it was again, a second sneeze! I shot a glance at our neighbours. It was alright, they had not noticed it or, if they had, they had not reacted. I think they were secretly restraining themselves, preferring a diplomatic reaction to demonstrative rebuff. Then came another sneeze, then another and another, during which the potential recipients of this respiratory outrage had begun to look rather less comfortable.
At first, I had tried to placate their unease in that embarrassed way that we English do, by giving them an insouciant smile, which, by the second eruption, however, had tightened itself into a gritty-toothed grin. Meanwhile, Olga’s mum was holding a tissue to her nose, as if it was a white flag, but the performance was not yet over. There came a sneeze, and another, and within seconds ~ it must have been the wine ~ I was doubling up with a fit of the giggles. I did not know what to do. I would have put on my mask, but it was not big enough to hide behind, and yet I felt certain that in the current climate of fear and dread we would be frog marched out at any moment by several men in protective suits armed with pump-action spray guns and there, in the carpark, disinfected.
The crisis past, however, as crises often do, without further ado or incident, and the young waiter, who had obviously taken cover behind the bulky servery or piano in the corridor, now emerged not with the carafe of vodka that we had ordered earlier but with three of those nice tall glasses which hold a lot of vodka. It had been I who had suggested the carafe since the vodka was all for me, and I thought it would look better, would make me look less of a lush, presented in this fashion. But I ended up with three large glasses in front of me and the most surprised, amused and delighted look on the face of the youthful waiter ~ well, let us rephrase that and say in his eyes, as I could not see his face for one of those blasted muzzles!
I was just getting into my drinking stride when out came one of the senior staff to inform us that the witching hour was nigh. Apparently, coronavirus has got a thing about infecting you after 9pm, so they had to close the restaurant.
With about five minutes left at my disposal, I had to down three big glasses of vodka as if I was a real Russian vodka drinker, instead of a sipperoonee anglichanin.
Apart from the hurried exit, which was no fault of the management as they were just following orders, we all agreed that the service, fare and atmosphere had been top notch. It was a shame about the sneezing and Olga’s mum’s last words as we ambled off the premises, “There wasn’t a lot of people. It can’t be that popular.” Well, if you can’t say that on your 80th birthday, when can you say it?
The toilets in the Hotel Tchaikovsky, Kaliningrad, are atmospherically located in the basement of the building. The arched red-brick ceiling and walls are exposed in all their original glory, and the loo interior has been sympathetically constructed to preserve and highlight its historic ethos. Note the copper-bowl washbasin, matching distressed-framed mirror and the reflection in it of the no-longer distressed Englishman, who had just downed his first glass of vodka.
For a self-isolating experience with a difference, including good food, good wine, good apricot brandy, good vodka (in tall glasses) in an elegant ambience and with good service, dine out at the Tchaikovsky Hotel, Kaliningrad.
Essential details:❤❤
Hotel Tchaikovsky 43 Tchaikovskogo Street Kaliningrad, Russia
As they would say in Northamptonshire, Priti Patel has got them frit!
The Good News, The Bad News
Published: 9 December 2020 ~ So Frightened of Priti Patel
After almost a year of coronavirus bad news, it is inspiring to know that come 31 December the transition period will be over and we will be more out of the European Union than we felt we were back in January 2020. So, the Good News is, ‘We will be out of the European Union’.
And the Bad News is that we will not be as out of the European Union as most of us who voted to be want to be.
I think we can safely say that 99.9% (and the rest) of those who voted to leave the EU did so because they wanted an end to open borders, free movement, and to ensure that the implementation of stricter immigration rules and a fast-track system for the removal of illegal migrants is no longer hamstrung by the politically motivated agenda of the ECHU (European Court of Horribly-twisted Rights).
It would appear, however, that the EU has successfully bullied (let’s use a word that they are familiar with) the UK establishment into retaining the final say on movement and immigration by shackling the UK to the European Convention on Human Rights.
Amusingly, how they have manoeuvred the British government into this checkmate situation is by threatening to remove access to shared intelligence on criminals. Why is this amusing? Well, everybody knows that the European Court of Human Rights is the de facto enforcement arm of the EU’s neoliberal migration policy, the court that continually overrules attempts by the UK and other hapless members of the European Union to block and legally deport unwanted, illegal migrants, including unwanted criminal migrants. So, it would appear that the UK government has signed up for intelligence sharing on criminals for the dubious benefit of knowing who they are but not being able to do very much about it.
Here is a quote, verbatim, unedited by me, which appeared recently in the comments section of one of the mainstream UK online news feeds:
The ECHR has no rights outside of the EU. It is just yet another court set up by the EU and fully enshrined into UK law by that corrupt Tony Bliar. As for the rule of law, the EU have never ever followed the rule of law, the only rule of law they follow is what Merkel dictates. Johnson should have totally scrapped the HR laws in the UK, it just gives these corrupt lawyers and judges that practice HR laws and twist them in favour of the criminal a further excuse to shaft the UK government. It is all this human rights rubbish that is preventing all these illegal immigrants and the bogus asylum seekers from being deported.
As Johnson has not got the backbone to scrap the HR laws completely and caved into the political dictatorship, then I feel that his days are numbered. There are many Tory MP’s that will be absolutely fuming of not only caving into the EU, but because it is on Human Rights. What about the taxpayers human rights, where we have to keep paying more and more taxes to keep these waste of space peers, corrupt judiciary and all these bogus asylum seekers and illegal immigrants very comfortable. Do our human rights not matter? I think Boris needs to start looking for another job, this is the start of the big cave-in and the EU are taking the pee out of us. Johnson is showing what a weak has been he is.
This comment is worth repeating again:
HR laws in the UK … just give the corrupt lawyers and judges that practice HR laws and twist them in favour of the criminal a further excuse to shaft the UK government. It is all this human rights rubbish that is preventing all these illegal immigrants and the bogus asylum seekers from being deported.
“Now look here, that’s just not true, innit”
Headlines from The Sun, 4 December 2020:
‘Priti Patel blasts lefty lawyers and ‘do-gooding’ celebs for keeping Jamaican killers & rapists in UK’
This report tells how at the last minute when 23 criminals originally from Jamaica where about to be deported, a last-minute legal challenge blocked the Home Secretary from kicking the undesirables out.
To quote The Sun1: “More than 60 MPs, mostly from the Labour Party, had urged Priti Patel to abandon the flight, saying of those being deported: ‘Britain is their home.’ And Labour backbencher Kim Johnson described the deportation as ‘obscene and irresponsible’.” Well, she would, wouldn’t she, because she’s a member of the political party that Cosets the Perpetrator, Blames the State, and Forgets the Victim.
The legal challenge that has been launched in order to ensure that these criminals, some of them rapists and murderers, can remain in the UK is of course underpinned by human rights laws (yawn, aren’t they all).
To quote The Sun:
“A large proportion submitted legal challenges, with new claims including human rights appeals and allegations that the criminals had been victims of modern slavery.”
You might ask yourself, on reading the article, why 82 ‘celebs’ ‘signed an open letter demanding the flight did not take off’. You might also ask yourself, in reflection on Brexit, why the majority of celebs threw their monied status behind the Remain camp. And you might arrive at the right conclusion that most celebs by virtue of their wealth consider themselves to be safe, secure in their Ivorine-towers, removed from what is happening to ordinary Brits on the UK’s increasingly violent streets. And you might want to remind them about lessons in history, that when society breaks down through mob violence, national lawlessness, coups and revolutions the money and the status that protects them during ‘peaceful times’, times of law and order, then become entrapments of their own destruction.
But we are not here to talk about poetic justice. We are here to consider the Good News and Bad News.
And the Good News is that we have Priti Patel ~ a tough, no-nonsense Home Secretary, who is determined not to be cowed by a politically correct oriented neoliberal elite.
Although it goes without saying that the liberal establishment, and its vampire media, are hovering bat like over everything Priti Patel says and does, it certainly helps from a purely PC perspective that she is not white English and male but the daughter of Asian shopkeepers, who were taken in by the UK after Idi Amin, the Uganda dictator, expelled them.
And the Bad News … Her courage, veracity and Eliot Ness-style incorruptibility, her unwillingness to cop out under duress or virtue-signalling inducement, has placed her in the cross hairs of those who pull the strings, hurling her into the proud position of PC Enemy Number 1.
But the Good News is …. The more adverse publicity she receives the more they reveal who they are and what they are really up to! The neoliberal gloves are flying off this year faster than bog rolls from supermarket shelves in a panic-buying pandemic, not because they want or can stomach an open fight but because desperate people from imploding ideologies need to feel as it all slips away from them that there is something left to cling on to.
As it was for Donald Trump, watch out for those sharpened knife-headlines in the latest instalment of The Fear of Priti Patel!
Watson: The EU have shared their criminal intelligence, its Jack the Ripper from Obogobadamland! Holmes: There’s no point in unmasking him. The liberal-lefties & their European Court of Human Rights will only rule that he can stay! [* see picture credit}
Published: 5 December 2020 ~ Will Boris’ Bubble be Pricked this Christmas?
Back in the UK, meaning England, as no one has the foggiest what’s happening the other side of Hadrian’s Wall this Christmas, although it may involve whisky drinking and wearing a kilt ~ ask the Bubbling Jock ~ the dissent over bubbles that has been bubbling just below the surface ~ hubble bubble trolls and trouble! ~ and looked as if it would bubble over into a row the size of the South Sea Bubble has been blown away by bubbly Boris’ double bubble of allowing bubbles from one household to get together with other bubbles in other households, thus removing the risk of getting bubbled by the neighbours ~ a process known as bubbled and squeak ~ meaning that you will not have to think of ways of beating the bubblewrap for bubbling about at home with other people’s bubbles. The bubbliness of this is that depending on the size of your house, you will be able to have as many bubblechums in it as you like, even big bubblies with enormous bubblegums, and, if it is that kind of Christmas party, blow bubbles to your hearts content. Don’t mention the bubble car and the air bubble in its tyre! What does this mean, well it means that we will all be able to bubble off this Christmas, even support bubbles, those wearing stays and trusses, instead of sitting lonely at home eating mounds of bubbles sprouts and blowing bubbles in the bath. You will be able to eat more, drink more, get sloshed more and afterwards, with Alka Seltzer and Andrews Liver Salts bubbling up your glass, be prepared for the bubble to burst in 2021.
Whether this is good news for people in the UK, we are not altogether sure, but it is very good news if you happen to be a bubble or feel that you have been trapped inside a bubble for the last 10 months due to contradictory coronavirus cluelessness from bureaucratic bubbleheads.
Oh, and by the way, Happy Christmas!
Will Boris’ Bubble be Pricked this Christmas?Olga getting the support she needs from a Bubble Car.
С большой грустью сообщаю, что наш дорогой друг Стас (Станислав Коновалов) скончался от послеоперационных осложнений во время лечения в больнице. Мы с женой Ольгой познакомились со Стасом в январе 2019 года. Нас познакомил с ним наш общий друг, художник Виктор Рябинин. Позже Стас рассказывал мне, что Виктор сказал ему: «В Калининград переезжает англичанин. Тебе следует с ним встретиться. Он интересный человек, и я думаю, вы найдете общий язык ». Я не совсем уверен, что заслуживаю быть названным «интересный», но мы нашли общий язык в нашей любви к истории в целом и в частности к истории Кенигсберга- Калининграда и его окрестностей. Важным элементом нашего общего языка было вдохновение, которое мы оба получили от нашего друга и наставника Виктора Рябинина. Вскоре после смерти Виктора Рябинина в июле 2019 года я сказал Стасу, что нашел две картины Виктора среди своих вещей в Англии. Он ответил с присущей ему скромностью, что, хотя у него нет картин Виктора Рябинина с его автографами, ему достаточно того, что у него есть «тайная гордость», заключающаяся в том, что он был «близок к этому великому человеку». «Я был его учеником много лет, – сказал он. Когда я рискнул предположить, что Виктор был его другом, Стас ответил, опять с присущей ему скромностью: «Виктор знал очень многих людей, но он, вероятно, не считал их всех своими друзьями. . Могу сказать, что я был его учеником, что я восхищался им и был счастлив в его обществе… »Затем он сделал паузу, прежде чем сказать:« Но я хотел бы думать, что он считал меня своим другом ». Стас был скромным человеком. Он скромно относился ко всем своим достижениям, даже тогда когда было совершенно очевидно, что у него было столько же, если не больше, прав их превозносить. В знак признания его достижений, я попросил Стаса написать краткий биографический отчет о его работе и жизни, в том числе о его отношениях с Виктором Рябининым, и поместил его очерк, вместе со ссылками на его практику экскурсовода на страницах своего постоянного блога под рубрикой “Виктор Рябинин Кенигсберг”. “Стас Калининград Кенигсберг Путеводитель”https://expatkaliningrad.com/personal-tour-guide-kaliningrad/ Стас очень много работал над своими проектами гида, оттачивая и совершенствуя их, снимая несколько видеороликов на YouTube и всегда спрашивая: «Что ты думаешь об этом аспекте?» “Все в порядке?” «Есть ли в сценарии видеоролика что-нибудь, что, по твоему мнению, требует пояснения?». Как и смерть Виктора Рябинина до него, смерть Стаса лишила Кенигсберг-Калининград еще одного его великого посла. Но нас его смерть лишила гораздо большего. Стас был человеком прямолинейным, открытым, искренним. Он был добрым человеком, всегда готовым помочь, он был сердцем хорошей компании. Вместе, мы делили общий язык прошлого, а я через него – общий, но очень важный язык – человеческий. В общем, Стас был самым ценным арсеналом – он был незаменимым другом, которого мы не могли себе позволить потерять.
It is with great sadness that I report that our dear friend Stas (Stanislav Konovalov) passed away recently from post-operative complications whilst undergoing hospital treatment.
My wife, Olga, and I met Stas in January 2019. We were introduced to him by a mutual friend, Victor Ryabinin the artist. Stas told me later that Victor had said to him, “There is an Englishman moving to Kaliningrad. You should meet him. He is an interesting man, and I think you will find a common language.”
I am not altogether certain that I deserve the appellation ‘interesting’, but we did find a common language in our love of history generally and specifically for Königsberg-Kaliningrad and the surrounding region.
An important element in that common language was the inspiration we both received from our friend and mentor Victor Ryabinin.
A short while after Victor Ryabinin’s death in July 2019, I told Stas that I had found two paintings by Victor among my possessions in England. He replied, with characteristic modesty, that whilst he did not have a signed painting by Victor Ryabinin the artist, it was enough that he had a “secret pride”, which was that he had been “close to this great man”. “I was his student for many years,” he said.
When I ventured to suggest that Victor had also been his friend, he replied, once again with characteristic modesty, “Victor knew a great many people and associated with a great many people, but he probably would not have considered them all to be his friends. I can say that I was his student, that I admired him and enjoyed his company …” He then paused, before saying, “But I would like to think that he thought of me as his friend.”
Stas was a modest man. He was modest about all of his achievements, when it was quite obvious that he had as much right, if not more, to blow his own trumpet with the ‘best’ of them.
Stas worked extremely hard on his tour guide projects, honing and perfecting them, making several YouTube videos and always asking, “What did you think of this aspect?” “Was that alright?” “Is there anything in my tour guide script that you think needs clarification?”.
Like Victor Ryabinin before him, Stas’ death has robbed Königsberg -Kaliningrad of yet another great ambassador.
It has robbed us of so much more.
Stas was a straight-talking, open, sincere individual. He was a kind man, always ready to help and good company.
Together, we shared the common language of the past, and I, through him, the common but all-important language of humanity.
In summation, Stas was that most precious of all commodities ~ he was the indispensable friend that we could ill afford to lose.
A sunny afternoon with Stas Konovalov, ‘Stas’, [right of picture] Kaliningrad Königsberg Guide
Published: 24 November 2020 ~ Why wearing a mask is different from wearing pants
Of all things that are mysterious and confusing about coronavirus, the salient example is mask wearing, or rather the contentious issue of mandatory mask wearing.
Enter Bill Gates. Bill would seem to be an ardent mask-wearing supporter, so much so that he has difficulty in comprehending why anyone should object to wearing a mask. Peeping out into our world from behind his very large wallet, nothing could be more natural or normal to Bill than slinging a piece of fabric about one’s nose and mouth. His is so convinced about the normality inherent in this practice that he considers the psychology of anti-maskers ‘weird’ and asks “I mean, what are these, like, nudists?” Then goes on to make a bizarre comparison between wearing masks and wearing pants: “We ask you to wear pants and, you know, no American says — or very few Americans say — that that’s, like, some terrible thing.” {source: www.wionews.com} [29/03/24 Link to this page no longer exists]
You see, Bill, my old mate, the thing is that this comparison is not really a valid one. I don’t know where you wear your pants, but most people wear them around their arse, and have been doing so for years. There are distinct convenience and comfort factors in pants-wearing that do not readily relate to the experience of wearing face masks.
For one, a bandage wrapped around your nose and mouth tends to get in the way of that all-important function of breathing, whereas pants do not, unless, of course, you are wearing them over your head ~ Bill?
Where Bill wears his pants or mask is entirely up to him. Correction, where he wears his pants is entirely up to him; I forgot for a moment that mask wearing is obligatory.
It was not always this way.
Time was once, and recently, although it seems like an age away, when if you were to wear a mask in public you would be guaranteed to excite a certain degree of suspicion. Indeed, before we were forced to do otherwise the only people wearing masks, discounting for the moment those who have a penchant for PVC or leather, were muggers and bank robbers. In the bad old pre-mask days, shops, banks and government offices would not insist that you wear a mask, they would insist that you remove it! How times change ~ and suddenly!
Fauci claimed that “wearing a mask, keeping a distance, avoiding crowds, being outdoors as much as you possibly can – weather permitted – and washing your hands” are the defining ways for one to return to the normal world’. {source: wionews.com1} A nice sentence that begs a one-word response. When?
When, Mr Fauci, when?
The mask is the single most potent reminder that normality has gone, and its odiousness is this respect has not been helped any by suggestions that mask wearing may be with us forever. So, for the time being at least (let us be optimistic), the mask is the visual signal, the day-by-day reminder of our altered state of reality ~ the corporate logo of the so-called New Normal.
Some cynics believe that this visual statement, the compliance it represents and the fear it engenders, is an essential weapon in the psychological arsenal of governments and Big Pharma intent on ensuring the maximum uptake of their rushed and suspect vaccine products. Where there’s a will there’s a way, and where there are millions, billions of people, purchasing cart loads of vaccines, not to mention vitamin pills and, lest we forget (how could we?), masks, there is money to be made. Lots.
But let’s not be trite, here. A few months back there were a number of articles written by medical and health specialists postulating that not only are masks useless in the fight against coronavirus but that they can actually contribute to your chances of catching it. The out and out criticism was that wearing a mask for virus prevention was like wearing string underpants to stop a pea. Here we go again, Bill?
The case against mask wearing has since swung to wearing masks correctly, ie moulded around the facial contours, never touched by hand, changed periodically ~ at least every two hours ~ not placed in one’s pocket, not washed and not re-used. An idealistic scenario unlikely to be achieved when the majority of mask wearers do not seem capable of rising to the challenge of the basic principles of how to wear a mask.
How many mask wearers have you clocked wearing their masks correctly? Sitting baggy, possibly like Bill’s pants (who knows?), swinging from the ears, acting as a chin cuff and, the old favourite, mouth gagged, snout out ~ this is how they are worn.
Whenever I see someone wearing their mask like this, as in the last and most popular example, and, of course, I do, because my wife is one such transgressor (she refers to masks as ‘muzzles’), I am reminded of something I saw on Facebook: two drawings, with captions. The first caption read, ‘Wearing your mask like this …’ (there then followed a drawing of someone wearing a mask with their nose sticking out above it) “is as silly as wearing your underpants like this …” (there then followed an image of a pair of Y-fronts pulled halfway up with a willy hung over the waistband). “That’s funny,” I thought, “doesn’t everyone wear their Y-fronts like this?”
Bill?
And yet the risk of catching coronavirus by improper face mask wearing is possibly not so high as the risk that emanates from face mask fiddling. You see, wearing a chunk of cloth over your nose and mouth is devilishly uncomfortable. After a while it can make your face hot and sweaty, and it can also make you itch. OK, so you can suffer the same inconvenience should you be wearing the wrong kind of pants, but there is a subtle difference. In adjusting your mask and scratching your itch, you generally touch your face and possibly, inadvertently, your mouth, nose and eyes, which is precisely what you are told that you must not do if you do not want to catch coronavirus.
But what about the altruistic argument, the one that goes that mask wearing significantly reduces the risk of passing coronavirus onto someone else, especially if you happen to be an asymptomatic spreader? In the first instance, look no further for the answer in Bill’s string underpants and their pea-stopping potential ~ catching coronavirus is a two-way process: what gets in must get out. And this also applies to the mysterious, unproven asymptomatic as much as it does to the snotty-nosed cougher.
So, extrapolating what we know already about masks from the lack of evidence placed before us, what we can say irrefutably is that no one knows. And this is where we are at, at the moment: mask wearing will protect you from catching coronavirus, mask wearing will increase your chances of catching coronavirus; mask wearing is a temporary measure, mask wearing is here forever. And this ambiguity rolls over into other things, such as: the vaccine is coming, but no one knows when; the vaccine is a game changer, but what game and whose? The vaccine will not be the 100% solution that people have been led to believe: it may work for some and not for others; it may not work at all; it may have serious contraindications; it may have built-in lethal implications ~well, let’s don’t go there for the moment. And what about lockdown? For some it is the bib and tucker; for others it is Bill Gate’s underpants. There is a lot of hot air about it, but no hard evidence to support it, so to speak.
In fact, all that we can say with any degree of certainty about coronavirus, from what we have been fed, is that your guess is as good as mine.
What we can say, getting back to masks, is that generally speaking, the general public are not comfortable wearing them. There is a convincing argument that politicians and big neoliberal corporate globalists have no problem with it as they never show their true face anyway, but for the many, as distinct from the few, normal human contact is not traditionally mask to mask, it is traditionally face to face.
So, to summarise, masks are uncomfortable, they make breathing, one of the main functioning processes of the body difficult and speaking problematic, symbolically they are a constant reminder of a deviant reality, and, at worst, they could actually create the environment for catching the very disease which they purport to prevent.
Whatever one’s feeling about masks, the inescapable fact is that ultimately, human visual contact and human communication is a face-to-face transaction, not a mask-to-mask one, since full-time mask wearing is as alien as it is alienating.
But I should not worry about it too much, Bill, the only confusion you seem to be suffering from is a pants and mask one, and whichever it is and wherever you wear them, it does not seem to have affected you any, as you still seem perfectly capable of talking out of yours.
A Russian Survivor of Mauthausen Concentration Camp
Published: 22 November 2020 ~ Life & Death in Mauthausen Concentration Camp
This summer we had the pleasure of meeting a very special lady in Kaliningrad, Zoya Ostin, the widow of a former Russian soldier, Vsevolod Ostin, who, in his youth, was incarcerated in the notorious Mauthausen Nazi concentration camp in Upper Austria. The young Russian soldier survived his ordeal and later wrote a highly detailed account of life and death within the camp, how he beat the odds and lived to tell the tale. My wife, Olga, has been busy translating his book, Rise Above Your Pain, into English.
During the Second World War, Vsevolod Ostin, a young Soviet soldier, had the grave misfortune to be interned in the notorious Mauthausen Nazi concentration camp in Upper Austria.
Whilst most of us in the West are familiar with the names of Auschwitz, Dachau and Belsen, the name Mauthausen may not be immediately recognisable, but Mauthausen was considered to be one of the Nazi’s most severe and brutal camps, so much so that it was known affectionately by the SS as the bone mill or bone grinder.
Life & Death in Mauthausen Concentration Camp
Mauthausen was the principal camp in an extensive complex of satellite camps operating throughout Austria and the southern regions of Germany. The inmates, mostly drawn from the Soviet and Polish intelligentsia, were used as slave labour for numerous German companies, both local and national, with the majority of prisoners working mainly in the nearby granite quarries, providing raw materials for the reconstruction of German towns and cities.
The regime in Mauthausen and the surrounding sub-camps was so relentlessly brutal that the average life expectancy was estimated to be 3 to 6 months at most. Vsevolod Ostin entered the camp in 1942 and miraculously managed to survive until 1945, when the camp was liberated by the United States Army.
Vsevolod Ostin wrote his account of life in Mauthausen in 1961 but not to the acclaim that he had hoped for. Publishing house after publishing house rejected the manuscript. Various reasons were given, but the main stumbling block seemed to be that the Soviet authorities considered it to be too international, too cosmopolitan, at a time when literary and historical accounts of the war had an urgent imperative to condemn Fascism as irredeemably evil.
Surviving Life & Death in Mauthausen
A man such as Ostin who had survived the horrors of Mauthausen was hardly likely to give up that easily, and he did not. But it would be 25 years from completion of the manuscript before he would see his work in print. Rise Above Your Pain was finally published in 1986, a year after perestroika.
By definition, Rise Above Your Pain is not an easy book to work on, neither is it bedtime reading! The subject matter is grim and grisly and in order to do it justice, to translate and edit it in the tone and spirit in which it was written, we have had to rise above our pain with each successive chapter.
This is because Ostin tells it as it was; he pulls no punches. He lays bare the worst excesses of human nature’s darker side, his book serving as a salutary reminder of how war unleashes the worst in us and how, in its consuming climate of hate, violence and death, the dregs of our societies, the malcontents, thugs and sadists, rise from the sediment into positions of power the consummate nature of which they could only dream of in times of peace and stability.
Nevertheless, between the cracks of inhumanity that the book so meticulously documents, reassuring glimpses of a human light shine through, and it is this as much as the depravity it delineates that makes Rise Above Your Pain a compelling lesson from history and a story that needs to be told.
Life & Death in Mauthausen Concentration Camp
Olga and I were approached to translate and edit Vsevolod Ostin’s book Rise Above Your Pain by Olga Tkachenko, Head of the Sobolev Children’s Library in Kaliningrad, on the recommendation of a mutual acquaintance, author and journalist Boris Nisnevich.
The translated and edited text is scheduled for completion in early 2021, with a view towards publishing an English language version later in that year.
Vsevolod Ostin, survivor of Mauthausen concentration camp, author of Rise Above Your Pain
An afternoon in the company of Zoya Ostin, widow of Vsevolod Ostin, survivor of Mauthausen concentration camp, author of Rise Above Your Pain. {Top middle picture, left to right: Olga Tkachenko, Head of the Sobolev Children’s Library, Kaliningrad; Zoya Ostin; and Olga Korosteleva-Hart.}
Place laid at table for the deceased in keeping with Russian tradition, with glass of vodka and bread
